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Proposed layouts for Reform shop

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AmrutaVaishampayan1

The document provides details for the proposed layout of a reform shop located on the ground and upper ground floors of a building. It includes dimensional layouts showing the arrangement and sizes of areas like the entrance, organic cafe, fitting rooms, toilets, and dome display. The layouts also indicate built partitions, columns, wall panelling, and other construction elements. Color coding is used to distinguish between existing, built, and demolished walls and structures.

Art & Photos
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2 B I OP HI L I CDE S I GN C ONC E NT RI CDE S I GN P R OP OS E D L A Y OU T SF OR GE OT HE RMALC OOL I NG S Y S T E M RE F ORM S T ORE E NE RGYE F F I C I E NTL I GHT I NG ORGANI CC AF E S T AI RC AS E S P I RAL F AC ADE V I E W OFT HE S HOP DOME DI S P L A Y C ONC E P TS HE E T 2
E C O F RI E NDL YDE S I GN RE C Y C L E D MA T E RI AL S E T HI C S + AE S T HE T I C S = F AS HI ON S U S T AI NAB L E OX I DEY E L L OW DE NI M B L U E GRAS SGRE E N B RI GHTWHI T E C OL OU R P AL E T T E
 MA T E R I A L B O A R D
G A T E G A T E S T A C KP A R K I NG S T A C KP A R K I NG T OWA R D ST HA NE T OWA R D SB OR I V A L I
T OWA R D ST HA NE T OWA R D SB OR I V A L I G A T E G A T E S T A C KP A R K I NG S T A C KP A R K I NG
RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 TOPIC: PROPOSED CIVIL LAYOUT-GROUND FLOOR DATE: 5.1.2021 SHEET NO :7 22794,62 COLOUR INDICATION DESCRIPTION EXISTING WALLS 150 MM THICK BUILT WALLS 150 MM THICK DEMOLISHED WALLS 150 MM THICK RCC COLUMN EXISTING SLAB TO BE KEPT AS IT IS ENTRANCE 300 300 300 300 300 300 1800 1415 2474 3365 15150 580 1805 1050 1494 843 850 11237 850 700 6587 3800 700 850 550 905 605 1205 1200 1200 1200 450 450 453 1089 850 3100 450 850 4828 850 4037 1150 850 300 1900 696 15380 850 850 850 700 700 450 300 552 452 300 452 705 450 450 22089 1313 3676 1194 3676 1194 3511 1198 6252 900 4869 4705 8351 22914 22089 300 300 300 300 300 300 300 300 550 700 450 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 PROPOSED STAIRCASE UP Ø1400 1 5 0 4 0 0 1200 2 7 0 Ø3800
RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 TOPIC: PROPOSED CIVIL LAYOUT-UPPER GROUND FLOOR DATE: 5.1.2021 SHEET NO :8 22794,62 ENTRANCE COLOUR INDICATION DESCRIPTION EXISTING WALLS 150 MM THICK BUILT WALLS 150 MM THICK DEMOLISHED WALLS 150 MM THICK RCC COLUMN EXISTING SLAB TO BE KEPT AS IT IS 300 300 300 300 300 300 1800 1415 2474 3365 15150 580 1805 1050 1050 1494 843 850 11237 850 700 6587 3800 700 850 550 1205 1200 1200 1200 450 450 453 1700 1089 906 850 3100 450 850 4828 850 4037 1150 850 300 1900 696 15380 850 850 700 700 450 300 552 452 300 452 705 450 450 22089 1313 3676 1194 3676 1194 3511 1198 6252 900 4988 4869 4705 8351 22914 22089 300 300 300 300 300 450 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 DOWN Ø1400 1 5 0 4 0 0 1200 2 7 0 Ø3800
22794,62 R 7 0 5 9 2254 1723 2031 R 3 2 9 8 R 3 3 7 3 900 7 5 0 75 0 1 0 0 0 900 750 750 1000 750 750 1496 750 750 6 7 1 676 751 1905 R 6 9 8 4 R 7 0 5 9 2347 2038 TOPIC: PROPOSED PARTITION LAYOUT- GROUND FLOOR RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 750 R 6 9 8 4 R 7 0 5 9 3 0 4 7 1228 1 7 9 6 R 9 3 3 7 559 2049 2957 2231 568 2 6 7 7 1782 1725 5266 3022 7135 6221 17449 14010 4109 R 2 3 5 3 4 R 5 0 5 9 6 0 980 112 3844 3807 1082 552 552 299 299 Ø997 Ø897 299 299 Ø997 Ø897 299 299 Ø997 Ø897 COLOUR INDICATION DESCRIPTION BUILT PARTITIONS RCC COLUMN COLUMN CLADDING BRICK WALL WALL PANELLING D0 D3 D3 D3 1000 D2 D2 D3 D3 D3 D3 D3 D3 D1 D1 D1 360 360 360 360 360 360 ALL PARTITIONS ARE CURVE SHAPED AND MATERIAL IS GYPSUM MULTIBOARD 9.5 MM THICK. FRAMEWORK USED IN GYPROX CURVILINEAR CHANNELS DETAILS SPECIFIED IN DETAIL SHEET DATE: 5.1.2021 SHEET NO :9
TOPIC: PROPOSED PARTITION LAYOUT -UPPER GROUND FLOOR 22794,62 22794,62 22794,62 C' C B B' A A' D' D E' E 299 299 Ø997 Ø897 299 299 Ø997 Ø897 299 299 Ø997 Ø897 175 750 1 0 0 0 D3 D3 75 0 D3 D1 750 886 1000 D1 360 360 360 360 360 360 COLOUR INDICATION DESCRIPTION BUILT PARTITIONS RCC COLUMN COLUMN CLADDING BRICK WALL WALL PANELLING ALL PARTITIONS ARE CURVE SHAPED AND MATERIAL IS GYPSUM MULTIBOARD 9.5 MM THICK. FRAMEWORK USED IN GYPROX CURVILINEAR CHANNELS DETAILS SPECIFIED IN DETAIL SHEET RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 DATE: 5.1.2021 SHEET NO :9
TOPIC: PROPOSED LAYOUT FOR REFORM SHOP GROUND FLOOR-DIMENSIONAL LAYOUT 22794,62 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 DATE: 5.1.2021 SHEET NO :14 SCALE- 1:50 D0 6 C' C B B' A A' D' D E' E 573 500 409 2536 2431 900 619 Ø460 Ø600 1383 2146 1774 1725 R7204 R6973 1626 1228 1133 8 8 9 8 8 9 699 1222 4 2 7 2020 2020 R1240 R700 Ø1623 R1200 4349 5 2 5 5 2 5 R2848 600 R3000 R2400 2 4 5 2 3 0 6 5 R1000 R600 Ø1148 R2400 R3000 600 3 0 6 6 2 4 5 2 3761 1082 3889 552 552 933 10224 2000 R300 450 Ø4400 Ø3800 Ø1150 Ø 1 4 0 0 1 2 0 0 400 2608 Ø953 R300 600 3029 3590 3752 556 464 464 1268 1206 500 500 1564 650 1260 506 514 900 Ø460 Ø600 Ø460 Ø600 2000 1 7 8 5 1228 3 0 4 4 475 743 471 764 744 743 Ø729 R300 R230 R300 R300 Ø953 2000 45 0 R300 520 520 520 520 180 520 520 520 R 5 6 1 0 R 5 3 1 0 R 5 0 1 0 2691 2852 3014 522 498 522 498 R1240 R700 Ø1623 R1200 1415 2474 3365 580 1805 1050 1494 843 850 11237 850 700 3800 700 850 550 605 1200 1200 1200 450 450 453 1089 4828 850 4037 1150 850 300 1900 696 850 850 850 700 700 450 300 552 452 300 452 705 450 450 22089 1313 3676 1194 3676 1194 3511 1198 6252 900 4869 4705 8351 22914 22089 300 300 300 300 300 550 700 450 D1 ENTRANCE UP 28 27 26 25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 5 4 3 2 1 BAGGAGE COUNTER HISTORY WALL DOME DISPLAY DISPLAY STAIRCASE ELEVATOR WINDOW DISPLAY CASH DESK LADIES TOILET TOILET FOR WHEELCHAIR USERS ORGANIC FOOD PRODUCTS ORGANIC CAFE KITCHEN MEN FITTING ROOMS WOMEN FITTING ROOMS STORAGE ROOM GENTS TOILET DOME DISPLAY STAFF AREA D0 D3 D3 D3 D2 D2 D3 D3 D3 D3 D3 D3 D1 D1
TOPIC: PROPOSED LAYOUT FOR REFORM SHOP UPPER GROUND-MEZZANINE FLOOR- DIMENSIONAL LAYOUT 22794,62 De Baed De Bae d De Baed De Bae d 22794,62 22794,62 C' C B B' A A' D' D E' E 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 DATE: 5.1.2021 SHEET NO :15 SCALE- AS MENTIONED ENTRANCE 2712 1956 1563 R 5 5 5 2 800 6322 5402 495 495 1631 2620 1186 500 499 2000 450 R1240 R1200 R700 699 699 889 Ø729 600 600 1457 1543 R2850 R2250 1222 1222 5222 1000 1000 1000 969 898 R14759 400 700 Ø600 Ø460 23381 Ø600 1051 1956 R5477 R 2 8 5 0 2979 3362 5666 16501 2964 2141 1200 Ø1200 Ø 1 4 0 0 R2200 R1900 R1240 R700 Ø1623 R1200 300 300 300 300 300 300 1800 1415 2474 3365 15150 580 850 11237 850 700 700 850 1200 453 1700 1089 906 850 3100 450 850 4828 4037 1150 850 300 1900 696 15380 850 850 700 700 450 300 552 452 300 22089 1313 3676 1194 3676 1194 3511 1198 6252 900 4988 4869 4705 8351 22914 22089 300 300 300 300 300 450 HANDMADE PRODUCTS FITTING ROOMS DOME DISPLAY TAILOR ROOM SEATING AREA STAIRCASE ELEVATOR EMERGENCY EXIT D3 D3 D3 D1 D1
W A L K W A Y 1 5
1 6
PLATFORM LIFT FOR WHEELCHAIR ACCESS BY MOBILITY AIDS PVC CHARCOAL PANELS DENIM PLANTERS AUTOMATIC SLIDING ENTRANCE DOOR BY ENOX FACADE ELEVATION RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS SCALE- AS MENTIONED 19 MM THICK PRE CAST TERRAZZO SLAB 900 MM HIGH PLINTH 4 MM THICK, 1220 X 1500 MM SIZE, COIL COATED (NO VOC) ACP SHEET (BY ALUDECOR) CONTAINING RECYCLED ALUMINIUM CLADDING SS FINISHED TOP GLASS PATCH FITTING BY ENOX, GLASS SEALING PROFILE FLOOR TO GLASS, PRODUCT CODE:EGP 510 12 MM THICK TOUGHENED GLASS BY SAINT GOBAIN ACTIVATOR SENSOR FOR AUTOMATIC SLIDING DOOR SIGNBOARD AND LOGO FROM POST CONSUMER RECYCLED PLASTIC 9450 1150 7400 900 914 233 150 150 150 150 150 1093 1963 3450 2350 2440 2400 2550 PLATFORM LIFT FOR WHEELCHAIR USERS STAIRCASE STAIRCASE STAIRCASE STAIRCASE DATE: 5.1.2021 SHEET NO :17 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50
RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS 387 450 300 150 697 SECTION A-A' 150 MM THICK SLAB 12 MM THICK GYPSUM BOARD CEILING SUSPENDED AT FROM FFL PNEUMATIC VACUUM ELEVATOR FOR WHEELCHAIR ACCESS 60 MM DIA 22 FEET HIGH BAMBOO POLES FIXED IN 100 MM HIGH WOODEN MEMBER ON THE FLOOR AND FIXED IN THE CEILING DENIM PLANTER COLUMNS CLADDED WITH 5 PLY SALVAGED CARDBOARD 990 MM DIA 300 MM DEEP NICHE FOR SHELVING MADE OUT OF RECLAIMED WOOD PALLETS IN THE WALL 1050 X 2100 MM VERTICAL MIRROR 40 MM DIA STAINLESS STEEL PIPE BLACK POWDER COATED CURVED IN 1800 MM DIA DISPLAY RACK WALL PAINT WITH USED DENIM FIBRES (TEXTILE PAINT BY COLOURCOATS) 550 MM DEEP DISPLAY SHELF MADE OUT OF 5 PLY CARDBOARD 2700 MM HIGH CARDBOARD DOME WITH 2170 MM OUTER DIAMETER 520 X 430 MM TIRE SEATING WITH RECYCLABLE POLYSTYRENE FOAM VIRTUAL MIRROR FOR TRIAL RECLAIMED WOODEN PALLET SHELVING IN THE TIRES SUSPENDED ON THE WALL WITH THE HELP OF RECYCLED ROPES 150 MM THICK SLAB 850 8700 700 1465 2100 1195 2300 83 527 620 1950 3150 995 1754 2001 4117 4200 DOME DISPLAY DISPLAY-CARDBOARD SHELVES STAIRCASE TO MEZZANINE FLOOR PNEUMATIC ELEVATOR CAFETERIA DATE: 5.1.2021 SHEET NO :18 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 A A' A A'
RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS SECTION B-B' PNEUMATIC VACUUM ELEVATOR FOR WHEELCHAIR ACCESS 60 MM DIA 22 FEET HIGH BAMBOO POLES FIXED IN 100 MM HIGH WOODEN MEMBER ON THE FLOOR AND FIXED IN THE CEILING DENIM PLANTER COLUMNS CLADDED WITH 5 PLY SALVAGED CARDBOARD HISTORY WALL HIGHLIGHTING COMPANY'S MAJOR EVENTS AND PROGRESS THROUGH YEARS IN FORM OF PICTURES AND WRITTEN INFORMATION WITH SOLID ACRYLIC LETTERS DENIM PANTS SUSPENDED ON WALL WITH ROPE AND PULLEY SYSTEM BAMBOO RAILING EXTERNAL GLASS FACADE 550 MM DEEP DISPLAY SHELF MADE OUT OF 5 PLY CARDBOARD 2700 MM HIGH CARDBOARD DOME WITH 2170 MM OUTER DIAMETER 850 700 3500 83 700 850 3267 83 189 50 150 936 1315 1465 8400 8317 8700 HISTORY WALL DOME DISPLAY STAIRCASE TO MEZZANINE FLOOR 150 MM THICK SLAB 150 MM THICK SLAB DATE: 5.1.2021 SHEET NO :19 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 B' B' B B
RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS SECTION C-C' CRUSHED GLASS AND RECYCLED PLASTIC EMBEDDED IN CONCRETE COUNTERTOP PLANTER HANGING FROM CEILING WITH ROPES FOLDABLE WOODEN WRITING MENU BOARD 730 MM DIA RECLAIMED WOODEN ROUND TABLE TOP AND BLACK POWDER COATED MS LEGS SALVAGED CARDBOARD AND STYROFOAM CHAIR 990 MM DIA 300 MM DEEP NICHE FOR SHELVING MADE OUT OF RECLAIMED WOOD PALLETS IN THE WALL 1050 X 2100 MM VERTICAL MIRROR WALL PAINT WITH USED DENIM FIBRES (TEXTILE PAINT BY COLOURCOATS) 550 MM DEEP DISPLAY SHELF MADE OUT OF 5 PLY CARDBOARD 1592 993 2100 2652 1465 439 887 2100 750 695 800 ORGANIC CAFE TOILET FOR DIFFERENTLY ABLED PEOPLE MENS FITTING ROOMS STAFF AREA STORAGE ROOM WOMENS FITTING ROOM LADIES RESTROOM GENTS RESTROOM DATE: 5.1.2021 SHEET NO :20 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 C' C C C'
SECTION D-D' RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 DATE: 5.1.2021 TOPIC: PROPOSED SECTIONAL ELEVATIONS 150 MM THICK SLAB 12 MM THICK GYPSUM BOARD CEILING SUSPENDED AT FROM FFL 150 MM THICK SLAB COLUMNS CLADDED WITH 5 PLY SALVAGED CARDBOARD SALVAGED CARDBOARD AND STYROFOAM CHAIR BAMBOO RAILING 2700 MM HIGH CARDBOARD DOME WITH 2170 MM OUTER DIAMETER HISTORY WALL HIGHLIGHTING COMPANY'S MAJOR EVENTS AND PROGRESS THROUGH YEARS IN FORM OF PICTURES AND WRITTEN INFORMATION WITH SOLID ACRYLIC LETTERS 990 MM DIA 300 MM DEEP NICHE FOR SHELVING MADE OUT OF RECLAIMED WOOD PALLETS IN THE WALL 550 MM DEEP DISPLAY SHELF MADE OUT OF 5 PLY CARDBOARD 1200 X 800 MM BATHROOM WALL TILES 565 X 195 MM COUNTER TOP WASHH BASIN AT 1000 MM FROM FFL TOILET FOR DIFFERENTLY ABLED PEOPLE CASH DESK MENS FITTING ROOM HISTORY WALL DOME DISPLAY DISPLAY (CARDBOARD SHELVES) WINDOW DISPLAY STAIRCASE PLATFORM LIFT 900 150 1113 1234 1984 8400 700 150 1475 6842 4099 865 1315 3267 2652 1000 698 2100 2652 1198 698 1204 NILAYA NATURAL ORGANIC WALL PAINT BY ASIAN PAINTS SHEET NO :21 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 D' D D' D
RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS SECTION E-E' DISPLAY OF TREE MADE OUT OF CARDBOARD USED FROM CARDBOARD BOXES SHIPPING TO THE STORE BRANCHES -CORRUGATED PAPER ROLLED TWISTED SHAPED SUSPENDED LUMINAIRE RECYCLED POLYCARBONATE BRAND-PHILIPS 600 X 600 REINDEER MOSS WALL PANELS FITTED INTO WOODEN BACK FRAMES PNEUMATIC VACUUM ELEVATOR FOR WHEELCHAIR ACCESS 60 MM DIA 22 FEET HIGH BAMBOO POLES FIXED IN 100 MM HIGH WOODEN MEMBER ON THE FLOOR AND FIXED IN THE CEILING DENIM PANTS SUSPENDED ON WALL WITH ROPE AND PULLEY SYSTEM 520 X 430 MM TIRE SEATING WITH RECYCLABLE POLYSTYRENE FOAM 730 MM DIA RECLAIMED WOODEN ROUND TABLE TOP AND BLACK POWDER COATED MS LEGS 1465 700 850 4200 4100 1742 2385 250 1315 715 999 800 438 718 150 8400 8317 2735 2635 900 NILAYA NATURAL ORGANIC WALL PAINT BY ASIAN PAINTS ORGANIC CAFE CAFE SERVING COUNTER STAIRCASE TO MEZZANINE FLOOR PNEUMATIC ELEVATOR DISPLAY WINDOW DISPLAY DATE: 5.1.2021 SHEET NO :22 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 E E' E' E
RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 59 TOPIC: PROPOSED LAYOUT FOR REFORM SHOP GROUND FLOOR SCALE- 1: 50 DATE: 22794,62 2 MAGNUM-LARGE TERAZZO SLABS MAKE: BHARAT FLOORING SIZE: 1000 X 600 MM THICKNESS: 18 MM MATERIAL: TOPPING - WHITE OR GREY CEMENT, PIGMENT, FILLER, RECYCLED- T3 SIZE MARBLE, STONE AND GLASS CHIPS BACKING - GREY AND WHITE CEMENT, STONE GRIT/ DUST 19 MM THICK PRE CAST TERRAZZO SLAB BIO BASED TILE SIZE: 600 X 1000 COMPANY: ARMSTRONG COATED WITH BFT VIRUS SHIELD LEVEL INDICATION FROM FFL 1 MAGNUM-LARGE TERAZZO SLABS MAKE: BHARAT FLOORING SIZE: 1000 X 600 MM THICKNESS: 18 MM MATERIAL: TOPPING - WHITE OR GREY CEMENT, PIGMENT, FILLER, RECYCLED- T3 SIZE MARBLE, STONE AND GLASS CHIPS BACKING - GREY AND WHITE CEMENT, STONE GRIT/ DUST 3 RECYCLED PLASTIC TILE FEATURE: MADE FIREPROOF BY ADDING SAND SIZE: 600 X 600 MM THICKNESS 12 MM COMPANY: SHAYNA ECOUNIFIED 4 RECYCLED RUBBER FLOOR MAT TILE: MADE FROM RECYCLED TIRE RUBBERS. COLOUR : BLACK THICKNESS: 10 MM SIZE: 600 X 600 MAKE: FAB FLOORINGS INDIA SYMBOL DESCRIPTION STARTING TILE INDICATION NAHNI TRAP RECYCLED RUBBER FLOOR MAT TILE 600 X 600 MM RECYCLED PLASTIC TILE BY SHAYNA ECOUNIFIED CAST-IN-SITU TERRAZZO CASTED ON SITE -CREAM ITALIAN WHITE MARBLE AND RECYCLED GLASS CHIPS ON WHITE BASE STONE FLOORING UNDER THE COUNTER ANTISKID TILE IN THE TOILET AREA MAGNUM - BLUE LAGOON BASE WITH MIX T3 SIZE GLASS CHIPS WITH WHITE CEMENT BACKING AND STONE DUST BAMBOO STAIRCASE TREAD SHOWN IN DOTTED 30 MM WIDE ALUMINIUM TRANSITION STRIP 5 MM THICK ALUMINIUM DIVIDER STRIP PLACED AT 1500 MM BREATHING DISTANCE FOR TERRAZZO FLOOR 5. RECYCLABLE CARPET TILE BRAND: INTERFACE SIZE: 500 X 500 MM TEXTURE:TUFTED TEXTURE THICKNESS: 7 MM RECYCLED CARPET FIBRES BACKING: GLASBAC®RE 100 % RECYCLED POST CONSUMER CONTENT ADHESIVE: LOW VOC INTERTAC, A WATER BASED ACRYLIC R5040 R3374 R3404 Ø2100 Ø4100 1500 1500 1500 1500 1500 180 600 600 600 600 600 600 485 298 507 600 600 600 600 600 600 600 600 600 600 600 249 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 100 A E D C WHITE COLOURED TILES, BROKEN DISHES AND GLASS MOSAIC FILLED IN SPECIFIED SHAPE GREEN COLOURED TILES, BROKEN DISHES AND GLASS MOSAIC FILLED IN SPECIFIED SHAPE COLOURED WASTE TILES, BROKEN DISHES AND GLASS MOSAIC FILLED IN SPECIFIED SHAPE B F 40 X 14 FLEXIBLE ALUMINIUM DIVIDER STRIP 648 600 600 481 600 447 600 525 150 300 444 1500 1500 600 600 600 600 600 600 600 272 1500 1500 1500 1500 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 1800 1198 6252 900 1194 3511 3676 1194 1838 1838 1191 2465 666 751 15070 19281 21969 BAGGAGE COUNTER 1. ENTRANCE WOMENS FITTING ROOMS STAFF AREA MANNEQUINS STORAGE ROOM STAIRCASE WHEELCHAIR ACCESS ELEVATOR TOILET FOR DIFFERENTLY ABLED TOILET MEN FITTING ROOMS KITCHEN AND SERVING COUNTER ORGANIC CAFE WINDOW DISPLAY +/-00 -10 +/-00
RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 59 TOPIC: PROPOSED LAYOUT FOR REFORM SHOP UPPER GROUND-MEZZANINE FLOOR SCALE- 1: DATE: 22794,62 22794,62 22794,62 COATED WITH BFT VIRUS SHIELD 1 MAGNUM-LARGE TERAZZO SLABS MAKE: BHARAT FLOORING SIZE: 1000 X 600 MM THICKNESS: 18 MM MATERIAL: TOPPING - WHITE OR GREY CEMENT, PIGMENT, FILLER, RECYCLED- T3 SIZE MARBLE, STONE AND GLASS CHIPS BACKING - GREY AND WHITE CEMENT, STONE GRIT/ DUST 3 RECYCLED PLASTIC TILE FEATURE: MADE FIREPROOF BY ADDING SAND SIZE: 600 X 600 MM THICKNESS 12 MM COMPANY: SHAYNA ECOUNIFIED NAHNI TRAP LEVEL INDICATION FROM FFL STARTING TILE INDICATION SYMBOL DESCRIPTION 2 MAGNUM-LARGE TERAZZO SLABS MAKE: BHARAT FLOORING SIZE: 1000 X 600 MM THICKNESS: 18 MM MATERIAL: TOPPING - WHITE OR GREY CEMENT, PIGMENT, FILLER, RECYCLED- T3 SIZE MARBLE, STONE AND GLASS CHIPS BACKING - GREY AND WHITE CEMENT, STONE GRIT/ DUST BAMBOO STAIRCASE TREAD BAMBOO STAIRCASE TREAD 600 X 600 MM RECYCLED PLASTIC TILE BY SHAYNA ECOUNIFIED CAST-IN-SITU TERAZZO WITH DIVIDER STRIPS AND CREAM ITALIAN WHITE MARBLE AND BLUE AND GREEN GLASS CHIPS ON WHITE BASE MAGNUM - BLUE LAGOON BASE WITH MIX T3 SIZE GLASS CHIPS WITH WHITE CEMENT BACKING AND STONE DUST 30 MM WIDE CUSTOM RECLAIMED WOOD TRANSITION STRIP G H D 19 MM THICK PRE CAST TERRAZZO SLAB 600 397 21 644 1427 1492 1324 638 363 391 1500 1500 1500 1500 394 1500 1500 1500 1500 1500 1500 1500 1500 1500 1500 1500 1500 1500 549 533 R 5 6 2 2 R 3 4 2 9 3022 1606 2999 1655 2380 941 554 1500 1500 974 949 518 846 656 1059 452 234 541 1054 307 1697 969 1086 1130 272 843 2181 1188 412 485 363 1372 379 1238 1041 235 7411 50 19281 21969 DISPLAY DISPLAY DISPLAY DISPLAY TAILOR ROOM EMERGENCY EXIT FITTING ROOMS MANNEQUINS DISPLAY STAIRCASE WHEELCHAIR ACCESS ELEVATOR SCALE- 1: 50 900 1050 1200 1350 1500 1650 1800 1950 2100 2250 2400 2550 2700 2850 3000 3150 3300 3450 3600 3750 3900 4050 4200
5 MM THICK FLEXIBLE DIVIDER STRIP OF ALUMINIUM 18 MM THICK TERRAZZO FLOORING POURED WITH POLYMERIC AND CEMENT BINDER 65 MM SCREEDING MARBLE, STONE, GLASS CHIPS AGGREGATE SIZE 9-10 MM PROPORTION OF AGGREGATES: BINDER- 1.5 :1 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS TOPIC: DETAILS FOR FLOORING LAYOUT ROLL NO- 56 SIGNATURE AND REMARKS: SCALE- AS MENTIONED DETAIL A BROKEN TILES, DISHES,GLASS PIECES APPROX. SIZE: 25-40 MM FIXED WITH CEMENT MORTAR AND TILE GROUT DETAIL B 4 MM RICH CEMENT 8 MM THICK MOSAIC PATTERN 65 MM THICK SCREEDING DETAIL C SECTION AT B DETAIL D 7 MM THICK 500 X 500 SIZE RECYCLED CARPET TILE BY INTERFACE 3 MM THICK LOW VOC, INTERTAC WATER BASED ACRYLIC ADHESIVE 50 MM PCC 150 MM RCC SLAB 18 MM THICK TERRAZZO FLOORING POURED WITH POLYMERIC AND CEMENT BINDER 65 MM SCREEDING MARBLE, STONE, GLASS CHIPS AGGREGATE SIZE 9-10 MM PROPORTION OF AGGREGATES: BINDER- 1.5 :1 150 MM RCC SLAB 5 MM THICK DIVIDER STRIP OF ALUMINIUM 18 MM THICK TERRAZZO FLOORING POURED WITH POLYMERIC AND CEMENT BINDER 65 MM SCREEDING MARBLE, STONE, GLASS CHIPS AGGREGATE SIZE 9-10 MM PROPORTION OF AGGREGATES: BINDER- 1.5 :1 50 MM PCC 150 MM RCC SLAB 40 X 14 MM FLEXIBLE TRANSITION STRIP OF ALUMINIUM SCALE- 1: 1 SCALE- 1: 1 SCALE- 1: SCALE- 1: SCALE- 1: 1 18 65 50 5 1750 620 280 420 90 7 18 65 50 5 48 48 3 4 40 5 48 14 69 50 18 4 2 33 150 MM RCC SLAB FLEXIBLE, GALVANIZED STEEL WIRE CHICKEN WIRE MESH 1 MM THICK
