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   ‫א‬ -٢-
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫‪‬‬ ‫ﻓﻬﺭﺱ ............................................. - ٣ -‬ ‫ﺍﻹﻫﺩﺍﺀ ............................................. - ٥ -‬ ‫* ‪- 6 - .................................................  ‬‬ ‫ﺍﻟﺸﺨﺼﻴﺎﺕ ........................................ - ٧ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻷﻭﻟﻰ ...................................... - ٩ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺜﺎﻨﻴﺔ ..................................... - ١٢ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺜﺎﻟﺜﺔ ..................................... - ٦٢ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺭﺍﺒﻌﺔ .................................... - ٥٤ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺨﺎﻤﺴﺔ................................... - ٢٥ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺴﺎﺩﺴﺔ ................................... - ١٦ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺴﺎﺒﻌﺔ ................................... - ٥٧ -‬ ‫* ‪- 82 - ....................................................... ‬‬ ‫ﺍﻟﺸﺨﺼﻴﺎﺕ ...................................... - ٤٨ -‬ ‫ﺍﻟﻔﺼل ﺍﻷﻭل ............................................ - ٥٨ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻷﻭل( ................................... - ٦٨ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻟﺜﺎﻨﻲ(................................. - ٣٠١ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻟﺜﺎﻟﺙ( ................................ - ٤٢١ -‬ ‫-٣-‬
‫ﺍﻟﻔﺼل ﺍﻟﺜﺎﻨﻲ .......................................... - ٤٣١ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻷﻭل( ................................. - ٥٣١ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻟﺜﺎﻨﻲ(................................. - ٢٤١ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻟﺜﺎﻟﺙ( ................................ - ٨٥١ -‬ ‫-٤-‬
‫ﺍﻹﻫﺩﺍﺀ‬ ‫ﺇﻟﻰ..‬ ‫ﺯﻭﺠﺘﻲ ﻓﻲ ﻤﺜﻭﺍﻫﺎ ﺍﻷﺨﻴﺭ‬ ‫ﺇﻟﻰ ﻁﻔﻠﺘﻲ..‬ ‫ﻋﺒﻴﺭ.. ﺍﻟﻨﺴﻤﺔ ﺍﻟﻌﻁﺭﺓ..‬ ‫ﻨﺠﻼﺀ.. ﺍﻟﺒﻬﺠﺔ ﺍﻟﻤﺸﺭﻗﺔ..‬ ‫ﻤﺤﻲ ﻋﺒﺩ ﺍﻟﺤﻲ‬ ‫-٥-‬
  * -٦-
‫ﺍﻟﺸﺨﺼﻴﺎﺕ‬ ‫: ﺼ ـﺎﺭﻤﺔ.. ﺘﺭﺘ ـﺩﻱ ﻤﻼﺒ ـﺱ ﺤ ـﺩﺍﺩ.. ﻓ ـﻲ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﺨﻤﺴﻴﻨﻴﺎﺕ.‬ ‫: ﺍﻻﺒﻨﺔ ﺍﻟﻜﺒﺭﻯ.. ﻓﻲ ﺃﻭﺍﺨﺭ ﺍﻟﻌﺸﺭﻴﻨﻴﺎﺕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻻﺒﻨﺔ ﺍﻟﺼﻐﺭﻯ.. ﻓﻲ ﺃﻭﺍﺌل ﺍﻟﻌﺸﺭﻴﻨﻴﺎﺕ.‬ ‫ﺃﻤل‬ ‫: ﻫﺎﺩﺉ.. ﻴﺭﺘﺩﻱ ﺒﺫﻟـﺔ ﻤـﻭﺩﺭﻥ.. ﻤﻨﺘﺼـﻑ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻟﺨﻤﺴﻴﻨﻴﺎﺕ.‬ ‫: ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﻤﻬﺘﺭﺌﺔ.. ﻤﻨﺘﺼﻑ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺤﺎﺩ ﺍﻟﻁﺒﺎﻉ.. ﻴﺭﺘﺩﻱ ﺠﻠﺒﺎﺏ ﺃﺒﻴﺽ.. ﻤﻨﺘﺼﻑ‬ ‫ﺍﻟﻤﻠﺘﺤﻲ‬ ‫ﺍﻟﺜﻼﺜﻴﻨﻴﺎﺕ.‬ ‫: ﻴﺭﺘﺩﻱ ﻋﺒﺎﺀﺓ ﺨﻀﺭﺍﺀ ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.. ﻓـﻲ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫: ﻓﺎﺭﻉ ﺍﻟﻁﻭل.. ﻴﺭﺘﺩﻱ ﻋﺒﺎﺀﺓ ﺴﻭﺩﺍﺀ ﻤﻜﺴـﻭﺓ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫: ﻗﺼﻴﺭ.. ﻤﺎﻜﺭ.. ﻴﺭﺘﺩﻱ ﻋﺒﺎﺀﺓ ﻤﻨﻘﻁﺔ ﻤﻜﺴـﻭﺓ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫: ﺴﻤﻴﻥ.. ﻴﺭﺘﺩﻱ ﻋﺒﺎﺀﺓ ﺤﻤﺭﺍﺀ ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ..‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫-٧-‬
