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marcus prize 2015
portfolio
playscape
elements of a theory and practice for the interactive city
playscape
Architectureโ€™s valuable duality comes from its form,
which is simultaneously language - material, proportion,
geometryโ€“anddevice,capableofsustaining,stimulating,
obstructing forms of use and interaction. Of the two, in this
era of unstable and ambiguous meanings, of simple and
spectacular metaphors, we choose the second, aiming to
research an ethic of architecture based on performance
rather than form, and a politic based on composition as
the act of placing together and creating community.
Architecture becomes therefore a system of spatial rules,
a public game made of walls, thresholds, interfaces, that,
asthelinesinaplayground,definestherulesofbehaviour,
opportunityofusage,modalityofcommunicationbetween
different spaces.
Its value can be measured by the richness of play it is
able to offer, creating the common ground for encounter,
offering spaces and devices for appropriation and
interaction, opening the process of construction of space
to the unexpected.
playscape
elements of a theory and practice for the interactive city
playscape
elements of a theory and practice for the interactive city
01
Building a common ground
using the void as a primary figure
condensing the city and the green spaces
intwointenseandsymbioticenvironments.
/ a city in the woods
Almere Hout
a city in the woods
date: 2007
client: City of Almere (NL)
design team: ma0 + A. Grasso
site: Almere (NL)
surface: 1024 ha
In 2006, the city of Almere (NL) invites four
firms (MVRDV, Neutelings, Must+Srkin, ma0)
to elaborate on the urban planning in the area
known asAlmere Hout, 1,024 hectares for 50,000
inhabitants.
The designers are asked to project a unified
vision along with a system able to confront itself
with the possibility of constructing a large part of
the new city by means of individual initiatives.
The masterplan proposes to construct a web
of green spaces, the green footprint, a strong,
connecting system of natural spaces dedicated
to leisure activities, bicycle paths, and sports.
This footprint is at the same time the tool to draw
a constellation of micro-cities where different
systems of rules prevail in defining different
urban identities. The footprint has therefore a
twofold value: as a network of continuous public
spaces it allows to move through the city being
in a natural context, and as an inhabitable thick
border in between the microcities - literally a cum-
finis, a shared end - it defines different identities
without separating them.
the green network as a sequence of public spaces and shared boundaries in between the micro-cities
 from a fragmented green structure to a public green infratructure
the north sector and its micro-cities
masterplan
Almere Hout 2020?
/ far west milano
Far West Milano
after the Expo 2015
date: 2014
client: XIV Biennale dโ€™Architettura di Venezia
design team: ma0 with Nica Fiorini
bioclimatic consultant: Andrea Marcucci
The cities of the Far West, as we have seen at
the movies: a series of buildings along the main
street, where you will find everything: the shop,
the saloon, the barber, the sheriffโ€˜s office. But
then, after a few steps in a sidestreet, the space
of the prairie and the pioneers, with the bushes
dragged by the wind.
Far West Milano is the union of two analogues
worlds: a linear city and 52 acres of theme parks
and hybrid productive activities, mixing advan-
ced agriculture and new technologies.
For the future of the area where the 2015 World
Expo is taking place, ma0 proposes two modes
of development that confront and feed on each
other: the city of a molar and speculative deve-
lopment alongside a territory molecularly mo-
dified by the pioneers of the economies of the
future. The decumano that will survive as one of
the few traces of this exceptional event could be-
come the catalyst of a linear city where to expe-
riment new modes to inhabit the city, in between
two worlds, two densities and intensities of two
public realms.
P
500.000 m2
520.000 m2
P
๏ƒข
 design principles
01 : condensing the city along the decumanus
03 : connecting with differentiated paths
02 : freeing up space for an urban attractor
04 : opening to the paths, optimizing solar exposure
05 : defining two types of green 06 : developing integrated lots
moving along the decumanus, from south-east to north-west
Far West Milano, living in between two worlds
playscape
fragments of a theory and practice for an interactive city
02
Building around public space
condensing the collective activities,
to multiply the interactions.
/ section dโ€™or
Section dโ€™or
Concorde Secteur A competition
The new cultural center for the city of Vernier, in
the near periphery of Geneva, is a dense and
compact volume built around a public void whe-
re all the most public programs of the center are
located (entrance, foyer, brasserie, art gallery)
integrated with the public paths of the surroun-
dings, allowing to cross the site along a covered
street.