25 MM NOSING 38 MM THICK, 1000 X 300 MM BAMBOO TREAD 450 X 600 MM, STEEL I BEAM 20 MM THICK FLANGE 100 X 300 MM, 6.35 MM THICK STEEL PLATE 6 MM DIA, 30 MM LENGTH COUNTERSUNK SCREWS RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS TOPIC: DETAILS FOR FLOORING LAYOUT ROLL NO- 56 SIGNATURE AND REMARKS: SCALE- 1:1 DETAIL E DETAIL F DETAIL G DETAIL H 4 MM THICK RICH CEMENT 5 MM THICK FLEXIBLE DIVIDER STRIP OF ALUMINIUM 65 MM SCREEDING 18 MM THICK TERRAZZO FLOORING POURED WITH POLYMERIC AND CEMENT BINDER 50 MM PCC 150 MM RCC SLAB 40 X 14 MM FLEXIBLE TRANSITION STRIP OF ALUMINIUM 7 MM THICK BIO BASED TILE BY ARMSTRONG SCALE- 1: 2 MARBLE, STONE, GLASS CHIPS AGGREGATE SIZE 9-10 MM PROPORTION OF AGGREGATES: BINDER- 1.5 :1 SCALE- 1: 2 12 MM THICK RECYCLED PLASTIC TILE BY SHAYNA ECOUNIFIED 18 MM THICK CEMENT MORTAR BEDDING 18 MM THICK NATURAL BAMBOO SOLID WOOD PLANK BY KAARA FLOORING 2 MM THICK UNDERLAY FOR WOODEN FLOORING 50 MM PCC 65 MM SCREEDING 150 MM RCC SLAB 50 MM PCC 65 MM SCREEDING 150 MM RCC SLAB 4 MM THICK RICH CEMENT 4 MM THICK RICH CEMENT 7 MM THICK BIO BASED TILE BY ARMSTRONG 4 MM RICH CEMENT 8 MM THICK MOSAIC PATTERN 40 X 14 MM FLEXIBLE TRANSITION STRIP OF ALUMINIUM 18 7 20 3 2 633 25 38 6.35 9 0 325 25 150 112 12 1865 50 18 2
TOPIC: PROPOSED CEILING LAYOUT FOR SHOP 22794,62 SR. NO PICTURE MATERIAL DESCRIPTION 1 POLYESTER (PET) FELT 60% PRE-CONSUMER RECYCLED BRAND: TURF CEILINGS 100 % RECYCLED WOODWORKS CHANNELED TEGULAR FSC CERTIFIED REAL WOOD VENEER VENEER SPECIFICATION: 5904W7 IN NATURAL VARIATIONS LIGHT CHERRY (NLC) MATERIALS: 100 % RECYCLED PAPER LINERS, GYPSUM 1220 MM X 2440 MM, 12 MM THICK GYPSUM PLAIN BOARD BY SAINT GOBAIN (GYPROC PLAIN) 2 3 22794,62 B B' E' E POLYESTER RECYCLED BAFFLE CEILING POLYESTER RECYCLED BAFFLE CEILING 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d + 2635 + 2635 + 2635 + 2635 + 2935 + 2935 + 2935 + 2935 + 7135 + 7135 + 7135 + 7135 + 7135 + 6935 + 6935 + 6935 + 6935 + 6935 + 2485 + 6685 + 2485 4010 R2850 257 SECTION B-B' 1465 850 1450 1715 265 709 700 850 1715 SECTION E-E' RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
22794,62 22794,62 22794,62 TOPIC: PROPOSED CEILING LAYOUT FOR SHOP SR. NO PICTURE MATERIAL DESCRIPTION POLYESTER (PET) FELT 60% PRE-CONSUMER RECYCLED BRAND: TURF CEILINGS 100 % RECYCLED WOODWORKS CHANNELED TEGULAR FSC CERTIFIED REAL WOOD VENEER VENEER SPECIFICATION: 5904W7 IN NATURAL VARIATIONS LIGHT CHERRY (NLC) MATERIALS: 100 % RECYCLED PAPER LINERS, GYPSUM 1220 MM X 2440 MM, 12 MM THICK GYPSUM PLAIN BOARD BY SAINT GOBAIN (GYPROC PLAIN) GYPSUM MOISTURE RESISTANT BOARD 15 MM THICK, 1220 MM X 2440 MM MATERIAL: WOOD FIBER PANEL BRAND: ARMSTRONG 98% BIOBASED PRODUCT CERTIFIED SUSTAINABLE CEILING 25 MM THICK 1200 MM DIAMETER E' E GYPSUM MOISTURE RESISTANT BOARD GYPSUM MOISTURE RESISTANT BOARD WOOD FIBER PANEL + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2635 + 2635 + 2635 + 2635 + 2635 + 2635 + 2635 + 2785 + 2785 1739 2772 Ø1200 Ø1200 74 202 5037 4412 1240 22794,62 5133 4921 7456 75 5879 E' B B' E' SECTION B-B' 1465 1315 625 1565 600 700 150 1465 100 850 615 1465 723 SECTION E-E' RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE ENTRANCE
SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 59 TOPIC: PROPOSED REFLECTED CEILING LAYOUT FOR SHOP- MEZZANINE LEVEL SCALE- 1: DATE: 22794,62 22794,62 C' C B B' A A' D' D E' E 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d S S CEILING SWIRL DIFFUSER RETURN AIR GRILL SUPPLY AIR GRILL SMOKE DETECTOR FIRE SPRINKLER PENDANT LIGHT CEILING SUSPENDED TUBE LIGHT RECESSED SPOT LIGHT LED STRIP LIGHT SYMBOL DESCRIPTION TRACK LIGHT S RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) HIGH CEILING SPEAKER LOW CEILING SPEAKER
C' C B B' A A' D' D E' E SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS TOPIC: PROPOSED CEILING LAYOUT FOR SHOP ROLL NO- 59 SCALE- 1: DATE: 22794,62 22794,62 22794,62 22794,62 S RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) S CEILING SWIRL DIFFUSER RETURN AIR GRILL SUPPLY AIR GRILL SMOKE DETECTOR FIRE SPRINKLER PENDANT LIGHT CEILING SUSPENDED TUBE LIGHT RECESSED SPOT LIGHT LED STRIP LIGHT SYMBOL DESCRIPTION TRACK LIGHT HIGH CEILING SPEAKER LOW CEILING SPEAKER ENTRANCE ENTRANCE
22794,62 22794,62 22794,62 22794,62 SB1 SB2 SB3 S2 S6 S3 S4 S5 S7 S9 T1 T2 T3 T4 T5 T6 S8 P1 P2 P3 P4 L13 L14 L15 L16 L17 L18 L19 L20 P4 P5 P3 SP2 SP1 SP3 SP4 SP5 P6 SP8 SP7 S1 S10 S11 M1 M2 M3 M4 M5 M6 M7 M8 M9 M10 M11 M12 R5 R1 R2 R3 R4 R6 R11 R13 R12 R7 R8 R10 R9 SP9 SP11 SP12 SP10 R11 R12 F1 F2 F3 F4 F5 F6 F7 F8 F9 R14 R13 L14 L1 L2 L3 L4 L5 L6 L10 L11 L12 L13 L9 L8 L7 L16 L15 F15 F16 F17 F18 F19 F20 F21 SL1 SL2 F10 F11 F12 F13 F14 RL1 RL2 RL3 RL4 SL6 SL7 SL8 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :38 ENTRANCE SURFACE MOUNTED CEILING LIGHT (14W) S1, S2... HIGH CEILING LIGHT PENDANT LIGHT T1, T2... P1, P2... L1, L2.. TRACK LIGHT LED STRIP LIGHT SL1, SL2... SURFACE MOUNTED SPOT LIGHT (12W) SP1, SP2... RECESSED LIGHT EMERGENCY DOWNLIGHT R1, R2... E1, E2.. LIGHT POINTS FROM CEILING M1,M2... LED POWERCORE FRONT LIGHT LIGHT POINTS FROM WALL FACADE LIGHT DECO FLOOD LIGHT PHILIPS D1, D2.. TOPIC: PROPOSED LIGHTING LAYOUT FOR SHOP- GROUND FLOOR LEVEL ENTRANCE LIGHT POINTS FROM FLOOR 966 1105 689 531 1691 1544 891 1645 3371 1322 917 949 1260 1475 2400 1031 1196 2728 1389 1501 1471 2855 1929 1788 1315 1456 1144 432 3503 2354 3563 430 1753 1455 1532 1461 1378 484 12714 2088 2116 240 2179 2711 1368 711 723 741 1348 233 1404 220 1789 594 638 948 223 1207 232 1197 630 278 1172 282 1314 1195 1180 272 1457 286 316
22794,62 22794,62 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d L46 L47 L44 L45 L43 L42 L41 L40 SP13 SP14 SP15 SP16 SP17 SP18 SP19 SP20 SP21 SP22 SP23 SP23 SP41 SP24 SP40 SP39 SP38 SP25 SP37 SP35 SP26 SP27 SP36 SP33 SP32 SP31 SP34 SP31 SP28 SP15 SP30 SP29 R15 F16 R18 R17 R16 R20 R21 R19 M13 M14 M15 M16 M17 M18 E1 E2 E3 L29 L28 L27 L19 L18 L17 L20 L21 L22 L23 L35 L34 L33 L32 L31 L30 L36 L37 L38 L39 L26 L25 L24 SL3 SL4 SL5 R11 R13 R12 F1 F2 F3 F4 F5 F6 F7 F8 F9 F10 F11 F12 F13 F14 SL9 SL10 SL12 SL11 SURFACE MOUNTED CEILING LIGHT (14W) S1, S2... HIGH CEILING LIGHT PENDANT LIGHT T1, T2... P1, P2... L1, L2.. TRACK LIGHT LED STRIP LIGHT SL1, SL2... SURFACE MOUNTED SPOT LIGHT (12W) SP1, SP2... RECESSED LIGHT EMERGENCY DOWNLIGHT R1, R2... E1, E2.. LIGHT POINTS FROM CEILING M1,M2... LED POWERCORE FRONT LIGHT TOPIC: PROPOSED LIGHTING LAYOUT FOR SHOP- MEZZANINE LEVEL RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :37 LIGHT POINTS FROM WALL FACADE LIGHT DECO FLOOD LIGHT PHILIPS D1, D2.. ENTRANCE LIGHT POINTS FROM FLOOR 720 892 723 606 1016 1027 824 622 1116 1161 1223 1802 1449 1218 721 1170 2563 381 877 470 484 808 1610 1373 1477 2194 1439 1043 1505 2116 1863 1872 2958 1845 1361 1408 2369 780 1200 1195 1173 573 666 1033 2151086 233 964 465 290 1273 1 5033 288 5436 249 8854
TOPIC: PROPOSED RACEWAY LAYOUT FOR SHOP 22794,62 22794,62 22794,62 22794,62 MDB 1 MDB 2 ELECTRICAL PANEL SB1 SB2 SB3 SB4 SB7 SB6 SB5 SB8 SB8 SB9 SB10 SB11 L13 L14 L15 L16 L17 L18 L19 L20 F1 F2 F3 F4 F5 F6 F7 F8 F9 SL1 SL2 JUNCTION BOX BRAND: LEGRAND SIZE:325 X 325 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :39 JUNCTION BOX 25 HIGH TRUNKING PCC SCREED HEIGHT 65 MM 65 325 1 MM THICK CHICKEN WIRE GALVANIZED STEEL MESH ON THE TRUNKING ENTRANCE
TOPIC: PROPOSED RACEWAY LAYOUT FOR SHOP- MEZZANINE LEVEL 22794,62 22794,62 MDB 3 MDB 4 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d F11 F12 F13 F14 L13 L13 L13 L13 L13 L13 L13 L13 F15 SL3 SL4 SL5 JUNCTION BOX BRAND: LEGRAND SIZE:325 X 325 JUNCTION BOX 25 HIGH TRUNKING PCC SCREED HEIGHT 65 MM 65 325 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :40 ENTRANCE
22794,62 22794,62 MDB 3 MDB 4 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d SB13 L46 L47 L44 L45 L43 L42 L41 L40 SP13 SP14 SP15 SP16 SP17 SP18 SP19 SP20 SP21 SP22 SP23 SP23 SP41 SP24 SP40 SP39 SP38 SP25 SP37 SP35 SP26 SP27 SP36 SP33 SP32 SP31 SP34 SP31 SP28 SP15 SP30 SP29 R15 F16 R18 R17 R16 R20 R21 R19 M13 M14 M15 M16 M17 M18 E1 E2 E3 L29 L28 L27 L19 L18 L17 L20 L21 L22 L23 L35 L34 L33 L32 L31 L30 L36 L37 L38 L39 L26 L25 L24 SL3 SL4 SL5 R11 R13 R12 F1 F2 F3 F4 F5 F6 F7 F8 F9 F10 F11 F12 F13 F14 SB14 SL9 SL10 SL12 SL11 SURFACE MOUNTED CEILING LIGHT (14W) S1, S2... HIGH CEILING LIGHT PENDANT LIGHT T1, T2... P1, P2... L1, L2.. TRACK LIGHT LED STRIP LIGHT SL1, SL2... SURFACE MOUNTED SPOT LIGHT (12W) SP1, SP2... RECESSED LIGHT EMERGENCY DOWNLIGHT R1, R2... E1, E2.. LIGHT POINTS FROM CEILING M1,M2... LED POWERCORE FRONT LIGHT TOPIC: PROPOSED ELECTRICAL LAYOUT FOR SHOP- MEZZANINE LEVEL RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :37 LIGHT POINTS FROM WALL FACADE LIGHT DECO FLOOD LIGHT PHILIPS D1, D2.. ENTRANCE
22794,62 22794,62 22794,62 22794,62 MDB 1 MDB 2 ELECTRICAL PANEL SB1 SB2 SB3 SB4 SB7 SB6 SB5 SB8 SB9 SB10 SB11 SB12 S2 S6 S3 S4 S5 S7 S9 T1 T2 T3 T4 T5 T6 S8 P1 P2 P3 P4 L13 L14 L15 L16 L17 L18 L19 L20 P4 P5 P3 SP2 SP1 SP3 SP4 SP5 P6 SP8 SP7 S1 S10 S11 M1 M2 M3 M4 M5 M6 M7 M8 M9 M10 M11 M12 R5 R1 R2 R3 R4 R6 R11 R13 R12 R7 R8 R10 R9 SP9 SP11 SP12 SP10 R11 R12 F1 F2 F3 F4 F5 F6 F7 F8 F9 R14 R13 L14 L1 L2 L3 L4 L5 L6 L10 L11 L12 L13 L9 L8 L7 L16 L15 F15 F16 F17 F18 F19 F20 F21 SL1 SL2 F10 F11 F12 F13 F14 RL1 RL2 RL3 RL4 SL6 SL7 SL8 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :38 ENTRANCE SURFACE MOUNTED CEILING LIGHT (14W) S1, S2... HIGH CEILING LIGHT PENDANT LIGHT T1, T2... P1, P2... L1, L2.. TRACK LIGHT LED STRIP LIGHT SL1, SL2... SURFACE MOUNTED SPOT LIGHT (12W) SP1, SP2... RECESSED LIGHT EMERGENCY DOWNLIGHT R1, R2... E1, E2.. LIGHT POINTS FROM CEILING M1,M2... LED POWERCORE FRONT LIGHT LIGHT POINTS FROM WALL FACADE LIGHT DECO FLOOD LIGHT PHILIPS D1, D2.. TOPIC: PROPOSED ELECTRICAL LAYOUT FOR SHOP- GROUND FLOOR LEVEL ENTRANCE
SWITCH BOARD NO AREA HEIGHT FROM FFL LIGHTING PARTICULARS SCHEDULE MDB 1 GENERAL LIGHTING, FITTING ROOMS 900 R1-R10, T1-T6, S1- S11, F1-F14, M1- M12 MDB 2 DISPLAY LIGHTING 900 L1-L12, P1, P2, F1- F14, SL1, SL2, F15- F21 SB1 WINDOW DISPLAY 1200 P3, L13-L16 SB2 WINDOW DISPLAY 1200 P4, L17-L20 SB3 CASH DESK 750 6 AMP PLUG POINT WITH A SWITCH 2, 16 AMP PLUG POINTS WITCH 2 SWITCHES SB4 CAFÉ 1200 SP1-SP4, P3-P4 SB5 KITCHEN 750 2, 6 AMP PLUG POINTS WITH 2 SWITCHES 1, 16 AMP PLUG POINT WITH 1 SWITCH SB6 KITCHEN 750 SP3-SP5 SB7 KITCHEN 750 3, 16 AMP PLUG POINTS WITH 3 SWITCHES SB8 TOILET 1200 RL1-RL4, SL6, SL7, SB9 TOILET FOR DIFFERENTLY ABLED 1000 RL1, SL8
SB10 STAFF AREA 1200 R11-R14, SP10 SB11 STAFF AREA 750 1, 16 AMP PLUG POINT WITH A SWITCH 1 , 6 AMP PLUG POINT WITH A SWITCH SB12 STORAGE ROOM 1200 SP11, SP12 MDB 3 GENERAL LIGHTING 1000 SP13-SP40, R15- R18 MDB 4 DISPLAY LIGHTING 1000 SL3-SL5, SL9-SL12, M13-M18, L17-L47 SB13 TAILOR ROOM 750 R19-R21, 1, 6 AMP PLUG POINT WITH A SWITCH, 1, 16 AMP PLUG POINT WITH A SWITCH MDB 5 ELEVATOR NOTE: • ALL CONNECTIONS FOR CCTV CAMERAS, ALARM SYSTEM, EMERGENCY), FIRE DETECTION PANEL FROM UPS. • ALL AUTOMATIC SENSOR EQUIPMENTS IN THE TOILET AREA ARE BATTERY OPERATED.
22794,62 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d 22794,62 MAIN FEEDER PIPE BRANCHES SMOKE DETECTOR FIRE SPRINKLER FEEDER PIPE 100, 70, 35 MM THICK PENDANT SPRINKLER 360 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY MULTI SENSOR SMOKE DETECTOR BRAND: SIEMENS OPERATING TEMPERATURE: 0 - 49 C DETECTION DIAMETER: 3000 MM C' C SECTION C-C' TOPIC: FIRE SPRINKLER LAYOUT RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE 2640 1888 2559 2559 2604 2595 2405 2511 2461 2519 2484 2575 2523 2479 PENDANT SPRINKLER 180 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY
22794,62 22794,62 22794,62 22794,62 C' C MAIN FEEDER PIPE BRANCHES SMOKE DETECTOR FIRE SPRINKLER SECTION C-C' 1701 1139 PENDANT SPRINKLER 360 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY MULTI SENSOR SMOKE DETECTOR BRAND: SIEMENS OPERATING TEMPERATURE: 0 - 49 C DETECTION DIAMETER: 3000 MM TOPIC: FIRE SPRINKLER LAYOUT RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE FEEDER PIPE 100, 70, 35 MM THICK 1775 2626 2512 3058 2533 2729 2743 2818 2860 2638 871 1725
22794,62 22794,62 SMOKE DETECTOR FIRE SPRINKLER PENDANT SPRINKLER 360 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY MULTI SENSOR SMOKE DETECTOR BRAND: SIEMENS OPERATING TEMPERATURE: 0 - 49 C DETECTION DIAMETER: 3000 MM ELECTRICAL SHUT OFF FIRE EXTINGUISHER FIRE EXIT ASSEMBLY POINT FIRE ALARM CALL POINT ESCAPE ROUTE 22794,62 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING ROLL NO- 56 TOPIC: FIRE FIGHTING LAYOUT AND EVACUATION LAYOUT SCALE- 1:50 ENTRANCE
22794,62 22794,62 22794,62 BRANCHES 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d TOWARDS BUILDING'S BACKSIDE STAIRCASE RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING ROLL NO- 56 SCALE- 1:50 TOPIC: FIRE FIGHTING LAYOUT AND EVACUATION LAYOUT SMOKE DETECTOR FIRE SPRINKLER PENDANT SPRINKLER 360 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY MULTI SENSOR SMOKE DETECTOR BRAND: SIEMENS OPERATING TEMPERATURE: 0 - 49 C DETECTION DIAMETER: 3000 MM ELECTRICAL SHUT OFF FIRE EXIT ASSEMBLY POINT FIRE ALARM CALL POINT ESCAPE ROUTE ENTRANCE FIRE EXTINGUISHER FOAM HEIGHT AT 1200 MM FROM FFL
DAMPER 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d GROUND SOURCE HEAT PUMP GEOTHERMAL EARTH VERTICAL LOOPS BOREFIELD WARM BOREFIELD COLD AHU AHU AHU S S TOPIC: HVAC LAYOUT TONNAGE CALCULATION: AREA (GROUND FLOOR) = 3500 SQ FEET TOTAL HEIGHT 28 FEET (14=14) VALUES TO BE DEDUCTED FALSE CEILING 4.8 +3.8 RAISED FLOOR = 100 = 0.3 FEET 3500 2 = 1750 VOLUME OF AIR: HALF AREA WITH THE MEZZANINE (1750) X HEIGHT TILL THE MEZZANINE (14-3.8-0.3=9.9) = 17325 HALF AREA ABOVE MEZZANINE= (1750) X HEIGHT ABOVE MEZZANINE (14-4.8=9.2) = 16100 HALF AREA WITHOUT MEZZANINE (1750) X HEIGHT (28-4.8-0.3= 22.9) = 40075 TOTAL VOLUME OF AIR= 17325 + 16100 + 40075= 73500 TOTAL TONNAGE REQUIRED VOLUME OF AIR/1000 =73500 / 1000 =73.5=74 TONS TYPE OF DIFFUERS USED: CEILING SWIRL DIFFUSERS TYPE XARTO BRAND: TROX VOLUME FLOW RATE RANGE /110 – 954 M³/H DIFFUSER FACE MADE OF GALVANISED SHEET STEEL, POWDER-COATED FOR SUPPLY AIR SUPPLY GRILL VENTILATION GRILLES MADE OF SHEET STEEL INDIVIDUALLY ADJUSTABLE, HORIZONTAL BLADES DIFFUSER-TYPE FRONT BORDER COMPANY- TROX SIZE: L-1225 MM, W-325 MM, H-225 MM X-CUBE AIR HANDLING UNIT COMPANY: TROX SIZE: 2000 MM X 1200 MM X 600 MM ULTRA VIOLET GERM IRRADIATION INSTALLED IN THE DUCT SYSTEM AHU SPECIFICATIONS TONNAGE SIZE-W X D X H COMPANY AHU 1 15 2500 X 1500 X 1200 TROX AHU 2 15 2500 X 1500 X 1200 TROX AHU 2 15 2500 X 1500 X 1200 TROX TOTAL 45 COLOUR INDICATION DESCRIPTION AC RIGID DUCT AHU SUPPLY GRILL RETURN GRILL 22794,62 22794,62 PLENUM 1300 1000 300 300 300 300 300 300 6000 300 1000 850 850 700 550 550 400 300 300 850 850 1000 150 150 700 150 550 300 300 300 300 300 2000 1200 2000 1200 2000 1200 557 558 505 15TONS 15TONS 15TONS 1000 850 150 700 150 550 150 400 150 550 700 R S AC FLEXIBLE DUCT AIR DAMPER CEILING SWIRL DIFFUSERS 850 x 450 DUCT 1000 x 500 DUCT 700 x 400 DUCT 700 x 400 DUCT 700 x 400 DUCT 850 x 450 DUCT 1000 x 500 DUCT 850 x 450 DUCT 1000 x 500 DUCT UVGI LIGHTS IN THE DUCT UVGI LIGHTS IN THE DUCT AIR DAMPER AIR DAMPER UVGI LIGHTS IN THE DUCT 550 x 350 DUCT 550 x 350 DUCT 550 x 350 DUCT 400 x 300 DUCT 400 x 300 DUCT RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
22794,62 22794,62 AHU SPECIFICATIONS TONNAGE SIZE-W X D X H COMPANY AHU 4 15 2500 X 1500 X 1200 TROX AHU 5 15 2500 X 1500 X 1200 TROX TOTAL 30 22794,62 S S S 10 TONS AHU 10 TONS 2000 AHU S S S TOPIC: HVAC LAYOUT RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 GROUND SOURCE HEAT PUMP GEOTHERMAL EARTH VERTICAL LOOPS BOREFIELD WARM BOREFIELD COLD TONNAGE CALCULATION: AREA (GROUND FLOOR) = 3500 SQ FEET TOTAL HEIGHT 28 FEET (14=14) VALUES TO BE DEDUCTED FALSE CEILING 4.8 +3.8 RAISED FLOOR = 100 = 0.3 FEET 3500 2 = 1750 VOLUME OF AIR: HALF AREA WITH THE MEZZANINE (1750) X HEIGHT TILL THE MEZZANINE (14-3.8-0.3=9.9) = 17325 HALF AREA ABOVE MEZZANINE= (1750) X HEIGHT ABOVE MEZZANINE (14-4.8=9.2) = 16100 HALF AREA WITHOUT MEZZANINE (1750) X HEIGHT (28-4.8-0.3= 22.9) = 40075 TOTAL VOLUME OF AIR= 17325 + 16100 + 40075= 73500 TOTAL TONNAGE REQUIRED VOLUME OF AIR/1000 =73500 / 1000 =73.5=74 TONS TYPE OF DIFFUERS USED: CEILING SWIRL DIFFUSERS TYPE XARTO BRAND: TROX VOLUME FLOW RATE RANGE /110 – 954 M³/H DIFFUSER FACE MADE OF GALVANISED SHEET STEEL, POWDER-COATED FOR SUPPLY AIR SUPPLY GRILL VENTILATION GRILLES MADE OF SHEET STEEL INDIVIDUALLY ADJUSTABLE, HORIZONTAL BLADES DIFFUSER-TYPE FRONT BORDER COMPANY- TROX SIZE: L-1225 MM, W-325 MM, H-225 MM X-CUBE AIR HANDLING UNIT COMPANY: TROX SIZE: 2000 MM X 1200 MM X 600 MM ULTRA VIOLET GERM IRRADIATION INSTALLED IN THE DUCT SYSTEM COLOUR INDICATION DESCRIPTION AC RIGID DUCT AHU SUPPLY GRILL RETURN GRILL R S AC FLEXIBLE DUCT AIR DAMPER CEILING SWIRL DIFFUSERS ENTRANCE
TOPIC: SECURITY LAYOUT FOR SHOP 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d 90° 90° 90° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 90° 1 1 0 ° 1 1 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° SYMBOL DESCRIPTION PICTURE EAS GATE (ELECTRONIC ARTICLE SURVEILLANCE) ESSENTIALS 2.0M OPEN FRAME RF PEDESTAL WITH THE ADVERTISEMENT POSTER INSERT BRAND: SENSORMATIC MATERIAL: ALUMINIUM FRAME AND GLASS SIZE: 500 X 200 MM PEOPLE COUNTING DEVICE BRAND: FOOTFALL CAM 3D PLUS SIZE: 600 X 150 MM MODEL NO: FC-F3DP02 LENS DEGREE STANDARD 90 DEGREE CONSUMPTION 5 WATTS MOUNTED WITH METAL DROP POLE DIGITAL VIDEO RECORDER BRAND: CP PLUS RESOLUTION: 1080P POWER SOURCE: CORDED ELECTRICAL USB, HDMI CONNECTOR INDOOR BULLET CAMERA BRAND: CP PLUS 20 MTR VISION SIZE: 203 X 127 X 127 MM NIGHT VISION DEGREE OF VISION: 90 CORDED ELECTRIC POWER SOURCE OUTDOOR WATERPROOF BULLET CAMERA BRAND: CP PLUS NIGHT VISION: 30 M RESOLUTION 1080P MATERIAL: PLASTIC WIRELESS CONNECTION CORDED ELECTRIC POWER SOURCE TYPE OF MOUNTING: WALL MOUNT SIZE: 148 X 74 X 74 MM DEGREE OF VISION: 110 ALERT SYSTEM METALGUARD TO DETECT MAGNETS/MAGETIC DETACHERS VIA ALARM, CCTV BRAND: SENSORMATIC SIZE: 200 X 75 MM DIGITAL REMOTE ALARM BRAND: SENSORMATIC LOCATION AT THE ENTRANCE HIGH VOLUME AUDIBLE ALARM THERMAL SCANNER- FEVER DETECTION BULLET CAMERA BRAND: CP PLUS MODEL NO CP-WNC-T6201-T FEVER DETECTION: UPTO 40°C 3.6 MM FIXED LENS LONG WAVELENGTH IR SENSOR ANGLE OF VIEW 51° DETECTION TIME: 3 SEC SIZE: 241 X 78 X 81 MM FINGERPRINT READER AND TIME ATTENDANCE BRAND CP PLUS LCD: 4" 480 X 320 COLOR DISPLAY HARDWARE PLATFORM: WS306 FINGERPRINT CAPTURING: OPTICAL SENSOR RECOGNITION SPEED: 1 SEC ELEVATOR EYEBALL DOME CAMERA BRAND CP PLUS NIGHT VISION WIDE ANGLE 120 DEGREE MODEL GIT2707201738 SIZE: 116 X 109 X 88 CM WIDE ANGLE DOME CAMERA NIGHT VISION BRAND CP PLUS CP-VAC-V24FL4 2.4 MP FULL HD IR VANDAL DOME CAMERA - 40 MTR. 132MM X 132MM X 105.7MM 2.8-12MM VARIFOCAL LENS 90° 110° 51 5 1 90° 120° 120° TOPIC: SECURITY LAYOUT FOR SHOP RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