‫: ﻴﺘﻌﺎﻤل ﺒﻠﻐﺔ ﺍﻹﺸﺎﺭﺓ.. ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﻤﺒﻬﺭﺠﺔ.‬ ‫ﺍﻟﻔﺼﻴﺢ‬ ‫: ﻤﺘﻭﺴﻁ ﺍﻟﻁﻭل.. ﻤـﺎﻜﺭ.. ﻴﺭﺘـﺩﻱ ﻤﻼﺒـﺱ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫ﻤﺒﻬﺭﺠﺔ ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.‬ ‫: ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﺴﻭﺩﺍﺀ ﺒﻬﺎ ﻋﻼﻤﺎﺕ ﺒﻴﻀـﺎﺀ..‬ ‫ﻤﺴﺌﻭل ﺍﻟﻌﺩل‬ ‫ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ : ﻟﺩﻴﻪ ﻋﺎﻫﺔ.. ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﺯﺭﻗﺎﺀ ﻭﺒﻴﻀـﺎﺀ‬ ‫ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫: ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﺠﻠﺩﻴﺔ ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫ﺤﺎﺭﺱ ١، ٢، ٣، ٤‬ ‫ﺸﺨﺼﻴﺎﺕ ﺃﺨﺭﻯ.. ﺤﺭﺍﺱ.. ﻤﻭﺴﻴﻘﻴﻴﻥ.. ﺭﺍﻗﺼﻴﻥ.. ﻤﺼﺎﺭﻋﻴﻥ.‬ ‫-٨-‬
‫ﺍﻟﻠﻭﺤﺔ ﺍﻷﻭﻟﻰ‬ ‫)ﺼﺤﺭﺍﺀ.. ﻨﺘﻭﺀﺍﺕ ﻭﺼﺨﻭﺭ ﻤﺘﻔﺭﻗـﺔ.. ﺭﺠـل‬ ‫ﻓﺎﻗﺩ ﺍﻟﻭﻋﻲ ﺒﺠﺎﻨﺏ ﺼﺨﺭﺓ ﻜﺒﻴﺭﺓ.. ﺼﻔﻴﺭ ﺍﻟﻌﺎﺼـﻔﺔ‬ ‫ﻴﺩﻭﻱ ﻓﻲ ﺃﺭﺠﺎﺀ ﺍﻟﻤﻜﺎﻥ.. ﺍﻷﻡ ﻭﺸﺭﻭﻕ ﻭﺃﻤل ﻴﺒـﺩﻭ‬ ‫ﻋﻠﻴﻬﻥ ﺍﻟﺘﻌﺏ.. ﺘﺘﻬﺎﻭﻯ ﺸﺭﻭﻕ ﻋﻠﻰ ﺍﻟﺭﻤﺎل ﺒﻴﻨﻤـﺎ‬ ‫ﺍﻷﻡ ﻭﺃﻤل ﺘﻭﺍﺼﻼﻥ ﺍﻟﺴﻴﺭ(.‬ ‫: ﻫﻴﺎ ﺃﺴﺭﻋﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺒﺩ ﺃﻥ ﻨﻨﺘﻅﺭ ﺤﺘﻰ ﺘﻬﺩﺃ ﺍﻟﻌﺎﺼﻔﺔ.‬ ‫ﺃﻤل‬ ‫: ﻻ.. ﺒل ﻴﺠﺏ ﺃﻥ ﻨﺤﻀﺭ ﺍﻟﻘﻤﺢ ﻗﺒل ﺃﻥ ﻴﺩﺭﻜﻨﺎ ﺍﻟﻅﻼﻡ.‬ ‫ﺍﻷﻡ‬ ‫: ﻟﻘﺩ ﺘﻌﺒﺕ ﻗﺩﻤﺎﻱ ﻴﺎ ﺃﻤﺎﻩ.‬ ‫ﺃﻤل‬ ‫: )ﺘﺘﻭﻗﻑ( ﺃﻴﻥ ﺃﺨﺘﻙ؟‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﻨﻅﺭ ﺨﻠﻔﻬﺎ( ﺸﺭﻭﻕ..‬ ‫ﺃﻤل‬ ‫: ﻴﺒﺩﻭ ﺃﻥ ﺍﻟﻨﻬﺎﻴﺔ ﻗﺩ ﺍﻗﺘﺭﺒﺕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺩﻋﻙ ﻤﻥ ﻫﺫﻩ ﺍﻷﻓﻜﺎﺭ.. ﻫﻴﺎ.. ﻴﺠﺏ ﺃﻥ ﻨﺼـل ﻓـﻲ‬ ‫ﺍﻷﻡ‬ ‫ﻤﻭﻋﺩﻨﺎ.‬ ‫: ﻭﻤﺘﻰ ﺴﻨﺼل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻜﺎﻟﻤﺭﺍﺕ ﺍﻟﺴﺎﺒﻘﺔ ﻭﻓﻲ ﻨﻔﺱ ﺍﻟﻤﻴﻌﺎﺩ.‬ ‫ﺃﻤل‬ ‫: ﻟﻘﺩ ﺘﻌﺒﺕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ ﺘﻀﻴﻌﺎ ﺍﻟﻭﻗﺕ.. ﻫﻴﺎ.. ﻫﻴﺎ.‬ ‫ﺍﻷﻡ‬ ‫-٩-‬
‫: )ﺘﺒﻜﻲ( ﻻ ﺃﺴﺘﻁﻴﻊ ﻤﻭﺍﺼﻠﺔ ﺍﻟﺴﻴﺭ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻭﺃﻨﺎ ﺃﻴ ‪‬ﺎ ﺘﻌﺒﺕ ﻗﺩﻤﺎﻱ.‬ ‫ﻀ‬ ‫ﺃﻤل‬ ‫: ﻤﺎﺫﺍ ﺃﻓﻌل ﻴﺎ ﻟﻠﻴﻭﻡ ﺍﻟﻤﺸﺌﻭﻡ.. ﺍﺴﻤﻌﺎ ﻻ ﺒﺩ ﻭﺃﻥ ﻨـﺄﺘﻲ‬ ‫ﺍﻷﻡ‬ ‫ﺒﺎﻟﻘﻤﺢ ﺤﺘﻰ ﻻ ﻨﺘﻌﺭﺽ...‬ ‫: )ﻤﻘﺎﻁﻌﺔ( ﻤﻬﻤﺎ ﻜﺎﻥ ﺍﻷﻤﺭ.. ﺩﻋﻴﻨﺎ ﻨﺴﺘﺭﺡ.. ﻓﻲ ﻜـل‬ ‫ﺃﻤل‬ ‫ﻤﺭﺓ ﻨﺠﺘﺎﺯ ﺃﻤﻴﺎﻻ ﺴﻴ ‪‬ﺍ ﻋﻠﻰ ﺍﻷﻗﺩﺍﻡ ﻟﻨﺄﺘﻲ ﻟﻬﻡ ﺒـﺎﻟﻘﻤﺢ‬ ‫ﹰ ﺭ‬ ‫ﻭﻨﺤﻥ..‬ ‫: ﻨﻤﻭﺕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺁﻩ ﻴﺎ ﺼﻐﻴﺭﺘﻲ ﻟﻭ ﺘﻌﺭﻓﻴﻥ ﻤﺩﻯ ﺤﺒﻲ ﻟﻙ.‬ ‫ﺍﻷﻡ‬ ‫)ﺃﻤل ﺘﺨﺭﺝ ﺯﻤﺯﻤﻴﺔ ﺍﻟﻤﻴﺎﻩ.. ﺘﺸﺭﺏ.. ﻴﺘﻼﺸﻰ ﺼﻔﻴﺭ‬ ‫ﺍﻟﻌﺎﺼﻔﺔ ﺘﺩﺭﻴﺠ ‪‬ﺎ(‬ ‫ﻴ‬ ‫: ﺍﻟﺤﻤﺩ ﷲ.. ﻜﻡ ﻫﻭ ﻤﺨﻴﻑ.‬ ‫ﺃﻤل‬ ‫)ﻟﺤﻅﺎﺕ ﺼﻤﺕ(‬ ‫: ﻫﺎ ﻗﺩ ﺍﺴﺘﺭﺤﻨﺎ.. ﻓﻠﻨﻭﺍﺼل ﺍﻟﺴﻴﺭ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﻭﻗﻭﻑ.. ﺍﺘﺭﻜﻭﻨﻲ ﻫﻨﺎ )ﺘﺒﻜﻲ(.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ ﺴﻨﻔﻌل؟‬ ‫ﺃﻤل‬ ‫: ﺃﻟﻡ ﻴﺤﻥ ﺍﻟﻭﻗﺕ ﻜﻲ ﻴﺭﻓﻊ ﻋﻨﺎ ﺍﻟﻌﺫﺍﺏ؟ ﻤﺎﺫﺍ ﺃﻓﻌل؟ ﻓﻲ‬ ‫ﺍﻷﻡ‬ ‫ﻜل ﻤﺭﺓ ﺘﻔﻌﻠﻴﻥ ﻫﺫﻩ ﺍﻟﺤﻤﺎﻗﺎﺕ.. ﺩﺒﺭﻨﻲ ﻴﺎ ﺭﺒﻲ.. ﻤﺎﺫﺍ‬ ‫- ٠١ -‬
‫ﺃﻓﻌل؟‬ ‫: ﻫﻭﻨﻲ ﻋﻠﻴﻙ ﻴﺎ ﺃﻤﺎﻩ.‬ ‫ﺃﻤل‬ ‫: ﺍﻨﻅﺭﻱ ﻴﺎ ﺃﻤل.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ؟‬ ‫ﺃﻤل‬ ‫: ﺍﻟﺸﻤﺱ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ ﺒﻬﺎ؟‬ ‫ﺃﻤل‬ ‫: ﺒﺩﺃﺕ ﺘﻅﻬﺭ ﺜﺎﻨﻴﺔ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻭﻤﺎ ﺍﻟﻐﺭﻴﺏ ﻓﻲ ﺫﻟﻙ؟‬ ‫ﺃﻤل‬ ‫: ﺇﻨﻬﺎ ﺘﻘﺘﺭﺏ ﻤﻨﺎ.. ﺘﻘﺘﺭﺏ ﺤﺘﻰ ﻨﻜﺎﺩ ﻨﻔﻘﺩ ﺃﺒﺼﺎﺭﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ ﺘﻨﻅﺭﻱ ﺇﻟﻴﻬﺎ.‬ ‫ﺃﻤل‬ ‫: ﺇﻨﻬﺎ ﺘﻬﺫﻱ ﻻ ﺘﺴﺘﻤﻌﻲ ﺇﻟﻴﻬﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻴﺒﺩﻭ ﺃﻨﻬﺎ ﺃﺼﻴﺒﺕ ﺒﻀﺭﺒﺔ ﺸﻤﺱ.‬ ‫ﺃﻤل‬ ‫)ﺸﺭﻭﻕ ﺘﺒﻜﻲ(.‬ ‫: ﻟﻤﺎﺫﺍ ﺘﺒﻜﻴﻥ؟‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﻤﻭﺍﺼﻠﺔ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻫﻴﺎ.. ﻻ ﺒﺩ ﻭﺃﻥ ﻨﻭﺍﺼل ﺍﻟﺴﻴﺭ.. ﻫﻴﺎ ﻗﺒل ﺃﻥ ﻨﺘﻌﺭﺽ‬ ‫ﺍﻷﻡ‬ ‫ﺠﻤﻴ ‪‬ﺎ ﻟﻀﺭﺒﺔ ﺸﻤﺱ.. ﻭﺭﺒﻤﺎ ﻨﺘﻌﺭﺽ ﻷﻜﺜـﺭ ﻤـﻥ‬ ‫ﻌ‬ ‫ﺫﻟﻙ.. ﻫﻴﺎ.‬ ‫- ١١ -‬
‫: ﺤﺴ ﹰﺎ.. ﺴﺄﻭﺍﺼل ﺍﻟﺴﻴﺭ ﻭﻟﻜﻥ ﻫﻨﺎﻙ ﻋﻨـﺩ ﺍﻟـﻭﺍﺩﻱ..‬ ‫ﻨ‬ ‫ﺸﺭﻭﻕ‬ ‫ﻟﻤﺎﺫﺍ ﺘﺼﺭﻴﻥ ﻋﻠﻰ ﺍﻟﺤﻴﺎﺓ ﻫﻨﺎ ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀ ﺍﻟﻤﻭﺤﺸﺔ؟‬ ‫ﻗﺩ ﻨﺭﻯ ﺤﻴﺎﺓ ﺃﺨﺭﻯ ﺃﻓﻀل.‬ ‫: ﻭﻫل ﻫﻨﺎﻙ ﺤﻴﺎﺓ ﺃﺨﺭﻯ؟‬ ‫ﺃﻤل‬ ‫: ﻤﺅﻜﺩ.. ﻭﻤﻥ ﺃﺠل ﻫﺫﺍ ﻻ ﺒﺩ ﺃﻥ ﻨﺭﺤل ﻤﻥ ﻫﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤﻴﺎﺘﻨﺎ ﻫﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻴﻜﻔﻲ ﻤﺎ ﻀﺎﻉ ﻤﻥ ﻋﻤﺭﻱ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺇﻨﻙ ﺘﻌﺭﻀﻴﻨﻨﺎ ﻟﻠﻌﺫﺍﺏ.‬ ‫ﺍﻷﻡ‬ ‫: ﺃﻨﺕ ﺘﺭﻴﺩﻴﻥ ﺫﻟﻙ.. ﻟﻘﺩ ﻀﻘﺕ ﺫﺭ ‪‬ﺎ.. ﺃﺘﻭﺴـل ﺇﻟﻴـﻙ‬ ‫ﻋ‬ ‫ﺸﺭﻭﻕ‬ ‫ﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﺒﻘﺎﺀ.. ﻴﺠﺏ ﺃﻥ ﻨﺭﺤل.‬ ‫: ﺴﻴﻠﺤﻘﻭﻥ ﺒﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﻴﻬﻡ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺴﺘﺤﻴل.. ﻫﻴﺎ.. ﻴﺠﺏ ﺃﻥ ﻨﻭﺍﺼل ﺍﻟﺴﻴﺭ.‬ ‫ﺍﻷﻡ‬ ‫: ﺒﻬﺫﺍ ﺴﺘﺠﻌﻠﻴﻨﻲ ﺃﻨﻬﻲ ﺤﻴﺎﺘﻲ ﺃﻤﺎﻤﻙ ﺍﻵﻥ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﺘﻤﺴﻙ ﺤﺠ ‪‬ﺍ(.‬ ‫ﺭ‬ ‫: ﻻ.. ﺃﺭﺠﻭﻙ.. ﻓﻜﺭﻱ ﻓﻲ ﺍﻷﻤﺭ.‬ ‫ﺃﻤل‬ ‫: )ﺘﺒﻜﻲ(.‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﺒﻜﻲ( ﻟﻤﺎﺫﺍ ﺍﻟﺒﻜﺎﺀ ﻴﺎ ﺃﻤﺎﻩ؟‬ ‫ﺃﻤل‬ ‫- ٢١ -‬
