2. 1. WHICH AMONG THE FOLLOWING
OBJECTS ACCURATELY EXPLAINS THAT
THEY HAVE DIFFERENT SCALE BUT SHARE
THE SAME IN PROPORTION?
A. BASKETBALL AND BASEBALL
B. HOUSE AND BUILDING
C. NOTEBOOK AND BALLPEN
D. PENCIL AND ERASER
3. 2. THE MEASUREMENT OF THE
HEAD AS THE AVERAGE HUMAN
PROPORTION.
A. 6.0 B. 6.5 C. 7.0 D.
7.5
4. 3. THE ACCURATE OR CORRECT
PROPORTIONS ARE UTILIZED FOR THE
SUBJECT MATTER.
A. ALTERED PROPORTION
B. HIERARCHICAL PROPORTION
C. STANDARD PROPORTION
D. OUT OF PROPORTION
5. 4. IT REFERS TO AN ARTWORK WHERE
THE PROPORTION HAS BEEN CHANGED,
DISTORTED, OR ALTERED FOR SPECIFIC
REASONS.
A. ALTERED PROPORTION
B. HIERARCHICAL PROPORTION
C. STANDARD PROPORTION
D. OUT OF PROPORTION
6. 5. THE ART THAT FOCUSES ON THE
IMPORTANCE OF THE SUBJECT MATTER
WHERE FIGURES IN A COMPOSITION DENOTE
THEIR STATUS OR LEVEL OF POWER OR
IMPORTANCE IN A MONARCHY OR SOCIAL
STRUCTURE.
A. ALTERED PROPORTION
B. HIERARCHICAL PROPORTION
C. STANDARD PROPORTION
D. OUT OF PROPORTION
7. 6. WHY DOES ARTIST USE AN ALTERED
PROPORTION IN AN ARTWORK?
A. FOR EASY DRAWING
B. TO CREATE A DIFFERENCE
C. TO CHANGE THE PROPORTION
D. TO TELL A STORY OR SPECIFIC
MEANING
8. 7. WHICH OF THE FOLLOWING ALTERED
PROPORTION PAINTING DEPICTS EXAGGERATED
FEATURES IN THE MOTHER’S FIGURE; NOT ONLY
ARE HER ARMS QUITE LARGE AND HER HEAD
SMALLER, BUT HER FACIAL FEATURES HAVE AN
ANGULARITY?
A. LEONARDO DA VINCI PAINTING
B. EUCLID GOLDEN MEAN
C. PABLO PICASSO MOTHER AND CHILD
D. VENUS OF WILLENDORF LIMESTONE FIGURINE
9. 8. HOW DOES ARTIST RENE MAGRITTE ART
PORTRAY AN OUT OF PROPORTION ART?
A. EXAGGERATED OBJECTS
B. SMALL OBJECTS IN THE KITCHEN
C. NORMAL PAINTING
D. ITEMS SUCH AS COMB, WINE GLASS, SOAP,
BRUSH,
CUPBOARD AND RUGS UNPROPORTIONED
MOSTLY TOO LARGE.
10. 9. WHICH OF THE FOLLOWING TYPES OF
PROPORTION THAT SIMPLY REFER TO
THE SUBJECT MATTER THAT ARE NOT IN
PROPER PROPORTIONAL RELATION
TO ONE ANOTHER?
A. ALTERED PROPORTION
B. HIERARCHICAL PROPORTION
C. STANDARD PROPORTION
D. OUT OF PROPORTION
11. 10. WHICH OF THE FOLLOWING
PAINTING DEPICTS SOLIDITY AND
SCULPTURAL QUALITY THAT
EMPHASIZES THE MOTHER’S ROLE AS
STABLE FIGURE FOR THE CHILD?
A. LEONARDO DA VINCI PAINTING
B. EUCLID GOLDEN MEAN
C. PABLO PICASSO MOTHER AND CHILD
D. VENUS OF WILLENDORF LIMESTONE
12. 11. HOW DOES EGYPTIAN BEST
CONVEY MESSAGE IN HIERARCHICAL
PROPORTION?
A. EGYPTIAN PALETTE OF KING
NAMER
B. TOMB CHAPEL
C. BOAT FIGURE
D. MUMMY STATUE
13. 12. WHICH AMONG THE FOLLOWING BEST
DESCRIBES THE OUT OF PROPORTION
ART?