EAS GATE (ELECTRONIC ARTICLE SURVEILLANCE) ESSENTIALS 2.0M OPEN FRAME RF PEDESTAL WITH THE ADVERTISEMENT POSTER INSERT BRAND: SENSORMATIC MATERIAL: ALUMINIUM FRAME AND GLASS SIZE: 500 X 200 MM PEOPLE COUNTING DEVICE BRAND: FOOTFALL CAM 3D PLUS SIZE: 600 X 150 MM MODEL NO: FC-F3DP02 LENS DEGREE STANDARD 90 DEGREE CONSUMPTION 5 WATTS MOUNTED WITH METAL DROP POLE DIGITAL VIDEO RECORDER BRAND: CP PLUS RESOLUTION: 1080P POWER SOURCE: CORDED ELECTRICAL USB, HDMI CONNECTOR INDOOR BULLET CAMERA BRAND: CP PLUS 20 MTR VISION SIZE: 203 X 127 X 127 MM NIGHT VISION DEGREE OF VISION: 90 CORDED ELECTRIC POWER SOURCE OUTDOOR WATERPROOF BULLET CAMERA BRAND: CP PLUS NIGHT VISION: 30 M RESOLUTION 1080P MATERIAL: PLASTIC WIRELESS CONNECTION CORDED ELECTRIC POWER SOURCE TYPE OF MOUNTING: WALL MOUNT SIZE: 148 X 74 X 74 MM DEGREE OF VISION: 110 ALERT SYSTEM METALGUARD TO DETECT MAGNETS/MAGETIC DETACHERS VIA ALARM, CCTV BRAND: SENSORMATIC SIZE: 200 X 75 MM DIGITAL REMOTE ALARM BRAND: SENSORMATIC LOCATION AT THE ENTRANCE HIGH VOLUME AUDIBLE ALARM THERMAL SCANNER- FEVER DETECTION BULLET CAMERA BRAND: CP PLUS MODEL NO CP-WNC-T6201-T FEVER DETECTION: UPTO 40°C 3.6 MM FIXED LENS LONG WAVELENGTH IR SENSOR ANGLE OF VIEW 51° DETECTION TIME: 3 SEC SIZE: 241 X 78 X 81 MM FINGERPRINT READER AND TIME ATTENDANCE BRAND CP PLUS LCD: 4" 480 X 320 COLOR DISPLAY HARDWARE PLATFORM: WS306 FINGERPRINT CAPTURING: OPTICAL SENSOR RECOGNITION SPEED: 1 SEC 22794,62 90° 90° 90° 9 0 ° 9 0 ° 90° 90° 90° 9 0 ° 90 ° 90° 90° 9 0 ° TOPIC: SECURITY LAYOUT FOR SHOP SYMBOL DESCRIPTION PICTURE 90° 110° 51 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 22794,62 22794,62 22794,62 ENTRANCE
TOPIC: PROPOSED PUBLIC ADDRESS SYSTEM FOR SHOP 22794,62 22794,62 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d SYMBOL DESCRIPTION PICTURE COMPUTER - SOURCE OF MUSIC SYSTEM COMMERCIAL MIXER AMPLIFIER BRAND: JBL PART # CSMA180 MODEL # CSMA 180 OUTPUT 80 WATTS HxWxD SIZE:43 X 218 X 303MM VOLUME CONTROL DEVICE BRAND: JBL PRODUCT NO CSR-V (US - WHT) IN CEILING SPEAKER BRAND: JBL DRIVER 200 MM FULL RANGE 3 W TRANSFORMER 90 DEGREE CONICAL COVERAGE 327 MM DIAMETER BAFFLE X 84 MM DEPTH FROM BACK OF BAFFLE. OVERALL DEPTH, 99 MM HIGH CEILING SPEAKER BRAND: JBL PRODUCT NO CONTROL 47HC NARROW 75° COVERAGE FOR HIGH CEILING TRANSFORMER TAP 7.5 W DIMENSIONS: 332 MM DIA X 351 MM DEPTH FROM BACK OF BAFFLE CUTOUT SIZE: 307 MM DIA PAGING MICROPHONE BRAND: JBL CSPM-2 FOR TWO ZONES H X L X W SIZE: 254 X 177 X 114 ENTRANCE RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE CONICAL DISPERSION 75 DEGREES
22794,62 22794,62 22794,62 22794,62 CONICAL DISPERSION 75 DEGREES SYMBOL DESCRIPTION PICTURE COMPUTER - SOURCE OF MUSIC SYSTEM COMMERCIAL MIXER AMPLIFIER BRAND: JBL PART # CSMA180 MODEL # CSMA 180 OUTPUT 120 WATTS HxWxD SIZE:43 X 218 X 303MM VOLUME CONTROL DEVICE BRAND: JBL PRODUCT NO CSR-V (US - WHT) IN CEILING SPEAKER BRAND: JBL DRIVER 200 MM FULL RANGE 3 W TRANSFORMER 90 DEGREE CONICAL COVERAGE 327 MM DIAMETER BAFFLE X 84 MM DEPTH FROM BACK OF BAFFLE. OVERALL DEPTH, 99 MM HIGH CEILING SPEAKER BRAND: JBL PRODUCT NO CONTROL 47HC NARROW 75° COVERAGE FOR HIGH CEILING TRANSFORMER TAP 7.5 W DIMENSIONS: 332 MM DIA X 351 MM DEPTH FROM BACK OF BAFFLE CUTOUT SIZE: 307 MM DIA PAGING MICROPHONE BRAND: JBL CSPM-2 FOR TWO ZONES H X L X W SIZE: 254 X 177 X 114 SPEAKER WIRE TOPIC: PROPOSED PUBLIC ADDRESS SYSTEM FOR SHOP RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
S U P E R - I MP O S E DL A Y O U T
S U P E R - I MP O S E DL A Y O U T
TOPIC: SECTIONS FOR SUPER IMPOSED LAYOUT SECTION A-A' 387 1035 1250 850 150 700 450 300 150 500 550 697 300 1465 1465 SECTION C-C' 550 500 1465 1465 850 1450 1715 265 709 SECTION C-C' 1701 1139 1643 1139 SECTION B-B' 22794,62 22794,62 C' C B B' A A' D' D E' E 22794,62 22794,62 22794,62 De Baed De Baed De Baed De Baed De Baed De Baed De Baed De Baed S S DISPLAY DISPLAY DISPLAY TAILOR ROOM EMERGENCY EXIT FITTING ROOMS MANNEQUINS DISPLAY BAGGAGE COUNTER 1. ENTRANCE STAIRCASE WHEELCHAIR ACCESS ELEVATOR WINDOW DISPLAY 22794,62 22794,62 22794,62 22794,62 C' C B B' A A' D' D E' E S RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7
TOPIC: SECTIONS FOR SUPER IMPOSED LAYOUT SECTION B-B' SECTION F-F' SECTION B-B' 1465 1315 625 1565 600 700 150 1465 700 850 100 850 1465 723 1715 SECTION E-E' SECTION E-E' SECTION F-F' 22794,62 22794,62 C' C B B' A A' D' D E' E 22794,62 22794,62 22794,62 De Baed De Baed De Baed De Baed De Baed De Baed De Baed De Baed S S DISPLAY DISPLAY DISPLAY TAILOR ROOM EMERGENCY EXIT FITTING ROOMS MANNEQUINS DISPLAY BAGGAGE COUNTER 1. ENTRANCE STAIRCASE WHEELCHAIR ACCESS ELEVATOR WINDOW DISPLAY 22794,62 22794,62 22794,62 22794,62 C' C B B' A A' D' D E' E S RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7
2541 235 2161 733 1268 1206 3071 750 928 750 750 3709 PLAN A A' B B' FRESH WATER SUPPLY PIPE 50 MM WASTE PIPE 75 MM SOIL PIPE 150 MM VENT PIPE 25 MM INDICATION DESCRIPTION DIAMETER TOILET FOR DIFFERENTLY ABLED PEOPLE TOILET FOR DIFFERENTLY ABLED PEOPLE SECTIONAL ELEVATION A-A' MEN TOILET WOMEN TOILET CAFE KITCHEN MEN TOILET WOMEN TOILET CAFE KITCHEN DUCT TOPIC: PROPOSED PLUMBING LAYOUT PARTICULARS WITH DESCRIPTION KITCHEN SINK FAUCET BRAND:JAQUAR ESSCO SWINGING CASTED SPOUT (TABLE MOUNTED MODEL) WITH AERATOR MQT-523JAQUARTYPE:KITCHEN SINK TAP PRODUCT SERIES:MARVEL MQT-523 MODEL:MQT-523 MATERIAL:BRASS FINISH:CHROME KITCHEN SINK INSET SINK, 1 BOWL, STAINLESS STEEL 55 X 55 CM SENSOR FAUCET BRAND: JAQUAR SENSOR FAUCET FOR WASH BASIN (BATTERY OPERATED) PRODUCT CODE: SNR-CHR-51011NPRODUCT RANGE: SENSOR FAUCETS FLUSH I FLUSH NAME/NUMBER FLV-CHR-1075KFLUSH VALVE TYPE DUAL FLUSH MATERIAL ALUMINUM BRAND JAQUAR SHAPE RECTANGLE TYPE DUAL FLUSH PUSH BUTTON NO OF BUTTON2 WC BIDSPA RIMLESS WALL HUNG BIDSPA RIMLESS WALL HUNG WC WITH ELECTRONIC SEAT COVER , HINGES, ACCESSORIES SET SIZE:400X580X370 MM PRODUCT CODE: ITS-WHT-89953PP JET SPRAY BRAND: JAQUAR HEALTH FAUCET ALD CHR 565, 1 M EASY FLEX TUBE AND HOOKS PACKAGE DIMENSIONS : 24.1 X 18.2 X 5 CM; : B07N8WLP2D TOILET PAPER HOLDER TOILET ROLL HOLDER WITH FLAP TOILET ROLL HOLDER WITH STAINLESS STEEL PRODUCT CODE: ACN-CHR-1153SPRODUCT RANGE: CONTINENTAL AUTOMATIC SOAP DISPENSERS AUTOMATIC SOAP DISPENSERS, CAPACITY : 0.8L, MATERIAL: ALUMINIUM/ABS, FINISH : CHROME/BLACKPRODUCT CODE: SDR-BLC-DJ0160AS GRAB BAR GRAB BARGRAB BAR RIGHT 90º ANGLE, SATINPRODUCT CODE: WAC-SAP-BAD090CS GRAB BARGRAB BAR 692 MM LONG, WHITE PRODUCT CODE: WAC-WHT-BR0600 WASH BASIN COUNTER TOP BASIN SIZE: 565X415X190MM PRODUCT CODE: FLS-WHT-5601 PRODUCT RANGE: FLORENTINE RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7
TOPIC: PROPOSED WIFI LAYOUT FOR SHOP 22794,62 22794,62 22794,62 22794,62 C' C B B' A A' D' D E' E WIFI MESH SYSTEM 3 NODES EACH COVERING 1750 SQ FEET COVERAGE 5000 SQ FEET AMAZON EERO MESH WIFI SYSTEM – ROUTER REPLACEMENT FOR WHOLE-HOME COVERAGE (3-PACK) WIFI COVERAGE COVERS UP TO 5,000 SQ. FT. ROUTER (CONNECTS TO MODEM AS PRIMARY ROUTER) WIRELESS NETWORK SPEED WIFI CONNECTIVITY DUAL-BAND WIFI RADIOS, SIMULTANEOUS 2.4 GHZ AND 5 GHZ, 2X2 MU-MIMO, BEAMFORMING, IEEE 802.11A/B/G/N/AC WIRED CONNECTIVITY 2 AUTO-SENSING GIGABIT PORTS FOR WAN AND/OR LAN CONNECTIVITY SMART HOME CONNECTIVITY 700 MHZ QUAD-CORE PROCESSOR, 512MB RAM, 4GB FLASH STORAGE SECURITY AND NETWORK SERVICES WPA2 ENCRYPTION, FAMILY PROFILES, DHCP, IPV6, NAT, VPN PASSTHROUGH, UPNP, STATIC IP AND PORT FORWARDING REQUIRED FOR SETUP SUPPORTED IOS OR ANDROID DEVICE, INTERNET SERVICE (WITH CABLE OR DSL MODEM, IF REQUIRED). LEARN MORE ABOUT SETUP. ENVIRONMENTAL REQUIREMENTS HUMIDITY OPERATING: 20%-90% NON-CONDENSING, OPERATING ALTITUDE: <3000 M DIMENSIONS 98 MM X 98 MM X 60 MM RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
TOPIC: PROPOSED WIFI LAYOUT FOR SHOP- MEZZANINE LEVEL 22794,62 22794,62 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d WIFI MESH SYSTEM 3 NODES EACH COVERING 1750 SQ FEET COVERAGE 5000 SQ FEET AMAZON EERO MESH WIFI SYSTEM – ROUTER REPLACEMENT FOR WHOLE-HOME COVERAGE (3-PACK) WIFI COVERAGE COVERS UP TO 5,000 SQ. FT. ROUTER (CONNECTS TO MODEM AS PRIMARY ROUTER) WIRELESS NETWORK SPEED WIFI CONNECTIVITY DUAL-BAND WIFI RADIOS, SIMULTANEOUS 2.4 GHZ AND 5 GHZ, 2X2 MU-MIMO, BEAMFORMING, IEEE 802.11A/B/G/N/AC WIRED CONNECTIVITY 2 AUTO-SENSING GIGABIT PORTS FOR WAN AND/OR LAN CONNECTIVITY SMART HOME CONNECTIVITY 700 MHZ QUAD-CORE PROCESSOR, 512MB RAM, 4GB FLASH STORAGE SECURITY AND NETWORK SERVICES WPA2 ENCRYPTION, FAMILY PROFILES, DHCP, IPV6, NAT, VPN PASSTHROUGH, UPNP, STATIC IP AND PORT FORWARDING REQUIRED FOR SETUP SUPPORTED IOS OR ANDROID DEVICE, INTERNET SERVICE (WITH CABLE OR DSL MODEM, IF REQUIRED). LEARN MORE ABOUT SETUP. ENVIRONMENTAL REQUIREMENTS HUMIDITY OPERATING: 20%-90% NON-CONDENSING, OPERATING ALTITUDE: <3000 M DIMENSIONS 98 MM X 98 MM X 60 MM RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 ENTRANCE
CURVED POLYCARBONATE GLASS TUBE WALLS SELF SUPPORTING ALUMINIUM AND STEEL STRUCTURE SUPPORT OF RAILS THE ROOF OF THE TUBE, MADE OF STEEL, ENSURES AIR TIGHT CLOSURES WITH SUCTION VALVES AND INLETS MODULAR STRUCTURED TUBE FITTED ON EACH OTHER ELEVATOR CAR WITH ANCHORING SYSTEM HEAD UNIT SUCTION ASSEMBLED WITH TURBINES AND CONTROL UNIT ELEVATOR BY NIBAV LIFTS, INDIA TECHNICAL SPECIFICATION MAXIMUM STOPS: 2 STOPS (G+1) MAX TRAVEL HEIGHT: 10500 MM RATED LOAD / CAPACITY: 210 KG UNIT TYPES: SPLIT, INTEGRATED & SOUND PROOF TRAVEL SPEED: 0.15 M/SEC CLEAR SPACE REQUIRED: 1010 MM POWER CONSUMPTION: 3.7 KVA (STABILIZED POWER) ELECTRICAL REQUIREMENT : 230V, 60/50 HZ, 22 AMP SINGLE PHASE POWER RCC SLAB RCC SLAB 2890 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: DETAIL FOR PNEUMATIC ELEVATOR AND SPIRAL STAIRCASE SCALE- 1:30 DATE: 5.1.2021 UP 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UP PLAN SPIRAL STAIRCASE WITHOUT HANDRAILS 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 PLAN SPIRAL STAIRCASE WITH HANDRAILS 25 MM NOSING 38 MM THICK, 1000 X 300 MM BAMBOO TREAD 450 X 600 MM, STEEL I BEAM 20 MM THICK FLANGE 100 X 300 MM, 6.35 MM THICK STEEL PLATE 6 MM DIA, 30 MM LENGTH COUNTERSUNK SCREWS DETAIL AT STAIRCASE SCALE- 1: 10 4200 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 4200 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 4200 1456 2744 4200 1456 2744 PNEUMATIC VACUUM ELEVATOR 150 8400 200 150 Ø3800 Ø1400 Ø3800 Ø1400 Ø4400 Ø100 SHEET NO- 29 3000 900 900 25 MM NOSING 38 MM THICK, 1000 X 300 MM BAMBOO TREAD STEEL RISER WEDGE PLATE 200 X 300 MM, STEEL I BEAM 20 MM THICK FLANGE 200 X 600 MM, 6.35 MM THICK STEEL PLATE DETAIL AT STAIRCASE SCALE- 1: 10
100 x 50 MM TW STUDS 600 C/C 19 MM THICK BACKING MARINE PLY 12 MM DRAINAGE MAT 50 MM THICK GREEN MOSS WALL PANEL SIZE 600 X 600 BY GREENOPIA 35 8 180 180 8 35 MM THICK POLYSTYRENE FOAM UPHOLSTERED WITH COTTON FABRIC 8 MM THICK PLY FIXED TO FOAM BY FLATTENED SCREWS 180 MM WIDE, 520 MM OUTER DIAMETER TIRE 25 X 40 MM WOODEN BLOCKS AS LEGS SCREWED TO 8 MM THICK PLY 8 MM THICK PLY TIRE FINISHED WITH OIL BASED PAINT BY NILAYA ORGANIC PAINT- ASIAN PAINTS 35 MM THICK POLYSTYRENE FOAM UPHOLSTERED WITH COTTON FABRIC 180 MM WIDE, 520 MM OUTER DIA AND 400 MM INNER DIA TIRE FINISHED WITH OIL BASED PAINT BY NILAYA ORGANIC PAINT- ASIAN PAINTS 520 452 400 TIRE SEAT IN CAFETERIA SCALE 1:5 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: DETAILS SCALE- AS MENTIONED DATE: 5.1.2021 SHEET NO- 63 12 MM THICK INTERNAL PLASTER 150 MM THICK WALL DETAIL AT MOSS WALL SCALE 1:5 CARDBOARD CHAIR SCALE 1:2.5 CARDBOARD CUTOUTS ASSEMBLY MEMBERS 5 MM THICK 5 PLY THICK SALVAGED CARDBOARD NO GLUE NO SCREW ASSEMBLY THIS CHAIR IS MADE FROM SALVAGED CARDBOARD AND STYROFOAM. TO STORE, 300 MM TALL STYROFOAM BOX CAN BE REMOVED AND CHAIR CAN FOLD FLAT. CAN HOLD >300 LBS. ISOMETRIC VIEW 680 680 860 300 60 680 680 680 380 860 250 75 75 150 150 270 400 900 670 1400 270 850 150 MM THICK RCC PARDI 450 MM HIGH PARAPET WALL 150 MM THICK RCC SLAB 30 X 30 MM THICK ALUMINIUM SECTION 4 MM THICK COIL COATED ACP SHEET SIGNBOARD CONTAINING RECYCLED ALUMINIUM BY ALUDECOR 270 X 270 MM ROLLING SHUTTER WITH 190 DIAMETER ROLLING RING 12 MM THICK TOUGHENED GLASS BY SAINT GOBAIN 1120 FACADE SIGNBOARD DETAIL SCALE 1:10 50 12 19 100 100 100 12
F AC ADEV I E W F AC ADEV I E W D A YT I ME NI GHTT I ME V I E WS
V I E WS V I E W F ROM T HEC AF E V I E W OFORGANI CC AF E
V I E WS HI S T ORYWAL LI N F RONTOFC AS H DE S K
V I E WS V I E W OU T S I DET HEF I T T I NG ROOMS V I E W OFDI S P L A Y
V I E WS V I E W OFDI S P L A YON T HE ME ZZANI NE V I E W F ROM WAL K I NG DOWN T HES T AI RS
ORGANIC CLOTHING STORE- SUSTAINABLE INTERIOR WITH RECYCLED MATERIALS NOVEMBER 2020 Mentor: Ar. Kumar Kubsad Sir Academy of Architecture B.Voc. (Interior Design) Rachana Sansad, Prabhadevi, Mumbai 400025. Student: Amruta Vaishampayan Academy of Architecture B.Voc. (Interior Design) 3 rd Year B.Voc. Rachana Sansad, Prabhadevi, Mumbai 400025.
2 AMRUTA VAISHAMPAYAN DECLARATION This is to declare that the project report titled “Organic clothing store” has been personally prepared by me. I further declare that I have not taken help from any person /groups/institution other than my guide – Ar. Kumar Kubsad Sir. All references articles, books etc duly acknowledged in the report and material has not been copied from any published work including any project report published before. Name of Student: Amruta Vaishampayan Signature of Student
3 AMRUTA VAISHAMPAYAN CERTIFICATE Design Dissertation Final (3 rd ) Year B.Voc in Interior design Topic: Organic Clothing Store- Sustainable Interior with Recycled Materials This is to certify that the project report titled “Organic Clothing Store- Sustainable Interior With Recycled Materials” submitted by Amruta Vaishampayan has been completed by his/ her under my guidance and supervision. The work is his/ her own contribution in the terms of original articulations and has not been copied from any published work including any project report published before. All references are duly acknowledged in the report. Guide: Ar. Kumar Kubsad Signature of guide. Date: Signature Ar. Prakash Anjarlekar. Head of Department Academy of Architecture B.Voc (Interior Design). Seal of College. Rachana Sansad, Prabhadevi, Mumbai 400 025
4 AMRUTA VAISHAMPAYAN ACKNOWLEDGEMENT This piece of acknowledgement is an attempt to express the feeling of gratitude towards people who helped me in successfully completing the project. Successful completion of this project has given me great sense of achievement. My deep gratitude goes first to my project guide, Ar. Kumar Kubsad sir for guiding me throughout the project and giving his valuable inputs to it. I would also like to thank Ar. Ketan Dadarkar sir, Ar. Rashmi Tapke ma’am, Akshata Yadav ma’am, Bhagyesh Dawane sir, Nikita Sakpal ma’am for their constant support. Thanks to Ar. Prakash Anjarlekar sir for always motivating. Thanks to all the respected faculties who helped me throughout the course and this project. Thanks to my parents for supporting me and all my friends and batchmates for guiding and helping throughout the course. Thanks goes to all the designers, architects and engineers that participated in the survey conducted by me and also giving their valuable feedbacks and inputs on the topic.
5 AMRUTA VAISHAMPAYAN REFORM THE ORGANIC STORE REFUSE, RETHINK, REFORM
6 AMRUTA VAISHAMPAYAN INDEX Sr. No. Particulars Page no. 1 Abstract 8 2 Introduction 9 2.1 Clothing stores 9 2.2 Organic Clothing 10 2.3 Recycling in interior design 10 3 Aims and objectives 12 4 History and Evolution 13 4.1 Global approach and Indian Approach 13 4.2 History of denim 14 4.3 the past and future of organic clothing 15 5 Need and scope 16 5.1 Sustainable Fashion 17 5.2 Future of waste management 18 5.3 Future scope after COVID19 pandemic 20 6 Case Study 22 6.1 Online Case study 1 22 6.2 Online Case study 2 26 6.3 Inference 31 7 Data collection 32 7.1 Ergonomics and anthropometry 32 7.2 Norms as per National Building Code 38 7.3 Survey regarding recycled materials 41 7.4 Research on recycled materials 49 7.5 Visual merchandising 56
7 AMRUTA VAISHAMPAYAN 7.6 Study of services 59 8 Site report 60 8.1 Location of the site 60 8.2 Environmental study 66 8.3 Site photographs 67 8.4 Site Justification 69 9 Zoning and flow chart 70 10 Client brief 72 11 Design brief and area statement 73 12 Design Program 75 12.1 Division of the areas 75 12.2 Sustainability in proposed design 77 13 14 Bibliography and webliography Drawings 82 83
8 AMRUTA VAISHAMPAYAN 1. ABSTRACT Sustainable fashion is a recent movement within the fashion industry that aims to reduce environmental depletion. It aims at increasing ethical treatment of workers and follows fair trade practices. There has always been a strong link between interior design and fashion. Both of these are artistic expression of the individual or masses. When it comes to sustainability in interior design, interior designers have the opportunity to adopt sustainable design practices and enhance healthy indoor air quality. They can adhere to sustainable solutions through their choices in decisions taken while designing process. For e.g., materials selection, construction methods, furnishing, and lighting and even air conditioning system. This research aims at designing a sustainable interior space with the use of recycled or recyclable materials, for the brand that makes organic and eco-friendly clothing. this is the study that concludes by promoting the importance of using recycled/ recyclable materials to ensure consistent sustainable interior design solutions.