‫: )ﺘﺤﺘﻀﻨﻬﻤﺎ( ﺴﺄﻓﻜﺭ.. ﻭﻟﻜﻥ ﺒﻌﺩ ﺃﻥ ﻨﻌﻭﺩ.‬ ‫ﺍﻷﻡ‬ ‫: ﺃﺤ ﹰﺎ؟‬ ‫ﻘ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺴﻨﺭﺤل ﻟﻠﻭﺍﺩﻱ؟‬ ‫ﺃﻤل‬ ‫: )ﺘﺘﻠﻔﺕ ﺤﻭﻟﻬﺎ( ﺍﺨﻔﻀﻲ ﺼﻭﺘﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﻟﻤﺎﺫﺍ؟‬ ‫ﺃﻤل‬ ‫: ﻻ ﺸﻲﺀ.‬ ‫ﺍﻷﻡ‬ ‫: ﺁﻩ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﺘﺴﻤﻌﻭﻥ؟‬ ‫ﺃﻤل‬ ‫: ﻤﺎﺀ.. ﺃﺭﻴﺩ ﻤﺎﺀ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺇﻨﻪ ﻫﻨﺎﻙ.. ﻴﺒﺩﻭ ﺃﻨﻪ ﻀل ﺍﻟﻁﺭﻴﻕ.‬ ‫ﺃﻤل‬ ‫: ﺩﻋﻴﻪ ﻭﺸﺄﻨﻪ.‬ ‫ﺍﻷﻡ‬ ‫: ﺁﻩ.. ﻗﻁﺭﺓ ﻤﺎﺀ ﻗﺩ ﺘﻌﻴﺩ ﺍﻟﺤﻴﺎﺓ.. ﺁﻩ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺇﻨﻪ ﻴﺘﺄﻟﻡ )ﺍﻷﻡ ﺘﻘﺘﺭﺏ(.‬ ‫ﺃﻤل‬ ‫: ﻤﺎﺫﺍ ﺒﻙ؟‬ ‫ﺍﻷﻡ‬ ‫: ﺭﺃﺴﻲ ﺘﺅﻟﻤﻨﻲ.. ﻴﺒﺩﻭ ﺃﻨﻨﻲ ﺍﺼﻁﺩﻤﺕ ﺒﻬﺫﻩ ﺍﻟﺼـﺨﺭﺓ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫)ﺃﻤل ﺘﺒﻠل ﺸﻔﺘﻴﻪ ﺒﺎﻟﻤﺎﺀ(.‬ ‫: ﻤﺎ ﺍﻟﺫﻱ ﺃﺘﻰ ﺒﻙ ﺇﻟﻰ ﻫﻨﺎ؟‬ ‫ﺍﻷﻡ‬ ‫: ﺁﻩ.. ﺭﺃﺴﻲ ﺘﺅﻟﻤﻨﻲ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫- ٣١ -‬
‫: ﺃﺠﺏ ﻋﻥ ﺴﺅﺍﻟﻲ.‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﻘﺘﺭﺏ( ﻤﺎﺫﺍ ﺒﻪ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻟﻘﺩ ﻀل ﺍﻟﻁﺭﻴﻕ.‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﺨﺭﺝ ﺭﺒﺎ ﹰﺎ ﻤﻥ ﺍﻟﺯﻜﻴﺒﺔ( ﻗﺩ ﻴﺴﺎﻋﺩ.. ﺨﺫﻩ.‬ ‫ﻁ‬ ‫ﺃﻤل‬ ‫: ﻟﻡ ﺘﺠﺏ ﻋﻥ ﺴﺅﺍﻟﻲ.‬ ‫ﺍﻷﻡ‬ ‫: )ﻴﺭﺒﻁ ﺭﺃﺴﻪ( ﺠﺌﺕ ﺃﺒﺤﺙ ﻋﻥ ﺍﻟﺤﻴﺎﺓ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺘﺒﺤﺙ ﻋﻥ ﺍﻟﺤﻴﺎﺓ!! ﻫﻨﺎ ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀ.. ﻓﻲ ﺍﻟﻔـﺭﺍﻍ..‬ ‫ﺸﺭﻭﻕ‬ ‫ﻫﻨﺎ ﻋﻠﻰ ﻫﺎﻤﺵ ﺍﻟﺤﻴﺎﺓ.‬ ‫: ﻨﻌﻡ ﻋﻠﻰ ﻫﺎﻤﺵ ﺍﻟﺤﻴﺎﺓ.. ﻗﺩ ﺘﻜﻭﻥ ﻜل ﺍﻟﺤﻴﺎﺓ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﻨﺕ ﻤﺠﻨﻭﻥ.‬ ‫ﺍﻷﻡ‬ ‫: ﻜﻠﻨﺎ ﻤﺠﺎﻨﻴﻥ ﻴﺎ ﺴﻴﺩﺘﻲ.. ﻓﻴﻨﺎ ﻤﻥ ﻴﻌﺸﻕ ﺠﻨﻭﻨﻪ ﻭﻓﻴﻨـﺎ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻤﻥ ﻴﻤﻘﺘﻪ.. ﺍﻟﻜل ﻤﺠﻨـﻭﻥ ﺒﻁﺭﻴﻘﺘـﻪ.. ﻓـﻲ ﺍﻟﻨﻬﺎﻴـﺔ‬ ‫ﻻ ﻨﺴﺘﻁﻴﻊ ﺴﻭﻯ ﺃﻥ ﻨﺴﺄل.‬ ‫: ﻨﺴﺄل ﻋﻥ ﻤﺎﺫﺍ؟‬ ‫ﺃﻤل‬ ‫: ﻋﻥ ﺍﻷﻤل.. ﺍﻟﺴﻌﺎﺩﺓ.. ﻋﻥ ﺤﻴﺎﺓ ﺠﺩﻴﺩﺓ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻭﻫل ﻫﻨﺎﻙ ﺤﻴﺎﺓ ﺠﺩﻴﺩﺓ؟‬ ‫ﺃﻤل‬ ‫: ﻟﻴﺱ ﺃﻤﺎﻤﻨﺎ ﻭﻗﺕ.. ﻫﻴﺎ ﺒﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻗﻠﺕ ﻟﻙ ﻻ ﺃﺴﺘﻁﻴﻊ ﻤﻭﺍﺼﻠﺔ ﺍﻟﺴﻴﺭ.. ﻗﺩﻤﺎﻱ ﺘﺅﻟﻤﻨﻲ.‬ ‫ﺸﺭﻭﻕ‬ ‫- ٤١ -‬
‫: )ﺘﻀﻊ ﺯﻤﺯﻤﻴﺔ ﺍﻟﻤﻴﺎﻩ ﻓﻲ ﺍﻟﺯﻜﻴﺒﺔ( ﻫﻴﺎ ﺒﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻤﻌﺫﺭﺓ ﻴﺎ ﺴﻴﺩﺘﻲ.. ﺃﻱ ﺍﺘﺠﺎﻩ ﻴﺅﺩﻱ ﺇﻟﻰ ﺍﻟﺸﻤﺎل؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫﺫﺍ.. ﻭﻟﻜﻨﻙ ﻻ ﺘﺴﺘﻁﻴﻊ.‬ ‫ﺍﻷﻡ‬ ‫: ﻟﻤﺎﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻷﻨﻙ ﺴﺘﺠﺩ ﻤﻥ ﻴﻭﻗﻔﻙ ﻫﻨﺎﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﻤﻥ ﺴﻴﻭﻗﻔﻨﻲ؟ ﻋﻤﻥ ﺘﺘﺤﺩﺜﻴﻥ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ ﺸﻲﺀ ﻫﻴﺎ.. ﻫﻴﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﺃﺭﺠﻭ ﻴﺎ ﺴﻴﺩﺘﻲ ﺃﻻ ﺘﺘﺠﻬﻲ ﺃﻨـﺕ ﺃﻴ ‪‬ـﺎ ﻤـﻥ ﻫـﺫﺍ‬ ‫ﻀ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻻﺘﺠﺎﻩ.. ﺴﻭﻑ ﺘﺒﺩﺩﻴﻥ ﻭﻗﺘﻙ.. ﺇﻨﻨﻲ ﻗﺎﺩﻡ ﻤﻥ ﻫﻨﺎ.‬ ‫: ﻻ ﺸﺄﻥ ﻟﻙ ﺒﻨﺎ.. ﻫﻴﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺸﻲﺀ ﻫﻨﺎﻙ ﻏﻴﺭ ﺍﻟﻀﻴﺎﻉ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫﻴﺎ.. ﻫﻴﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻫل ﺴﻨﺩﺒﺭ ﺃﻤﻭﺭﻨﺎ ﻭﻨﺭﺤل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻜﻔﺎﻙ ﺜﺭﺜﺭﺓ.. ﺃﻏﻠﻘﻲ ﻓﻤﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﺤﺴ ﹰﺎ.. ﺴﺄﻏﻠﻕ ﻓﻤﻲ.. ﻭﻟﻜﻨﻲ ﻻ ﺃﺴـﺘﻁﻴﻊ ﻤﻭﺍﺼـﻠﺔ‬ ‫ﻨ‬ ‫ﺸﺭﻭﻕ‬ ‫ﺍﻟﺴﻴﺭ.. ﺃﺘﻔﻬﻤـﻴﻥ؟.. ﻟﻘـﺩ ﺴـﺌﻤﺕ ﺍﻟﺤﻴـﺎﺓ ﻫﻨـﺎ..‬ ‫ﻻ ﺃﺴﺘﻁﻴﻊ.‬ ‫: ﺃﺭﺠﻭﻙ ﻴﺎ ﺴﻴﺩﺘﻲ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫- ٥١ -‬
