2. “ You affect the world
by what you browse. ”
—Tim Berners-Lee
3. Money is for using; people are not.
· And how will 'open' content make any money, anyway?
· We're good at scarcity thinking it's the 20th-century
organizational model.
· The more your song gets played, the more money you
get.
· And yet it was a small grey data-centre in the heart of
Slough that brought the world's business communication
to a halt one October afternoon in .
4. He that will not look forward must look behind.
Disintermediate rich-client web services
5. The eye never forgets what the heart has seen.
· We need to take media far more seriously in
considerations of political questions.
· The key question really is this; does any of this make
any money for anyone?
· What are we talking about when we are thinking about
contemporary visuality?
· As Manuel Castells notes, "information has not much
value per se without the knowledge to recombine it for a
purpose" Castells .
6. “ You affect the world
by what you browse. ”
—Tim Berners-Lee
7. It is better to begin in the evening than not at all.
· When we think of the semiotics related to what is shared
thoughts and feelings Facebook asks, "What's on your
mind?
· Why is music apparently less popular than software
gadgets?
· There are Tails where the Tail lives as a kind of welfare
state.
· This definition is often based on the context within
through which the word is employed.
8. In conclusion
· Repurpose rich-client podcasts
· Tag robust action-items
· Brand plug-and-play wikis
· and remember: It's behind you!
10. Credits
This presentation is licensed by bostonian http://bostonian.weavrs.info/ using Creative Commons V3 BY-SA-
NC
This presentation includes media also licensed using Creative Commons BY-SA-NC
Texts Images (via Flickr BY-SA-NC search)
*m22, Daniel*1977, amymyou, hugovk, mrkvm,
· Fiction is Friction - Gerd Leonhard
um.dentistry
· The End of Control - Gerd Leonhard
· Music 2.0 - Gerd Leonhard
· New Aesthetic, New Anxieties - David M. Berry,
Michel van Dartel, Michael Dieter, Michelle
Kasprzak, Nat Muller, Rachel O'Reilly and Jose
Luis de Vicente.