9 AMRUTA VAISHAMPAYAN 2. INTRODUCTION 2.1 CLOTHING STORE: INTERIOR DESIGN A clothes shop or clothes store is any shop which sells items of ready-made clothing. A small shop which sells expensive or designer clothing may be called a boutique. The essential function of retail spaces is to display and sell merchandise. The design of these spaces involves the co-ordination of architectural, interior design and merchandising elements as necessary to meet the programmatic needs of the client. It is critical that the space is designed properly taking into consideration all the requirements, in which the customer and the store personnel function is of the highest quality. DENIM CLOTHING AND THE ENVIRONMENTAL IMPACT: Denim requires 1500 gallons of water to grow 1.5 pounds of cotton that is needed to produce a pair of jeans. Denim is usually made with indigo-dyed warp yarn and undyed weft yarn. The indigo dye used was natural and derived from plant source, but later the trend shifted to synthetic indigo dye. The use of metal accessories such as buttons, zippers and rivets such as leather-look labels and composition and care labels used in jeans production makes it difficult to recycle them. Hence, denim manufacturing is harmful to the environment.
10 AMRUTA VAISHAMPAYAN 2.2 ORGANIC CLOTHING ORGANIC FIBERS- The fibers that has been grown or raised without the use of toxic insecticides, fungicides or herbicides. Cotton, wool, jute and silk are the most common organic fibers. ORGANIC CLOTHING – ✓ The clothing made from materials raised in compliance with organic agricultural standards is categorized under organic clothing. ✓ It may be composed of cotton, jute, silk, ramie, or wool and has no genetically modified seeds, no synthetic pesticides or fertilizers. ✓ Organic cotton is so much better for the environment – ✓ It’s grown without the use of synthetic fertilisers and harmful pesticides, and makes for better soil for future crops. ✓ There are a few fashion brands that claim that all of the cotton is used to make clothing is 100% organic. 2.3 RECYCLING IN INTERIOR DESIGN Recycling: recycling is the process of converting waste materials into new materials and objects. Recycling includes breaking down old materials to create new ones. It also includes upcycling.
11 AMRUTA VAISHAMPAYAN Upcycling: the process of creating something new and better from old items. In contrast to reusing or recycling, upcycling uses existing materials to improve upon the original ones. The end result is often a product or item that is eco-friendly and at times handmade and one-of-a-kind. Source- https://en.wikipedia.org/wiki/Recycling
12 AMRUTA VAISHAMPAYAN 3. AIMS AND OBJECTIVES: The main objective of this study is to examine, evaluate, research more closely the use of recyclable materials in interior design. it affects the environment and eventually affects our society. In this way, this study helps to bring about to the recognition and realization of society, as the study in the field of interior design. Recycling is a key component of modern waste reduction and is the third component of the "reduce, reuse, and recycle" waste hierarchy. Thus, recycling aims at environmental sustainability by substituting raw material inputs into and redirecting waste outputs out of the economic system. 1. Recycling conserves resources. when we recycle, used materials are converted into new products, reducing the need to consume natural resources. If used materials are not recycled, new products are made by extracting fresh, raw material from the earth, through mining and forestry. Recycling helps conserve important raw materials and protects natural habitats for the future. 2. It saves energy. using recycled materials in the manufacturing process uses considerably less energy than that required for producing new products from raw materials - even when comparing all associated costs including transport etc. Plus there are extra energy savings because more energy is required to extract, refine, transport and process raw materials ready for industry compared with providing industry-ready materials. 3. Recycling helps protect the environment. Recycling reduces the need for extracting, refining and processing raw materials all of which create substantial air and water pollution. As recycling saves energy it also reduces greenhouse gas emissions, which helps to tackle climate change. 4. Recycling reduces landfill. when we recycle, recyclable materials are reprocessed into new products, and as a result the amount of rubbish sent to landfill sites reduces.
13 AMRUTA VAISHAMPAYAN 4. HISTORY AND EVOLUTION 4.1 GLOBAL APPROACH AND INDIAN APPROACH WORLD APPROACH: ✓ The modern phenomenon of shopping for pleasure is closely linked to the emergence of a middle class in the 17th and 18th-century Europe. ✓ As standards of living improved in the 17th century, consumers from a broad range of social backgrounds began to purchase goods that were in excess of basic necessities. ✓ By the 17th-century, produce markets gradually gave way to shops and shopping centers ✓ The first clothes shops were opened in Europe. Before the era of ready-made clothes, some ready-made clothes may have been made in the sixteenth century. ✓ The number of clothes shops appears to have risen steadily long before the beginning of large-scale industrial manufacture of clothing in the second half of the nineteenth century. HISTORY OF TEXTILE INDUSTRY: THE INDIAN APPROACH the modern textile industry took birth in India -in the early nineteenth century The cotton textile industry, however, made its real beginning in Bombay, in 1850s. the first cotton mill in Ahmedabad, which was eventually to emerge as a rival centre to Bombay, was established in 1861. The spread of the textile industry to Ahmedabad was largely due to the Guajarati trading class.
14 AMRUTA VAISHAMPAYAN 4.2 HISTORY OF DENIM: ✓ Denim cloth itself has an unusual history. The name comes from serge de Nimes, or the serge of Nimes, France. Originally, it was strong material made from wool. ✓ By the 1700s, it was made from wool and cotton. Only later was it made solely from cotton. Originally, it was used to make sails, but eventually, some innovative Genovese sailors thought it fit that such fine, strong material would make great pants, or "genes." ✓ The name for blue jeans was derived from the color of the fabric used to make them. Denim was treated with a blue dye obtained from the indigo plant. Indigo had been used as a dye since 2500 b.c. in such diverse places as Asia, Egypt, Greece, Rome, Britain, and Peru. ✓ Blue jean manufacturers imported indigo from India until the twentieth century, when synthetic indigo was developed to replace the natural dye.
15 AMRUTA VAISHAMPAYAN ✓ Blue jeans in the form we know them today didn't come about until the middle of the nineteenth century. ✓ The first sustainable alternative for denim was proposed by Levi Strauss, an enterprising immigrant who happened to have a few bolts of blue denim cloth on hand, recognized a need for strong work pants in the mining communities of California. ✓ Blue jeans started becoming popular among young people in the 1950s. 4.3 THE PAST AND FUTURE OF ORGANIC CLOTHING The past Scientists dates the first use of cotton from 6,000bc. The first evidence of organic cotton originated in India and Pakistan. By the 1st century, Arab traders brought their cotton products to Italy and Spain and organic cotton was later introduced to Europe during late medieval times. Now being introduced to Africa in the 18th century, and then spreading to India, Pakistan, and china, tradition varieties were soon being replaced with their own methods. During the industrial revolution, the invention of the spinning machine and cotton gin was a great help to the cotton manufacturing industry. The future After disappearing for about a century, naturally colored cotton suddenly appeared as a fashion item in the early 1990s. Now establishing new and sustainable ways to further sustainable markets, the use of organic cotton helps to reduce the high amount of pesticides and insecticides inhaled by cotton farmers. Organic cotton is now being applied worldwide, with most companies transitioning to the environmentally friendly material. Since the introduction of organic products has been brought into the mainstream fashion industry, the technique has now also been used on linen and wool.
16 AMRUTA VAISHAMPAYAN 5. NEED AND SCOPE: In india, a proper waste management system is urgent necessary for the following reasons: (a) to control different types of pollution, i.e., air pollution, soil pollution, water pollution. (b) to stop the spread of infectious diseases. (c) to conserve all our environmental resources, including forest, minerals water. (d) to recycle the hazardous wastes for further production. (e) to implement proper wastes management policy, successful and safe disposal of solid and liquid wastes are very necessary. (f) to conserve animals and their natural habitat. 5.1 Sustainable fashion It is a movement and process of fostering change to fashion products and the fashion system towards greater ecological integrity and social justice. Sustainable fashion concerns more than addressing fashion textiles or products. It comprises addressing the whole system of fashion. This means dealing with interdependent social, cultural, ecological and financial systems. Benefits of going organic- Organic products meet stringent standards Protect future generations Organic farms respect our water resources
17 AMRUTA VAISHAMPAYAN Organic farmers build healthy soil Organic farmers work in harmony with nature Organic producers are leaders in innovative research Organic producers strive to preserve diversity Organic farming helps rural communities The three pillars of sustainability bounded by the environment Advantages over conventional fibre:
18 AMRUTA VAISHAMPAYAN What exactly is "waste?" Waste is anything we throw away or get rid of, that doesn’t get used. The 3 'r's Reduce, reuse, recycle – these three 'r' words are an important part of sustainable living, as they help to cut down on the amount of waste we have to throw away. The third 'r' is about making sure you separate items that can be recycled, meaning they can be used for a new purpose. 5.2 The future of waste management Future of waste management is one of the world’s biggest challenges at the moment with the bulky, smelling waste that is being generated all over the world in quantities beyond the imaginable. Developed countries like Sweden and the U.S. somehow manage to dispose most of it and some gets even recycled or turned into compost. India’s challenges in waste management With rapid urbanisation, the country is facing massive waste management challenge. Over 377 million urban people live in 7,935 towns and cities and generate 62 million tonnes of municipal solid waste per annum. Only 43 million tonnes (mt) of the waste is collected, 11.9 mt is treated and 31 mt is dumped in landfill sites. Solid waste management is one among the basic essential services provided by municipal authorities in the country to keep urban centres clean. However, almost all municipal authorities deposit solid waste at a dump yard within or outside the city haphazardly. Experts believe that India is following a flawed system of waste disposal and management. Today, most commonly recycled products are paper, cardboard, plastics, glass and aluminium products. Recycling can be done at home as well as in conjunction with local government programs, associations and business. Many
19 AMRUTA VAISHAMPAYAN businesses pay for iron scraps or beverage cans we use every day, thus increasing the cost of their products. Aluminium recycling saves 95% of the energy it needs to produce from raw materials. The energy saved from recycling an aluminium ton is equal to the amount of electricity that a household uses for almost 10 years. recycling an aluminium cans saves energy by using a 100 watt bulb for 20 hours, a computer for 3 hours, or a tv set for 2 hours. Recycling 20 cans requires the energy of producing a new can. Reasons why recycling is necessary: Recycling saves energy, as the manufacturer does not need to take and consume the first natural resource to create a product. Using recycled production materials contributes to reducing energy consumption, which lowers the cost of production. Recycling protects natural resources as well as wildlife. By recycling, we reduce the need for raw material, which deals with destroying the natural habitat of animals, especially wild ones. Moreover, paper recycling protects millions of trees from destruction. Recycling is a positive factor for the economy. Recycling and buying recycled products also leads to increased demand for such products. during their production, products made up of recycled materials need less water, create less pollution and consume less energy. How and saves taxes. Recycling helps in climate issues. Recycling produces a very low level of carbon, a fact that significantly reduces the level of gas emissions that create the effect of the greenhouse, not at all healthy for us and our planet. Recycling in the interest of society.
20 AMRUTA VAISHAMPAYAN it is a fact that many natural resources and our earth are not renewable and this is one of the main reasons why recycling is an important process in our lives. As an efficient process for the handling and reuse of materials, it promotes innovation and an important and long-term economic growth. equally important are both social and environmental benefits because it promotes the sustainable use of our natural resources and encourages community development, saving of new land use, pollution prevention, energy conservation and reducing greenhouse gas effects. approximately 60% of our waste can be recycled today but there are still many people who do not know. 5.3 FUTURE SCOPE POST COVID19 HOW COVID-19 HAS CHANGED FUTURE OF RETAIL INTERIOR DESIGN? Retailers are soon to open up businesses after the lockdown lift, and many things have changed since covid-19 pandemic. Customers are likely to visit places where social distancing, hygenic conditions are maintained. Surface finishing matters: Studies have shown that the virus can live for up 72 hours on commonly used materials such as plastic and steel. Air quality matters: It will also be a key factor, with health professionals offering advice on the virus- mitigating benefits of simply opening windows. This will accelerate the uptake of already prominent design tactics orientated around biophilia and porous spaces as consumers come to expect access to fresh air at all times. Communicating with customers: Developing a new toolkit that signal when a shopper is entering a ‘controlled environment’ will be key to helping brands communicate that they’re putting customer safety first.
21 AMRUTA VAISHAMPAYAN It’d be important to show customers that the space provides them with the cleanest air and water and protects them against pollution. Keeping a check: All employees will be subject to temperature testing using state of the art infrared camera. Any employee found with a fever will be sent home and a thorough cleaning of their area will commence. Maintaining distance between the customers: The circulation has to be planned in such a way that people can maintain distance and not crowd over at a particular space. There as to be enough distance between two lines of display to maintain distance, or it should be designed in such a manner that distance is maintained.
22 AMRUTA VAISHAMPAYAN 6. CASE STUDIES 6.1 ONLINE CASE STUDY 1: o Shopping centers, interiors architecture o Project location-Address: higashi Hiroshima, Hiroshima prefecture, japan o Architects: suppose design office o Area: 117 m²/ 1260 sq. Feet. o Year: 2009 o Photographs: Toshifumi Yano o This is a project for “karis” in a shopping center in Hiroshima. o The space is for shopping but also for holding events. o The concept of the store - space that is changing its view or atmosphere depending on where you are standing, such as caves or limestone caves. o At some points the place offers a view to the end of the store, and also it has an area surrounded by the inner partitions. o The experience walking through the space would be close to something like walking in nature. o The purpose of the design is to offer a new shopping experience that people could see products through strolling in nature.
23 AMRUTA VAISHAMPAYAN o The materials of the partitions are paper tubes that are strong and easy to work with, and moreover, they are using for tubes to roll up cloths. o The tubes are layered randomly as to be uneven surfaces and create arch shapes as partition for the store. o Because of the arches, the store creates various spaces that are irregular and complex, such as caves in natur
24 AMRUTA VAISHAMPAYAN Plan and elevations for Shopping center, higashi Hiroshima, Japan
25 AMRUTA VAISHAMPAYAN Learning and observations from the case study: 1. By avoiding the solid partitions and segregating the areas with tube partitions, the design gives a sense of openness to the space. 2. There are sustainable alternatives to construction materials that can be used instead of conventional materials. The recycled cardboard pipes were used not only for aesthetics but also for creating the passageways and defining the nature inside the interior. Here we can see that bringing the outside into inside is possible while making use of different materials that are eco-friendly and also sustainable. 3. Construction from recycled materials can be very strong and durable and sustainable as well.
26 AMRUTA VAISHAMPAYAN 6.2 ONLINE CASE STUDY 2: India’s first eco-friendly retail space: Puma has been the frontrunner in sustainability innovation for many years now. They have been working towards a toxin-free line of products, compostable clothing and, have been using interesting methods to get consumer base involved with their sustainability efforts. Project title : Puma sports India pvt. Ltd. Location : indianagar, bangalore Year of completion : 2013 Area : 800 sqm/ 5000 sq feet. Building use : retail Architect : studio decode o Ducts on the floor, unlike which we normally see on the ceiling. Earth is used below the ground to cool the air, so 12 feet below the ground the air enters, gets cooled and then it comes back up through this duct. o While the roof garden keeps the building insulated from the sun’s direct heat and the plants keep temperatures lower at all times. Air conditioning used in the store: o Geothermal cooling system - a highly insulated shell and an underground heat sink system keeps the temperature constant throughout the year.
27 AMRUTA VAISHAMPAYAN The mezzanine floor o Made with bamboo and it is suspended from the ceiling in such a way that it can be dismantled and moved if needed. o Floor supspended in mid-air without any support from the walls. It is supported only from the ceiling. o The entire volume becomes completely recyclable. The clothing: o The apparel is made from fair trade certified cotton. (Organic cotton)- the labour laws, the labour practices, the kind of benefits which are given to people who work in the factory is all part of fare trade as an organisation. o The wall and the table in front of it, has t-shirts made out of organic cotton. Solar panels: o Solar panels, here are used to generate about 11,000 kw/hrs of electricity, which means, all the lights in the store are powered by this solar panel. o 90 percent of the store has access to natural daylight which minimizes the need for artificial lighting. Only super-efficient led lights are used where lighting is absolutely needed.
28 AMRUTA VAISHAMPAYAN Materials: o The design of the building utilizes a lot of recycled and upcycled materials o Recycled steel for its facade. o Structure is made with recycled steel from old dvd players, bicycles and tiffin boxes. o The store is bedecked with jute posters and it had a completely carbon neutral launch. o Porotherm blocks used to construct the shell of the building were made using silt from the lakes of kunigal. These lakes are the only sources of water for villages in kunigal and as such are desilted every year to increase the water table. The silt usually ends up as waste, but has now been used as a valuable resource in constructing puma’s new location. o Furniture and fixtures, moreover, were made using recycled wood while low volatile organic compound paint was used to paint the store's walls.
29 AMRUTA VAISHAMPAYAN o
30 AMRUTA VAISHAMPAYAN Learnings and observations from the case study: o In Puma’s store here, sustainability is the main philosophy of the brand because the brand has organic cotton clothes. The interior design of the store reflects the philosophy of the brand by using sustainable design. o Sustainability in the design is present in all aspects of the design such as materials, the lighting, the services like air conditioning, it is a completely eco-friendly project. The store has geothermal air conditioning, a system which is different from the conventional air conditioning. The client’s mindset regarding the drawback of designing such interior can be higher costs, which is overlooked by the low utility bills in longer run like in case of geothermal colling, as it has high initial costs but more energy savings)
31 AMRUTA VAISHAMPAYAN 6.3 Inference o Use of recycled materials is the new trend in interior design. More people are becoming aware about the sustainability and reducing landfill waste. o From the Puma store’s case study, we can see that sustainability in interior design is something that is not only related to the materials being used but also the overall process followed while designing and executing a certain sustainable project, which includes the lighting, air conditioning system used, the flooring, false ceiling etc. o There are many different reasons as to why interior designers use such materials in the design. o Many designers are using recycled materials which are made from waste. They can be beautifully used in interior design as they are as strong as any structural materials. o In all of these projects, sustainable materials are selected according to certain characteristics- local materials- the availability of materials, durability of the materials, reusability of the materials and recycled content. o There are significantly more Advantages than Disadvantages while designing sustainable interiors.
32 AMRUTA VAISHAMPAYAN 7. DATA COLLECTION 7.1 ERGONOMICS AND ANTHROPOMETRY Anthropometry refers to the measurement of the human individual. The essential function of retail spaces is to display and sell merchandise. The design of these spaces involves the manipulation and coordination of architectural, interior design, and merchandising elements as necessary to meet the programmatic needs of the client. Main isle width Secondary Isle width
33 AMRUTA VAISHAMPAYAN Seated customer (desired counter height) Seated customer (low counter height)
34 AMRUTA VAISHAMPAYAN Seated customer (high counter height) Standing customer – Typical sales area
35 AMRUTA VAISHAMPAYAN Typical merchandise display and hanging display
36 AMRUTA VAISHAMPAYAN Dining/ Café table Minimum preferred dimensions
37 AMRUTA VAISHAMPAYAN Table’s optimum clearance Images source- https://www.slideshare.net/ Optimum clearance for wheelchair
38 AMRUTA VAISHAMPAYAN 7.2 NORMS FROM NATIONAL BUILDING CODE National Building Code of India covers the detailed guidelines for construction, maintenance and fire safety of the structures. National Building Code of India is published by Bureau of Indian Standards and it is recommendatory document. GROUP – F : MERCANTILE BUILDINGS These are the buildings used as shops, stores for display and sale of merchandise either wholesale or retail. Such buildings are further subclassified as: F–1: Shops, stores, markets with area of 500 sq meter. belong to this subdivision. CONSIDERATIONS FOR ENERGY EFFICIENCY 1. Glass and glazing design must take into consideration introduction of daylighting into the interior space of the building and to manage the external and internal heat loads. External loads include solar heat gains through fenestration, heat losses across the glass surfaces and unwanted air infiltration in the building whereas internal loads include heat released by the electric lighting systems, equipment and people working in the building space. 2. Proper orientation of a building and due consideration to the size and placement of windows at the design stage can provide the advantage of daylighting. To maintain thermal comfort and minimize internal cooling / heating loads, the envelope needs to regulate and optimize heat transfer through roof, walls, windows, doors and other opening. 3. An integrated building design considers the Envelope, the Heating Ventilation and Cooling (HVAC) system and the Lighting system as a whole rather than
39 AMRUTA VAISHAMPAYAN dealing with these independently. Changing the specifications of one system can affect the performance of the other two significantly. Similarly, an inefficient lighting system not only increases lighting energy consumption but could also increases the cooling load on HVAC system thereby increasing the energy consumption further. CONSIDERATIONS WHILE DESIGNING AN ENERGY-EFFICIENT BUILDING. Thus, the main goal of glass and glazing design should be to provide visual and thermal comfort to the occupants and thereby reducing the electricity cost for lighting and HVAC. Sun Path Analysis Sun path analysis helps us in understanding the impact of the orientation of buildings and determining the best orientation to understand the impact of seasonal changes in the building and its surrounding. Green Building Code in India In India, the Green Building Code is a medley of codes and standards contained in the State by-laws, the National Building Code, the Energy Conservation Building Code (ECBC) and in the norms set by the ratings programmes, such as Leadership in Energy and Environmental Design-India (LEED-India), the standards and guidelines put down for the Residential Sector by the Indian Green Building Council (IGBC), TERI-GRIHA and other such certifications. Components of Green Building EPA has extensive programs and information on green building issues, including: • Energy Efficiency and Renewable Energy • Water Efficiency
40 AMRUTA VAISHAMPAYAN • Environmentally Preferable Building Materials and Specifications • Waste Reduction • Toxics Reduction • Indoor Air Quality • Smart Growth and Sustainable Development EPA's Industrial Materials Recycling Program It provides information on how industrial materials, such as coal combustion products, foundry sand, and construction and demolition debris, can be recycled to meet the material needs of our construction industry. Industrial materials can be recycled in construction applications because they have many of the same chemical and physical properties as the virgin materials they replace. In some cases, they can even improve the quality of a product.
41 AMRUTA VAISHAMPAYAN 7.3 SURVEY REGARDING RECYCLED MATERIALS Online questionnaire A survey regarding the awareness of use of recycled materials in the interior design, was conducted with the help of online platform. This study presents the results from the questionnaire survey conducted to find out what recycled and waste materials are being used in the interior and construction industry and the areas where the people need to be educated about different types of such materials. The focus was given to the awareness of using such materials by the architects, interior designers, consultants, civil engineers. Following is the comprehensive review of data, findings, information relating to the recycled waste and its application in the interior field. Methodology: The survey was conducted through a google survey form and sent to practicing interior designers, architects, consultants and civil engineers. The survey addressed to: 1) the profession of the respondent. 2) Respondent’s take on whether sustainable interior has a future in in the field. 3) Which are the factors, according the respondents, have the highest impact on the indoor air quality. 4) Barriers of using recycled materials. 5) The main reason of using recycled materials in the design. 6) List of materials were mentioned and respondents were asked to tick all the materials that they are aware of and to mention any materials not if listed in the options. Following is the online questionnaire circulated among the participants. 1. Occupation: a. Architect b. Interior designer c. HVAC consultant
42 AMRUTA VAISHAMPAYAN 2. Do you think sustainable interiors is the future in interior design/ architecture? a. Yes b. Maybe c. No 3. Which are the factors that have the highest impact on indoor air quality than the rest? a. Environmental tobacco smoke b. Biological agents such as molds c. Volatile Organic Compounds from different materials d. Inadequate ventilation e. Air exchange with outside environment f. Other: ________________ 4. What do you think are the barriers to use recycled materials in interior design or what do you think are the reasons that designers/ architects/ contractors don’t use recycled materials? a. Client’s mindset about the quality of product b. Costs c. Lack of education regarding certain materials d. Lack of market to buy the material e. Other: ________________ 5. Do you use recycled materials in your design? If yes what is the main reason that you use such materials? a. Quality
43 AMRUTA VAISHAMPAYAN b. Cost c. Reduce landfill waste d. Other: ________________ 6. How many of such materials are you aware of? Tick all that apply. a. Recycled plastic b. Steel c. Reclaimed wood d. Paper/ cardboard e. Steel f. Other _________________ Results: The survey was distributed to 44 participants who were interior designers, architects, civil engineers and consultants from Thane and Mumbai locality. The response given by the respondents is summarized ahead.
44 AMRUTA VAISHAMPAYAN 2% Question 1: Occupation of the respondent: Figure 1: Showing the occupation of the participants. Findings show that of all the respondents, 52.3% were architects, 43.2% were interior designers, 2% were civil engineers. Question 2: Do you think sustainable interiors is the future in interior design/ architecture?
45 AMRUTA VAISHAMPAYAN Figure 2: showing the opinion of respondents regarding the future of sustainable interior design. Findings show that of all 44 respondents, 81.8% think that sustainability has a future scope, whereas 18.2% think that there might be future scope for sustainability in the industry. Question 3: Which are the factors that have the highest impact on indoor air quality than the rest? Figure 3: showing the factors that have more impact on indoor air quality.
46 AMRUTA VAISHAMPAYAN Findings show that 68.2 % of the participants think inadequate ventilation is the main factor responsible for bad indoor air quality, 47.7% of the participants think air exchange with outside environment, 43 % of the participants think _, _ % of the participants think volatile organic compounds, 25 % of the participants think environmental tobacco smoke, 20.5% % of the participants think that biological molds followed by absence of indoor plants and paint fumes also has the highest impact on indoor air quality. Question 4: What do you think are the barriers to use recycled materials in interior design or what do you think are the reasons that designers/ architects/ contractors don’t use recycled materials? Figure 4: showing the percentage of reasons why designers are not using recycled materials. Findings show that the participants surveyed, felt that Lack of education regarding recycled materials made up 70.5% of the reasons why they do not use
47 AMRUTA VAISHAMPAYAN certain recycled materials. They claimed client’s mindset to be 65.9% of the reason why certain recycled materials aren’t being used in interior applications. Lack of market to buy the material constituted for 50% of the reasons followed by costs being 38.6% followed by other factors such as maintenance, longevity, awareness etc. Question 5: Do you use recycled materials in your design? If yes what is the main reason that you use such materials? Figure 5: showing the percentage of materials used in the interior design applications. Findings show that of all the participants surveyed, 72.7% felt that reducing landfill waste is the main reason as why they want to use recycled materials in the interior design, followed by costs at 15.9%, followed by other reasons such as aesthetics, helping the environment etc.
48 AMRUTA VAISHAMPAYAN Question 6: How many of such materials are you aware of? Figure 6: showing the percentage of materials the designers are aware of. Findings show that 84.1 % participants are aware about recycled plastic, followed by 81.8% participants being aware of recycled glass and 75% participants aware of recycled paper or cardboard, followed by other materials such as reclaimed wood, steel, rubber, aluminium, wood-fibre composite, carpets, etc. Conclusion: The study conducted suggests that all of the participants were aware of the use of recycled materials in the interior design. Many of them haven’t yet used such materials in their design because of various reasons and lack of education or client’s mindset being the primary reasons as to why designers are not using recycled materials. People are more concerned about the look, the aesthetics and often do not think about what it will cost to the environment. Hence, to understand the awareness of using recycled materials in architecture or interior design, this survey was conducted. As it turns out, more awareness is needed about the harmful materials and its negative impact on the environment to make people understand about the availability of materials, eliminating the misconceptions about the recycled materials.