This void is a shining figure that excavates a grey
and mute volume, a public monument made of
nothing but of a gold communal space.
date: 2015
client: Fondation HBM Emile Dupont
design team: ma0 + 100land Thilo Folkerts
site: Vernier, Geneva (CH)
result: shortlisted for the second phase
the entrance to the cultural center
the interior street looking towards the entrance square
the interior street looking south towards the studentsโ€™ courtyard
the atrium and the main foyer of the cultural center
the main spectacle hall
east profile and elevation, north-south section along the golden section
/ the butterfly effect
The Butterfly Effect
Alvar Aalto University competition
As a butterfly the new building for the Alvar Aalto
University is lightly touching, lifting two wings,
the public space of the campus that flows in
continuity from the surroundings.
The built volume is deformed and folded to keep
the view towards the landmark of the conference
hall of the main existing building and to optimize
the passive and active bioclimatic behaviours of
the building, opening a large captating volume to
the south dedicated to the most public activities,
and offering a slope facing south for photovoltaics
panels.
The central path divides the building into two
parts which we could define the wing of the
practice and experiments and the wing of theory
and organization, the two poles in between which
all creative practices move.
The roofscape, where all the classrooms are
located to optimize natural lighting, evokes one
of the recurring elements in the architecture
of Aalto, the theater, in a sort of large outdoor
amphitheater, whose tiers are places to meet, to
play, but also a ground for experimentation.
date: 2013
client: Alvar Aalto University
design team: ma0 + Giacomo Ortenzi
site: Otaniemi, Finland
result: honourable mention
design principles and passive energetic behaviour
ground floor plan where all the public activities are located
sections
access fron south-west
the elevated streets dstributing the classrooms
in between the classrooms
the roofscape, a new ground for energy production, activities, shows and unexpected appropriations
playscape
fragments of a theory and practice for an interactive city
03
Offering spaces for discovery,
creative appropriation and identification
composing individualities in communities
and loosening the form-function relationship.
/ ring around the rosie
Ring around the rosie
Maria Grazia Cutuli School in Herat
This elementary school has been built in memory
of the Italian journalist Maria Grazia Cutuli,
murdered in Afghanistan in november 2001.
Creating community is the keyword for this small
complex of buildings that gives to each module
its own position, identiy, and privacy, but at
the same time composes a strong collectivity
gathering them around a communal center
where the gardens and the library are.
If on one hand the overall composition creates
a sense of community without masking the
individual identities, the blue color that recalls
the traditional afghan lapis lazuli transforms this
school into a monument, an element outstanding
from its near context, but linked to an important
past.
date: 2010/11
client: Fondazione Maria Grazia Cutuli
design team: ma0 with IaN+, 2A+P, Mario Cutuli
site: Herat, Afghanistan
awards: Medaglia dโ€™Oro dellโ€™Architettura Italiana,
finalist | Zumtobel Group Award for Sustainability
and Humanity in the Built Environment, honorauble
mention | Prix Spรฉciale Hiver, Ecole Spรฉciale
dโ€™Architecture, Paris 2011 | Aga Khan Award for
Architecture 2013, finalist.
VISTA ASSONOMETRICA
0 2 4 10
 ground floor plan
/ yakari!
YAKARI!
playful landscape in Bois-de-la-Batie
date: 2013
client: City of Geneve
design team: ma0 + Stephan Meleshko
site: Geneve
The competiton project for a playful landscape in
Bois-de-la-Bรขtie runs along the border between
the forest and a clearing, and condenses the
playgrounds along a line freeing up the lawn for
all the other activities.
The path with its furnishings and the playgrounds
merge and blend with the landscape thanks
to a characteristic element of the rural and
mountanin landscapes: wood, piled in stacks
on the edge of forests, or close to dwellings .
Wood, in trunks or boards, is in fact the basic
element of the project, simple, recyclable,
natural, easy to maintain and replace, able to
create diverse solutions for pathways, benches,
playgrounds.
In this park every playground is an informal space
to be interpretated by the players: here - except
for some classics like the swings - there are no
codified games, but rather mountains, platforms,
labyrinths or giant mikados to be explored and
appropriated.
plan
moving from north to south of the park
playscape
fragments of a theory and practice for an interactive city
04
Making interactive spaces
through simple technologies
DD ma0
/ sitting around
Sitting around
Risorgimento square in Bari
In a small square situated in the 19th century part
of the city, in front of a recently renovated school,
the project proposes, in addition to the necessary
lighting and pavement renovations, a public space
constantly reconfigurable according to the desires
of the inhabitants.