‫: )ﻤﻘﺎﻁﻌﺔ( ﻗﻠﺕ ﻻ ﺸﺄﻥ ﻟﻙ ﺒﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﺃﻱ ﺍﺘﺠﺎﻩ ﺃﺴﻴﺭ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻜل ﺍﻻﺘﺠﺎﻫﺎﺕ ﺘﺅﺩﻱ ﺇﻟﻰ ﻫﻨﺎﻙ.. ﻫﻴـﺎ.. ﻻ ﺘﻀـﻴﻌﺎ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﻭﻗﺕ.‬ ‫: ﺴﺄﻨﺘﻅﺭ ﻫﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺇﻨﻬﺎ ﻤﺘﻌﺒﺔ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺍﺫﻫﺏ ﻜﻴﻔﻤﺎ ﺸﺌﺕ ﻟﻜﻥ ﺩﻋﻨﺎ ﻭﺸﺄﻨﻨﺎ ﻫﻴﺎ.. )ﺘﺼـﺭﺥ(‬ ‫ﺍﻷﻡ‬ ‫ﻫﻴﺎ..‬ ‫: ﺤﺴ ﹰﺎ.. ﺤﺴ ﹰﺎ )ﻴﻨﻅﺭ ﻓﻲ ﺠﻤﻴﻊ ﺍﻻﺘﺠﺎﻫـﺎﺕ.. ﻴﺴـﻴﺭ‬ ‫ﻨ‬ ‫ﻨ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺒﺒﻁﺀ(.‬ ‫: ﻫﻴﺎ ﻴﺎ ﺍﺒﻨﺘﻲ ﻟﻘﺩ ﺘﺄﺨﺭﻨﺎ ﺒﻤﺎ ﻓﻴﻪ ﺍﻟﻜﻔﺎﻴﺔ.‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﺼﻤﺕ(.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤﺴ ﹰﺎ.. ﺍﻨﺘﻅﺭﻱ ﻜﻴﻔﻤﺎ ﺘﺭﻴﺩﻴﻥ.. ﻫﻴﺎ ﻴﺎ ﺃﻤل.‬ ‫ﻨ‬ ‫ﺍﻷﻡ‬ ‫: ﻓﻲ ﻜل ﻤﺭﺓ ﺘﻔﻌل ﻤﺜل ﻫﺫﻩ ﺍﻷﻻﻋﻴﺏ.. ﻟـﻴﺱ ﻟـﺩﻴﻨﺎ‬ ‫ﺃﻤل‬ ‫ﻭﻗﺕ.‬ ‫: ﺴﺄﻨﺘﻅﺭ ﻗﺩﻭﻤﻙ ﻴﺎ ﺃﻤﺎﻩ.. ﺘﺫﻜﺭﻱ ﺠﻴ ‪‬ﺍ ﻤﺎ ﻗﻠﺘﻪ.. ﻻﺒـﺩ‬ ‫ﺩ‬ ‫ﺸﺭﻭﻕ‬ ‫ﻭﺃﻥ ﻨﺭﺤل..‬ ‫: ﺩﻋﻙ ﻤﻥ ﻫﺫﻩ ﺍﻷﻓﻜﺎﺭ.‬ ‫ﺍﻷﻡ‬ ‫- ٦١ -‬
‫: ﻻ ﺘﻘﻠﻘﻲ ﻴﺎ ﺸﺭﻭﻕ.. ﺴﻭﻑ ﻨﻌﻭﺩ ﺴﺭﻴ ‪‬ﺎ.‬ ‫ﻌ‬ ‫ﺃﻤل‬ ‫)ﺍﻷﻡ ﻭﺃﻤل ﺘﻭﺍﺼﻼﻥ ﺍﻟﺴﻴﺭ.. ﻟﺤﻅﺎﺕ ﺼﻤﺕ(.‬ ‫: ﺃﻴﻬﺎ ﺍﻟﻐﺭﻴﺏ.. ﺃﻴﻬﺎ ﺍﻟﻐﺭﻴﺏ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻴﻅﻬﺭ ﺍﻟﻐﺭﻴﺏ ﻤﻥ ﺨﻠﻑ ﺃﺤﺩ ﺍﻟﺼﺨﻭﺭ(.‬ ‫ﻜﻨﺕ ﺃﻋﺭﻑ ﺃﻨﻙ ﻟﻡ ﺘﺒﺘﻌﺩ ﻜﺜﻴ ‪‬ﺍ.‬ ‫ﺭ‬ ‫: ﻭﻜﻴﻑ ﻋﺭﻓﺕ ﺫﻟﻙ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﻨﺕ ﻏﺭﻴﺏ.. ﺜﻡ ﺇﻨﻙ ﻻ ﺘﻌﺭﻑ ﺍﻟﻁﺭﻴﻕ ﺠﻴ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺸﺭﻭﻕ:‬ ‫: ﻭﻟﻜﻥ ﻟﻴﺱ ﻫﺫﺍ ﻫﻭ ﺍﻟﺴﺒﺏ.. ﺍﻟﺴﺒﺏ ﺍﻟﺤﻘﻴﻘﻲ ﻫﻭ ﺃﻨﺕ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﻨﺎ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻨﻌﻡ ﺃﻨﺕ.. ﻟﻘﺩ ﺨﺸﻴﺕ ﺃﻥ ﺘﻅﻠﻲ ﺒﻤﻔﺭﺩﻙ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻜﻨﺕ ﺴﺄﻨﺩﺏ ﺤﻅﻲ ﺇﻥ ﻟﻡ ﺃﺠﺩﻙ.‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻴﻀﺤﻙ(.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺍﻨﻅﺭ..‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺍﻟﺸﻤﺱ.. ﺇﻨﻬﺎ ﺘﺭﺤل.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺇﻨﻬﺎ ﻻ ﺘﺭﺤل.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ.. ﻫﻲ ﺩﺍﺌ ‪‬ﺎ ﺘﺭﺤل ﺇﻟﻰ ﻫﻨﺎﻙ.. ﺇﻟﻰ ﺍﻟﻭﺍﺩﻱ.‬ ‫ﻤ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻟﺸﻤﺱ ﻴﺎ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫- ٧١ -‬
‫: ﺸﺭﻭﻕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺸﺭﻭﻕ ﺍﺴﻡ ﺠﻤﻴل )ﻟﺤﻅﺎﺕ ﺼﻤﺕ(.. ﻤﺎ ﺍﺴـﻡ ﻫـﺫﺍ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻟﻁﺭﻴﻕ.‬ ‫: ﻁﺭﻴﻕ ﺍﻟﺭﻴﺵ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻟﺤﻅﺎﺕ ﺼﻤﺕ(.‬ ‫: ﻟﻘﺩ ﺘﺄﺨﺭﺕ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻤﻥ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺃﻤﻙ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ ﺘﻘﻠﻕ.. ﺴﻭﻑ ﺘﺄﺘﻲ ﻓﻠﻴﺱ ﻫﻨﺎﻙ ﻤﻜﺎﻥ ﻏﻴﺭ ﺍﻟﻜﻭﺥ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻟﻜﻭﺥ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻨﻌﻡ.. ﻓﻘﺩ ﺃﻋﻁﺎﻩ ﻟﻨﺎ..‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﻤﻥ؟‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺇﻨﻪ..‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﺭﺘﺒﻙ( ﻻ ﺸﻲﺀ.. ﻻ ﺸﻲﺀ..‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻟﺤﻅﺎﺕ ﺼﻤﺕ( ﻭﻤﺎﺫﺍ ﻋﻥ ﺃﺒﻴﻙ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻜﺎﻥ ﻟﻲ ﺃﺏ.‬ ‫ﺸﺭﻭﻕ‬ ‫- ٨١ -‬