A. OUT OF THIS WORLD SUBJECT
B. UNBALANCE PROPORTION
C. IT IS BY ACCIDENT
D. THE SUBJECT IS NOT IN PROPER
RELATION TO
ONE ANOTHER
14. 13. HOW DOES SALVADOR DALI PAINT
HIS ARTWORK- THE ELEPHANTS
(1948)?
A. ONE ELEPHANT WITH ELONGATED
LEGS
B. TWO ELEPHANTS WITH ELONGATED
LEGS
C. TWO ELEPHANTS WITH LONG EARS
D. THREE ELEPHANTS WITH LONG
BODIES
15. 14. AN ISOMETRIC DRAWING SHOWS
OBJECTS IN ______ DIMENSIONS.
A. 1 B. 2 C. 3 D. 4
16. 15. THE HORIZONTAL LINES IN AN
ISOMETRIC DRAWING ARE _________
DEGREES FROM TRUE HORIZONTAL.
A. 30 B. 45 C. 60 D. 120
17. 16. ISOMETRIC PROJECTION OF A
SPHERE IS A (N) ___________.
A. ARC B. CIRCLE C. ELLIPSE D.
SEMI-CIRCLE
18. 17. BOX METHOD IS USED TO
DRAW ISOMETRIC VIEW OF
_____________.
A. CYLINDER
B. PRISM
C. PYRAMID
D. ALL OF THE ABOVE
19. 18. ISOMETRIC VIEW OF A
RECTANGLE IS A _____________.
A. PARALLELOGRAM
B. RECTANGLE
C. RHOMBUS
D. SQUARE
20. 19. ISOMETRIC VIEW OF A
SQUARE IS ___________.
A. RECTANGLE
B. RHOMBUS
C. SQUARE
D. ANY OF THE ABOVE
21. 20. HOW MANY AXES ARE
REPRESENTED IN ISOMETRIC
DRAWINGS?
A. 1 B. 2 C. 3 D. 4
22. 21. WHICH IS NOT ONE OF THE
THREE MAJOR AXES USED IN
ISOMETRIC DRAWINGS?
A. DEPTH
B. HEIGHT
C. LENGTH
D. WIDTH
23. 22. WHICH SHAPE WOULD BE
APPROPRIATE TO DRAW IN
THREE DIMENSIONS?
A. A CIRCLE
B. A CUBE
C. AN OVAL
D. A TRIANGLE
24. 23. IF AN ISOMETRIC PROJECTION IS
DRAWN WITH TRUE MEASUREMENTS BUT
NOT WITH ISOMETRIC SCALE. WHAT DO
YOU CALL THIS DRAWING?
A. ISOMETRIC PERCEPTION
B. ISOMETRIC PROJECTION
C. ISOMETRIC VIEW
D. ORTHOGRAPHIC VIEW
25. 24. IF AN ISOMETRIC DRAWING IS MADE
USE OF ISOMETRIC SCALE. WHAT DO
YOU CALL THIS DRAWING?
A. ISOMETRIC PERCEPTION
B. ISOMETRIC PROJECTION
C. ISOMETRIC VIEW
D. ORTHOGRAPHIC VIEW
26. 25. THE FRONT VIEW OF THE SQUARE IS
GIVEN AND HAS TO DRAW ITS
ISOMETRIC VIEW. WHICH ANGLE THE
VERTICAL EDGE HAS TO MAKE WITH
HORIZONTAL?
A. 15 DEGREES
B. 30 DEGREES
C. 60 DEGREES
D. 90 DEGREES
27. 26. IT IS A KIND OF LINE THAT ARE
NEITHER VERTICAL NOR
HORIZONTAL AND EITHER ABOUT
TO FALL.
A. CURVED LINES B. DIAGONAL
LINE
C. VERTICAL LINES D. ZIGZAG
LINES
28. 27. WHAT ARE CURVED LINES
SOMETIMES CALLED?
A. ARCS B. CIRCLES
C. OVALS D. SPHERES
29. 28. IT IS ALSO CALLED WAVY
LINE.
A. CURVED LINES
B. DIAGONAL LINES
C. VERTICAL LINES
D. ZIGZAG LINES
30. 29. WHICH KIND OF LINE
SLANTS?