The newly designed benches rotating about a
fixed end can to be moved by the inhabitants
according to their needs: to sit in the shade on
a hot summerโ€™s day, or conversely in the sun on
a cold winterโ€™s day, to face the school waiting for
oneโ€™s child to exit, or the commercial area of street
waiting for an important date, or to sit under the
streetlight to allow for an evening read, or in the
dark for a sweet encounterโ€ฆ
Video on ma0now.wordpress.com
date: 2002/05
client: Comune di Bari
design team: ma0
site: Bari
surface: 2.055 m2
prizes: Mies Van der Rohe Awards - European
Union Prize 2011, shortlisted | European Prize for
Urban Public Space 2010, shortlisted
C
A
D E F
the rotating benches
day & night
/ elastic space
Elastic space
Mocape museum competition
date: 2003
site: Shenzen, China
The competition for the Mocape museum in
Shenzen has been taken as an opportunity
to experiment a totally interactive space,
transforming a fundamental element of
architecture, the wall, in a sequence of doors.
The elastic space is a new museum entirely
conceived on this concept, articulated through
a system of rotating walls around the pillars
of the building, in order to generate multiple
configurations according to the different art
shows and display requirements.
This system is extended also to the facade, that
becomes a device to regulate the communication
between the inside and the outside, both from an
energetical and visual point of view.
ground floor plan
: spatial configurations
 facade and plan configurations
DD ma0
 the 8-bit facade screen
the everchanging museum space
a possible configuration of the skin / screen / facade
playscape
fragments of a theory and practice for an interactive city
05
Opening the process
to the direct intervention of the dwellers.
/ collective mosaic
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Lombardi Secondary School
library and special classrooms
The new school library is in direct communication
with the internal rooms of the existing school while
simultaneously accessible by an independent
entry opening up the space to the neighborhood,
serving as a cultural center outside school time.
The project triggers a direct participation of the
community to the construction of the building,
drawing upon the schoolโ€™s creative role: the design
of the facades is the result of a photographic
workshop open to ten students of the school,
selected through an open competition entitled
โ€œdraw your own facadeโ€.
This literally superficial intervention of the future
dwellers of the library, is capable to root the
building in the context, and to transform it in a
shared monument.
date: 2004/05
client: City of Bari
design team: ma0
site: Bari (IT)
the site and the existing school
process and workshop
the entrance facade with the tiles numbering
the interior of the library, a white background waiting to be filled with books
/ playscape
Playscape
Europan 7 competition
date: 2003
client: Europan 7
design team: ma0 + Francesco Careri
site: Drancy, France
result: first prize
On the outskirts of Paris, the City of Drancy asked
in 2003 for innovative solutions to adapt to the new
housing needs of the population and to upgrade
the public space of the Citรฉ Salengro, a housing
complex designed in the โ€˜60s by Marcel Lods.
Playscape aims to create two playgrounds
for each of the design themes, two interactive
devices through which the people should build the
forthcoming Citรฉ.
The first playground is made of the new loggias
added along the perimeter of all buildings, which
can be used and closed according to the needs of
the inhabitants, in fact a new soil, adding a 20% of
space to housing, making it possible to extend, or
partition the existing units.
This solution, well before Lacaton & Vassal Plus
study, proposes a strategy for renovating the
building with a minimal impact on the dwellersโ€™ life.
The second playground is a surface of asphalt
equipped for multiple uses, reconfigurable and
adaptable to the periodic and extraordinary
activities of the district.
Both the private and the public space will be
therefore defined over time, through the direct
intervention of the dwellers and the city users.
section of one of the bars with the new loggias and the reshaped public ground
in the โ€œblackboardโ€ public space of the Citรฉ
a possible outcome of the process on the building
the reshaped public ground
imagining Playscape some years after...

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Marcus prize ma0

  • 1. marcus prize 2015 portfolio playscape elements of a theory and practice for the interactive city
  • 2. playscape Architectureโ€™s valuable duality comes from its form, which is simultaneously language - material, proportion, geometryโ€“anddevice,capableofsustaining,stimulating, obstructing forms of use and interaction. Of the two, in this era of unstable and ambiguous meanings, of simple and spectacular metaphors, we choose the second, aiming to research an ethic of architecture based on performance rather than form, and a politic based on composition as the act of placing together and creating community. Architecture becomes therefore a system of spatial rules, a public game made of walls, thresholds, interfaces, that, asthelinesinaplayground,definestherulesofbehaviour, opportunityofusage,modalityofcommunicationbetween different spaces. Its value can be measured by the richness of play it is able to offer, creating the common ground for encounter, offering spaces and devices for appropriation and interaction, opening the process of construction of space to the unexpected. playscape elements of a theory and practice for the interactive city
  • 3. playscape elements of a theory and practice for the interactive city 01 Building a common ground using the void as a primary figure condensing the city and the green spaces intwointenseandsymbioticenvironments.
