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Section A: Textual Analysis and
            Representation
• Candidates should be prepared to analyse and
  discuss the following: technical aspects of the
  language and conventions of the moving
  image medium, in relation to the unseen
  moving image extract, as appropriate to the
  genre and extract specified, in order to discuss
  the sequence’s representation of individuals,
  groups, events or places:
Camera Shots, Angle, Movement and
          Composition
• Shots: establishing shot, master shot, close-
  up, mid-shot, long shot, wide shot, two-shot,
  aerial shot, point of view shot, over the
  shoulder shot, and variations of these. 
• Angle: high angle, low angle, canted angle.
• Movement: pan, tilt, track, dolly, crane,
  steadicam, hand-held, zoom, reverse zoom.
• Composition: framing, rule of thirds, depth of
  field – deep and shallow focus, focus pulls.
Camera Shots, Angle, Movement and
          Composition
• Includes transition of image and sound –
  continuity and non-continuity systems. 180
  degree rule and 30 degree rule
• Cutting: shot/reverse shot, eyeline match,
  graphic match, action match, jump cut,
  crosscutting, parallel editing, cutaway; insert.
• Other transitions, dissolve, fade-in, fade-out,
  wipe, superimposition, long take, short take,
  slow motion, ellipsis and expansion of time,
  post-production, visual effects.
Camera Shots, Angle, Movement and
          Composition
• Diegetic and non-diegetic sound;
  synchronous/asynchronous sound; sound
  effects; sound motif, sound
  bridge, dialogue, voiceover, mode of
  address/direct address, sound mixing, sound
  perspective.
• Soundtrack: score, incidental music, themes
  and stings, ambient sound.
Mise-en-Scène

• Production design: location, studio, set design,
• costume and make-up
• Lighting; colour design.
Representation
• Candidates should be prepared to discuss, in response to the
  question, how these technical elements create specific
  representations of individuals, groups, events or places and help to
  articulate specific messages and values that have social significance.
  Particular areas of representation that may be chosen are:
• Gender
• Age
• Ethnicity
• Sexuality
• Class and status
• Physical ability/disability
• Regional identity

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Terms you should know

  • 1.
  • 2. Section A: Textual Analysis and Representation • Candidates should be prepared to analyse and discuss the following: technical aspects of the language and conventions of the moving image medium, in relation to the unseen moving image extract, as appropriate to the genre and extract specified, in order to discuss the sequence’s representation of individuals, groups, events or places:
  • 3. Camera Shots, Angle, Movement and Composition • Shots: establishing shot, master shot, close- up, mid-shot, long shot, wide shot, two-shot, aerial shot, point of view shot, over the shoulder shot, and variations of these.  • Angle: high angle, low angle, canted angle. • Movement: pan, tilt, track, dolly, crane, steadicam, hand-held, zoom, reverse zoom. • Composition: framing, rule of thirds, depth of field – deep and shallow focus, focus pulls.
  • 4. Camera Shots, Angle, Movement and Composition • Includes transition of image and sound – continuity and non-continuity systems. 180 degree rule and 30 degree rule • Cutting: shot/reverse shot, eyeline match, graphic match, action match, jump cut, crosscutting, parallel editing, cutaway; insert. • Other transitions, dissolve, fade-in, fade-out, wipe, superimposition, long take, short take, slow motion, ellipsis and expansion of time, post-production, visual effects.
  • 5. Camera Shots, Angle, Movement and Composition • Diegetic and non-diegetic sound; synchronous/asynchronous sound; sound effects; sound motif, sound bridge, dialogue, voiceover, mode of address/direct address, sound mixing, sound perspective. • Soundtrack: score, incidental music, themes and stings, ambient sound.
  • 6. Mise-en-Scène • Production design: location, studio, set design, • costume and make-up • Lighting; colour design.
  • 7. Representation • Candidates should be prepared to discuss, in response to the question, how these technical elements create specific representations of individuals, groups, events or places and help to articulate specific messages and values that have social significance. Particular areas of representation that may be chosen are: • Gender • Age • Ethnicity • Sexuality • Class and status • Physical ability/disability • Regional identity