A. CURVED
B. DIAGONAL
C. HORIZONTAL
D. VERTICAL
31. 30. WHICH OF THE
FOLLOWING IS NOT AN
EXAMPLE OF A LINE?
A. CIRCLE
B. DIAGONAL
C. VERTICAL
D. WAVY
32. 31. TEXTURE IS AN EXAMPLE OF LINE
VARIATION WHICH REFERS TO
______________.
A. LINES THAT ARE THICK AND THIN
B. LINES THAT ARE LONG AND SHORT
C. LINES THAT ARE WAVY AND CURVY
D. LINES THAT ARE SMOOTH AND ROUGH
33. 32. WHICH OF THE
FOLLOWING SHAPES DOES
NOT HAVE PARALLEL LINES?
A. CIRCLE B. CUBE
C. RECTANGLE D. SQUARE
34. 33. WHICH OF THE FOLLOWING IS A
CHARACTERISTICS OF A STRAIGHT
LINE?
A. STRAIGHT C. THIN WITH ZERO
WIDTH
B. ONE-DIMENSIONAL D. ALL ARE
CORRECT
35. 34. WHICH DEFINITION BEST
DESCRIBES A LINE?
A. COLOR ON THE WALL
C. SHAPE THAT HAS LENGTH
B. MARK MADE WITH A PENCIL
D. MARK OR THE PATH OF A
36. 35. WHICH DIRECTION DOES A
HORIZONTAL LINE RUN?
A. SLANTED
B. LEFT TO RIGHT
C. NORTH TO SOUTH
D. TOP TO BOTTOM
37. 36. WHAT TYPE OF LINE
APPEARS STILL WHEN YOU ARE
LYING DOWN?
A. DIAGONAL
B. HORIZONTAL
C. VERTICAL
D. ZIGZAG
38. 37. IF TWO STRAIGHT LINES NEVER
TOUCH AND ARE EQUIDISTANT,
WHAT ARE THEY CALLED?
A. HORIZONTAL
B. OBLIQUE
C. PARALLEL
D. PERPENDICULAR
39. 38. THIS IS THE MOST BASIC ELEMENT
OF ART. IT IS USED TO FORM LOTS OF
DIFFERENT THINGS IN ART. WHICH OF
THE FOLLOWING DEFINES AS THE PATH
OF A DOT THROUGH A SPACE?
A. LINE B. SPACE
C. TEXTURE D. VALUE
40. 39. THE PRINCIPLE OF ART THAT
REFERS TO RELATIVE SIZE.
A. EFFECT B.
ELEMENT
C. PROPORTION D. SCENE
41. 40. THE RELATIONSHIP OF THE
SIZES OF TWO OR MORE
SUBJECTS OR ELEMENTS.
A. ELEMENT B.
PROPORTION
C. SCENE D. SIZE
42. 41. THE MOST AESTHETICALLY PLEASING
WAY TO ARRANGE VISUAL COMPONENTS IN
A COMPOSITION.
A. COMPOSITIONAL PROPORTION
B. THE GOLDEN MEAN
C. THE GOLDEN RECTANGLE
D. THE VITRUVIAN MAN
43. 42. IT IS OFTEN ILLUSTRATED AS A
LINE THAT HAS BEEN DIVIDED AT A
PARTICULAR POINT AND TWO
SEGMENTS.
A. COMPOSITION PROPORTION
B. THE GOLDEN MAN
C. THE VITRUVIAN MAN
44. 43. WHY DOES ARTIST USE PROPORTION IN
DRAWING AND PAINTING?
A. IT IS REQUIRED IN ART.
B. THE ARTIST MAY OR MAY NOT USE IT.
C. IT IS THE STANDARD OF ALL DRAWING
AND
PAINTING.
D. IT IS USE FOR EFFECT THAT EMPHASIZE
A
MEANING OR ELEMENT AND TO CREATE
45. THE GOLDEN MEAN IN ART AND
ARCHITECTURE?
A. TO GUIDE IN MAKING THE PROPER SIZE.
B. IT IS IMPORTANT IN BUILDING
CONSTRUCTION.
C. TO DIRECT IN MAKING THE SPACING OF
ELEMENTS.