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop
Proposed layouts for Reform shop

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Proposed layouts for Reform shop

  • 1. 2 B I OP HI L I CDE S I GN C ONC E NT RI CDE S I GN P R OP OS E D L A Y OU T SF OR GE OT HE RMALC OOL I NG S Y S T E M RE F ORM S T ORE E NE RGYE F F I C I E NTL I GHT I NG ORGANI CC AF E S T AI RC AS E S P I RAL F AC ADE V I E W OFT HE S HOP DOME DI S P L A Y C ONC E P TS HE E T 2
  • 6. RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 TOPIC: PROPOSED CIVIL LAYOUT-GROUND FLOOR DATE: 5.1.2021 SHEET NO :7 22794,62 COLOUR INDICATION DESCRIPTION EXISTING WALLS 150 MM THICK BUILT WALLS 150 MM THICK DEMOLISHED WALLS 150 MM THICK RCC COLUMN EXISTING SLAB TO BE KEPT AS IT IS ENTRANCE 300 300 300 300 300 300 1800 1415 2474 3365 15150 580 1805 1050 1494 843 850 11237 850 700 6587 3800 700 850 550 905 605 1205 1200 1200 1200 450 450 453 1089 850 3100 450 850 4828 850 4037 1150 850 300 1900 696 15380 850 850 850 700 700 450 300 552 452 300 452 705 450 450 22089 1313 3676 1194 3676 1194 3511 1198 6252 900 4869 4705 8351 22914 22089 300 300 300 300 300 300 300 300 550 700 450 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 PROPOSED STAIRCASE UP Ø1400 1 5 0 4 0 0 1200 2 7 0 Ø3800
  • 7. RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 TOPIC: PROPOSED CIVIL LAYOUT-UPPER GROUND FLOOR DATE: 5.1.2021 SHEET NO :8 22794,62 ENTRANCE COLOUR INDICATION DESCRIPTION EXISTING WALLS 150 MM THICK BUILT WALLS 150 MM THICK DEMOLISHED WALLS 150 MM THICK RCC COLUMN EXISTING SLAB TO BE KEPT AS IT IS 300 300 300 300 300 300 1800 1415 2474 3365 15150 580 1805 1050 1050 1494 843 850 11237 850 700 6587 3800 700 850 550 1205 1200 1200 1200 450 450 453 1700 1089 906 850 3100 450 850 4828 850 4037 1150 850 300 1900 696 15380 850 850 700 700 450 300 552 452 300 452 705 450 450 22089 1313 3676 1194 3676 1194 3511 1198 6252 900 4988 4869 4705 8351 22914 22089 300 300 300 300 300 450 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 DOWN Ø1400 1 5 0 4 0 0 1200 2 7 0 Ø3800
  • 8. 22794,62 R 7 0 5 9 2254 1723 2031 R 3 2 9 8 R 3 3 7 3 900 7 5 0 75 0 1 0 0 0 900 750 750 1000 750 750 1496 750 750 6 7 1 676 751 1905 R 6 9 8 4 R 7 0 5 9 2347 2038 TOPIC: PROPOSED PARTITION LAYOUT- GROUND FLOOR RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 750 R 6 9 8 4 R 7 0 5 9 3 0 4 7 1228 1 7 9 6 R 9 3 3 7 559 2049 2957 2231 568 2 6 7 7 1782 1725 5266 3022 7135 6221 17449 14010 4109 R 2 3 5 3 4 R 5 0 5 9 6 0 980 112 3844 3807 1082 552 552 299 299 Ø997 Ø897 299 299 Ø997 Ø897 299 299 Ø997 Ø897 COLOUR INDICATION DESCRIPTION BUILT PARTITIONS RCC COLUMN COLUMN CLADDING BRICK WALL WALL PANELLING D0 D3 D3 D3 1000 D2 D2 D3 D3 D3 D3 D3 D3 D1 D1 D1 360 360 360 360 360 360 ALL PARTITIONS ARE CURVE SHAPED AND MATERIAL IS GYPSUM MULTIBOARD 9.5 MM THICK. FRAMEWORK USED IN GYPROX CURVILINEAR CHANNELS DETAILS SPECIFIED IN DETAIL SHEET DATE: 5.1.2021 SHEET NO :9
  • 9. TOPIC: PROPOSED PARTITION LAYOUT -UPPER GROUND FLOOR 22794,62 22794,62 22794,62 C' C B B' A A' D' D E' E 299 299 Ø997 Ø897 299 299 Ø997 Ø897 299 299 Ø997 Ø897 175 750 1 0 0 0 D3 D3 75 0 D3 D1 750 886 1000 D1 360 360 360 360 360 360 COLOUR INDICATION DESCRIPTION BUILT PARTITIONS RCC COLUMN COLUMN CLADDING BRICK WALL WALL PANELLING ALL PARTITIONS ARE CURVE SHAPED AND MATERIAL IS GYPSUM MULTIBOARD 9.5 MM THICK. FRAMEWORK USED IN GYPROX CURVILINEAR CHANNELS DETAILS SPECIFIED IN DETAIL SHEET RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 DATE: 5.1.2021 SHEET NO :9
  • 10.
  • 11.
  • 12. TOPIC: PROPOSED LAYOUT FOR REFORM SHOP GROUND FLOOR-DIMENSIONAL LAYOUT 22794,62 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 DATE: 5.1.2021 SHEET NO :14 SCALE- 1:50 D0 6 C' C B B' A A' D' D E' E 573 500 409 2536 2431 900 619 Ø460 Ø600 1383 2146 1774 1725 R7204 R6973 1626 1228 1133 8 8 9 8 8 9 699 1222 4 2 7 2020 2020 R1240 R700 Ø1623 R1200 4349 5 2 5 5 2 5 R2848 600 R3000 R2400 2 4 5 2 3 0 6 5 R1000 R600 Ø1148 R2400 R3000 600 3 0 6 6 2 4 5 2 3761 1082 3889 552 552 933 10224 2000 R300 450 Ø4400 Ø3800 Ø1150 Ø 1 4 0 0 1 2 0 0 400 2608 Ø953 R300 600 3029 3590 3752 556 464 464 1268 1206 500 500 1564 650 1260 506 514 900 Ø460 Ø600 Ø460 Ø600 2000 1 7 8 5 1228 3 0 4 4 475 743 471 764 744 743 Ø729 R300 R230 R300 R300 Ø953 2000 45 0 R300 520 520 520 520 180 520 520 520 R 5 6 1 0 R 5 3 1 0 R 5 0 1 0 2691 2852 3014 522 498 522 498 R1240 R700 Ø1623 R1200 1415 2474 3365 580 1805 1050 1494 843 850 11237 850 700 3800 700 850 550 605 1200 1200 1200 450 450 453 1089 4828 850 4037 1150 850 300 1900 696 850 850 850 700 700 450 300 552 452 300 452 705 450 450 22089 1313 3676 1194 3676 1194 3511 1198 6252 900 4869 4705 8351 22914 22089 300 300 300 300 300 550 700 450 D1 ENTRANCE UP 28 27 26 25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 5 4 3 2 1 BAGGAGE COUNTER HISTORY WALL DOME DISPLAY DISPLAY STAIRCASE ELEVATOR WINDOW DISPLAY CASH DESK LADIES TOILET TOILET FOR WHEELCHAIR USERS ORGANIC FOOD PRODUCTS ORGANIC CAFE KITCHEN MEN FITTING ROOMS WOMEN FITTING ROOMS STORAGE ROOM GENTS TOILET DOME DISPLAY STAFF AREA D0 D3 D3 D3 D2 D2 D3 D3 D3 D3 D3 D3 D1 D1
  • 13. TOPIC: PROPOSED LAYOUT FOR REFORM SHOP UPPER GROUND-MEZZANINE FLOOR- DIMENSIONAL LAYOUT 22794,62 De Baed De Bae d De Baed De Bae d 22794,62 22794,62 C' C B B' A A' D' D E' E 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 DATE: 5.1.2021 SHEET NO :15 SCALE- AS MENTIONED ENTRANCE 2712 1956 1563 R 5 5 5 2 800 6322 5402 495 495 1631 2620 1186 500 499 2000 450 R1240 R1200 R700 699 699 889 Ø729 600 600 1457 1543 R2850 R2250 1222 1222 5222 1000 1000 1000 969 898 R14759 400 700 Ø600 Ø460 23381 Ø600 1051 1956 R5477 R 2 8 5 0 2979 3362 5666 16501 2964 2141 1200 Ø1200 Ø 1 4 0 0 R2200 R1900 R1240 R700 Ø1623 R1200 300 300 300 300 300 300 1800 1415 2474 3365 15150 580 850 11237 850 700 700 850 1200 453 1700 1089 906 850 3100 450 850 4828 4037 1150 850 300 1900 696 15380 850 850 700 700 450 300 552 452 300 22089 1313 3676 1194 3676 1194 3511 1198 6252 900 4988 4869 4705 8351 22914 22089 300 300 300 300 300 450 HANDMADE PRODUCTS FITTING ROOMS DOME DISPLAY TAILOR ROOM SEATING AREA STAIRCASE ELEVATOR EMERGENCY EXIT D3 D3 D3 D1 D1
  • 15. 1 6
  • 16. PLATFORM LIFT FOR WHEELCHAIR ACCESS BY MOBILITY AIDS PVC CHARCOAL PANELS DENIM PLANTERS AUTOMATIC SLIDING ENTRANCE DOOR BY ENOX FACADE ELEVATION RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS SCALE- AS MENTIONED 19 MM THICK PRE CAST TERRAZZO SLAB 900 MM HIGH PLINTH 4 MM THICK, 1220 X 1500 MM SIZE, COIL COATED (NO VOC) ACP SHEET (BY ALUDECOR) CONTAINING RECYCLED ALUMINIUM CLADDING SS FINISHED TOP GLASS PATCH FITTING BY ENOX, GLASS SEALING PROFILE FLOOR TO GLASS, PRODUCT CODE:EGP 510 12 MM THICK TOUGHENED GLASS BY SAINT GOBAIN ACTIVATOR SENSOR FOR AUTOMATIC SLIDING DOOR SIGNBOARD AND LOGO FROM POST CONSUMER RECYCLED PLASTIC 9450 1150 7400 900 914 233 150 150 150 150 150 1093 1963 3450 2350 2440 2400 2550 PLATFORM LIFT FOR WHEELCHAIR USERS STAIRCASE STAIRCASE STAIRCASE STAIRCASE DATE: 5.1.2021 SHEET NO :17 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50
  • 17. RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS 387 450 300 150 697 SECTION A-A' 150 MM THICK SLAB 12 MM THICK GYPSUM BOARD CEILING SUSPENDED AT FROM FFL PNEUMATIC VACUUM ELEVATOR FOR WHEELCHAIR ACCESS 60 MM DIA 22 FEET HIGH BAMBOO POLES FIXED IN 100 MM HIGH WOODEN MEMBER ON THE FLOOR AND FIXED IN THE CEILING DENIM PLANTER COLUMNS CLADDED WITH 5 PLY SALVAGED CARDBOARD 990 MM DIA 300 MM DEEP NICHE FOR SHELVING MADE OUT OF RECLAIMED WOOD PALLETS IN THE WALL 1050 X 2100 MM VERTICAL MIRROR 40 MM DIA STAINLESS STEEL PIPE BLACK POWDER COATED CURVED IN 1800 MM DIA DISPLAY RACK WALL PAINT WITH USED DENIM FIBRES (TEXTILE PAINT BY COLOURCOATS) 550 MM DEEP DISPLAY SHELF MADE OUT OF 5 PLY CARDBOARD 2700 MM HIGH CARDBOARD DOME WITH 2170 MM OUTER DIAMETER 520 X 430 MM TIRE SEATING WITH RECYCLABLE POLYSTYRENE FOAM VIRTUAL MIRROR FOR TRIAL RECLAIMED WOODEN PALLET SHELVING IN THE TIRES SUSPENDED ON THE WALL WITH THE HELP OF RECYCLED ROPES 150 MM THICK SLAB 850 8700 700 1465 2100 1195 2300 83 527 620 1950 3150 995 1754 2001 4117 4200 DOME DISPLAY DISPLAY-CARDBOARD SHELVES STAIRCASE TO MEZZANINE FLOOR PNEUMATIC ELEVATOR CAFETERIA DATE: 5.1.2021 SHEET NO :18 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 A A' A A'
  • 18. RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS SECTION B-B' PNEUMATIC VACUUM ELEVATOR FOR WHEELCHAIR ACCESS 60 MM DIA 22 FEET HIGH BAMBOO POLES FIXED IN 100 MM HIGH WOODEN MEMBER ON THE FLOOR AND FIXED IN THE CEILING DENIM PLANTER COLUMNS CLADDED WITH 5 PLY SALVAGED CARDBOARD HISTORY WALL HIGHLIGHTING COMPANY'S MAJOR EVENTS AND PROGRESS THROUGH YEARS IN FORM OF PICTURES AND WRITTEN INFORMATION WITH SOLID ACRYLIC LETTERS DENIM PANTS SUSPENDED ON WALL WITH ROPE AND PULLEY SYSTEM BAMBOO RAILING EXTERNAL GLASS FACADE 550 MM DEEP DISPLAY SHELF MADE OUT OF 5 PLY CARDBOARD 2700 MM HIGH CARDBOARD DOME WITH 2170 MM OUTER DIAMETER 850 700 3500 83 700 850 3267 83 189 50 150 936 1315 1465 8400 8317 8700 HISTORY WALL DOME DISPLAY STAIRCASE TO MEZZANINE FLOOR 150 MM THICK SLAB 150 MM THICK SLAB DATE: 5.1.2021 SHEET NO :19 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 B' B' B B
  • 19. RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS SECTION C-C' CRUSHED GLASS AND RECYCLED PLASTIC EMBEDDED IN CONCRETE COUNTERTOP PLANTER HANGING FROM CEILING WITH ROPES FOLDABLE WOODEN WRITING MENU BOARD 730 MM DIA RECLAIMED WOODEN ROUND TABLE TOP AND BLACK POWDER COATED MS LEGS SALVAGED CARDBOARD AND STYROFOAM CHAIR 990 MM DIA 300 MM DEEP NICHE FOR SHELVING MADE OUT OF RECLAIMED WOOD PALLETS IN THE WALL 1050 X 2100 MM VERTICAL MIRROR WALL PAINT WITH USED DENIM FIBRES (TEXTILE PAINT BY COLOURCOATS) 550 MM DEEP DISPLAY SHELF MADE OUT OF 5 PLY CARDBOARD 1592 993 2100 2652 1465 439 887 2100 750 695 800 ORGANIC CAFE TOILET FOR DIFFERENTLY ABLED PEOPLE MENS FITTING ROOMS STAFF AREA STORAGE ROOM WOMENS FITTING ROOM LADIES RESTROOM GENTS RESTROOM DATE: 5.1.2021 SHEET NO :20 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 C' C C C'
  • 20. SECTION D-D' RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 DATE: 5.1.2021 TOPIC: PROPOSED SECTIONAL ELEVATIONS 150 MM THICK SLAB 12 MM THICK GYPSUM BOARD CEILING SUSPENDED AT FROM FFL 150 MM THICK SLAB COLUMNS CLADDED WITH 5 PLY SALVAGED CARDBOARD SALVAGED CARDBOARD AND STYROFOAM CHAIR BAMBOO RAILING 2700 MM HIGH CARDBOARD DOME WITH 2170 MM OUTER DIAMETER HISTORY WALL HIGHLIGHTING COMPANY'S MAJOR EVENTS AND PROGRESS THROUGH YEARS IN FORM OF PICTURES AND WRITTEN INFORMATION WITH SOLID ACRYLIC LETTERS 990 MM DIA 300 MM DEEP NICHE FOR SHELVING MADE OUT OF RECLAIMED WOOD PALLETS IN THE WALL 550 MM DEEP DISPLAY SHELF MADE OUT OF 5 PLY CARDBOARD 1200 X 800 MM BATHROOM WALL TILES 565 X 195 MM COUNTER TOP WASHH BASIN AT 1000 MM FROM FFL TOILET FOR DIFFERENTLY ABLED PEOPLE CASH DESK MENS FITTING ROOM HISTORY WALL DOME DISPLAY DISPLAY (CARDBOARD SHELVES) WINDOW DISPLAY STAIRCASE PLATFORM LIFT 900 150 1113 1234 1984 8400 700 150 1475 6842 4099 865 1315 3267 2652 1000 698 2100 2652 1198 698 1204 NILAYA NATURAL ORGANIC WALL PAINT BY ASIAN PAINTS SHEET NO :21 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 D' D D' D
  • 21. RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: PROPOSED SECTIONAL ELEVATIONS SECTION E-E' DISPLAY OF TREE MADE OUT OF CARDBOARD USED FROM CARDBOARD BOXES SHIPPING TO THE STORE BRANCHES -CORRUGATED PAPER ROLLED TWISTED SHAPED SUSPENDED LUMINAIRE RECYCLED POLYCARBONATE BRAND-PHILIPS 600 X 600 REINDEER MOSS WALL PANELS FITTED INTO WOODEN BACK FRAMES PNEUMATIC VACUUM ELEVATOR FOR WHEELCHAIR ACCESS 60 MM DIA 22 FEET HIGH BAMBOO POLES FIXED IN 100 MM HIGH WOODEN MEMBER ON THE FLOOR AND FIXED IN THE CEILING DENIM PANTS SUSPENDED ON WALL WITH ROPE AND PULLEY SYSTEM 520 X 430 MM TIRE SEATING WITH RECYCLABLE POLYSTYRENE FOAM 730 MM DIA RECLAIMED WOODEN ROUND TABLE TOP AND BLACK POWDER COATED MS LEGS 1465 700 850 4200 4100 1742 2385 250 1315 715 999 800 438 718 150 8400 8317 2735 2635 900 NILAYA NATURAL ORGANIC WALL PAINT BY ASIAN PAINTS ORGANIC CAFE CAFE SERVING COUNTER STAIRCASE TO MEZZANINE FLOOR PNEUMATIC ELEVATOR DISPLAY WINDOW DISPLAY DATE: 5.1.2021 SHEET NO :22 SCALE- AS MENTIONED 22794,62 BAGGAGE COUNTER 1. ENTRANCE 6. POWER WALL 7. HISTORY WALL 12. WOMENS FITTING ROOMS 14. STAFF AREA 17. CASH COUNTER MANNEQUINS 13. STORAGE ROOM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 KEY PLANS AT 1: 200 SCALE GROUND FLOOR UPPER GROUND FLOOR 22794,62 De Baed De Baed De Baed De Baed 22794,62 3D. CHILDREN WEAR 4. ACCESSORIES DISPLAY 5. FOOTWEAR DISPLAY 18. ACCESSORIES BY LOCAL ARTISANS 22794,62 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 SCALE- 1:50 E E' E' E
  • 22.
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  • 28. RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 59 TOPIC: PROPOSED LAYOUT FOR REFORM SHOP GROUND FLOOR SCALE- 1: 50 DATE: 22794,62 2 MAGNUM-LARGE TERAZZO SLABS MAKE: BHARAT FLOORING SIZE: 1000 X 600 MM THICKNESS: 18 MM MATERIAL: TOPPING - WHITE OR GREY CEMENT, PIGMENT, FILLER, RECYCLED- T3 SIZE MARBLE, STONE AND GLASS CHIPS BACKING - GREY AND WHITE CEMENT, STONE GRIT/ DUST 19 MM THICK PRE CAST TERRAZZO SLAB BIO BASED TILE SIZE: 600 X 1000 COMPANY: ARMSTRONG COATED WITH BFT VIRUS SHIELD LEVEL INDICATION FROM FFL 1 MAGNUM-LARGE TERAZZO SLABS MAKE: BHARAT FLOORING SIZE: 1000 X 600 MM THICKNESS: 18 MM MATERIAL: TOPPING - WHITE OR GREY CEMENT, PIGMENT, FILLER, RECYCLED- T3 SIZE MARBLE, STONE AND GLASS CHIPS BACKING - GREY AND WHITE CEMENT, STONE GRIT/ DUST 3 RECYCLED PLASTIC TILE FEATURE: MADE FIREPROOF BY ADDING SAND SIZE: 600 X 600 MM THICKNESS 12 MM COMPANY: SHAYNA ECOUNIFIED 4 RECYCLED RUBBER FLOOR MAT TILE: MADE FROM RECYCLED TIRE RUBBERS. COLOUR : BLACK THICKNESS: 10 MM SIZE: 600 X 600 MAKE: FAB FLOORINGS INDIA SYMBOL DESCRIPTION STARTING TILE INDICATION NAHNI TRAP RECYCLED RUBBER FLOOR MAT TILE 600 X 600 MM RECYCLED PLASTIC TILE BY SHAYNA ECOUNIFIED CAST-IN-SITU TERRAZZO CASTED ON SITE -CREAM ITALIAN WHITE MARBLE AND RECYCLED GLASS CHIPS ON WHITE BASE STONE FLOORING UNDER THE COUNTER ANTISKID TILE IN THE TOILET AREA MAGNUM - BLUE LAGOON BASE WITH MIX T3 SIZE GLASS CHIPS WITH WHITE CEMENT BACKING AND STONE DUST BAMBOO STAIRCASE TREAD SHOWN IN DOTTED 30 MM WIDE ALUMINIUM TRANSITION STRIP 5 MM THICK ALUMINIUM DIVIDER STRIP PLACED AT 1500 MM BREATHING DISTANCE FOR TERRAZZO FLOOR 5. RECYCLABLE CARPET TILE BRAND: INTERFACE SIZE: 500 X 500 MM TEXTURE:TUFTED TEXTURE THICKNESS: 7 MM RECYCLED CARPET FIBRES BACKING: GLASBAC®RE 100 % RECYCLED POST CONSUMER CONTENT ADHESIVE: LOW VOC INTERTAC, A WATER BASED ACRYLIC R5040 R3374 R3404 Ø2100 Ø4100 1500 1500 1500 1500 1500 180 600 600 600 600 600 600 485 298 507 600 600 600 600 600 600 600 600 600 600 600 249 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 1000 100 A E D C WHITE COLOURED TILES, BROKEN DISHES AND GLASS MOSAIC FILLED IN SPECIFIED SHAPE GREEN COLOURED TILES, BROKEN DISHES AND GLASS MOSAIC FILLED IN SPECIFIED SHAPE COLOURED WASTE TILES, BROKEN DISHES AND GLASS MOSAIC FILLED IN SPECIFIED SHAPE B F 40 X 14 FLEXIBLE ALUMINIUM DIVIDER STRIP 648 600 600 481 600 447 600 525 150 300 444 1500 1500 600 600 600 600 600 600 600 272 1500 1500 1500 1500 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 300 1800 1198 6252 900 1194 3511 3676 1194 1838 1838 1191 2465 666 751 15070 19281 21969 BAGGAGE COUNTER 1. ENTRANCE WOMENS FITTING ROOMS STAFF AREA MANNEQUINS STORAGE ROOM STAIRCASE WHEELCHAIR ACCESS ELEVATOR TOILET FOR DIFFERENTLY ABLED TOILET MEN FITTING ROOMS KITCHEN AND SERVING COUNTER ORGANIC CAFE WINDOW DISPLAY +/-00 -10 +/-00
  • 29. RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 59 TOPIC: PROPOSED LAYOUT FOR REFORM SHOP UPPER GROUND-MEZZANINE FLOOR SCALE- 1: DATE: 22794,62 22794,62 22794,62 COATED WITH BFT VIRUS SHIELD 1 MAGNUM-LARGE TERAZZO SLABS MAKE: BHARAT FLOORING SIZE: 1000 X 600 MM THICKNESS: 18 MM MATERIAL: TOPPING - WHITE OR GREY CEMENT, PIGMENT, FILLER, RECYCLED- T3 SIZE MARBLE, STONE AND GLASS CHIPS BACKING - GREY AND WHITE CEMENT, STONE GRIT/ DUST 3 RECYCLED PLASTIC TILE FEATURE: MADE FIREPROOF BY ADDING SAND SIZE: 600 X 600 MM THICKNESS 12 MM COMPANY: SHAYNA ECOUNIFIED NAHNI TRAP LEVEL INDICATION FROM FFL STARTING TILE INDICATION SYMBOL DESCRIPTION 2 MAGNUM-LARGE TERAZZO SLABS MAKE: BHARAT FLOORING SIZE: 1000 X 600 MM THICKNESS: 18 MM MATERIAL: TOPPING - WHITE OR GREY CEMENT, PIGMENT, FILLER, RECYCLED- T3 SIZE MARBLE, STONE AND GLASS CHIPS BACKING - GREY AND WHITE CEMENT, STONE GRIT/ DUST BAMBOO STAIRCASE TREAD BAMBOO STAIRCASE TREAD 600 X 600 MM RECYCLED PLASTIC TILE BY SHAYNA ECOUNIFIED CAST-IN-SITU TERAZZO WITH DIVIDER STRIPS AND CREAM ITALIAN WHITE MARBLE AND BLUE AND GREEN GLASS CHIPS ON WHITE BASE MAGNUM - BLUE LAGOON BASE WITH MIX T3 SIZE GLASS CHIPS WITH WHITE CEMENT BACKING AND STONE DUST 30 MM WIDE CUSTOM RECLAIMED WOOD TRANSITION STRIP G H D 19 MM THICK PRE CAST TERRAZZO SLAB 600 397 21 644 1427 1492 1324 638 363 391 1500 1500 1500 1500 394 1500 1500 1500 1500 1500 1500 1500 1500 1500 1500 1500 1500 1500 549 533 R 5 6 2 2 R 3 4 2 9 3022 1606 2999 1655 2380 941 554 1500 1500 974 949 518 846 656 1059 452 234 541 1054 307 1697 969 1086 1130 272 843 2181 1188 412 485 363 1372 379 1238 1041 235 7411 50 19281 21969 DISPLAY DISPLAY DISPLAY DISPLAY TAILOR ROOM EMERGENCY EXIT FITTING ROOMS MANNEQUINS DISPLAY STAIRCASE WHEELCHAIR ACCESS ELEVATOR SCALE- 1: 50 900 1050 1200 1350 1500 1650 1800 1950 2100 2250 2400 2550 2700 2850 3000 3150 3300 3450 3600 3750 3900 4050 4200
  • 30. 5 MM THICK FLEXIBLE DIVIDER STRIP OF ALUMINIUM 18 MM THICK TERRAZZO FLOORING POURED WITH POLYMERIC AND CEMENT BINDER 65 MM SCREEDING MARBLE, STONE, GLASS CHIPS AGGREGATE SIZE 9-10 MM PROPORTION OF AGGREGATES: BINDER- 1.5 :1 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS TOPIC: DETAILS FOR FLOORING LAYOUT ROLL NO- 56 SIGNATURE AND REMARKS: SCALE- AS MENTIONED DETAIL A BROKEN TILES, DISHES,GLASS PIECES APPROX. SIZE: 25-40 MM FIXED WITH CEMENT MORTAR AND TILE GROUT DETAIL B 4 MM RICH CEMENT 8 MM THICK MOSAIC PATTERN 65 MM THICK SCREEDING DETAIL C SECTION AT B DETAIL D 7 MM THICK 500 X 500 SIZE RECYCLED CARPET TILE BY INTERFACE 3 MM THICK LOW VOC, INTERTAC WATER BASED ACRYLIC ADHESIVE 50 MM PCC 150 MM RCC SLAB 18 MM THICK TERRAZZO FLOORING POURED WITH POLYMERIC AND CEMENT BINDER 65 MM SCREEDING MARBLE, STONE, GLASS CHIPS AGGREGATE SIZE 9-10 MM PROPORTION OF AGGREGATES: BINDER- 1.5 :1 150 MM RCC SLAB 5 MM THICK DIVIDER STRIP OF ALUMINIUM 18 MM THICK TERRAZZO FLOORING POURED WITH POLYMERIC AND CEMENT BINDER 65 MM SCREEDING MARBLE, STONE, GLASS CHIPS AGGREGATE SIZE 9-10 MM PROPORTION OF AGGREGATES: BINDER- 1.5 :1 50 MM PCC 150 MM RCC SLAB 40 X 14 MM FLEXIBLE TRANSITION STRIP OF ALUMINIUM SCALE- 1: 1 SCALE- 1: 1 SCALE- 1: SCALE- 1: SCALE- 1: 1 18 65 50 5 1750 620 280 420 90 7 18 65 50 5 48 48 3 4 40 5 48 14 69 50 18 4 2 33 150 MM RCC SLAB FLEXIBLE, GALVANIZED STEEL WIRE CHICKEN WIRE MESH 1 MM THICK
  • 31. 25 MM NOSING 38 MM THICK, 1000 X 300 MM BAMBOO TREAD 450 X 600 MM, STEEL I BEAM 20 MM THICK FLANGE 100 X 300 MM, 6.35 MM THICK STEEL PLATE 6 MM DIA, 30 MM LENGTH COUNTERSUNK SCREWS RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS TOPIC: DETAILS FOR FLOORING LAYOUT ROLL NO- 56 SIGNATURE AND REMARKS: SCALE- 1:1 DETAIL E DETAIL F DETAIL G DETAIL H 4 MM THICK RICH CEMENT 5 MM THICK FLEXIBLE DIVIDER STRIP OF ALUMINIUM 65 MM SCREEDING 18 MM THICK TERRAZZO FLOORING POURED WITH POLYMERIC AND CEMENT BINDER 50 MM PCC 150 MM RCC SLAB 40 X 14 MM FLEXIBLE TRANSITION STRIP OF ALUMINIUM 7 MM THICK BIO BASED TILE BY ARMSTRONG SCALE- 1: 2 MARBLE, STONE, GLASS CHIPS AGGREGATE SIZE 9-10 MM PROPORTION OF AGGREGATES: BINDER- 1.5 :1 SCALE- 1: 2 12 MM THICK RECYCLED PLASTIC TILE BY SHAYNA ECOUNIFIED 18 MM THICK CEMENT MORTAR BEDDING 18 MM THICK NATURAL BAMBOO SOLID WOOD PLANK BY KAARA FLOORING 2 MM THICK UNDERLAY FOR WOODEN FLOORING 50 MM PCC 65 MM SCREEDING 150 MM RCC SLAB 50 MM PCC 65 MM SCREEDING 150 MM RCC SLAB 4 MM THICK RICH CEMENT 4 MM THICK RICH CEMENT 7 MM THICK BIO BASED TILE BY ARMSTRONG 4 MM RICH CEMENT 8 MM THICK MOSAIC PATTERN 40 X 14 MM FLEXIBLE TRANSITION STRIP OF ALUMINIUM 18 7 20 3 2 633 25 38 6.35 9 0 325 25 150 112 12 1865 50 18 2
  • 32. TOPIC: PROPOSED CEILING LAYOUT FOR SHOP 22794,62 SR. NO PICTURE MATERIAL DESCRIPTION 1 POLYESTER (PET) FELT 60% PRE-CONSUMER RECYCLED BRAND: TURF CEILINGS 100 % RECYCLED WOODWORKS CHANNELED TEGULAR FSC CERTIFIED REAL WOOD VENEER VENEER SPECIFICATION: 5904W7 IN NATURAL VARIATIONS LIGHT CHERRY (NLC) MATERIALS: 100 % RECYCLED PAPER LINERS, GYPSUM 1220 MM X 2440 MM, 12 MM THICK GYPSUM PLAIN BOARD BY SAINT GOBAIN (GYPROC PLAIN) 2 3 22794,62 B B' E' E POLYESTER RECYCLED BAFFLE CEILING POLYESTER RECYCLED BAFFLE CEILING 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d + 2635 + 2635 + 2635 + 2635 + 2935 + 2935 + 2935 + 2935 + 7135 + 7135 + 7135 + 7135 + 7135 + 6935 + 6935 + 6935 + 6935 + 6935 + 2485 + 6685 + 2485 4010 R2850 257 SECTION B-B' 1465 850 1450 1715 265 709 700 850 1715 SECTION E-E' RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
  • 33. 22794,62 22794,62 22794,62 TOPIC: PROPOSED CEILING LAYOUT FOR SHOP SR. NO PICTURE MATERIAL DESCRIPTION POLYESTER (PET) FELT 60% PRE-CONSUMER RECYCLED BRAND: TURF CEILINGS 100 % RECYCLED WOODWORKS CHANNELED TEGULAR FSC CERTIFIED REAL WOOD VENEER VENEER SPECIFICATION: 5904W7 IN NATURAL VARIATIONS LIGHT CHERRY (NLC) MATERIALS: 100 % RECYCLED PAPER LINERS, GYPSUM 1220 MM X 2440 MM, 12 MM THICK GYPSUM PLAIN BOARD BY SAINT GOBAIN (GYPROC PLAIN) GYPSUM MOISTURE RESISTANT BOARD 15 MM THICK, 1220 MM X 2440 MM MATERIAL: WOOD FIBER PANEL BRAND: ARMSTRONG 98% BIOBASED PRODUCT CERTIFIED SUSTAINABLE CEILING 25 MM THICK 1200 MM DIAMETER E' E GYPSUM MOISTURE RESISTANT BOARD GYPSUM MOISTURE RESISTANT BOARD WOOD FIBER PANEL + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2485 + 2635 + 2635 + 2635 + 2635 + 2635 + 2635 + 2635 + 2785 + 2785 1739 2772 Ø1200 Ø1200 74 202 5037 4412 1240 22794,62 5133 4921 7456 75 5879 E' B B' E' SECTION B-B' 1465 1315 625 1565 600 700 150 1465 100 850 615 1465 723 SECTION E-E' RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE ENTRANCE
  • 34. SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 59 TOPIC: PROPOSED REFLECTED CEILING LAYOUT FOR SHOP- MEZZANINE LEVEL SCALE- 1: DATE: 22794,62 22794,62 C' C B B' A A' D' D E' E 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d S S CEILING SWIRL DIFFUSER RETURN AIR GRILL SUPPLY AIR GRILL SMOKE DETECTOR FIRE SPRINKLER PENDANT LIGHT CEILING SUSPENDED TUBE LIGHT RECESSED SPOT LIGHT LED STRIP LIGHT SYMBOL DESCRIPTION TRACK LIGHT S RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) HIGH CEILING SPEAKER LOW CEILING SPEAKER
  • 35. C' C B B' A A' D' D E' E SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS TOPIC: PROPOSED CEILING LAYOUT FOR SHOP ROLL NO- 59 SCALE- 1: DATE: 22794,62 22794,62 22794,62 22794,62 S RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) S CEILING SWIRL DIFFUSER RETURN AIR GRILL SUPPLY AIR GRILL SMOKE DETECTOR FIRE SPRINKLER PENDANT LIGHT CEILING SUSPENDED TUBE LIGHT RECESSED SPOT LIGHT LED STRIP LIGHT SYMBOL DESCRIPTION TRACK LIGHT HIGH CEILING SPEAKER LOW CEILING SPEAKER ENTRANCE ENTRANCE
  • 36.