‫: ﻭﺃﻴﻥ ﻫﻭ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺭﺤل ﻤﻨﺫ ﻜﻨﺕ ﻁﻔﻠﺔ.. )ﻟﺤﻅﺎﺕ ﺼﻤﺕ( ﺃﺫﻜﺭ ﻋﻨـﺩﻤﺎ‬ ‫ﺸﺭﻭﻕ‬ ‫ﻜﻨﺎ ﻨﻤﺭ ﻤﻥ ﻫﻨﺎ )ﺘﺸﻴﺭ(... ﻫﺠﻡ ﻋﻠﻴﻨﺎ ﻤﺠﻤﻭﻋﺔ ﻤـﻥ‬ ‫ﺍﻷﺸﺭﺍﺭ.. ﻭﻀﺭﺒﻨﻲ ﺃﺤﺩﻫﻡ ﻟﻡ ﺃﺘﺫﻜﺭ ﺸﻴ ًﺎ.. ﻭﻋﻨـﺩﻤﺎ‬ ‫ﺌ‬ ‫ﺍﺴﺘﻴﻘﻅﺕ ﻭﺠﺩﺕ ﺃﻤﻲ ﺘﺤﺘﻀﻨﻨﻲ ﺃﻨـﺎ ﻭﺃﻤـل ﻭﻫـﻲ‬ ‫ﺘﺒﻜﻲ.. ﻭﻋﻨﺩﻤﺎ ﺴﺄﻟﺘﻬﺎ ﻋﻥ ﺃﺒﻲ ﻗﺎﻟﺕ ﺭﺤل.. ﻋﺭﻓـﺕ‬ ‫ﺒﻌﺩ ﺫﻟﻙ ﺃﻨﻪ ﺭﺤل ﻟﻸﺒﺩ.‬ ‫: ﻤﺎﺫﺍ ﻴﺠﺭﻱ ﻓﻲ ﻫﺫﺍ ﺍﻟﺯﻤﻥ؟ ﻤﻥ ﻤﻨﺎ ﻻ ﻴﺭﻴﺩ ﺍﻟﺭﺤﻴل..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ ﺸﻲﺀ.. ﻟﻘﺩ ﺘﺄﺨﺭﺕ ﺃﻤﻲ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻋﻭﺍﺀ ﺫﺌﺎﺏ(.‬ ‫: ﻫﻴﺎ.. ﻫﻴﺎ ﻨﺴﺭﻉ ﺇﻟﻰ ﺍﻟﻜﻭﺥ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ ﺒﺩ ﻭﺃﻥ ﻨﻨﺘﻅﺭ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺴﻨﺄﺘﻲ.. ﻓﻲ ﻜل ﻤﺭﺓ ﺘﻌﻭﺩ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﺼﻔﻴﺭ ﻋﺎﺼﻔﺔ.. ﻋﻭﺍﺀ ﺫﺌﺎﺏ.. ﻴﺴﺭﻉ ﺍﻟﻐﺭﻴﺏ ﻨﺤـﻭ‬ ‫ﺸﺭﻭﻕ.. ﺘﻨﺨﻔﺽ ﺍﻹﻀﺎﺀﺓ ﺘﺩﺭﻴﺠ ‪‬ﺎ(.‬ ‫ﻴ‬ ‫: ﻟﻘﺩ ﺘﺴﻠل ﺍﻟﻠﻴل.. ﻫﻴﺎ ﺒﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻴﺠﺏ ﺃﻥ ﻨﻨﺘﻅﺭﻫﻤﺎ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫﻴﺎ.. ﺇﻥ ﻟﻡ ﻨﻤﺕ ﻤﻥ ﺍﻟﻌﺎﺼﻔﺔ ﺴﺘﺄﻜﻠﻨﺎ ﺍﻟﺫﺌﺎﺏ.. ﻫﻴﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫- ٩١ -‬
‫: ﺤﺴ ﹰﺎ.. ﺤﺴ ﹰﺎ.. ﺃﻱ ﺍﺘﺠﺎﻩ؟‬ ‫ﻨ‬ ‫ﻨ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﺸﻴﺭ( ﻫﺫﺍ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻋﻅﻴﻡ.. ﻜﻠﻤﺎ ﺍﺒﺘﻌﺩﺕ ﻤﻥ ﺤﻴﺙ ﺃﺘﻴﺕ ﻜﻠﻤﺎ ﻜﺎﻨﺕ ﺍﻟﺤﻴﺎﺓ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺃﻓﻀل..‬ ‫)ﺸﺭﻭﻕ ﺘﺘﻜﺊ ﻋﻠﻰ ﺍﻟﻐﺭﻴﺏ ﻭﻴﺒﺩﺁﻥ ﺍﻟﺴـﻴﺭ.. ﻋـﻭﺍﺀ‬ ‫ﺫﺌﺎﺏ.. ﻴﺭﺘﻔﻊ ﺼﻔﻴﺭ ﺍﻟﻌﺎﺼﻔﺔ(.‬ ‫)ﺇﻅﻼﻡ(‬ ‫- ٠٢ -‬
‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺜﺎﻨﻴﺔ‬ ‫)ﺴﺎﺤﺔ ﺭﻤﻠﻴﺔ.. ﻫﻀﺒﺔ ﻴﻘﻑ ﻋﻠﻴﻬﺎ ﺤﺎﺭﺴﺎﻥ ﻴﺭﺘـﺩﻴﺎﻥ‬ ‫ﻤﻼﺒﺱ ﻤﻥ ﺍﻟﺭﻴﺵ ﺍﻟﻤﻠﻭﻥ ﻭﻗﺒﻌﺎﺕ ﺤﻤﺭﺍﺀ ﺘﺸـﺒﻪ ﻋـﺭﻑ‬ ‫ﺍﻟﺩﻴﻙ.. ﺨﻠﻑ ﺍﻟﻬﻀﺒﺔ ﺴﺭﺩﺍﺏ ﻴﻅﻬﺭ ﻤﻨﻪ ﻤﺠﻤﻭﻋـﺔ ﻤـﻥ‬ ‫ﺍﻟﺭﺠﺎل ﻴﺭﺘﺩﻭﻥ ﻤﻼﺒﺱ ﻤﻥ ﺍﻟـﺭﻴﺵ.. ﺼـﻴﺎﺡ ﺩﻴـﻭﻙ..‬ ‫ﺍﻹﻀﺎﺀﺓ ﺨﺎﻓﺘﺔ(.‬ ‫: ﺍﻗﺘﺭﺏ ﻓﺠﺭ ﻴﻭﻡ ﺠﺩﻴﺩ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫: ﺘﺭﻯ.. ﻤﺎ ﺍﻟﺫﻱ ﺃﺨﺭﻫﻡ؟‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫: ﺃﻟﻡ ﺘﺴﻤﻊ ﺍﻟﺼﻔﻴﺭ ﻁﻭﺍل ﺍﻟﻠﻴل؟‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫: ﻴﺒﺩﻭ ﺃﻨﻪ ﻜﺎﻥ ﻴﺸﺎﻫﺩ ﻓﻴﻠ ‪‬ﺎ ﺼﺎﻤ ﹰﺎ )ﻴﻀﺤﻙ(.‬ ‫ﺘ‬ ‫ﻤ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫ﻅﺭﻴﻑ.. ﺤﺘﻰ ﻓﻲ ﻫﺫﻩ ﺍﻷﻭﻗﺎﺕ ﺍﻟﻌﺼﺒﻴﺔ ﺘﺤﺎﻭل‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫:‬ ‫ﺃﻥ ﺘﻅﻬﺭ ﻅﺭﻓﻙ ﻟﻨﺎ.. ﻤﺎﺫﺍ ﺴﻨﻘﻭل ﻟﻠﺴﻴﺩ ﺍﻟﻔﺼﻴﺢ؟‬ ‫: ﺍﻟﺼﺒﺭ.. ﺭﺒﻤﺎ ﺃﺨﺭﺘﻬﻡ ﺍﻟﻌﺎﺼﻔﺔ..‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫: ﺍﻟﻤﻬﻡ ﺃﻥ ﺘﺄﺘﻲ ﺍﻟﺤﻤﻭﻟﺔ ﻜﺎﻤﻠﺔ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺇﻥ ﻟﻡ ﺘﺄﻜل ﺍﻟﺭﻋﻴﺔ ﺨﻼل ﺍﻟﺴﺎﻋﺔ ﺍﻟﻘﺎﺩﻤﺔ.. ﺴﺘﻌﻡ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﺍﻟﻔﻭﻀﻰ ﻓﻲ ﺃﺭﺠﺎﺀ ﺍﻟﻤﻤﻠﻜﺔ ﻭﻨﺤـﻥ ﻓـﻲ ﻏﻨـﻰ‬ ‫ﻋﻨﻬﺎ.‬ ‫ﻤﻥ ﺤﻘﻙ ﺃﻥ ﺘﺨﺎﻑ.. ﻓﺄﻨﺕ ﺍﻟﻤﺴﺌﻭل ﺃﻤﺎﻤﻬﻡ ﻋﻥ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫:‬ ‫ﺍﻟﺯﺍﺩ ﻭﺍﻟﺯﻭﺍﺩ.‬ ‫- ١٢ -‬
‫: ﺴﻴﺄﺘﻭﻥ.‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫ﻟﻘﺩ ﺃﺤﻀﺭﺕ ﺠﻤﻴﻊ ﺍﻟﻨﺴﺎﺀ ﺤﺼﺼﻬﻥ ﻤﻥ ﺍﻟﻘﻤـﺢ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫:‬ ‫ﺇﻻ ﻫﺫﻩ ﺍﻟﻤﺭﺃﺓ.. ﻟﻤﺎﺫﺍ؟‬ ‫ﻷﻨﻙ ﺘﺘﻌﺎﻤل ﻤﻌﻬﻥ ﺒﺎﻟﻠﻴﻥ ﻭﺍﻟﻬﻭﺍﺩﺓ.. ﺭﺒﻤﺎ ﻗـﺎﻟﻭﺍ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫:‬ ‫ﺇﻨﻙ ﻁﻴﺏ ﺃﻭ...‬ ‫)ﻤﻘﺎﻁ ‪‬ﺎ( ﻫﺫﻩ ﻫﻲ ﺍﻟﻤﺭﺓ ﺍﻟﻭﺤﻴﺩﺓ ﺍﻟﺘﻲ ﻴﺘـﺄﺨﺭﻥ‬ ‫ﻌ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫:‬ ‫ﻓﻴﻬﺎ.. ﺍﻟﻭﻴل ﻟﻬﻥ.‬ ‫: ﺃﻨﺕ ﺍﻟﻤﺴﺌﻭل ﻋﻥ ﺍﻟﺘﻤﻭﻴﻥ.. ﺘﺼﺭﻑ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﻨﻌﻡ.. ﺃﻨﺕ ﺍﻟﺫﻱ ﺍﻗﺘﺭﺤﺕ ﺃﻥ ﺍﻟﺴﻴﺩﺍﺕ ﻴﺤﻀـﺭﻥ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫:‬ ‫ﺍﻟﻘﻤﺢ.‬ ‫ﻭﻤﺎﺫﺍ ﻓﻲ ﺫﻟﻙ؟.. ﺃﻟﻡ ﺘﻭﺍﻓﻘـﻭﺍ ﻭﻗﺘﻬـﺎ ﺒﺎﻟﻼﺌﺤـﺔ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫:‬ ‫ﺍﻟﻘﺎﻨﻭﻨﻴﺔ؟‬ ‫ﻨﻌﻡ.. ﻭﻟﻜﻨﻙ ﻨﺴﻴﺕ ﺃﻥ ﺘﻀﻊ ﺤـﺩﻭ ‪‬ﺍ ﻟﻠﺘـﺄﺨﻴﺭ..‬ ‫ﺩ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻤﺎﺫﺍ ﺴﻨﻔﻌل ﺒﻌﺩ ﺘﺄﺨﺭﻫﻥ؟ ﻻ ﺸﻲﺀ.. ﻷﻥ ﺍﻟﻼﺌﺤﺔ‬ ‫ﻟﻴﺱ ﺒﻬﺎ ﺸﺭ ﹰﺎ ﻟﻠﺘﺄﺨﻴﺭ.‬ ‫ﻁ‬ ‫: ﻋﻨﺩﻙ ﺤﻕ.. ﻻ ﺒﺩ ﻭﺃﻥ ﺃﻋﺩل ﻓﻲ ﺍﻟﻼﺌﺤﺔ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: )ﻴﻀﺤﻙ ﺒﺴﺨﺭﻴﺔ(.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻫل ﻗﻠﺕ ﻤﺎ ﻴﻀﺤﻙ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫- ٢٢ -‬