D. IT IS USE TO CREATE VISUALLY PLEASING
ARTWORK BY PLACING IMPORTANT
SUBJECTS BASED ON RATION AND
46. 45. THE ARTIST USE PROPORTION TO
MAKE THE SUBJECT SEEM STRONG,
WEAK, FUNNY, MYSTERIOUS, ETC.
WHICH AMONG THE TERMS DESCRIBES
IT?
A. EFFECT B. IMAGE
C. REALISTIC D. SCENE
47. 46. WHICH AMONG THE FOLLOWING
WILL HAPPEN IF THE ARTIST WILL NOT
CONSIDER OR VALUE PROPORTION IN
HIS/HER ARTWORK?
A. ABSTRACT B.
CONCRETE
C. LESS/NOT REALISTIC D. WEAK
48. 47. WHICH AMONG THE FOLLOWING
POPULAR CONCEPT WAS DISCOVERED
BY THE ANCIENT GREEK
MATHEMATICIAN, EUCLID?
A. FIGURES
B. THE GOLDEN MEAN
C. PROPORTION
D. REALISTIC PROPORTION
49. 48. WHICH AMONG THE FOLLOWING
PHRASES DOES NOT DESCRIBE A
PROPORTION IN ART?
A. THE OVERALL SIZE
B. CREATE VISUALLY PLEASING
ARTWORK
C. DIRECT THE SIZE AND SPACING
D. USE TO EMPHASIZE A MEANING
50. 49. HOW DOES LEONARDO DA
VINCI ILLUSTRATE THE IDEAL
HUMAN PROPORTIONS LAID OUT
BY VITRUVIUS?
A. GOLDEN MEAN
B. GOLDEN RECTANGLE
C. HUMAN PROPORTION
51. 50. HOW DOES EL GRECO AND PICASSO BEST
EXPRESS THEIR STYLES IN RELATION TO
PROPORTION IN ART?
A. BOTH WANTED TO CONVEY A SPECIAL MESSAGE
B. THEIR ARTWORKS ARE RELIGIOUS IN NATURE
C. CREATING A FEELING OR MOOD AROUND THE
SUBJECT.
D. THEY EXAGGERATED THE WIDTH OF THE BODY IN
COMPARISON TO THE HEAD OR STRETCHING
THE HUMAN FORM.
52.
53. 1. WHICH AMONG THE FOLLOWING
OBJECTS ACCURATELY EXPLAINS THAT
THEY HAVE DIFFERENT SCALE BUT SHARE
THE SAME IN PROPORTION?
A. BASKETBALL AND BASEBALL
B. HOUSE AND BUILDING
C. NOTEBOOK AND BALLPEN
D. PENCIL AND ERASER
54. 2. THE MEASUREMENT OF THE
HEAD AS THE AVERAGE HUMAN
PROPORTION.
A. 6.0 B. 6.5 C. 7.0 D.
7.5
55. 3. THE ACCURATE OR CORRECT
PROPORTIONS ARE UTILIZED FOR THE
SUBJECT MATTER.
A. ALTERED PROPORTION
B. HIERARCHICAL PROPORTION
C. STANDARD PROPORTION
D. OUT OF PROPORTION
56. 4. IT REFERS TO AN ARTWORK WHERE
THE PROPORTION HAS BEEN CHANGED,
DISTORTED, OR ALTERED FOR SPECIFIC
REASONS.
A. ALTERED PROPORTION
B. HIERARCHICAL PROPORTION
C. STANDARD PROPORTION
D. OUT OF PROPORTION
57. 5. THE ART THAT FOCUSES ON THE
IMPORTANCE OF THE SUBJECT MATTER
WHERE FIGURES IN A COMPOSITION DENOTE
THEIR STATUS OR LEVEL OF POWER OR
IMPORTANCE IN A MONARCHY OR SOCIAL
STRUCTURE.
A. ALTERED PROPORTION
B. HIERARCHICAL PROPORTION
C. STANDARD PROPORTION
D. OUT OF PROPORTION
58. 6. WHY DOES ARTIST USE AN ALTERED
PROPORTION IN AN ARTWORK?
A. FOR EASY DRAWING
B. TO CREATE A DIFFERENCE
C. TO CHANGE THE PROPORTION
D. TO TELL A STORY OR SPECIFIC
MEANING
59. 7. WHICH OF THE FOLLOWING ALTERED
PROPORTION PAINTING DEPICTS EXAGGERATED
FEATURES IN THE MOTHER’S FIGURE; NOT ONLY
ARE HER ARMS QUITE LARGE AND HER HEAD
SMALLER, BUT HER FACIAL FEATURES HAVE AN
ANGULARITY?