  • 37. 22794,62 22794,62 22794,62 22794,62 SB1 SB2 SB3 S2 S6 S3 S4 S5 S7 S9 T1 T2 T3 T4 T5 T6 S8 P1 P2 P3 P4 L13 L14 L15 L16 L17 L18 L19 L20 P4 P5 P3 SP2 SP1 SP3 SP4 SP5 P6 SP8 SP7 S1 S10 S11 M1 M2 M3 M4 M5 M6 M7 M8 M9 M10 M11 M12 R5 R1 R2 R3 R4 R6 R11 R13 R12 R7 R8 R10 R9 SP9 SP11 SP12 SP10 R11 R12 F1 F2 F3 F4 F5 F6 F7 F8 F9 R14 R13 L14 L1 L2 L3 L4 L5 L6 L10 L11 L12 L13 L9 L8 L7 L16 L15 F15 F16 F17 F18 F19 F20 F21 SL1 SL2 F10 F11 F12 F13 F14 RL1 RL2 RL3 RL4 SL6 SL7 SL8 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :38 ENTRANCE SURFACE MOUNTED CEILING LIGHT (14W) S1, S2... HIGH CEILING LIGHT PENDANT LIGHT T1, T2... P1, P2... L1, L2.. TRACK LIGHT LED STRIP LIGHT SL1, SL2... SURFACE MOUNTED SPOT LIGHT (12W) SP1, SP2... RECESSED LIGHT EMERGENCY DOWNLIGHT R1, R2... E1, E2.. LIGHT POINTS FROM CEILING M1,M2... LED POWERCORE FRONT LIGHT LIGHT POINTS FROM WALL FACADE LIGHT DECO FLOOD LIGHT PHILIPS D1, D2.. TOPIC: PROPOSED LIGHTING LAYOUT FOR SHOP- GROUND FLOOR LEVEL ENTRANCE LIGHT POINTS FROM FLOOR 966 1105 689 531 1691 1544 891 1645 3371 1322 917 949 1260 1475 2400 1031 1196 2728 1389 1501 1471 2855 1929 1788 1315 1456 1144 432 3503 2354 3563 430 1753 1455 1532 1461 1378 484 12714 2088 2116 240 2179 2711 1368 711 723 741 1348 233 1404 220 1789 594 638 948 223 1207 232 1197 630 278 1172 282 1314 1195 1180 272 1457 286 316
  • 38. 22794,62 22794,62 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d L46 L47 L44 L45 L43 L42 L41 L40 SP13 SP14 SP15 SP16 SP17 SP18 SP19 SP20 SP21 SP22 SP23 SP23 SP41 SP24 SP40 SP39 SP38 SP25 SP37 SP35 SP26 SP27 SP36 SP33 SP32 SP31 SP34 SP31 SP28 SP15 SP30 SP29 R15 F16 R18 R17 R16 R20 R21 R19 M13 M14 M15 M16 M17 M18 E1 E2 E3 L29 L28 L27 L19 L18 L17 L20 L21 L22 L23 L35 L34 L33 L32 L31 L30 L36 L37 L38 L39 L26 L25 L24 SL3 SL4 SL5 R11 R13 R12 F1 F2 F3 F4 F5 F6 F7 F8 F9 F10 F11 F12 F13 F14 SL9 SL10 SL12 SL11 SURFACE MOUNTED CEILING LIGHT (14W) S1, S2... HIGH CEILING LIGHT PENDANT LIGHT T1, T2... P1, P2... L1, L2.. TRACK LIGHT LED STRIP LIGHT SL1, SL2... SURFACE MOUNTED SPOT LIGHT (12W) SP1, SP2... RECESSED LIGHT EMERGENCY DOWNLIGHT R1, R2... E1, E2.. LIGHT POINTS FROM CEILING M1,M2... LED POWERCORE FRONT LIGHT TOPIC: PROPOSED LIGHTING LAYOUT FOR SHOP- MEZZANINE LEVEL RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :37 LIGHT POINTS FROM WALL FACADE LIGHT DECO FLOOD LIGHT PHILIPS D1, D2.. ENTRANCE LIGHT POINTS FROM FLOOR 720 892 723 606 1016 1027 824 622 1116 1161 1223 1802 1449 1218 721 1170 2563 381 877 470 484 808 1610 1373 1477 2194 1439 1043 1505 2116 1863 1872 2958 1845 1361 1408 2369 780 1200 1195 1173 573 666 1033 2151086 233 964 465 290 1273 1 5033 288 5436 249 8854
  • 39. TOPIC: PROPOSED RACEWAY LAYOUT FOR SHOP 22794,62 22794,62 22794,62 22794,62 MDB 1 MDB 2 ELECTRICAL PANEL SB1 SB2 SB3 SB4 SB7 SB6 SB5 SB8 SB8 SB9 SB10 SB11 L13 L14 L15 L16 L17 L18 L19 L20 F1 F2 F3 F4 F5 F6 F7 F8 F9 SL1 SL2 JUNCTION BOX BRAND: LEGRAND SIZE:325 X 325 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :39 JUNCTION BOX 25 HIGH TRUNKING PCC SCREED HEIGHT 65 MM 65 325 1 MM THICK CHICKEN WIRE GALVANIZED STEEL MESH ON THE TRUNKING ENTRANCE
  • 40. TOPIC: PROPOSED RACEWAY LAYOUT FOR SHOP- MEZZANINE LEVEL 22794,62 22794,62 MDB 3 MDB 4 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d F11 F12 F13 F14 L13 L13 L13 L13 L13 L13 L13 L13 F15 SL3 SL4 SL5 JUNCTION BOX BRAND: LEGRAND SIZE:325 X 325 JUNCTION BOX 25 HIGH TRUNKING PCC SCREED HEIGHT 65 MM 65 325 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :40 ENTRANCE
  • 41. 22794,62 22794,62 MDB 3 MDB 4 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d SB13 L46 L47 L44 L45 L43 L42 L41 L40 SP13 SP14 SP15 SP16 SP17 SP18 SP19 SP20 SP21 SP22 SP23 SP23 SP41 SP24 SP40 SP39 SP38 SP25 SP37 SP35 SP26 SP27 SP36 SP33 SP32 SP31 SP34 SP31 SP28 SP15 SP30 SP29 R15 F16 R18 R17 R16 R20 R21 R19 M13 M14 M15 M16 M17 M18 E1 E2 E3 L29 L28 L27 L19 L18 L17 L20 L21 L22 L23 L35 L34 L33 L32 L31 L30 L36 L37 L38 L39 L26 L25 L24 SL3 SL4 SL5 R11 R13 R12 F1 F2 F3 F4 F5 F6 F7 F8 F9 F10 F11 F12 F13 F14 SB14 SL9 SL10 SL12 SL11 SURFACE MOUNTED CEILING LIGHT (14W) S1, S2... HIGH CEILING LIGHT PENDANT LIGHT T1, T2... P1, P2... L1, L2.. TRACK LIGHT LED STRIP LIGHT SL1, SL2... SURFACE MOUNTED SPOT LIGHT (12W) SP1, SP2... RECESSED LIGHT EMERGENCY DOWNLIGHT R1, R2... E1, E2.. LIGHT POINTS FROM CEILING M1,M2... LED POWERCORE FRONT LIGHT TOPIC: PROPOSED ELECTRICAL LAYOUT FOR SHOP- MEZZANINE LEVEL RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :37 LIGHT POINTS FROM WALL FACADE LIGHT DECO FLOOD LIGHT PHILIPS D1, D2.. ENTRANCE
  • 42. 22794,62 22794,62 22794,62 22794,62 MDB 1 MDB 2 ELECTRICAL PANEL SB1 SB2 SB3 SB4 SB7 SB6 SB5 SB8 SB9 SB10 SB11 SB12 S2 S6 S3 S4 S5 S7 S9 T1 T2 T3 T4 T5 T6 S8 P1 P2 P3 P4 L13 L14 L15 L16 L17 L18 L19 L20 P4 P5 P3 SP2 SP1 SP3 SP4 SP5 P6 SP8 SP7 S1 S10 S11 M1 M2 M3 M4 M5 M6 M7 M8 M9 M10 M11 M12 R5 R1 R2 R3 R4 R6 R11 R13 R12 R7 R8 R10 R9 SP9 SP11 SP12 SP10 R11 R12 F1 F2 F3 F4 F5 F6 F7 F8 F9 R14 R13 L14 L1 L2 L3 L4 L5 L6 L10 L11 L12 L13 L9 L8 L7 L16 L15 F15 F16 F17 F18 F19 F20 F21 SL1 SL2 F10 F11 F12 F13 F14 RL1 RL2 RL3 RL4 SL6 SL7 SL8 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :38 ENTRANCE SURFACE MOUNTED CEILING LIGHT (14W) S1, S2... HIGH CEILING LIGHT PENDANT LIGHT T1, T2... P1, P2... L1, L2.. TRACK LIGHT LED STRIP LIGHT SL1, SL2... SURFACE MOUNTED SPOT LIGHT (12W) SP1, SP2... RECESSED LIGHT EMERGENCY DOWNLIGHT R1, R2... E1, E2.. LIGHT POINTS FROM CEILING M1,M2... LED POWERCORE FRONT LIGHT LIGHT POINTS FROM WALL FACADE LIGHT DECO FLOOD LIGHT PHILIPS D1, D2.. TOPIC: PROPOSED ELECTRICAL LAYOUT FOR SHOP- GROUND FLOOR LEVEL ENTRANCE
  • 43. SWITCH BOARD NO AREA HEIGHT FROM FFL LIGHTING PARTICULARS SCHEDULE MDB 1 GENERAL LIGHTING, FITTING ROOMS 900 R1-R10, T1-T6, S1- S11, F1-F14, M1- M12 MDB 2 DISPLAY LIGHTING 900 L1-L12, P1, P2, F1- F14, SL1, SL2, F15- F21 SB1 WINDOW DISPLAY 1200 P3, L13-L16 SB2 WINDOW DISPLAY 1200 P4, L17-L20 SB3 CASH DESK 750 6 AMP PLUG POINT WITH A SWITCH 2, 16 AMP PLUG POINTS WITCH 2 SWITCHES SB4 CAFÉ 1200 SP1-SP4, P3-P4 SB5 KITCHEN 750 2, 6 AMP PLUG POINTS WITH 2 SWITCHES 1, 16 AMP PLUG POINT WITH 1 SWITCH SB6 KITCHEN 750 SP3-SP5 SB7 KITCHEN 750 3, 16 AMP PLUG POINTS WITH 3 SWITCHES SB8 TOILET 1200 RL1-RL4, SL6, SL7, SB9 TOILET FOR DIFFERENTLY ABLED 1000 RL1, SL8
  • 44. SB10 STAFF AREA 1200 R11-R14, SP10 SB11 STAFF AREA 750 1, 16 AMP PLUG POINT WITH A SWITCH 1 , 6 AMP PLUG POINT WITH A SWITCH SB12 STORAGE ROOM 1200 SP11, SP12 MDB 3 GENERAL LIGHTING 1000 SP13-SP40, R15- R18 MDB 4 DISPLAY LIGHTING 1000 SL3-SL5, SL9-SL12, M13-M18, L17-L47 SB13 TAILOR ROOM 750 R19-R21, 1, 6 AMP PLUG POINT WITH A SWITCH, 1, 16 AMP PLUG POINT WITH A SWITCH MDB 5 ELEVATOR NOTE: • ALL CONNECTIONS FOR CCTV CAMERAS, ALARM SYSTEM, EMERGENCY), FIRE DETECTION PANEL FROM UPS. • ALL AUTOMATIC SENSOR EQUIPMENTS IN THE TOILET AREA ARE BATTERY OPERATED.
  • 45. 22794,62 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d 22794,62 MAIN FEEDER PIPE BRANCHES SMOKE DETECTOR FIRE SPRINKLER FEEDER PIPE 100, 70, 35 MM THICK PENDANT SPRINKLER 360 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY MULTI SENSOR SMOKE DETECTOR BRAND: SIEMENS OPERATING TEMPERATURE: 0 - 49 C DETECTION DIAMETER: 3000 MM C' C SECTION C-C' TOPIC: FIRE SPRINKLER LAYOUT RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE 2640 1888 2559 2559 2604 2595 2405 2511 2461 2519 2484 2575 2523 2479 PENDANT SPRINKLER 180 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY
  • 46. 22794,62 22794,62 22794,62 22794,62 C' C MAIN FEEDER PIPE BRANCHES SMOKE DETECTOR FIRE SPRINKLER SECTION C-C' 1701 1139 PENDANT SPRINKLER 360 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY MULTI SENSOR SMOKE DETECTOR BRAND: SIEMENS OPERATING TEMPERATURE: 0 - 49 C DETECTION DIAMETER: 3000 MM TOPIC: FIRE SPRINKLER LAYOUT RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE FEEDER PIPE 100, 70, 35 MM THICK 1775 2626 2512 3058 2533 2729 2743 2818 2860 2638 871 1725
  • 47. 22794,62 22794,62 SMOKE DETECTOR FIRE SPRINKLER PENDANT SPRINKLER 360 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY MULTI SENSOR SMOKE DETECTOR BRAND: SIEMENS OPERATING TEMPERATURE: 0 - 49 C DETECTION DIAMETER: 3000 MM ELECTRICAL SHUT OFF FIRE EXTINGUISHER FIRE EXIT ASSEMBLY POINT FIRE ALARM CALL POINT ESCAPE ROUTE 22794,62 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING ROLL NO- 56 TOPIC: FIRE FIGHTING LAYOUT AND EVACUATION LAYOUT SCALE- 1:50 ENTRANCE
  • 48. 22794,62 22794,62 22794,62 BRANCHES 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d TOWARDS BUILDING'S BACKSIDE STAIRCASE RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING ROLL NO- 56 SCALE- 1:50 TOPIC: FIRE FIGHTING LAYOUT AND EVACUATION LAYOUT SMOKE DETECTOR FIRE SPRINKLER PENDANT SPRINKLER 360 DEGREE HEAD 3000 MM DIAMETER FOR WATER THROW COMPANY: SIEMENS MATERIAL COPPER SPRINKLE TYPE: SPRAY MULTI SENSOR SMOKE DETECTOR BRAND: SIEMENS OPERATING TEMPERATURE: 0 - 49 C DETECTION DIAMETER: 3000 MM ELECTRICAL SHUT OFF FIRE EXIT ASSEMBLY POINT FIRE ALARM CALL POINT ESCAPE ROUTE ENTRANCE FIRE EXTINGUISHER FOAM HEIGHT AT 1200 MM FROM FFL
  • 49. DAMPER 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d GROUND SOURCE HEAT PUMP GEOTHERMAL EARTH VERTICAL LOOPS BOREFIELD WARM BOREFIELD COLD AHU AHU AHU S S TOPIC: HVAC LAYOUT TONNAGE CALCULATION: AREA (GROUND FLOOR) = 3500 SQ FEET TOTAL HEIGHT 28 FEET (14=14) VALUES TO BE DEDUCTED FALSE CEILING 4.8 +3.8 RAISED FLOOR = 100 = 0.3 FEET 3500 2 = 1750 VOLUME OF AIR: HALF AREA WITH THE MEZZANINE (1750) X HEIGHT TILL THE MEZZANINE (14-3.8-0.3=9.9) = 17325 HALF AREA ABOVE MEZZANINE= (1750) X HEIGHT ABOVE MEZZANINE (14-4.8=9.2) = 16100 HALF AREA WITHOUT MEZZANINE (1750) X HEIGHT (28-4.8-0.3= 22.9) = 40075 TOTAL VOLUME OF AIR= 17325 + 16100 + 40075= 73500 TOTAL TONNAGE REQUIRED VOLUME OF AIR/1000 =73500 / 1000 =73.5=74 TONS TYPE OF DIFFUERS USED: CEILING SWIRL DIFFUSERS TYPE XARTO BRAND: TROX VOLUME FLOW RATE RANGE /110 – 954 M³/H DIFFUSER FACE MADE OF GALVANISED SHEET STEEL, POWDER-COATED FOR SUPPLY AIR SUPPLY GRILL VENTILATION GRILLES MADE OF SHEET STEEL INDIVIDUALLY ADJUSTABLE, HORIZONTAL BLADES DIFFUSER-TYPE FRONT BORDER COMPANY- TROX SIZE: L-1225 MM, W-325 MM, H-225 MM X-CUBE AIR HANDLING UNIT COMPANY: TROX SIZE: 2000 MM X 1200 MM X 600 MM ULTRA VIOLET GERM IRRADIATION INSTALLED IN THE DUCT SYSTEM AHU SPECIFICATIONS TONNAGE SIZE-W X D X H COMPANY AHU 1 15 2500 X 1500 X 1200 TROX AHU 2 15 2500 X 1500 X 1200 TROX AHU 2 15 2500 X 1500 X 1200 TROX TOTAL 45 COLOUR INDICATION DESCRIPTION AC RIGID DUCT AHU SUPPLY GRILL RETURN GRILL 22794,62 22794,62 PLENUM 1300 1000 300 300 300 300 300 300 6000 300 1000 850 850 700 550 550 400 300 300 850 850 1000 150 150 700 150 550 300 300 300 300 300 2000 1200 2000 1200 2000 1200 557 558 505 15TONS 15TONS 15TONS 1000 850 150 700 150 550 150 400 150 550 700 R S AC FLEXIBLE DUCT AIR DAMPER CEILING SWIRL DIFFUSERS 850 x 450 DUCT 1000 x 500 DUCT 700 x 400 DUCT 700 x 400 DUCT 700 x 400 DUCT 850 x 450 DUCT 1000 x 500 DUCT 850 x 450 DUCT 1000 x 500 DUCT UVGI LIGHTS IN THE DUCT UVGI LIGHTS IN THE DUCT AIR DAMPER AIR DAMPER UVGI LIGHTS IN THE DUCT 550 x 350 DUCT 550 x 350 DUCT 550 x 350 DUCT 400 x 300 DUCT 400 x 300 DUCT RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
  • 50. 22794,62 22794,62 AHU SPECIFICATIONS TONNAGE SIZE-W X D X H COMPANY AHU 4 15 2500 X 1500 X 1200 TROX AHU 5 15 2500 X 1500 X 1200 TROX TOTAL 30 22794,62 S S S 10 TONS AHU 10 TONS 2000 AHU S S S TOPIC: HVAC LAYOUT RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 GROUND SOURCE HEAT PUMP GEOTHERMAL EARTH VERTICAL LOOPS BOREFIELD WARM BOREFIELD COLD TONNAGE CALCULATION: AREA (GROUND FLOOR) = 3500 SQ FEET TOTAL HEIGHT 28 FEET (14=14) VALUES TO BE DEDUCTED FALSE CEILING 4.8 +3.8 RAISED FLOOR = 100 = 0.3 FEET 3500 2 = 1750 VOLUME OF AIR: HALF AREA WITH THE MEZZANINE (1750) X HEIGHT TILL THE MEZZANINE (14-3.8-0.3=9.9) = 17325 HALF AREA ABOVE MEZZANINE= (1750) X HEIGHT ABOVE MEZZANINE (14-4.8=9.2) = 16100 HALF AREA WITHOUT MEZZANINE (1750) X HEIGHT (28-4.8-0.3= 22.9) = 40075 TOTAL VOLUME OF AIR= 17325 + 16100 + 40075= 73500 TOTAL TONNAGE REQUIRED VOLUME OF AIR/1000 =73500 / 1000 =73.5=74 TONS TYPE OF DIFFUERS USED: CEILING SWIRL DIFFUSERS TYPE XARTO BRAND: TROX VOLUME FLOW RATE RANGE /110 – 954 M³/H DIFFUSER FACE MADE OF GALVANISED SHEET STEEL, POWDER-COATED FOR SUPPLY AIR SUPPLY GRILL VENTILATION GRILLES MADE OF SHEET STEEL INDIVIDUALLY ADJUSTABLE, HORIZONTAL BLADES DIFFUSER-TYPE FRONT BORDER COMPANY- TROX SIZE: L-1225 MM, W-325 MM, H-225 MM X-CUBE AIR HANDLING UNIT COMPANY: TROX SIZE: 2000 MM X 1200 MM X 600 MM ULTRA VIOLET GERM IRRADIATION INSTALLED IN THE DUCT SYSTEM COLOUR INDICATION DESCRIPTION AC RIGID DUCT AHU SUPPLY GRILL RETURN GRILL R S AC FLEXIBLE DUCT AIR DAMPER CEILING SWIRL DIFFUSERS ENTRANCE
  • 51. TOPIC: SECURITY LAYOUT FOR SHOP 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d 90° 90° 90° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° 90° 1 1 0 ° 1 1 0 ° 9 0 ° 9 0 ° 9 0 ° 9 0 ° SYMBOL DESCRIPTION PICTURE EAS GATE (ELECTRONIC ARTICLE SURVEILLANCE) ESSENTIALS 2.0M OPEN FRAME RF PEDESTAL WITH THE ADVERTISEMENT POSTER INSERT BRAND: SENSORMATIC MATERIAL: ALUMINIUM FRAME AND GLASS SIZE: 500 X 200 MM PEOPLE COUNTING DEVICE BRAND: FOOTFALL CAM 3D PLUS SIZE: 600 X 150 MM MODEL NO: FC-F3DP02 LENS DEGREE STANDARD 90 DEGREE CONSUMPTION 5 WATTS MOUNTED WITH METAL DROP POLE DIGITAL VIDEO RECORDER BRAND: CP PLUS RESOLUTION: 1080P POWER SOURCE: CORDED ELECTRICAL USB, HDMI CONNECTOR INDOOR BULLET CAMERA BRAND: CP PLUS 20 MTR VISION SIZE: 203 X 127 X 127 MM NIGHT VISION DEGREE OF VISION: 90 CORDED ELECTRIC POWER SOURCE OUTDOOR WATERPROOF BULLET CAMERA BRAND: CP PLUS NIGHT VISION: 30 M RESOLUTION 1080P MATERIAL: PLASTIC WIRELESS CONNECTION CORDED ELECTRIC POWER SOURCE TYPE OF MOUNTING: WALL MOUNT SIZE: 148 X 74 X 74 MM DEGREE OF VISION: 110 ALERT SYSTEM METALGUARD TO DETECT MAGNETS/MAGETIC DETACHERS VIA ALARM, CCTV BRAND: SENSORMATIC SIZE: 200 X 75 MM DIGITAL REMOTE ALARM BRAND: SENSORMATIC LOCATION AT THE ENTRANCE HIGH VOLUME AUDIBLE ALARM THERMAL SCANNER- FEVER DETECTION BULLET CAMERA BRAND: CP PLUS MODEL NO CP-WNC-T6201-T FEVER DETECTION: UPTO 40°C 3.6 MM FIXED LENS LONG WAVELENGTH IR SENSOR ANGLE OF VIEW 51° DETECTION TIME: 3 SEC SIZE: 241 X 78 X 81 MM FINGERPRINT READER AND TIME ATTENDANCE BRAND CP PLUS LCD: 4" 480 X 320 COLOR DISPLAY HARDWARE PLATFORM: WS306 FINGERPRINT CAPTURING: OPTICAL SENSOR RECOGNITION SPEED: 1 SEC ELEVATOR EYEBALL DOME CAMERA BRAND CP PLUS NIGHT VISION WIDE ANGLE 120 DEGREE MODEL GIT2707201738 SIZE: 116 X 109 X 88 CM WIDE ANGLE DOME CAMERA NIGHT VISION BRAND CP PLUS CP-VAC-V24FL4 2.4 MP FULL HD IR VANDAL DOME CAMERA - 40 MTR. 132MM X 132MM X 105.7MM 2.8-12MM VARIFOCAL LENS 90° 110° 51 5 1 90° 120° 120° TOPIC: SECURITY LAYOUT FOR SHOP RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
  • 52. EAS GATE (ELECTRONIC ARTICLE SURVEILLANCE) ESSENTIALS 2.0M OPEN FRAME RF PEDESTAL WITH THE ADVERTISEMENT POSTER INSERT BRAND: SENSORMATIC MATERIAL: ALUMINIUM FRAME AND GLASS SIZE: 500 X 200 MM PEOPLE COUNTING DEVICE BRAND: FOOTFALL CAM 3D PLUS SIZE: 600 X 150 MM MODEL NO: FC-F3DP02 LENS DEGREE STANDARD 90 DEGREE CONSUMPTION 5 WATTS MOUNTED WITH METAL DROP POLE DIGITAL VIDEO RECORDER BRAND: CP PLUS RESOLUTION: 1080P POWER SOURCE: CORDED ELECTRICAL USB, HDMI CONNECTOR INDOOR BULLET CAMERA BRAND: CP PLUS 20 MTR VISION SIZE: 203 X 127 X 127 MM NIGHT VISION DEGREE OF VISION: 90 CORDED ELECTRIC POWER SOURCE OUTDOOR WATERPROOF BULLET CAMERA BRAND: CP PLUS NIGHT VISION: 30 M RESOLUTION 1080P MATERIAL: PLASTIC WIRELESS CONNECTION CORDED ELECTRIC POWER SOURCE TYPE OF MOUNTING: WALL MOUNT SIZE: 148 X 74 X 74 MM DEGREE OF VISION: 110 ALERT SYSTEM METALGUARD TO DETECT MAGNETS/MAGETIC DETACHERS VIA ALARM, CCTV BRAND: SENSORMATIC SIZE: 200 X 75 MM DIGITAL REMOTE ALARM BRAND: SENSORMATIC LOCATION AT THE ENTRANCE HIGH VOLUME AUDIBLE ALARM THERMAL SCANNER- FEVER DETECTION BULLET CAMERA BRAND: CP PLUS MODEL NO CP-WNC-T6201-T FEVER DETECTION: UPTO 40°C 3.6 MM FIXED LENS LONG WAVELENGTH IR SENSOR ANGLE OF VIEW 51° DETECTION TIME: 3 SEC SIZE: 241 X 78 X 81 MM FINGERPRINT READER AND TIME ATTENDANCE BRAND CP PLUS LCD: 4" 480 X 320 COLOR DISPLAY HARDWARE PLATFORM: WS306 FINGERPRINT CAPTURING: OPTICAL SENSOR RECOGNITION SPEED: 1 SEC 22794,62 90° 90° 90° 9 0 ° 9 0 ° 90° 90° 90° 9 0 ° 90 ° 90° 90° 9 0 ° TOPIC: SECURITY LAYOUT FOR SHOP SYMBOL DESCRIPTION PICTURE 90° 110° 51 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 22794,62 22794,62 22794,62 ENTRANCE