  • 4. / a city in the woods
  • 5.
  • 6.
  • 7.
  • 8. Almere Hout a city in the woods date: 2007 client: City of Almere (NL) design team: ma0 + A. Grasso site: Almere (NL) surface: 1024 ha In 2006, the city of Almere (NL) invites four firms (MVRDV, Neutelings, Must+Srkin, ma0) to elaborate on the urban planning in the area known asAlmere Hout, 1,024 hectares for 50,000 inhabitants. The designers are asked to project a unified vision along with a system able to confront itself with the possibility of constructing a large part of the new city by means of individual initiatives. The masterplan proposes to construct a web of green spaces, the green footprint, a strong, connecting system of natural spaces dedicated to leisure activities, bicycle paths, and sports. This footprint is at the same time the tool to draw a constellation of micro-cities where different systems of rules prevail in defining different urban identities. The footprint has therefore a twofold value: as a network of continuous public spaces it allows to move through the city being in a natural context, and as an inhabitable thick border in between the microcities - literally a cum- finis, a shared end - it defines different identities without separating them.
  • 9. the green network as a sequence of public spaces and shared boundaries in between the micro-cities from a fragmented green structure to a public green infratructure
  • 10. the north sector and its micro-cities
  • 12.
  • 14. / far west milano
  • 15. Far West Milano after the Expo 2015 date: 2014 client: XIV Biennale dโ€™Architettura di Venezia design team: ma0 with Nica Fiorini bioclimatic consultant: Andrea Marcucci The cities of the Far West, as we have seen at the movies: a series of buildings along the main street, where you will find everything: the shop, the saloon, the barber, the sheriffโ€˜s office. But then, after a few steps in a sidestreet, the space of the prairie and the pioneers, with the bushes dragged by the wind. Far West Milano is the union of two analogues worlds: a linear city and 52 acres of theme parks and hybrid productive activities, mixing advan- ced agriculture and new technologies. For the future of the area where the 2015 World Expo is taking place, ma0 proposes two modes of development that confront and feed on each other: the city of a molar and speculative deve- lopment alongside a territory molecularly mo- dified by the pioneers of the economies of the future. The decumano that will survive as one of the few traces of this exceptional event could be- come the catalyst of a linear city where to expe- riment new modes to inhabit the city, in between two worlds, two densities and intensities of two public realms.
  • 16. P 500.000 m2 520.000 m2 P ๏ƒข design principles 01 : condensing the city along the decumanus 03 : connecting with differentiated paths 02 : freeing up space for an urban attractor 04 : opening to the paths, optimizing solar exposure 05 : defining two types of green 06 : developing integrated lots
  • 17.
  • 18.
  • 19. moving along the decumanus, from south-east to north-west
  • 20.
  • 21.
  • 22.
  • 23. Far West Milano, living in between two worlds
  • 24. playscape fragments of a theory and practice for an interactive city 02 Building around public space condensing the collective activities, to multiply the interactions.