A. LEONARDO DA VINCI PAINTING
B. EUCLID GOLDEN MEAN
C. PABLO PICASSO MOTHER AND CHILD
D. VENUS OF WILLENDORF LIMESTONE FIGURINE
60. 8. HOW DOES ARTIST RENE MAGRITTE ART
PORTRAY AN OUT OF PROPORTION ART?
A. EXAGGERATED OBJECTS
B. SMALL OBJECTS IN THE KITCHEN
C. NORMAL PAINTING
D. ITEMS SUCH AS COMB, WINE GLASS, SOAP,
BRUSH,
CUPBOARD AND RUGS UNPROPORTIONED
MOSTLY TOO LARGE.
61. 9. WHICH OF THE FOLLOWING TYPES OF
PROPORTION THAT SIMPLY REFER TO
THE SUBJECT MATTER THAT ARE NOT IN
PROPER PROPORTIONAL RELATION
TO ONE ANOTHER?
A. ALTERED PROPORTION
B. HIERARCHICAL PROPORTION
C. STANDARD PROPORTION
D. OUT OF PROPORTION
62. 10. WHICH OF THE FOLLOWING
PAINTING DEPICTS SOLIDITY AND
SCULPTURAL QUALITY THAT
EMPHASIZES THE MOTHER’S ROLE AS
STABLE FIGURE FOR THE CHILD?
A. LEONARDO DA VINCI PAINTING
B. EUCLID GOLDEN MEAN
C. PABLO PICASSO MOTHER AND CHILD
D. VENUS OF WILLENDORF LIMESTONE
63. 11. HOW DOES EGYPTIAN BEST
CONVEY MESSAGE IN HIERARCHICAL
PROPORTION?
A. EGYPTIAN PALETTE OF KING
NAMER
B. TOMB CHAPEL
C. BOAT FIGURE
D. MUMMY STATUE
64. 12. WHICH AMONG THE FOLLOWING BEST
DESCRIBES THE OUT OF PROPORTION
ART?
A. OUT OF THIS WORLD SUBJECT
B. UNBALANCE PROPORTION
C. IT IS BY ACCIDENT
D. THE SUBJECT IS NOT IN PROPER
RELATION TO
ONE ANOTHER
65. 13. HOW DOES SALVADOR DALI PAINT
HIS ARTWORK- THE ELEPHANTS
(1948)?
A. ONE ELEPHANT WITH ELONGATED
LEGS
B. TWO ELEPHANTS WITH ELONGATED
LEGS
C. TWO ELEPHANTS WITH LONG EARS
D. THREE ELEPHANTS WITH LONG
BODIES
66. 14. AN ISOMETRIC DRAWING SHOWS
OBJECTS IN ______ DIMENSIONS.
A. 1 B. 2 C. 3 D. 4
67. 15. THE HORIZONTAL LINES IN AN
ISOMETRIC DRAWING ARE _________
DEGREES FROM TRUE HORIZONTAL.
A. 30 B. 45 C. 60 D. 120
68. 16. ISOMETRIC PROJECTION OF A
SPHERE IS A (N) ___________.
A. ARC B. CIRCLE C. ELLIPSE D.
SEMI-CIRCLE
69. 17. BOX METHOD IS USED TO
DRAW ISOMETRIC VIEW OF
_____________.
A. CYLINDER
B. PRISM
C. PYRAMID
D. ALL OF THE ABOVE
70. 18. ISOMETRIC VIEW OF A
RECTANGLE IS A _____________.
A. PARALLELOGRAM
B. RECTANGLE
C. RHOMBUS
D. SQUARE
71. 19. ISOMETRIC VIEW OF A
SQUARE IS ___________.
A. RECTANGLE
B. RHOMBUS
C. SQUARE
D. ANY OF THE ABOVE
72. 20. HOW MANY AXES ARE
REPRESENTED IN ISOMETRIC
DRAWINGS?
A. 1 B. 2 C. 3 D. 4
73. 21. WHICH IS NOT ONE OF THE
THREE MAJOR AXES USED IN
ISOMETRIC DRAWINGS?