  • 53. TOPIC: PROPOSED PUBLIC ADDRESS SYSTEM FOR SHOP 22794,62 22794,62 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d De Baed De Bae d De Baed De Bae d SYMBOL DESCRIPTION PICTURE COMPUTER - SOURCE OF MUSIC SYSTEM COMMERCIAL MIXER AMPLIFIER BRAND: JBL PART # CSMA180 MODEL # CSMA 180 OUTPUT 80 WATTS HxWxD SIZE:43 X 218 X 303MM VOLUME CONTROL DEVICE BRAND: JBL PRODUCT NO CSR-V (US - WHT) IN CEILING SPEAKER BRAND: JBL DRIVER 200 MM FULL RANGE 3 W TRANSFORMER 90 DEGREE CONICAL COVERAGE 327 MM DIAMETER BAFFLE X 84 MM DEPTH FROM BACK OF BAFFLE. OVERALL DEPTH, 99 MM HIGH CEILING SPEAKER BRAND: JBL PRODUCT NO CONTROL 47HC NARROW 75° COVERAGE FOR HIGH CEILING TRANSFORMER TAP 7.5 W DIMENSIONS: 332 MM DIA X 351 MM DEPTH FROM BACK OF BAFFLE CUTOUT SIZE: 307 MM DIA PAGING MICROPHONE BRAND: JBL CSPM-2 FOR TWO ZONES H X L X W SIZE: 254 X 177 X 114 ENTRANCE RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE CONICAL DISPERSION 75 DEGREES
  • 54. 22794,62 22794,62 22794,62 22794,62 CONICAL DISPERSION 75 DEGREES SYMBOL DESCRIPTION PICTURE COMPUTER - SOURCE OF MUSIC SYSTEM COMMERCIAL MIXER AMPLIFIER BRAND: JBL PART # CSMA180 MODEL # CSMA 180 OUTPUT 120 WATTS HxWxD SIZE:43 X 218 X 303MM VOLUME CONTROL DEVICE BRAND: JBL PRODUCT NO CSR-V (US - WHT) IN CEILING SPEAKER BRAND: JBL DRIVER 200 MM FULL RANGE 3 W TRANSFORMER 90 DEGREE CONICAL COVERAGE 327 MM DIAMETER BAFFLE X 84 MM DEPTH FROM BACK OF BAFFLE. OVERALL DEPTH, 99 MM HIGH CEILING SPEAKER BRAND: JBL PRODUCT NO CONTROL 47HC NARROW 75° COVERAGE FOR HIGH CEILING TRANSFORMER TAP 7.5 W DIMENSIONS: 332 MM DIA X 351 MM DEPTH FROM BACK OF BAFFLE CUTOUT SIZE: 307 MM DIA PAGING MICROPHONE BRAND: JBL CSPM-2 FOR TWO ZONES H X L X W SIZE: 254 X 177 X 114 SPEAKER WIRE TOPIC: PROPOSED PUBLIC ADDRESS SYSTEM FOR SHOP RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
  • 57. TOPIC: SECTIONS FOR SUPER IMPOSED LAYOUT SECTION A-A' 387 1035 1250 850 150 700 450 300 150 500 550 697 300 1465 1465 SECTION C-C' 550 500 1465 1465 850 1450 1715 265 709 SECTION C-C' 1701 1139 1643 1139 SECTION B-B' 22794,62 22794,62 C' C B B' A A' D' D E' E 22794,62 22794,62 22794,62 De Baed De Baed De Baed De Baed De Baed De Baed De Baed De Baed S S DISPLAY DISPLAY DISPLAY TAILOR ROOM EMERGENCY EXIT FITTING ROOMS MANNEQUINS DISPLAY BAGGAGE COUNTER 1. ENTRANCE STAIRCASE WHEELCHAIR ACCESS ELEVATOR WINDOW DISPLAY 22794,62 22794,62 22794,62 22794,62 C' C B B' A A' D' D E' E S RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7
  • 58. TOPIC: SECTIONS FOR SUPER IMPOSED LAYOUT SECTION B-B' SECTION F-F' SECTION B-B' 1465 1315 625 1565 600 700 150 1465 700 850 100 850 1465 723 1715 SECTION E-E' SECTION E-E' SECTION F-F' 22794,62 22794,62 C' C B B' A A' D' D E' E 22794,62 22794,62 22794,62 De Baed De Baed De Baed De Baed De Baed De Baed De Baed De Baed S S DISPLAY DISPLAY DISPLAY TAILOR ROOM EMERGENCY EXIT FITTING ROOMS MANNEQUINS DISPLAY BAGGAGE COUNTER 1. ENTRANCE STAIRCASE WHEELCHAIR ACCESS ELEVATOR WINDOW DISPLAY 22794,62 22794,62 22794,62 22794,62 C' C B B' A A' D' D E' E S RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7
  • 59. 2541 235 2161 733 1268 1206 3071 750 928 750 750 3709 PLAN A A' B B' FRESH WATER SUPPLY PIPE 50 MM WASTE PIPE 75 MM SOIL PIPE 150 MM VENT PIPE 25 MM INDICATION DESCRIPTION DIAMETER TOILET FOR DIFFERENTLY ABLED PEOPLE TOILET FOR DIFFERENTLY ABLED PEOPLE SECTIONAL ELEVATION A-A' MEN TOILET WOMEN TOILET CAFE KITCHEN MEN TOILET WOMEN TOILET CAFE KITCHEN DUCT TOPIC: PROPOSED PLUMBING LAYOUT PARTICULARS WITH DESCRIPTION KITCHEN SINK FAUCET BRAND:JAQUAR ESSCO SWINGING CASTED SPOUT (TABLE MOUNTED MODEL) WITH AERATOR MQT-523JAQUARTYPE:KITCHEN SINK TAP PRODUCT SERIES:MARVEL MQT-523 MODEL:MQT-523 MATERIAL:BRASS FINISH:CHROME KITCHEN SINK INSET SINK, 1 BOWL, STAINLESS STEEL 55 X 55 CM SENSOR FAUCET BRAND: JAQUAR SENSOR FAUCET FOR WASH BASIN (BATTERY OPERATED) PRODUCT CODE: SNR-CHR-51011NPRODUCT RANGE: SENSOR FAUCETS FLUSH I FLUSH NAME/NUMBER FLV-CHR-1075KFLUSH VALVE TYPE DUAL FLUSH MATERIAL ALUMINUM BRAND JAQUAR SHAPE RECTANGLE TYPE DUAL FLUSH PUSH BUTTON NO OF BUTTON2 WC BIDSPA RIMLESS WALL HUNG BIDSPA RIMLESS WALL HUNG WC WITH ELECTRONIC SEAT COVER , HINGES, ACCESSORIES SET SIZE:400X580X370 MM PRODUCT CODE: ITS-WHT-89953PP JET SPRAY BRAND: JAQUAR HEALTH FAUCET ALD CHR 565, 1 M EASY FLEX TUBE AND HOOKS PACKAGE DIMENSIONS : 24.1 X 18.2 X 5 CM; : B07N8WLP2D TOILET PAPER HOLDER TOILET ROLL HOLDER WITH FLAP TOILET ROLL HOLDER WITH STAINLESS STEEL PRODUCT CODE: ACN-CHR-1153SPRODUCT RANGE: CONTINENTAL AUTOMATIC SOAP DISPENSERS AUTOMATIC SOAP DISPENSERS, CAPACITY : 0.8L, MATERIAL: ALUMINIUM/ABS, FINISH : CHROME/BLACKPRODUCT CODE: SDR-BLC-DJ0160AS GRAB BAR GRAB BARGRAB BAR RIGHT 90º ANGLE, SATINPRODUCT CODE: WAC-SAP-BAD090CS GRAB BARGRAB BAR 692 MM LONG, WHITE PRODUCT CODE: WAC-WHT-BR0600 WASH BASIN COUNTER TOP BASIN SIZE: 565X415X190MM PRODUCT CODE: FLS-WHT-5601 PRODUCT RANGE: FLORENTINE RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7
  • 60. TOPIC: PROPOSED WIFI LAYOUT FOR SHOP 22794,62 22794,62 22794,62 22794,62 C' C B B' A A' D' D E' E WIFI MESH SYSTEM 3 NODES EACH COVERING 1750 SQ FEET COVERAGE 5000 SQ FEET AMAZON EERO MESH WIFI SYSTEM – ROUTER REPLACEMENT FOR WHOLE-HOME COVERAGE (3-PACK) WIFI COVERAGE COVERS UP TO 5,000 SQ. FT. ROUTER (CONNECTS TO MODEM AS PRIMARY ROUTER) WIRELESS NETWORK SPEED WIFI CONNECTIVITY DUAL-BAND WIFI RADIOS, SIMULTANEOUS 2.4 GHZ AND 5 GHZ, 2X2 MU-MIMO, BEAMFORMING, IEEE 802.11A/B/G/N/AC WIRED CONNECTIVITY 2 AUTO-SENSING GIGABIT PORTS FOR WAN AND/OR LAN CONNECTIVITY SMART HOME CONNECTIVITY 700 MHZ QUAD-CORE PROCESSOR, 512MB RAM, 4GB FLASH STORAGE SECURITY AND NETWORK SERVICES WPA2 ENCRYPTION, FAMILY PROFILES, DHCP, IPV6, NAT, VPN PASSTHROUGH, UPNP, STATIC IP AND PORT FORWARDING REQUIRED FOR SETUP SUPPORTED IOS OR ANDROID DEVICE, INTERNET SERVICE (WITH CABLE OR DSL MODEM, IF REQUIRED). LEARN MORE ABOUT SETUP. ENVIRONMENTAL REQUIREMENTS HUMIDITY OPERATING: 20%-90% NON-CONDENSING, OPERATING ALTITUDE: <3000 M DIMENSIONS 98 MM X 98 MM X 60 MM RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 SHEET NO :7 ENTRANCE
  • 61. TOPIC: PROPOSED WIFI LAYOUT FOR SHOP- MEZZANINE LEVEL 22794,62 22794,62 22794,62 22794,62 22794,62 De Baed De Bae d De Baed De Bae d WIFI MESH SYSTEM 3 NODES EACH COVERING 1750 SQ FEET COVERAGE 5000 SQ FEET AMAZON EERO MESH WIFI SYSTEM – ROUTER REPLACEMENT FOR WHOLE-HOME COVERAGE (3-PACK) WIFI COVERAGE COVERS UP TO 5,000 SQ. FT. ROUTER (CONNECTS TO MODEM AS PRIMARY ROUTER) WIRELESS NETWORK SPEED WIFI CONNECTIVITY DUAL-BAND WIFI RADIOS, SIMULTANEOUS 2.4 GHZ AND 5 GHZ, 2X2 MU-MIMO, BEAMFORMING, IEEE 802.11A/B/G/N/AC WIRED CONNECTIVITY 2 AUTO-SENSING GIGABIT PORTS FOR WAN AND/OR LAN CONNECTIVITY SMART HOME CONNECTIVITY 700 MHZ QUAD-CORE PROCESSOR, 512MB RAM, 4GB FLASH STORAGE SECURITY AND NETWORK SERVICES WPA2 ENCRYPTION, FAMILY PROFILES, DHCP, IPV6, NAT, VPN PASSTHROUGH, UPNP, STATIC IP AND PORT FORWARDING REQUIRED FOR SETUP SUPPORTED IOS OR ANDROID DEVICE, INTERNET SERVICE (WITH CABLE OR DSL MODEM, IF REQUIRED). LEARN MORE ABOUT SETUP. ENVIRONMENTAL REQUIREMENTS HUMIDITY OPERATING: 20%-90% NON-CONDENSING, OPERATING ALTITUDE: <3000 M DIMENSIONS 98 MM X 98 MM X 60 MM RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 SCALE- 1:50 DATE: 5.1.2021 ENTRANCE
  • 62. CURVED POLYCARBONATE GLASS TUBE WALLS SELF SUPPORTING ALUMINIUM AND STEEL STRUCTURE SUPPORT OF RAILS THE ROOF OF THE TUBE, MADE OF STEEL, ENSURES AIR TIGHT CLOSURES WITH SUCTION VALVES AND INLETS MODULAR STRUCTURED TUBE FITTED ON EACH OTHER ELEVATOR CAR WITH ANCHORING SYSTEM HEAD UNIT SUCTION ASSEMBLED WITH TURBINES AND CONTROL UNIT ELEVATOR BY NIBAV LIFTS, INDIA TECHNICAL SPECIFICATION MAXIMUM STOPS: 2 STOPS (G+1) MAX TRAVEL HEIGHT: 10500 MM RATED LOAD / CAPACITY: 210 KG UNIT TYPES: SPLIT, INTEGRATED & SOUND PROOF TRAVEL SPEED: 0.15 M/SEC CLEAR SPACE REQUIRED: 1010 MM POWER CONSUMPTION: 3.7 KVA (STABILIZED POWER) ELECTRICAL REQUIREMENT : 230V, 60/50 HZ, 22 AMP SINGLE PHASE POWER RCC SLAB RCC SLAB 2890 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: DETAIL FOR PNEUMATIC ELEVATOR AND SPIRAL STAIRCASE SCALE- 1:30 DATE: 5.1.2021 UP 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UP PLAN SPIRAL STAIRCASE WITHOUT HANDRAILS 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 PLAN SPIRAL STAIRCASE WITH HANDRAILS 25 MM NOSING 38 MM THICK, 1000 X 300 MM BAMBOO TREAD 450 X 600 MM, STEEL I BEAM 20 MM THICK FLANGE 100 X 300 MM, 6.35 MM THICK STEEL PLATE 6 MM DIA, 30 MM LENGTH COUNTERSUNK SCREWS DETAIL AT STAIRCASE SCALE- 1: 10 4200 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 4200 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 4200 1456 2744 4200 1456 2744 PNEUMATIC VACUUM ELEVATOR 150 8400 200 150 Ø3800 Ø1400 Ø3800 Ø1400 Ø4400 Ø100 SHEET NO- 29 3000 900 900 25 MM NOSING 38 MM THICK, 1000 X 300 MM BAMBOO TREAD STEEL RISER WEDGE PLATE 200 X 300 MM, STEEL I BEAM 20 MM THICK FLANGE 200 X 600 MM, 6.35 MM THICK STEEL PLATE DETAIL AT STAIRCASE SCALE- 1: 10
  • 63. 100 x 50 MM TW STUDS 600 C/C 19 MM THICK BACKING MARINE PLY 12 MM DRAINAGE MAT 50 MM THICK GREEN MOSS WALL PANEL SIZE 600 X 600 BY GREENOPIA 35 8 180 180 8 35 MM THICK POLYSTYRENE FOAM UPHOLSTERED WITH COTTON FABRIC 8 MM THICK PLY FIXED TO FOAM BY FLATTENED SCREWS 180 MM WIDE, 520 MM OUTER DIAMETER TIRE 25 X 40 MM WOODEN BLOCKS AS LEGS SCREWED TO 8 MM THICK PLY 8 MM THICK PLY TIRE FINISHED WITH OIL BASED PAINT BY NILAYA ORGANIC PAINT- ASIAN PAINTS 35 MM THICK POLYSTYRENE FOAM UPHOLSTERED WITH COTTON FABRIC 180 MM WIDE, 520 MM OUTER DIA AND 400 MM INNER DIA TIRE FINISHED WITH OIL BASED PAINT BY NILAYA ORGANIC PAINT- ASIAN PAINTS 520 452 400 TIRE SEAT IN CAFETERIA SCALE 1:5 RACHANA SANSAD'S ACADEMY OF ARCHITECTURE (B.VOC, Interior design.) SIGNATURE AND REMARKS: NAME: AMRUTA VAISHAMPAYAN TYBVOC INTERIOR DESIGNING MARKS ROLL NO- 56 TOPIC: DETAILS SCALE- AS MENTIONED DATE: 5.1.2021 SHEET NO- 63 12 MM THICK INTERNAL PLASTER 150 MM THICK WALL DETAIL AT MOSS WALL SCALE 1:5 CARDBOARD CHAIR SCALE 1:2.5 CARDBOARD CUTOUTS ASSEMBLY MEMBERS 5 MM THICK 5 PLY THICK SALVAGED CARDBOARD NO GLUE NO SCREW ASSEMBLY THIS CHAIR IS MADE FROM SALVAGED CARDBOARD AND STYROFOAM. TO STORE, 300 MM TALL STYROFOAM BOX CAN BE REMOVED AND CHAIR CAN FOLD FLAT. CAN HOLD >300 LBS. ISOMETRIC VIEW 680 680 860 300 60 680 680 680 380 860 250 75 75 150 150 270 400 900 670 1400 270 850 150 MM THICK RCC PARDI 450 MM HIGH PARAPET WALL 150 MM THICK RCC SLAB 30 X 30 MM THICK ALUMINIUM SECTION 4 MM THICK COIL COATED ACP SHEET SIGNBOARD CONTAINING RECYCLED ALUMINIUM BY ALUDECOR 270 X 270 MM ROLLING SHUTTER WITH 190 DIAMETER ROLLING RING 12 MM THICK TOUGHENED GLASS BY SAINT GOBAIN 1120 FACADE SIGNBOARD DETAIL SCALE 1:10 50 12 19 100 100 100 12
  • 68. V I E WS V I E W OFDI S P L A YON T HE ME ZZANI NE V I E W F ROM WAL K I NG DOWN T HES T AI RS
  • 69. ORGANIC CLOTHING STORE- SUSTAINABLE INTERIOR WITH RECYCLED MATERIALS NOVEMBER 2020 Mentor: Ar. Kumar Kubsad Sir Academy of Architecture B.Voc. (Interior Design) Rachana Sansad, Prabhadevi, Mumbai 400025. Student: Amruta Vaishampayan Academy of Architecture B.Voc. (Interior Design) 3 rd Year B.Voc. Rachana Sansad, Prabhadevi, Mumbai 400025.
  • 70. 2 AMRUTA VAISHAMPAYAN DECLARATION This is to declare that the project report titled “Organic clothing store” has been personally prepared by me. I further declare that I have not taken help from any person /groups/institution other than my guide – Ar. Kumar Kubsad Sir. All references articles, books etc duly acknowledged in the report and material has not been copied from any published work including any project report published before. Name of Student: Amruta Vaishampayan Signature of Student
  • 71. 3 AMRUTA VAISHAMPAYAN CERTIFICATE Design Dissertation Final (3 rd ) Year B.Voc in Interior design Topic: Organic Clothing Store- Sustainable Interior with Recycled Materials This is to certify that the project report titled “Organic Clothing Store- Sustainable Interior With Recycled Materials” submitted by Amruta Vaishampayan has been completed by his/ her under my guidance and supervision. The work is his/ her own contribution in the terms of original articulations and has not been copied from any published work including any project report published before. All references are duly acknowledged in the report. Guide: Ar. Kumar Kubsad Signature of guide. Date: Signature Ar. Prakash Anjarlekar. Head of Department Academy of Architecture B.Voc (Interior Design). Seal of College. Rachana Sansad, Prabhadevi, Mumbai 400 025
  • 72. 4 AMRUTA VAISHAMPAYAN ACKNOWLEDGEMENT This piece of acknowledgement is an attempt to express the feeling of gratitude towards people who helped me in successfully completing the project. Successful completion of this project has given me great sense of achievement. My deep gratitude goes first to my project guide, Ar. Kumar Kubsad sir for guiding me throughout the project and giving his valuable inputs to it. I would also like to thank Ar. Ketan Dadarkar sir, Ar. Rashmi Tapke ma’am, Akshata Yadav ma’am, Bhagyesh Dawane sir, Nikita Sakpal ma’am for their constant support. Thanks to Ar. Prakash Anjarlekar sir for always motivating. Thanks to all the respected faculties who helped me throughout the course and this project. Thanks to my parents for supporting me and all my friends and batchmates for guiding and helping throughout the course. Thanks goes to all the designers, architects and engineers that participated in the survey conducted by me and also giving their valuable feedbacks and inputs on the topic.
  • 73. 5 AMRUTA VAISHAMPAYAN REFORM THE ORGANIC STORE REFUSE, RETHINK, REFORM
  • 74. 6 AMRUTA VAISHAMPAYAN INDEX Sr. No. Particulars Page no. 1 Abstract 8 2 Introduction 9 2.1 Clothing stores 9 2.2 Organic Clothing 10 2.3 Recycling in interior design 10 3 Aims and objectives 12 4 History and Evolution 13 4.1 Global approach and Indian Approach 13 4.2 History of denim 14 4.3 the past and future of organic clothing 15 5 Need and scope 16 5.1 Sustainable Fashion 17 5.2 Future of waste management 18 5.3 Future scope after COVID19 pandemic 20 6 Case Study 22 6.1 Online Case study 1 22 6.2 Online Case study 2 26 6.3 Inference 31 7 Data collection 32 7.1 Ergonomics and anthropometry 32 7.2 Norms as per National Building Code 38 7.3 Survey regarding recycled materials 41 7.4 Research on recycled materials 49 7.5 Visual merchandising 56
  • 75. 7 AMRUTA VAISHAMPAYAN 7.6 Study of services 59 8 Site report 60 8.1 Location of the site 60 8.2 Environmental study 66 8.3 Site photographs 67 8.4 Site Justification 69 9 Zoning and flow chart 70 10 Client brief 72 11 Design brief and area statement 73 12 Design Program 75 12.1 Division of the areas 75 12.2 Sustainability in proposed design 77 13 14 Bibliography and webliography Drawings 82 83
  • 76. 8 AMRUTA VAISHAMPAYAN 1. ABSTRACT Sustainable fashion is a recent movement within the fashion industry that aims to reduce environmental depletion. It aims at increasing ethical treatment of workers and follows fair trade practices. There has always been a strong link between interior design and fashion. Both of these are artistic expression of the individual or masses. When it comes to sustainability in interior design, interior designers have the opportunity to adopt sustainable design practices and enhance healthy indoor air quality. They can adhere to sustainable solutions through their choices in decisions taken while designing process. For e.g., materials selection, construction methods, furnishing, and lighting and even air conditioning system. This research aims at designing a sustainable interior space with the use of recycled or recyclable materials, for the brand that makes organic and eco-friendly clothing. this is the study that concludes by promoting the importance of using recycled/ recyclable materials to ensure consistent sustainable interior design solutions.