‫: ﻻ.. ﻻ.. )ﻴﺴﺘﻤﺭ ﻓﻲ ﺍﻟﻀﺤﻙ(.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺴﻴﺄﺘﻭﻥ.. ﻭﺇﺫﺍ ﺤﺩﺙ ﻟﻬﻡ ﻤﻜﺭﻭﻩ ﺴـﺘﻜﻭﻥ ﺃﻨـﺕ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫:‬ ‫ﺍﻟﻤﺴﺌﻭل.‬ ‫: ﺃﻨﺎ؟‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻨﻌﻡ.. ﺃﻟﺴﺕ ﺃﻨﺕ ﺍﻟﻤﺴﺌﻭل ﻋﻥ ﺃﻤﻨﻨﺎ ﻭﺴﻼﻤﺘﻨﺎ؟‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﺃﺠل.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺇﺫﻥ ﺃﻨﺕ ﻤﺴﺌﻭل ﻋﻥ ﺃﻱ ﺇﻋﺎﻗﺔ ﻁﺒﻴﻌﻴﺔ ﺃﻭ ﻏﻴـﺭ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﻁﺒﻴﻌﻴﺔ ﺘﺤﺩﺙ ﻟﻬﻡ.. ﺃﻨﺕ ﺃﻴ ‪‬ﺎ ﻟﻡ ﺘﺴﺠل ﻻﺌﺤﺘﻙ‬ ‫ﻀ‬ ‫ﺴﻼﻤﺔ ﻭﺼﻭﻟﻬﻡ.‬ ‫ﺘﻘﺼﺩ ﺍﻟﻌﺎﺼﻔﺔ.. ﺃﺘﺴﻤﻌﻭﻥ ﺃﻴﻬﺎ ﺍﻟﺴﺎﺩﺓ ﻴﺭﻴـﺩ ﺃﻥ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫:‬ ‫ﺃﻤﻨﻌﻬﻡ ﻤﻥ ﺍﻟﻌﺎﺼﻔﺔ.. ﻜﻴﻑ؟‬ ‫: ﻻ ﺃﻋﺭﻑ.. ﻭﻟﻜﻨﻬﺎ ﻤﺜل ﺍﻟﺘﺄﺨﻴﺭ ﺒﺎﻟﻀﺒﻁ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﻫﺫﻩ ﻨﻘﺭﺓ ﻭﻫﺫﻩ ﻨﻘﺭﺓ ﺃﺨﺭﻯ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻻ.. ﻫﺫﻩ ﺒﺘﻠﻙ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: )ﻴﺘﺸﺎﺠﺭﺍﻥ( ﻗﻠﺕ ﻟﻙ ﻻ..‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻫﺫﻩ ﺒﺘﻠﻙ..‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫ﻫﺩﻭ ‪‬ﺍ ﻴﺎ ﺴﺎﺩﺓ.. )ﻟﻸﻤﻥ( ﻫﺩﺉ ﻤﻥ ﺭﻭﻋـﻙ ﻴـﺎ‬ ‫ﺀ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫:‬ ‫ﺃﺨﻲ.. )ﻟﻠﺘﻤﻭﻴﻥ( ﻭﺃﻨﺕ ﻴﺎ ﺃﺨﻲ ﺤﺎﻭل ﺃﻥ ﺘﻬﺩﺃ..‬ ‫- ٣٢ -‬
‫ﻻ ﻫﺫﻩ ﺒﺘﻠﻙ ﻭﻻ ﺘﻠﻙ ﺒﻬﺫﻩ.. ﻟـﻭ ﺭﺁﻨـﺎ ﺍﻟﺴـﺎﺩﺓ‬ ‫ﺍﻵﺨﺭﻴﻥ ﻤﺎﺫﺍ ﻴﻘﻭﻟﻭﻥ ﻋﻠﻴﻨﺎ.‬ ‫: ﻭﻤﺎﺫﺍ ﺃﻴ ‪‬ﺎ ﻟﻭ ﻋﺭﻑ ﺍﻟﺴﻴﺩ ﺍﻟﻔﺼﻴﺢ؟‬ ‫ﻀ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫)ﻴﻬﺠﻡ ﻋﻠﻴﻪ( ﻨﻌﺭﻑ ﺃﻥ ﺍﻟﺨﺒﺭ ﺴﻭﻑ ﻴﺘﺭﺩﺩ ﻓـﻲ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﺍﻹﺫﺍﻋﺔ ﻭﺴﺘﺘﺼﻔﺤﻪ ﺍﻟﻌﺎﻤﺔ... ﻨﻌﺭﻑ ﺃﻨﻙ ﻤﺴﺌﻭل‬ ‫ﻋﻥ ﻫﺫﺍ.. ﻨﺤﻥ ﻻ ﻴﻬﻤﻨﺎ..‬ ‫ﻭﻫل ﻗﻠﺕ ﺸﻴ ًﺎ؟!.. ﺇﻨﻨﻲ ﻓﻘﻁ ﺃﺤﺎﻭل ﺃﻥ ﺃﻨﺒﻬﻜﻡ.‬ ‫ﺌ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫:‬ ‫)ﺘﺭﺘﻔﻊ ﺍﻹﻀﺎﺀﺓ ﺘﺩﺭﻴﺠ ‪‬ﺎ(.‬ ‫ﻴ‬ ‫: ﻟﻘﺩ ﺤﺎﻥ ﻭﻗﺕ ﺍﻟﺩﺨﻭل.. ﻫﻴﺎ ﻨﻨﺘﻅﺭ ﺒﺎﻟﺩﺍﺨل.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫: ﻨﺤﻥ ﻻ ﻨﻨﺘﻅﺭ ﺍﻷﻭﺍﻤﺭ ﻤﻨﻙ ﺃﻨﺕ ﺍﻵﺨﺭ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺃﻨﺎ ﺍﻵﺨﺭ.. ﻻ.. ﻟﻴﺱ ﻜل ﺍﻟﻁﻴﺭ ﺍﻟﺫﻱ ﻴﺄﻜل ﻟﺤﻤﻪ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫)ﻴﺸﻴﺭ ﻋﻠﻰ ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ ﻭﺍﻟﺘﻤﻭﻴﻥ( ﻻ ﺃﻨﺎ ﻫﺫﺍ‬ ‫: ﻭﻻ ﺫﺍﻙ.. ﺍﻨﺘﺒﻪ ﻭﺍﻋﺭﻑ ﺠﻴ ‪‬ﺍ ﺃﻨﻙ ﺘﺘﺤـﺩﺙ ﻤـﻊ‬ ‫ﺩ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ.. ﻫﻪ.. ﺒﺈﺸﺎﺭﺓ ﻤﻨﻲ ﺃﻀﻴﻊ ﻋﻠﻴﻙ‬ ‫ﻤﺴﺘﺤﻘﺎﺘﻙ ﻭﻤﻌﺎﺸﻙ.. ﺃﺘﻔﻬﻡ.‬ ‫ﻫﺩﺉ ﻤﻥ ﺭﻭﻋﻙ )ﻟﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ( ﻤﺎﺫﺍ ﺤـﺩﺙ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﻟﻨﺎ ﻴﺎ ﺠﻤﺎﻋﺔ؟ ﻋﻴﻥ ﻭﺃﺼﺎﺒﺘﻨﺎ.. )ﻟﻸﻤﻥ( ﺍﺼـﺒﺭ‬ ‫ﻋﻠﻴﻨﺎ ﻴﺎ ﺃﺨﻲ.. ﺩﻉ ﺍﻷﻤﻭﺭ ﺘﺄﺨﺫ ﻤﺠﺭﺍﻫﺎ.. ﻫﻴﺎ..‬ ‫- ٤٢ -‬
‫ﻨﻨﺘﻅﺭ ﺒﺎﻟﺩﺍﺨل.‬ ‫)ﻴﻨﺯل ﺍﻟﺤﺎﺭﺴﺎﻥ ﻤﻥ ﻓﻭﻕ ﺍﻟﻬﻀﺒﺔ.. ﻴﺘﺠﻬـﻭﻥ‬ ‫ﺠﻤﻴ ‪‬ﺎ ﻨﺤﻭ ﺍﻟﺴﺭﺩﺍﺏ.. ﻴﺨﺘﻔﻭﻥ(.‬ ‫ﻌ‬ ‫)ﺇﻅﻼﻡ(‬ ‫- ٥٢ -‬
‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺜﺎﻟﺜﺔ‬ ‫)ﺴﺎﺤﺔ ﺭﻤﻠﻴﺔ.. ﻴﺴﺎﺭ ﺍﻟﻤﺴﺭﺡ ﻜﻭﺥ ﺃﻤﺎﻤـﻪ‬ ‫ﻤﻅﻠﺔ.. ﺒﻌـﺽ ﺍﻟﻤﻘﺎﻋـﺩ ﺍﻟﺼـﺨﺭﻴﺔ.. ﻴﻤـﻴﻥ‬ ‫ﺍﻟﻤﺴﺭﺡ ﻤﺭﺘﻔﻊ ﺭﻤﻠﻲ ﻴﺸﺒﻪ ﺸﺎﻫﺩ ﺍﻟﻘﺒﺭ.. ﻴﺩﺨل‬ ‫ﺍﻟﻐﺭﻴﺏ ﻤﺘﻌ ‪‬ﺎ ﺘﺘﺒﻌﻪ ﺸﺭﻭﻕ(.‬ ‫ﺒ‬ ‫: ﻟﻡ ﻨﺼل ﺒﻌﺩ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﻭﻤﺊ ﺒﺭﺃﺴﻬﺎ( ﻟﻘﺩ ﻭﺼﻠﻨﺎ ﺒﺎﻟﻔﻌل.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻟﺤﻤﺩ ﷲ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫﺎ.. ﻭﻤﺎﺫﺍ ﺤﺩﺙ ﺒﻌﺩ ﺫﻟﻙ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻴﺸﻴﺭ ﻨﺤﻭ ﺍﻟﻜﻭﺥ( ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﻫﺫﺍ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻨﻌﻡ.. ﻻ ﻴﻭﺠﺩ ﻏﻴﺭﻩ ﺇﻻ ﺒﻌﺩ ﺜﻼﺜﺔ ﺃﻤﻴﺎل.. ﻗل ﻟﻲ ﻤـﺎﺫﺍ‬ ‫ﺸﺭﻭﻕ‬ ‫ﺤﺩﺙ ﺒﻌﺩ ﺫﻟﻙ؟.. ﺃﻻ ﺘﺭﻴﺩ ﺃﻥ ﺘﻜﻤل ﻟﻲ ﺒﻘﻴﺔ ﺍﻟﺤﻜﺎﻴﺔ؟‬ ‫)ﻴﺠﻠﺱ ﺍﻟﻐﺭﻴﺏ ﻤﺘﻌ ‪‬ﺎ ﻋﻠﻰ ﺇﺤـﺩﻯ ﺍﻟﺼـﺨﻭﺭ ﺘﺤـﺕ‬ ‫ﺒ‬ ‫ﺍﻟﻤﻅﻠﺔ.. ﻟﺤﻅﺔ ﺼﻤﺕ(.‬ ‫: ﺤﺴ ﹰﺎ.. ﺴﺄﻨﺘﻅﺭ ﻗﻠﻴﻼ ﺤﺘﻰ ﺃﺴﺘﺭﻴﺢ ﺜﻡ ﺃﺭﺤل..‬ ‫ﹰ‬ ‫ﻨ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻤﻘﺎﻁﻌﺔ( ﻫل ﺘﻌﺒﺕ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ.. ﻜل ﻤﺎ ﻓﻲ ﺍﻷﻤﺭ ﺃﻥ ﻗـﺩﻤﻲ ﺘﻭﺭﻤﺘـﺎ.. ﻭﺘﻭﻗـﻑ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺴﺎﻋﺩﺍﻱ ﻋﻠﻰ ﺃﻨﻐﺎﻡ ﻋﻭﺍﺀ ﺍﻟﺫﺌﺎﺏ.‬ ‫: ﻫل ﺘﺨﺎﻓﻬﻡ؟‬ ‫ﺸﺭﻭﻕ‬ ‫- ٦٢ -‬