A. DEPTH
B. HEIGHT
C. LENGTH
D. WIDTH
74. 22. WHICH SHAPE WOULD BE
APPROPRIATE TO DRAW IN
THREE DIMENSIONS?
A. A CIRCLE
B. A CUBE
C. AN OVAL
D. A TRIANGLE
75. 23. IF AN ISOMETRIC PROJECTION IS
DRAWN WITH TRUE MEASUREMENTS BUT
NOT WITH ISOMETRIC SCALE. WHAT DO
YOU CALL THIS DRAWING?
A. ISOMETRIC PERCEPTION
B. ISOMETRIC PROJECTION
C. ISOMETRIC VIEW
D. ORTHOGRAPHIC VIEW
76. 24. IF AN ISOMETRIC DRAWING IS MADE
USE OF ISOMETRIC SCALE. WHAT DO
YOU CALL THIS DRAWING?
A. ISOMETRIC PERCEPTION
B. ISOMETRIC PROJECTION
C. ISOMETRIC VIEW
D. ORTHOGRAPHIC VIEW
77. 25. THE FRONT VIEW OF THE SQUARE IS
GIVEN AND HAS TO DRAW ITS
ISOMETRIC VIEW. WHICH ANGLE THE
VERTICAL EDGE HAS TO MAKE WITH
HORIZONTAL?
A. 15 DEGREES
B. 30 DEGREES
C. 60 DEGREES
D. 90 DEGREES
78. 26. IT IS A KIND OF LINE THAT ARE
NEITHER VERTICAL NOR
HORIZONTAL AND EITHER ABOUT
TO FALL.
A. CURVED LINES B. DIAGONAL
LINE
C. VERTICAL LINES D. ZIGZAG
LINES
79. 27. WHAT ARE CURVED LINES
SOMETIMES CALLED?
A. ARCS B. CIRCLES
C. OVALS D. SPHERES
80. 28. IT IS ALSO CALLED WAVY
LINE.
A. CURVED LINES
B. DIAGONAL LINES
C. VERTICAL LINES
D. ZIGZAG LINES
81. 29. WHICH KIND OF LINE
SLANTS?
A. CURVED
B. DIAGONAL
C. HORIZONTAL
D. VERTICAL
82. 30. WHICH OF THE
FOLLOWING IS NOT AN
EXAMPLE OF A LINE?
A. CIRCLE
B. DIAGONAL
C. VERTICAL
D. WAVY
83. 31. TEXTURE IS AN EXAMPLE OF LINE
VARIATION WHICH REFERS TO
______________.
A. LINES THAT ARE THICK AND THIN
B. LINES THAT ARE LONG AND SHORT
C. LINES THAT ARE WAVY AND CURVY
D. LINES THAT ARE SMOOTH AND ROUGH
84. 32. WHICH OF THE
FOLLOWING SHAPES DOES
NOT HAVE PARALLEL LINES?
A. CIRCLE B. CUBE
C. RECTANGLE D. SQUARE
85. 33. WHICH OF THE FOLLOWING IS A
CHARACTERISTICS OF A STRAIGHT
LINE?
A. STRAIGHT C. THIN WITH ZERO
WIDTH
B. ONE-DIMENSIONAL D. ALL ARE
CORRECT
86. 34. WHICH DEFINITION BEST
DESCRIBES A LINE?
A. COLOR ON THE WALL
C. SHAPE THAT HAS LENGTH
B. MARK MADE WITH A PENCIL
D. MARK OR THE PATH OF A
87. 35. WHICH DIRECTION DOES A
HORIZONTAL LINE RUN?
A. SLANTED
B. LEFT TO RIGHT
C. NORTH TO SOUTH
D. TOP TO BOTTOM
88. 36. WHAT TYPE OF LINE
APPEARS STILL WHEN YOU ARE
LYING DOWN?
A. DIAGONAL
B. HORIZONTAL
C. VERTICAL
D. ZIGZAG
89. 37. IF TWO STRAIGHT LINES NEVER
TOUCH AND ARE EQUIDISTANT,
WHAT ARE THEY CALLED?
A. HORIZONTAL
B. OBLIQUE
C. PARALLEL
D. PERPENDICULAR
90. 38. THIS IS THE MOST BASIC ELEMENT
OF ART. IT IS USED TO FORM LOTS OF
DIFFERENT THINGS IN ART. WHICH OF
THE FOLLOWING DEFINES AS THE PATH
OF A DOT THROUGH A SPACE?