  • 77. 9 AMRUTA VAISHAMPAYAN 2. INTRODUCTION 2.1 CLOTHING STORE: INTERIOR DESIGN A clothes shop or clothes store is any shop which sells items of ready-made clothing. A small shop which sells expensive or designer clothing may be called a boutique. The essential function of retail spaces is to display and sell merchandise. The design of these spaces involves the co-ordination of architectural, interior design and merchandising elements as necessary to meet the programmatic needs of the client. It is critical that the space is designed properly taking into consideration all the requirements, in which the customer and the store personnel function is of the highest quality. DENIM CLOTHING AND THE ENVIRONMENTAL IMPACT: Denim requires 1500 gallons of water to grow 1.5 pounds of cotton that is needed to produce a pair of jeans. Denim is usually made with indigo-dyed warp yarn and undyed weft yarn. The indigo dye used was natural and derived from plant source, but later the trend shifted to synthetic indigo dye. The use of metal accessories such as buttons, zippers and rivets such as leather-look labels and composition and care labels used in jeans production makes it difficult to recycle them. Hence, denim manufacturing is harmful to the environment.
  • 78. 10 AMRUTA VAISHAMPAYAN 2.2 ORGANIC CLOTHING ORGANIC FIBERS- The fibers that has been grown or raised without the use of toxic insecticides, fungicides or herbicides. Cotton, wool, jute and silk are the most common organic fibers. ORGANIC CLOTHING – ✓ The clothing made from materials raised in compliance with organic agricultural standards is categorized under organic clothing. ✓ It may be composed of cotton, jute, silk, ramie, or wool and has no genetically modified seeds, no synthetic pesticides or fertilizers. ✓ Organic cotton is so much better for the environment – ✓ It’s grown without the use of synthetic fertilisers and harmful pesticides, and makes for better soil for future crops. ✓ There are a few fashion brands that claim that all of the cotton is used to make clothing is 100% organic. 2.3 RECYCLING IN INTERIOR DESIGN Recycling: recycling is the process of converting waste materials into new materials and objects. Recycling includes breaking down old materials to create new ones. It also includes upcycling.
  • 79. 11 AMRUTA VAISHAMPAYAN Upcycling: the process of creating something new and better from old items. In contrast to reusing or recycling, upcycling uses existing materials to improve upon the original ones. The end result is often a product or item that is eco-friendly and at times handmade and one-of-a-kind. Source- https://en.wikipedia.org/wiki/Recycling
  • 80. 12 AMRUTA VAISHAMPAYAN 3. AIMS AND OBJECTIVES: The main objective of this study is to examine, evaluate, research more closely the use of recyclable materials in interior design. it affects the environment and eventually affects our society. In this way, this study helps to bring about to the recognition and realization of society, as the study in the field of interior design. Recycling is a key component of modern waste reduction and is the third component of the "reduce, reuse, and recycle" waste hierarchy. Thus, recycling aims at environmental sustainability by substituting raw material inputs into and redirecting waste outputs out of the economic system. 1. Recycling conserves resources. when we recycle, used materials are converted into new products, reducing the need to consume natural resources. If used materials are not recycled, new products are made by extracting fresh, raw material from the earth, through mining and forestry. Recycling helps conserve important raw materials and protects natural habitats for the future. 2. It saves energy. using recycled materials in the manufacturing process uses considerably less energy than that required for producing new products from raw materials - even when comparing all associated costs including transport etc. Plus there are extra energy savings because more energy is required to extract, refine, transport and process raw materials ready for industry compared with providing industry-ready materials. 3. Recycling helps protect the environment. Recycling reduces the need for extracting, refining and processing raw materials all of which create substantial air and water pollution. As recycling saves energy it also reduces greenhouse gas emissions, which helps to tackle climate change. 4. Recycling reduces landfill. when we recycle, recyclable materials are reprocessed into new products, and as a result the amount of rubbish sent to landfill sites reduces.
  • 81. 13 AMRUTA VAISHAMPAYAN 4. HISTORY AND EVOLUTION 4.1 GLOBAL APPROACH AND INDIAN APPROACH WORLD APPROACH: ✓ The modern phenomenon of shopping for pleasure is closely linked to the emergence of a middle class in the 17th and 18th-century Europe. ✓ As standards of living improved in the 17th century, consumers from a broad range of social backgrounds began to purchase goods that were in excess of basic necessities. ✓ By the 17th-century, produce markets gradually gave way to shops and shopping centers ✓ The first clothes shops were opened in Europe. Before the era of ready-made clothes, some ready-made clothes may have been made in the sixteenth century. ✓ The number of clothes shops appears to have risen steadily long before the beginning of large-scale industrial manufacture of clothing in the second half of the nineteenth century. HISTORY OF TEXTILE INDUSTRY: THE INDIAN APPROACH the modern textile industry took birth in India -in the early nineteenth century The cotton textile industry, however, made its real beginning in Bombay, in 1850s. the first cotton mill in Ahmedabad, which was eventually to emerge as a rival centre to Bombay, was established in 1861. The spread of the textile industry to Ahmedabad was largely due to the Guajarati trading class.
  • 82. 14 AMRUTA VAISHAMPAYAN 4.2 HISTORY OF DENIM: ✓ Denim cloth itself has an unusual history. The name comes from serge de Nimes, or the serge of Nimes, France. Originally, it was strong material made from wool. ✓ By the 1700s, it was made from wool and cotton. Only later was it made solely from cotton. Originally, it was used to make sails, but eventually, some innovative Genovese sailors thought it fit that such fine, strong material would make great pants, or "genes." ✓ The name for blue jeans was derived from the color of the fabric used to make them. Denim was treated with a blue dye obtained from the indigo plant. Indigo had been used as a dye since 2500 b.c. in such diverse places as Asia, Egypt, Greece, Rome, Britain, and Peru. ✓ Blue jean manufacturers imported indigo from India until the twentieth century, when synthetic indigo was developed to replace the natural dye.
  • 83. 15 AMRUTA VAISHAMPAYAN ✓ Blue jeans in the form we know them today didn't come about until the middle of the nineteenth century. ✓ The first sustainable alternative for denim was proposed by Levi Strauss, an enterprising immigrant who happened to have a few bolts of blue denim cloth on hand, recognized a need for strong work pants in the mining communities of California. ✓ Blue jeans started becoming popular among young people in the 1950s. 4.3 THE PAST AND FUTURE OF ORGANIC CLOTHING The past Scientists dates the first use of cotton from 6,000bc. The first evidence of organic cotton originated in India and Pakistan. By the 1st century, Arab traders brought their cotton products to Italy and Spain and organic cotton was later introduced to Europe during late medieval times. Now being introduced to Africa in the 18th century, and then spreading to India, Pakistan, and china, tradition varieties were soon being replaced with their own methods. During the industrial revolution, the invention of the spinning machine and cotton gin was a great help to the cotton manufacturing industry. The future After disappearing for about a century, naturally colored cotton suddenly appeared as a fashion item in the early 1990s. Now establishing new and sustainable ways to further sustainable markets, the use of organic cotton helps to reduce the high amount of pesticides and insecticides inhaled by cotton farmers. Organic cotton is now being applied worldwide, with most companies transitioning to the environmentally friendly material. Since the introduction of organic products has been brought into the mainstream fashion industry, the technique has now also been used on linen and wool.
  • 84. 16 AMRUTA VAISHAMPAYAN 5. NEED AND SCOPE: In india, a proper waste management system is urgent necessary for the following reasons: (a) to control different types of pollution, i.e., air pollution, soil pollution, water pollution. (b) to stop the spread of infectious diseases. (c) to conserve all our environmental resources, including forest, minerals water. (d) to recycle the hazardous wastes for further production. (e) to implement proper wastes management policy, successful and safe disposal of solid and liquid wastes are very necessary. (f) to conserve animals and their natural habitat. 5.1 Sustainable fashion It is a movement and process of fostering change to fashion products and the fashion system towards greater ecological integrity and social justice. Sustainable fashion concerns more than addressing fashion textiles or products. It comprises addressing the whole system of fashion. This means dealing with interdependent social, cultural, ecological and financial systems. Benefits of going organic- Organic products meet stringent standards Protect future generations Organic farms respect our water resources
  • 85. 17 AMRUTA VAISHAMPAYAN Organic farmers build healthy soil Organic farmers work in harmony with nature Organic producers are leaders in innovative research Organic producers strive to preserve diversity Organic farming helps rural communities The three pillars of sustainability bounded by the environment Advantages over conventional fibre:
  • 86. 18 AMRUTA VAISHAMPAYAN What exactly is "waste?" Waste is anything we throw away or get rid of, that doesn’t get used. The 3 'r's Reduce, reuse, recycle – these three 'r' words are an important part of sustainable living, as they help to cut down on the amount of waste we have to throw away. The third 'r' is about making sure you separate items that can be recycled, meaning they can be used for a new purpose. 5.2 The future of waste management Future of waste management is one of the world’s biggest challenges at the moment with the bulky, smelling waste that is being generated all over the world in quantities beyond the imaginable. Developed countries like Sweden and the U.S. somehow manage to dispose most of it and some gets even recycled or turned into compost. India’s challenges in waste management With rapid urbanisation, the country is facing massive waste management challenge. Over 377 million urban people live in 7,935 towns and cities and generate 62 million tonnes of municipal solid waste per annum. Only 43 million tonnes (mt) of the waste is collected, 11.9 mt is treated and 31 mt is dumped in landfill sites. Solid waste management is one among the basic essential services provided by municipal authorities in the country to keep urban centres clean. However, almost all municipal authorities deposit solid waste at a dump yard within or outside the city haphazardly. Experts believe that India is following a flawed system of waste disposal and management. Today, most commonly recycled products are paper, cardboard, plastics, glass and aluminium products. Recycling can be done at home as well as in conjunction with local government programs, associations and business. Many
  • 87. 19 AMRUTA VAISHAMPAYAN businesses pay for iron scraps or beverage cans we use every day, thus increasing the cost of their products. Aluminium recycling saves 95% of the energy it needs to produce from raw materials. The energy saved from recycling an aluminium ton is equal to the amount of electricity that a household uses for almost 10 years. recycling an aluminium cans saves energy by using a 100 watt bulb for 20 hours, a computer for 3 hours, or a tv set for 2 hours. Recycling 20 cans requires the energy of producing a new can. Reasons why recycling is necessary: Recycling saves energy, as the manufacturer does not need to take and consume the first natural resource to create a product. Using recycled production materials contributes to reducing energy consumption, which lowers the cost of production. Recycling protects natural resources as well as wildlife. By recycling, we reduce the need for raw material, which deals with destroying the natural habitat of animals, especially wild ones. Moreover, paper recycling protects millions of trees from destruction. Recycling is a positive factor for the economy. Recycling and buying recycled products also leads to increased demand for such products. during their production, products made up of recycled materials need less water, create less pollution and consume less energy. How and saves taxes. Recycling helps in climate issues. Recycling produces a very low level of carbon, a fact that significantly reduces the level of gas emissions that create the effect of the greenhouse, not at all healthy for us and our planet. Recycling in the interest of society.
  • 88. 20 AMRUTA VAISHAMPAYAN it is a fact that many natural resources and our earth are not renewable and this is one of the main reasons why recycling is an important process in our lives. As an efficient process for the handling and reuse of materials, it promotes innovation and an important and long-term economic growth. equally important are both social and environmental benefits because it promotes the sustainable use of our natural resources and encourages community development, saving of new land use, pollution prevention, energy conservation and reducing greenhouse gas effects. approximately 60% of our waste can be recycled today but there are still many people who do not know. 5.3 FUTURE SCOPE POST COVID19 HOW COVID-19 HAS CHANGED FUTURE OF RETAIL INTERIOR DESIGN? Retailers are soon to open up businesses after the lockdown lift, and many things have changed since covid-19 pandemic. Customers are likely to visit places where social distancing, hygenic conditions are maintained. Surface finishing matters: Studies have shown that the virus can live for up 72 hours on commonly used materials such as plastic and steel. Air quality matters: It will also be a key factor, with health professionals offering advice on the virus- mitigating benefits of simply opening windows. This will accelerate the uptake of already prominent design tactics orientated around biophilia and porous spaces as consumers come to expect access to fresh air at all times. Communicating with customers: Developing a new toolkit that signal when a shopper is entering a ‘controlled environment’ will be key to helping brands communicate that they’re putting customer safety first.
  • 89. 21 AMRUTA VAISHAMPAYAN It’d be important to show customers that the space provides them with the cleanest air and water and protects them against pollution. Keeping a check: All employees will be subject to temperature testing using state of the art infrared camera. Any employee found with a fever will be sent home and a thorough cleaning of their area will commence. Maintaining distance between the customers: The circulation has to be planned in such a way that people can maintain distance and not crowd over at a particular space. There as to be enough distance between two lines of display to maintain distance, or it should be designed in such a manner that distance is maintained.
  • 90. 22 AMRUTA VAISHAMPAYAN 6. CASE STUDIES 6.1 ONLINE CASE STUDY 1: o Shopping centers, interiors architecture o Project location-Address: higashi Hiroshima, Hiroshima prefecture, japan o Architects: suppose design office o Area: 117 m²/ 1260 sq. Feet. o Year: 2009 o Photographs: Toshifumi Yano o This is a project for “karis” in a shopping center in Hiroshima. o The space is for shopping but also for holding events. o The concept of the store - space that is changing its view or atmosphere depending on where you are standing, such as caves or limestone caves. o At some points the place offers a view to the end of the store, and also it has an area surrounded by the inner partitions. o The experience walking through the space would be close to something like walking in nature. o The purpose of the design is to offer a new shopping experience that people could see products through strolling in nature.
  • 91. 23 AMRUTA VAISHAMPAYAN o The materials of the partitions are paper tubes that are strong and easy to work with, and moreover, they are using for tubes to roll up cloths. o The tubes are layered randomly as to be uneven surfaces and create arch shapes as partition for the store. o Because of the arches, the store creates various spaces that are irregular and complex, such as caves in natur
  • 92. 24 AMRUTA VAISHAMPAYAN Plan and elevations for Shopping center, higashi Hiroshima, Japan
  • 93. 25 AMRUTA VAISHAMPAYAN Learning and observations from the case study: 1. By avoiding the solid partitions and segregating the areas with tube partitions, the design gives a sense of openness to the space. 2. There are sustainable alternatives to construction materials that can be used instead of conventional materials. The recycled cardboard pipes were used not only for aesthetics but also for creating the passageways and defining the nature inside the interior. Here we can see that bringing the outside into inside is possible while making use of different materials that are eco-friendly and also sustainable. 3. Construction from recycled materials can be very strong and durable and sustainable as well.
  • 94. 26 AMRUTA VAISHAMPAYAN 6.2 ONLINE CASE STUDY 2: India’s first eco-friendly retail space: Puma has been the frontrunner in sustainability innovation for many years now. They have been working towards a toxin-free line of products, compostable clothing and, have been using interesting methods to get consumer base involved with their sustainability efforts. Project title : Puma sports India pvt. Ltd. Location : indianagar, bangalore Year of completion : 2013 Area : 800 sqm/ 5000 sq feet. Building use : retail Architect : studio decode o Ducts on the floor, unlike which we normally see on the ceiling. Earth is used below the ground to cool the air, so 12 feet below the ground the air enters, gets cooled and then it comes back up through this duct. o While the roof garden keeps the building insulated from the sun’s direct heat and the plants keep temperatures lower at all times. Air conditioning used in the store: o Geothermal cooling system - a highly insulated shell and an underground heat sink system keeps the temperature constant throughout the year.
  • 95. 27 AMRUTA VAISHAMPAYAN The mezzanine floor o Made with bamboo and it is suspended from the ceiling in such a way that it can be dismantled and moved if needed. o Floor supspended in mid-air without any support from the walls. It is supported only from the ceiling. o The entire volume becomes completely recyclable. The clothing: o The apparel is made from fair trade certified cotton. (Organic cotton)- the labour laws, the labour practices, the kind of benefits which are given to people who work in the factory is all part of fare trade as an organisation. o The wall and the table in front of it, has t-shirts made out of organic cotton. Solar panels: o Solar panels, here are used to generate about 11,000 kw/hrs of electricity, which means, all the lights in the store are powered by this solar panel. o 90 percent of the store has access to natural daylight which minimizes the need for artificial lighting. Only super-efficient led lights are used where lighting is absolutely needed.
  • 96. 28 AMRUTA VAISHAMPAYAN Materials: o The design of the building utilizes a lot of recycled and upcycled materials o Recycled steel for its facade. o Structure is made with recycled steel from old dvd players, bicycles and tiffin boxes. o The store is bedecked with jute posters and it had a completely carbon neutral launch. o Porotherm blocks used to construct the shell of the building were made using silt from the lakes of kunigal. These lakes are the only sources of water for villages in kunigal and as such are desilted every year to increase the water table. The silt usually ends up as waste, but has now been used as a valuable resource in constructing puma’s new location. o Furniture and fixtures, moreover, were made using recycled wood while low volatile organic compound paint was used to paint the store's walls.
  • 98. 30 AMRUTA VAISHAMPAYAN Learnings and observations from the case study: o In Puma’s store here, sustainability is the main philosophy of the brand because the brand has organic cotton clothes. The interior design of the store reflects the philosophy of the brand by using sustainable design. o Sustainability in the design is present in all aspects of the design such as materials, the lighting, the services like air conditioning, it is a completely eco-friendly project. The store has geothermal air conditioning, a system which is different from the conventional air conditioning. The client’s mindset regarding the drawback of designing such interior can be higher costs, which is overlooked by the low utility bills in longer run like in case of geothermal colling, as it has high initial costs but more energy savings)
  • 99. 31 AMRUTA VAISHAMPAYAN 6.3 Inference o Use of recycled materials is the new trend in interior design. More people are becoming aware about the sustainability and reducing landfill waste. o From the Puma store’s case study, we can see that sustainability in interior design is something that is not only related to the materials being used but also the overall process followed while designing and executing a certain sustainable project, which includes the lighting, air conditioning system used, the flooring, false ceiling etc. o There are many different reasons as to why interior designers use such materials in the design. o Many designers are using recycled materials which are made from waste. They can be beautifully used in interior design as they are as strong as any structural materials. o In all of these projects, sustainable materials are selected according to certain characteristics- local materials- the availability of materials, durability of the materials, reusability of the materials and recycled content. o There are significantly more Advantages than Disadvantages while designing sustainable interiors.
  • 100. 32 AMRUTA VAISHAMPAYAN 7. DATA COLLECTION 7.1 ERGONOMICS AND ANTHROPOMETRY Anthropometry refers to the measurement of the human individual. The essential function of retail spaces is to display and sell merchandise. The design of these spaces involves the manipulation and coordination of architectural, interior design, and merchandising elements as necessary to meet the programmatic needs of the client. Main isle width Secondary Isle width
  • 101. 33 AMRUTA VAISHAMPAYAN Seated customer (desired counter height) Seated customer (low counter height)
  • 102. 34 AMRUTA VAISHAMPAYAN Seated customer (high counter height) Standing customer – Typical sales area
  • 103. 35 AMRUTA VAISHAMPAYAN Typical merchandise display and hanging display
  • 104. 36 AMRUTA VAISHAMPAYAN Dining/ Café table Minimum preferred dimensions
  • 105. 37 AMRUTA VAISHAMPAYAN Table’s optimum clearance Images source- https://www.slideshare.net/ Optimum clearance for wheelchair
  • 106. 38 AMRUTA VAISHAMPAYAN 7.2 NORMS FROM NATIONAL BUILDING CODE National Building Code of India covers the detailed guidelines for construction, maintenance and fire safety of the structures. National Building Code of India is published by Bureau of Indian Standards and it is recommendatory document. GROUP – F : MERCANTILE BUILDINGS These are the buildings used as shops, stores for display and sale of merchandise either wholesale or retail. Such buildings are further subclassified as: F–1: Shops, stores, markets with area of 500 sq meter. belong to this subdivision. CONSIDERATIONS FOR ENERGY EFFICIENCY 1. Glass and glazing design must take into consideration introduction of daylighting into the interior space of the building and to manage the external and internal heat loads. External loads include solar heat gains through fenestration, heat losses across the glass surfaces and unwanted air infiltration in the building whereas internal loads include heat released by the electric lighting systems, equipment and people working in the building space. 2. Proper orientation of a building and due consideration to the size and placement of windows at the design stage can provide the advantage of daylighting. To maintain thermal comfort and minimize internal cooling / heating loads, the envelope needs to regulate and optimize heat transfer through roof, walls, windows, doors and other opening. 3. An integrated building design considers the Envelope, the Heating Ventilation and Cooling (HVAC) system and the Lighting system as a whole rather than
  • 107. 39 AMRUTA VAISHAMPAYAN dealing with these independently. Changing the specifications of one system can affect the performance of the other two significantly. Similarly, an inefficient lighting system not only increases lighting energy consumption but could also increases the cooling load on HVAC system thereby increasing the energy consumption further. CONSIDERATIONS WHILE DESIGNING AN ENERGY-EFFICIENT BUILDING. Thus, the main goal of glass and glazing design should be to provide visual and thermal comfort to the occupants and thereby reducing the electricity cost for lighting and HVAC. Sun Path Analysis Sun path analysis helps us in understanding the impact of the orientation of buildings and determining the best orientation to understand the impact of seasonal changes in the building and its surrounding. Green Building Code in India In India, the Green Building Code is a medley of codes and standards contained in the State by-laws, the National Building Code, the Energy Conservation Building Code (ECBC) and in the norms set by the ratings programmes, such as Leadership in Energy and Environmental Design-India (LEED-India), the standards and guidelines put down for the Residential Sector by the Indian Green Building Council (IGBC), TERI-GRIHA and other such certifications. Components of Green Building EPA has extensive programs and information on green building issues, including: • Energy Efficiency and Renewable Energy • Water Efficiency
  • 108. 40 AMRUTA VAISHAMPAYAN • Environmentally Preferable Building Materials and Specifications • Waste Reduction • Toxics Reduction • Indoor Air Quality • Smart Growth and Sustainable Development EPA's Industrial Materials Recycling Program It provides information on how industrial materials, such as coal combustion products, foundry sand, and construction and demolition debris, can be recycled to meet the material needs of our construction industry. Industrial materials can be recycled in construction applications because they have many of the same chemical and physical properties as the virgin materials they replace. In some cases, they can even improve the quality of a product.
  • 109. 41 AMRUTA VAISHAMPAYAN 7.3 SURVEY REGARDING RECYCLED MATERIALS Online questionnaire A survey regarding the awareness of use of recycled materials in the interior design, was conducted with the help of online platform. This study presents the results from the questionnaire survey conducted to find out what recycled and waste materials are being used in the interior and construction industry and the areas where the people need to be educated about different types of such materials. The focus was given to the awareness of using such materials by the architects, interior designers, consultants, civil engineers. Following is the comprehensive review of data, findings, information relating to the recycled waste and its application in the interior field. Methodology: The survey was conducted through a google survey form and sent to practicing interior designers, architects, consultants and civil engineers. The survey addressed to: 1) the profession of the respondent. 2) Respondent’s take on whether sustainable interior has a future in in the field. 3) Which are the factors, according the respondents, have the highest impact on the indoor air quality. 4) Barriers of using recycled materials. 5) The main reason of using recycled materials in the design. 6) List of materials were mentioned and respondents were asked to tick all the materials that they are aware of and to mention any materials not if listed in the options. Following is the online questionnaire circulated among the participants. 1. Occupation: a. Architect b. Interior designer c. HVAC consultant
  • 110. 42 AMRUTA VAISHAMPAYAN 2. Do you think sustainable interiors is the future in interior design/ architecture? a. Yes b. Maybe c. No 3. Which are the factors that have the highest impact on indoor air quality than the rest? a. Environmental tobacco smoke b. Biological agents such as molds c. Volatile Organic Compounds from different materials d. Inadequate ventilation e. Air exchange with outside environment f. Other: ________________ 4. What do you think are the barriers to use recycled materials in interior design or what do you think are the reasons that designers/ architects/ contractors don’t use recycled materials? a. Client’s mindset about the quality of product b. Costs c. Lack of education regarding certain materials d. Lack of market to buy the material e. Other: ________________ 5. Do you use recycled materials in your design? If yes what is the main reason that you use such materials? a. Quality
  • 111. 43 AMRUTA VAISHAMPAYAN b. Cost c. Reduce landfill waste d. Other: ________________ 6. How many of such materials are you aware of? Tick all that apply. a. Recycled plastic b. Steel c. Reclaimed wood d. Paper/ cardboard e. Steel f. Other _________________ Results: The survey was distributed to 44 participants who were interior designers, architects, civil engineers and consultants from Thane and Mumbai locality. The response given by the respondents is summarized ahead.
  • 112. 44 AMRUTA VAISHAMPAYAN 2% Question 1: Occupation of the respondent: Figure 1: Showing the occupation of the participants. Findings show that of all the respondents, 52.3% were architects, 43.2% were interior designers, 2% were civil engineers. Question 2: Do you think sustainable interiors is the future in interior design/ architecture?
  • 113. 45 AMRUTA VAISHAMPAYAN Figure 2: showing the opinion of respondents regarding the future of sustainable interior design. Findings show that of all 44 respondents, 81.8% think that sustainability has a future scope, whereas 18.2% think that there might be future scope for sustainability in the industry. Question 3: Which are the factors that have the highest impact on indoor air quality than the rest? Figure 3: showing the factors that have more impact on indoor air quality.
  • 114. 46 AMRUTA VAISHAMPAYAN Findings show that 68.2 % of the participants think inadequate ventilation is the main factor responsible for bad indoor air quality, 47.7% of the participants think air exchange with outside environment, 43 % of the participants think _, _ % of the participants think volatile organic compounds, 25 % of the participants think environmental tobacco smoke, 20.5% % of the participants think that biological molds followed by absence of indoor plants and paint fumes also has the highest impact on indoor air quality. Question 4: What do you think are the barriers to use recycled materials in interior design or what do you think are the reasons that designers/ architects/ contractors don’t use recycled materials? Figure 4: showing the percentage of reasons why designers are not using recycled materials. Findings show that the participants surveyed, felt that Lack of education regarding recycled materials made up 70.5% of the reasons why they do not use
  • 115. 47 AMRUTA VAISHAMPAYAN certain recycled materials. They claimed client’s mindset to be 65.9% of the reason why certain recycled materials aren’t being used in interior applications. Lack of market to buy the material constituted for 50% of the reasons followed by costs being 38.6% followed by other factors such as maintenance, longevity, awareness etc. Question 5: Do you use recycled materials in your design? If yes what is the main reason that you use such materials? Figure 5: showing the percentage of materials used in the interior design applications. Findings show that of all the participants surveyed, 72.7% felt that reducing landfill waste is the main reason as why they want to use recycled materials in the interior design, followed by costs at 15.9%, followed by other reasons such as aesthetics, helping the environment etc.
  • 116. 48 AMRUTA VAISHAMPAYAN Question 6: How many of such materials are you aware of? Figure 6: showing the percentage of materials the designers are aware of. Findings show that 84.1 % participants are aware about recycled plastic, followed by 81.8% participants being aware of recycled glass and 75% participants aware of recycled paper or cardboard, followed by other materials such as reclaimed wood, steel, rubber, aluminium, wood-fibre composite, carpets, etc. Conclusion: The study conducted suggests that all of the participants were aware of the use of recycled materials in the interior design. Many of them haven’t yet used such materials in their design because of various reasons and lack of education or client’s mindset being the primary reasons as to why designers are not using recycled materials. People are more concerned about the look, the aesthetics and often do not think about what it will cost to the environment. Hence, to understand the awareness of using recycled materials in architecture or interior design, this survey was conducted. As it turns out, more awareness is needed about the harmful materials and its negative impact on the environment to make people understand about the availability of materials, eliminating the misconceptions about the recycled materials.