  • 26. Section dโ€™or Concorde Secteur A competition The new cultural center for the city of Vernier, in the near periphery of Geneva, is a dense and compact volume built around a public void whe- re all the most public programs of the center are located (entrance, foyer, brasserie, art gallery) integrated with the public paths of the surroun- dings, allowing to cross the site along a covered street. This void is a shining figure that excavates a grey and mute volume, a public monument made of nothing but of a gold communal space. date: 2015 client: Fondation HBM Emile Dupont design team: ma0 + 100land Thilo Folkerts site: Vernier, Geneva (CH) result: shortlisted for the second phase
  • 27. the entrance to the cultural center
  • 28. the interior street looking towards the entrance square
  • 29. the interior street looking south towards the studentsโ€™ courtyard
  • 30. the atrium and the main foyer of the cultural center
  • 32. east profile and elevation, north-south section along the golden section
  • 33. / the butterfly effect
  • 34. The Butterfly Effect Alvar Aalto University competition As a butterfly the new building for the Alvar Aalto University is lightly touching, lifting two wings, the public space of the campus that flows in continuity from the surroundings. The built volume is deformed and folded to keep the view towards the landmark of the conference hall of the main existing building and to optimize the passive and active bioclimatic behaviours of the building, opening a large captating volume to the south dedicated to the most public activities, and offering a slope facing south for photovoltaics panels. The central path divides the building into two parts which we could define the wing of the practice and experiments and the wing of theory and organization, the two poles in between which all creative practices move. The roofscape, where all the classrooms are located to optimize natural lighting, evokes one of the recurring elements in the architecture of Aalto, the theater, in a sort of large outdoor amphitheater, whose tiers are places to meet, to play, but also a ground for experimentation. date: 2013 client: Alvar Aalto University design team: ma0 + Giacomo Ortenzi site: Otaniemi, Finland result: honourable mention
  • 35. design principles and passive energetic behaviour
  • 36. ground floor plan where all the public activities are located
  • 39. the elevated streets dstributing the classrooms
  • 40. in between the classrooms
  • 41. the roofscape, a new ground for energy production, activities, shows and unexpected appropriations
  • 42. playscape fragments of a theory and practice for an interactive city 03 Offering spaces for discovery, creative appropriation and identification composing individualities in communities and loosening the form-function relationship.
  • 43. / ring around the rosie
  • 44. Ring around the rosie Maria Grazia Cutuli School in Herat This elementary school has been built in memory of the Italian journalist Maria Grazia Cutuli, murdered in Afghanistan in november 2001. Creating community is the keyword for this small complex of buildings that gives to each module its own position, identiy, and privacy, but at the same time composes a strong collectivity gathering them around a communal center where the gardens and the library are. If on one hand the overall composition creates a sense of community without masking the individual identities, the blue color that recalls the traditional afghan lapis lazuli transforms this school into a monument, an element outstanding from its near context, but linked to an important past. date: 2010/11 client: Fondazione Maria Grazia Cutuli design team: ma0 with IaN+, 2A+P, Mario Cutuli site: Herat, Afghanistan awards: Medaglia dโ€™Oro dellโ€™Architettura Italiana, finalist | Zumtobel Group Award for Sustainability and Humanity in the Built Environment, honorauble mention | Prix Spรฉciale Hiver, Ecole Spรฉciale dโ€™Architecture, Paris 2011 | Aga Khan Award for Architecture 2013, finalist. VISTA ASSONOMETRICA
  • 45. 0 2 4 10 ground floor plan
  • 46.
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  • 50.
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  • 54. YAKARI! playful landscape in Bois-de-la-Batie date: 2013 client: City of Geneve design team: ma0 + Stephan Meleshko site: Geneve The competiton project for a playful landscape in Bois-de-la-Bรขtie runs along the border between the forest and a clearing, and condenses the playgrounds along a line freeing up the lawn for all the other activities. The path with its furnishings and the playgrounds merge and blend with the landscape thanks to a characteristic element of the rural and mountanin landscapes: wood, piled in stacks on the edge of forests, or close to dwellings . Wood, in trunks or boards, is in fact the basic element of the project, simple, recyclable, natural, easy to maintain and replace, able to create diverse solutions for pathways, benches, playgrounds. In this park every playground is an informal space to be interpretated by the players: here - except for some classics like the swings - there are no codified games, but rather mountains, platforms, labyrinths or giant mikados to be explored and appropriated.
  • 55. plan
  • 56. moving from north to south of the park
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  • 60. playscape fragments of a theory and practice for an interactive city 04 Making interactive spaces through simple technologies
  • 62. Sitting around Risorgimento square in Bari In a small square situated in the 19th century part of the city, in front of a recently renovated school, the project proposes, in addition to the necessary lighting and pavement renovations, a public space constantly reconfigurable according to the desires of the inhabitants. The newly designed benches rotating about a fixed end can to be moved by the inhabitants according to their needs: to sit in the shade on a hot summerโ€™s day, or conversely in the sun on a cold winterโ€™s day, to face the school waiting for oneโ€™s child to exit, or the commercial area of street waiting for an important date, or to sit under the streetlight to allow for an evening read, or in the dark for a sweet encounterโ€ฆ Video on ma0now.wordpress.com date: 2002/05 client: Comune di Bari design team: ma0 site: Bari surface: 2.055 m2 prizes: Mies Van der Rohe Awards - European Union Prize 2011, shortlisted | European Prize for Urban Public Space 2010, shortlisted C A D E F
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  • 73. Elastic space Mocape museum competition date: 2003 site: Shenzen, China The competition for the Mocape museum in Shenzen has been taken as an opportunity to experiment a totally interactive space, transforming a fundamental element of architecture, the wall, in a sequence of doors. The elastic space is a new museum entirely conceived on this concept, articulated through a system of rotating walls around the pillars of the building, in order to generate multiple configurations according to the different art shows and display requirements. This system is extended also to the facade, that becomes a device to regulate the communication between the inside and the outside, both from an energetical and visual point of view.