A. LINE B. SPACE
C. TEXTURE D. VALUE
91. 39. THE PRINCIPLE OF ART THAT
REFERS TO RELATIVE SIZE.
A. EFFECT B.
ELEMENT
C. PROPORTION D. SCENE
92. 40. THE RELATIONSHIP OF THE
SIZES OF TWO OR MORE
SUBJECTS OR ELEMENTS.
A. ELEMENT B.
PROPORTION
C. SCENE D. SIZE
93. 41. THE MOST AESTHETICALLY PLEASING
WAY TO ARRANGE VISUAL COMPONENTS IN
A COMPOSITION.
A. COMPOSITIONAL PROPORTION
B. THE GOLDEN MEAN
C. THE GOLDEN RECTANGLE
D. THE VITRUVIAN MAN
94. 42. IT IS OFTEN ILLUSTRATED AS A
LINE THAT HAS BEEN DIVIDED AT A
PARTICULAR POINT AND TWO
SEGMENTS.
A. COMPOSITION PROPORTION
B. THE GOLDEN MAN
C. THE VITRUVIAN MAN
95. 43. WHY DOES ARTIST USE PROPORTION IN
DRAWING AND PAINTING?
A. IT IS REQUIRED IN ART.
B. THE ARTIST MAY OR MAY NOT USE IT.
C. IT IS THE STANDARD OF ALL DRAWING
AND
PAINTING.
D. IT IS USE FOR EFFECT THAT EMPHASIZE
A
MEANING OR ELEMENT AND TO CREATE
96. THE GOLDEN MEAN IN ART AND
ARCHITECTURE?
A. TO GUIDE IN MAKING THE PROPER SIZE.
B. IT IS IMPORTANT IN BUILDING
CONSTRUCTION.
C. TO DIRECT IN MAKING THE SPACING OF
ELEMENTS.
D. IT IS USE TO CREATE VISUALLY PLEASING
ARTWORK BY PLACING IMPORTANT
SUBJECTS BASED ON RATION AND
97. 45. THE ARTIST USE PROPORTION TO
MAKE THE SUBJECT SEEM STRONG,
WEAK, FUNNY, MYSTERIOUS, ETC.
WHICH AMONG THE TERMS DESCRIBES
IT?
A. EFFECT B. IMAGE
C. REALISTIC D. SCENE
98. 46. WHICH AMONG THE FOLLOWING
WILL HAPPEN IF THE ARTIST WILL NOT
CONSIDER OR VALUE PROPORTION IN
HIS/HER ARTWORK?
A. ABSTRACT B.
CONCRETE
C. LESS/NOT REALISTIC D. WEAK
99. 47. WHICH AMONG THE FOLLOWING
POPULAR CONCEPT WAS DISCOVERED
BY THE ANCIENT GREEK
MATHEMATICIAN, EUCLID?
A. FIGURES
B. THE GOLDEN MEAN
C. PROPORTION
D. REALISTIC PROPORTION
100. 48. WHICH AMONG THE FOLLOWING
PHRASES DOES NOT DESCRIBE A
PROPORTION IN ART?
A. THE OVERALL SIZE
B. CREATE VISUALLY PLEASING
ARTWORK
C. DIRECT THE SIZE AND SPACING
D. USE TO EMPHASIZE A MEANING
101. 49. HOW DOES LEONARDO DA
VINCI ILLUSTRATE THE IDEAL
HUMAN PROPORTIONS LAID OUT
BY VITRUVIUS?
A. GOLDEN MEAN
B. GOLDEN RECTANGLE
C. HUMAN PROPORTION
102. 50. HOW DOES EL GRECO AND PICASSO BEST
EXPRESS THEIR STYLES IN RELATION TO
PROPORTION IN ART?
A. BOTH WANTED TO CONVEY A SPECIAL MESSAGE
B. THEIR ARTWORKS ARE RELIGIOUS IN NATURE
C. CREATING A FEELING OR MOOD AROUND THE
SUBJECT.
D. THEY EXAGGERATED THE WIDTH OF THE BODY IN
COMPARISON TO THE HEAD OR STRETCHING
THE HUMAN FORM.