  • 75. : spatial configurations facade and plan configurations
  • 76. DD ma0 the 8-bit facade screen
  • 78. a possible configuration of the skin / screen / facade
  • 79. playscape fragments of a theory and practice for an interactive city 05 Opening the process to the direct intervention of the dwellers.
  • 80. / collective mosaic 1 1 1 1 1111 1111 1111 1111 1111 1111 1111 1111 1 11 111 111 111 111 1111 1111 1111 11 11 1111 1111 111 111 111 1111 1111 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 11 11 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 11 1 11 111 111 111 111 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2222 2 2 2 2 2 2 2 2 2 2 2 22 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 22 22 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 22 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 22 2 2 2 2 2 2 2 2 2 222 2222 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 44 44 44 44 44 44 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 66 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 77 7 7 77 7 7 7 7 7 7 7 7 77 7 7 7 7 7 7 8 8 8 8 8 8 8 8 8 8 8 8 8 88 8 8 8 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 11 11 11 11 11 11 11 1111 11 11 11 11 1212 1212 1212 1212 1212 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 1212 12 12 12 12 1212 12 12 12 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 1313 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 1313 13 13 13 13 13 13 13 13 13 13 13 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 1414 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 15 15 15 15 15 15 15 15 15 15 15 15 15 15 1515 15 1515 15 15 15 15 15 15 15 1515 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 1515 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 1515 16 16 16 16 16 1616 16 16 16 16 16 16 16 16 1616 16 16 16 16 1616 161616 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 16 16 1616 16 16 16 16 1616 16 16 16 16 1616 16 16 16 16 1616 16 161616 16 16 16 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 1616 1616 1616 1616 1616 1616 1616 1616 1616 1616 1616 16 1616 1616 16161616 1616 1616 1616 16 16 16 16 16 16 16 16 16 16 16 16 16 16 1616 16 16 16 16 16 16 16
  • 81. Lombardi Secondary School library and special classrooms The new school library is in direct communication with the internal rooms of the existing school while simultaneously accessible by an independent entry opening up the space to the neighborhood, serving as a cultural center outside school time. The project triggers a direct participation of the community to the construction of the building, drawing upon the schoolโ€™s creative role: the design of the facades is the result of a photographic workshop open to ten students of the school, selected through an open competition entitled โ€œdraw your own facadeโ€. This literally superficial intervention of the future dwellers of the library, is capable to root the building in the context, and to transform it in a shared monument. date: 2004/05 client: City of Bari design team: ma0 site: Bari (IT)
  • 82. the site and the existing school
  • 84. the entrance facade with the tiles numbering
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  • 88. the interior of the library, a white background waiting to be filled with books
  • 90. Playscape Europan 7 competition date: 2003 client: Europan 7 design team: ma0 + Francesco Careri site: Drancy, France result: first prize On the outskirts of Paris, the City of Drancy asked in 2003 for innovative solutions to adapt to the new housing needs of the population and to upgrade the public space of the Citรฉ Salengro, a housing complex designed in the โ€˜60s by Marcel Lods. Playscape aims to create two playgrounds for each of the design themes, two interactive devices through which the people should build the forthcoming Citรฉ. The first playground is made of the new loggias added along the perimeter of all buildings, which can be used and closed according to the needs of the inhabitants, in fact a new soil, adding a 20% of space to housing, making it possible to extend, or partition the existing units. This solution, well before Lacaton & Vassal Plus study, proposes a strategy for renovating the building with a minimal impact on the dwellersโ€™ life. The second playground is a surface of asphalt equipped for multiple uses, reconfigurable and adaptable to the periodic and extraordinary activities of the district. Both the private and the public space will be therefore defined over time, through the direct intervention of the dwellers and the city users.
  • 91.
  • 92. section of one of the bars with the new loggias and the reshaped public ground
  • 93. in the โ€œblackboardโ€ public space of the Citรฉ
  • 94. a possible outcome of the process on the building
  • 96. imagining Playscape some years after...