‫: ﻨﻌﻡ.. ﻭﻟﻡ ﻻ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺍﻟﺭﺠﺎل ﻻ ﻴﺨﺎﻓﻭﻥ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻭﻟﻜﻨﻬﻡ ﺫﺌﺎﺏ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺤﺘﻰ ﺍﻟﺫﺌﺎﺏ.. ﺃﻤﻲ ﻗﺎﻟﺕ ﻫﺫﺍ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﻥ ﻻ ﻴﺨﺎﻑ ﻻ ﻴﺴﺘﺤﻕ ﺍﻟﺤﻴﺎﺓ.. ﺃﻤﻙ ﻗﺎﻟـﺕ ﺍﻟﺭﺠـﺎل‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻻ ﻴﺨﺎﻓﻭﻥ ﺍﻟﺫﺌﺎﺏ؟!‬ ‫: ﻨﻌﻡ.. ﺃﻟﺴﺕ ﺭﺠ ﹰ؟‬ ‫ﻼ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ.. ﻨﻌﻡ ﺒﻜل ﺘﺄﻜﻴﺩ.. ﻭﻟﻜﻨﻲ ﻻ ﺃﻋﺭﻑ ﻟﻤﺎﺫﺍ ﺨﻔﺕ؟ ﺭﺒﻤﺎ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻫﻡ ﺃﻴ ‪‬ﺎ ﻴﺨﺎﻓﻭﻥ.‬ ‫ﻀ‬ ‫: ﻤﻥ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻟﺫﺌﺎﺏ.. ﺍﺩﺨﻠﻲ ﻟﺘﺴﺘﺭﻴﺤﻲ ﻗﻠﻴﻼ..‬ ‫ﹰ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻟﻴﺱ ﻗﺒل ﺃﻥ ﺘﻜﻤل ﻟﻲ ﺒﻘﻴﺔ ﺍﻟﺤﻜﺎﻴﺔ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤﺴ ﹰﺎ )ﻴﺘﺫﻜﺭ( ﻭﻅل ﺍﻟﺭﺠل ﻓﻲ ﺤﻴﺭﺓ ﺩﺍﺌﻤﺔ ﻴﺒﺤﺙ ﻋـﻥ‬ ‫ﻨ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺇﺠﺎﺒﺔ.. ﺘﺤﻭﻟﺕ ﻜل ﺍﻟﻤﻔﺎﻫﻴﻡ ﺇﻟﻰ ﻨﻘﻴﻀﻬﺎ.. ﺃﻴﻁﻌﻥ ﺍﻟﺤﻕ‬ ‫ﺒﺴﻴﻑ ﻋﻤﻼﻕ؟ ﺃﻡ ﻴﻘﺘل ﺍﻟﺼﺩﻴﻕ؟‬ ‫: ﻭﻤﺎﺫﺍ ﻓﻌل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻫﺭﺏ ﺍﻟﺼﺩﻴﻕ.. ﻭﺸﻴﺩ ﺍﻟﺤﺏ ﻗﻼﻋﻪ ﺍﻟﻤﺎﺌﻠﺔ.. ﻟﻡ ﻴﺴﺘﻁﻊ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺁﻨﺫﺍﻙ ﺃﻥ ﻴﻭﺍﺠﻪ ﻗﻠﺒﻪ.. ﻫل ﻴﻤـﺯﻕ ﺃﻭﺼـﺎﻟﻪ ﺒﺎﻟﺴـﻴﻑ‬ ‫- ٧٢ -‬
‫ﺍﻟﻌﻤﻼﻕ ﻓﻴﺴﻴل ﺍﻟﺩﻡ ﻭﻴﻔﻭﺭ ﻏﻠﻴﺎ ﹰﺎ ﺼﺭﻴﻊ ﻫـﺫﺍ ﺍﻟﻌـﺎﻟﻡ؟‬ ‫ﻨ‬ ‫ﺃﻡ ﻴﺘﺤﺩﻯ ﺍﻟﻘﻠﺏ؟ ﻭﺩﺨل ﺍﻟﺭﺠل ﻓﻲ ﻤﻭﺍﺠﻬﺔ ﻤﺭﻴﺭﺓ ﺒﻴﻥ‬ ‫ﺍﻟﻘﻠﺏ ﻭﺍﻟﻌﻘل.. ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻷﻤﺭ ﺍﻨﺘﺼﺭ ﺍﻟﻌﻘل.‬ ‫: ﻜﻴﻑ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺯﻋﻡ ﺍﻟﻘﻠﺏ ﺃﻨﻪ ﺩﺱ ﺍﻟﺴﻡ ﻟﻠﻌﻘل ﻓﺸﺭﺒﻪ.. ﻭﺃﻭﻫﻤـﻪ ﺃﻨـﻪ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺴﻴﻤﻭﺕ ﺨﻼل ﻴﻭﻡ.. ﻭﺃﺨﺫ ﺍﻟﻌﻘل ﻴﻨﺘﻅﺭ ﺘﺄﺜﻴﺭ ﺍﻟﺴـﻡ..‬ ‫ﻭﻅل ﻴﻔﻜﺭ ﻭﻟﻜﻨﻪ ﺘﻌﺏ ﻓﻨﺎﻡ ﻭﻤﺭ ﺍﻟﻴﻭﻡ ﻭﺍﺴﺘﻴﻘﻅ ﻓﻭﺠـﺩ‬ ‫ﻨﻔﺴﻪ ﺤ ‪‬ﺎ ﻟﻡ ﻴﻤﺕ.. ﻓﻬﻠل ﺒﺎﻟﻔﺭﺡ ﻭﻨﺎﺩﻯ ﺒﺄﻋﻠﻰ ﺼﻭﺘﻪ..‬ ‫ﻴ‬ ‫ﻟﻘﺩ ﻨﺠﻭﺕ.. ﺇﻨﻨﻲ ﺤﻲ ﺘ ‪‬ﺎ ﻟﻙ ﺃﻴﻬﺎ ﺍﻟﻘﻠﺏ ﺍﻟﻠﻌﻴﻥ.. ﺴﻭﻑ‬ ‫ﺒ‬ ‫ﺃﺴﺤﻘﻙ.‬ ‫: ﻭﻤﺎﺫﺍ ﻓﻌل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺃﺤﻀﺭ ﺍﻟﻌﻘل ﻜﺭﺓ ﻜﺒﻴﺭﺓ ﻤﻠﻔﻭﻓﺔ ﺒﺨﻴﻁ ﺭﻓﻴـﻊ.. ﻭﺃﻗﻨـﻊ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻟﻘﻠﺏ ﺃﻥ ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻟﺨﻴﻁ ﻤﻔﺎﺠﺄﺓ ﺴﻭﻑ ﺘﻘﻀﻲ ﻋﻠﻴـﻪ..‬ ‫ﻭﺴﺄل ﺍﻟﻘﻠﺏ ﻨﻔﺴﻪ.. ﺘﺭﻯ ﻤﺎ ﺍﻟﺫﻱ ﺘﺨﻔﻴﻪ ﻫـﺫﻩ ﺍﻟﻜـﺭﺓ؟‬ ‫ﻭﺒﺩﺃ ﻴﻔﻙ ﺍﻟﺨﻴﻁ.. ﻭﺒﺩﺃﺕ ﻀﺭﺒﺎﺘﻪ ﺘﺯﺩﺍﺩ ﻭﻜﻠﻤـﺎ ﻓـﻙ‬ ‫ﺍﺯﺩﺍﺩﺕ ﻀﺭﺒﺎﺘﻪ ﻓﻴﺴﺭﻉ ﻓﻲ ﻓﻙ ﺍﻟﺨﻴﻁ ﻤﺤﺎﻭﻻ ﺃﻥ ﻴﺼل‬ ‫ﹰ‬ ‫ﻟﻨﻬﺎﻴﺘﻪ ﻓﻴﺯﺩﺍﺩ ﺨﻭﻓﻪ.. ﻓﻴﺴﺭﻉ ﺒﺎﻟﻔـﻙ ﻓﻴـﺯﺩﺍﺩ ﺨﻭﻓـﻪ‬ ‫ﺨﻭ ﹰﺎ.. ﻓﺎﺯﺩﺍﺩﺕ ﻀﺭﺒﺎﺘﻪ ﺤﺘﻰ ﻭﺼﻠﺕ ﺫﺭﻭﺘﻬﺎ ﻓﺘﻭﻗﻔﺕ‬ ‫ﻓ‬ ‫- ٨٢ -‬
‫ﺍﻟﻀﺭﺒﺎﺕ ﻭﺍﻨﺘﻬﻰ ﺍﻟﺨﻭﻑ.‬ ‫: ﻤﺎﺫﺍ ﺤﺩﺙ ﻟﻪ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻟﻡ ﻴﺼل ﺇﻟﻰ ﻨﻬﺎﻴﺔ ﺍﻟﺨﻴﻁ.. ﻟﻘﺩ ﻤﺎﺕ ﺒﺎﻟﻭﻫﻡ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻤﺎﺕ ﺒﺎﻟﻭﻫﻡ!! ﻭﻤﺎﺫﺍ ﻋﻥ ﺍﻟﻌﻘل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺭﺤل ﻫﺎﺌ ‪‬ﺎ ﻋﻠﻰ ﻭﺠﻬﻪ ﺸﺭﻴ ‪‬ﺍ ﻴﺒﺤﺙ ﻋﻥ ﻗﻠﺏ.‬ ‫ﺩ‬ ‫ﻤ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻤﺴﻜﻴﻥ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻓﻲ ﻜل ﺍﻷﺤﻭﺍل ﻓﻘﺩ ﺭﺤل.. )ﻟﺤﻅﺎﺕ ﺼﻤﺕ( )ﻴﻤﺴـﻙ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺯﻤﺯﻤﻴﺔ ﺍﻟﻤﻴﺎﻩ ﻭﻴﺸﺭﺏ( ﺇﻨﻬﺎ ﻓﺎﺭﻏـﺔ.. ﺃﺭﻴـﺩ ﻤـﺎﺀ..‬ ‫)ﺘﺩﺨل ﺸﺭﻭﻕ ﺍﻟﻜﻭﺥ.. ﺘﻬﺭﻭل ﺨﺎﺭﺠﺔ(.‬ ‫: )ﺘﺼﺭﺥ( ﺁﻩ..‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ ﺘﺨﺎﻓﻲ.. ﻤﺎﺫﺍ ﺤﺩﺙ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻟﺹ.. ﻤﻼﻤﺤﻪ ﻤﺨﻴﻔﺔ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻴﺨﺭﺝ ﺍﻟﺩﻤﻴﻡ.. ﺘﺨﺘﺒﺊ ﺨﻠﻑ ﺍﻟﻐﺭﻴﺏ(.‬ ‫: )ﺘﺼﺭﺥ(.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻗﻠﺕ ﻟﻙ ﻻ ﺘﺨﺎﻓﻲ.. ﻤﻥ ﺃﻨﺕ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺇﻨﺴﺎﻥ ﻤﺜﻠﻜﻡ )ﻴﺨﻔﻲ ﻭﺠﻬﻪ( ﻭﻫﺫﻩ ﺇﺭﺍﺩﺓ ﺍﷲ ﺃﻥ ﺃﻜـﻭﻥ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﻫﻜﺫﺍ ﻟﻴﻔﺯﻉ ﻤﻨﻲ ﻜل ﻤﻥ ﻴﺭﺍﻨﻲ )ﻴﺒﻜﻲ( ﺃﻨﺎ ﻟﺴﺕ ﻟ ‪‬ـﺎ‬ ‫ﺼ‬ ‫ﺃﻭ ﺸﺭﻴ ‪‬ﺍ.. ﺇﻨﻨﻲ ﺃﺤﻤل ﻓﻲ ﻗﻠﺒﻲ ﻜل ﺍﻟﺤﺏ.. ﻭﻟﻜـﻨﻜﻡ‬ ‫ﺭ‬ ‫- ٩٢ -‬
‫ﻻ ﺘﺭﻴﺩﻭﻥ ﻫﺫﺍ ﺍﻟﺤﺏ.. ﻟﺴﺕ ﺍﻟﻤﺘﺴﺒﺏ ﺃﻥ ﺘﻜﻭﻥ ﺴﺤﻨﺘﻲ‬ ‫ﻫﻜﺫﺍ )ﺒﻤﺭﺍﺭﺓ(... ﺃﻨﺎ ﻤﻅﻠﻭﻡ.. ﺃﻨﺎ ﺒﺭﻱﺀ.. ﺃﻨﺎ ﺩﻤﻴﻡ..‬ ‫: ﺃﻨﺕ ﻁﻴﺏ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺒل ﺩﻤﻴﻡ ﺃﺭﺍﺩ ﺃﻥ ﻴﺒﺘﻌﺩ ﻋﻥ ﻜل ﺍﻟﻨﺎﺱ ﺨﺸﻴﺔ ﻤﺎ ﺤﺩﺙ..‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﻓﻜل ﻤﻥ ﻴﺭﺍﻨﻲ ﻴﺼﻴﺒﻪ ﺍﻟﺫﻋﺭ ﻟﻘﺩ ﺃﺠﺒﺭﺘﻨـﻲ ﺍﻟﺤﻴـﺎﺓ ﺃﻥ‬ ‫ﺃﺒﺘﻌﺩ.. ﺃﺒﺘﻌﺩ ﻤﻥ ﻤﻜﺎﻥ ﺇﻟﻰ ﻤﻜﺎﻥ ﺃﺒﻌﺩ.. ﻜﺎﻟﻌﺎﺩﺓ ﻟـﻴﺱ‬ ‫ﺃﻤﺎﻤﻲ ﺴﻭﻯ ﺍﻟﺭﺤﻴل.. ﻻ ﺍﺴﻡ.. ﻻ ﻭﻁﻥ.. ﻻ ﻋﻨﻭﺍﻥ..‬ ‫ﻻ ﺘﺨﺎﻓﻲ ﻓﻤﺎ ﺍﻨﺘﻅﺭﺕ ﺇﻻ ﻟﻼﺤﺘﻤﺎﺀ ﻓﻘـﻁ ﺤﺘـﻰ ﺘﻬـﺩﺃ‬ ‫ﺍﻟﻌﺎﺼﻔﺔ.. ﻭﻗﺩ ﻏﻔﻠـﺕ ﻋﻴﻨـﺎﻱ.. ﺃﺭﺠـﻭ ﺍﻟﻤﻌـﺫﺭﺓ..‬ ‫ﺍﻟﻤﺸﻭﺍﺭ ﻁﻭﻴل ﻻﺠﺘﻴﺎﺯ ﺁﻻﻑ ﺍﻷﻤﻴﺎل.. ﻋﻠﻰ ﺃﻴﺔ ﺤـﺎل‬ ‫ﺸﻜ ‪‬ﺍ ﻟﻜﻤﺎ.‬ ‫ﺭ‬ ‫: ﺃﺭﺠﻭ ﺃﻥ ﺘﻘﺒل ﺃﺴﻔﻲ.‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻴﺤﻤل ﻤﺘﻌﻠﻘﺎﺘﻪ( ﺒل ﺃﺭﺠﻭ ﺃﻨﺎ ﺃﻥ ﺘﻘﺒﻼ ﻋﺫﺭﻱ )ﻴﺴﻴﺭ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺍﻨﺘﻅﺭ.. ﺇﻟﻰ ﺃﻴﻥ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺒﻼﺩ ﺍﷲ ﻭﺍﺴﻌﺔ.. ﺃﻱ ﻁﺭﻴﻕ.. ﻓﻜل ﺍﻟﻁﺭﻕ ﺘﺅﺩﻱ ﻨﻔﺱ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﺍﻟﻨﺘﻴﺠﺔ.. ﻨﻔﺱ ﺍﻵﻻﻡ.‬ ‫: ﺍﻵﻻﻡ!! ﺒﺩﻭﻨﻬﺎ ﺘﺼﻴﺭ ﺍﻟﺤﻴﺎﺓ ﺤﻠﻭﺓ ﻓﻘﻁ ﺃﻭ ﻤﺭﺓ ﻓﻘـﻁ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻨﺘﻅﺭ ﺴﻭﻑ ﻨﺭﺤل ﻤ ‪‬ﺎ..‬ ‫ﻌ‬ ‫- ٠٣ -‬
‫: )ﺒﻔﺭﺡ( ﻤ ‪‬ﺎ.. ﻭﻟﻜﻨﻲ )ﻴﺘﻠﻤﺱ ﻭﺠﻬﻪ(.‬ ‫ﻌ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻁﻴﺏ.. ﺫﻭ ﻗﻠﺏ ﻜﺒﻴﺭ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺴﺄﻋﺩ ﻁﻌﺎ ‪‬ﺎ ﺸﻬ ‪‬ﺎ ﻗﺒل ﺃﻥ ﻨﺭﺤل.‬ ‫ﻤ ﻴ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺒل ﻴﺠﺏ ﺃﻥ ﺘﻨﺘﻅﺭﻱ ﺃﻤﻙ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺘﻨﺘﻅﺭ!! ﻻ ﻴﺠﺏ ﺃﻥ ﺘﺘﺭﻜﻬﺎ ﺒﻤﻔﺭﺩﻫﺎ ﻫﻨﺎ ﻓـﻲ‬ ‫ﻌ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﻫﺫﺍ ﺍﻟﻤﻜﺎﻥ ﺍﻟﻤﻭﺤﺵ.‬ ‫: ﺃﺭﺠﻭﻙ ﻗل ﻟﻪ ﺃﻻ ﻴﺘﺭﻜﻨﻲ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺃﻨﺕ ﻻ ﺘﻔﻬﻡ ﺃﻱ ﺸﻲﺀ.. ﺇﻨﻬﺎ ﻟﻴﺴﺕ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻤﻘﺎﻁﻌ ـﺔ( ﺃﻜ ـﻭﻥ ﻤ ـﺎ ﺃﻜ ـﻭﻥ.. ﺍﺒﻨﺘ ـﻙ.. ﺃﺨﺘ ـﻙ..‬ ‫ـ‬ ‫ـ‬ ‫ـ ـ‬ ‫ـ‬ ‫ﺸﺭﻭﻕ‬ ‫ﺍﻟﻤﻬﻡ ﻻ ﺘﺘﺭﻜﻨﻲ.. ﺃﺭﻴﺩ ﺃﻥ ﺃﺫﻫﺏ ﺇﻟﻰ ﺍﻟﻭﺍﺩﻱ.‬ ‫: ﻭﻟﻜﻨﻲ ﻟﻥ ﺃﻋﻭﺩ ﺇﻟﻰ ﻫﻨﺎ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻭﻟﻴﻜﻥ.. ﺃﻱ ﻤﻜﺎﻥ ﺴﻴﻜﻭﻥ ﺃﻓﻀل ﻤﻥ ﻫﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻟﻜﻥ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﻻ ﺩﺨل ﻟﻙ ﻓﻲ ﻫﺫﺍ ﺍﻟﻤﻭﻀﻭﻉ..‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻋﻨﺩﻤﺎ ﺘﻌﻭﺩ ﺃﻤﻙ ﺴﻭﻑ..‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺘﺫﻫﺏ ﻤﻌﻨﺎ.. ﺃﻟﻴﺱ ﻜﺫﻟﻙ؟‬ ‫ﻌ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻗﻠﺕ ﻟﻙ ﻻ ﺘﺘﺩﺨل.. ﺩﻋﻬﺎ ﻭﺸﺄﻨﻬﺎ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻴﺤﻤل ﻤﺘﻌﻠﻘﺎﺘﻪ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫- ١٣ -‬
‫: ﺍﻨﺘﻅﺭ.. ﺃﻨﺎ ﻻ ﺃﻗﺼﺩ ﻤﺎ ﻓﻬﻤﺕ.. ﺇﻨﻨﻲ ﻓﻘـﻁ ﺃﺭﻴـﺩ ﺃﻥ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺘﻨﺘﻅﺭ ﺃﻤﻬﺎ ﻓﻬﻲ ﺍﻟﻤﺴﺌﻭﻟﺔ ﻋﻨﻬﺎ..‬ ‫)ﻴﺭﺒﺕ ﻋﻠﻴﻪ(.‬ ‫: ﺯﻭﺠﺘﻙ؟‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻻ ﻴﺎ ﻋﺯﻴﺯﻱ.. ﻟﻘـﺩ ﻓﻬﻤﺘﻨـﻲ ﺨﻁـﺄ.. ﺃﻤﻬـﺎ ﻟﻴﺴـﺕ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺯﻭﺠﺘﻲ.. ﻋﺸﺕ ﺃﺤﻠﻡ ﺃﻥ ﺘﻜﻭﻥ ﻟﻲ ﺍﺒﻨﺔ ﻤﺜﻠﻬﺎ ﺃﺤـﺩﺜﻬﺎ‬ ‫ﻭﺘﺤﺩﺜﻨﻲ.. ﺇﻨﻬﺎ ﺘﻨﻅﺭ ﺇﻟﻰ ﺍﻷﻤﻭﺭ ﺒﻌﻴﻥ ﺍﻟﻌﻘل ﻭﺍﻟﻘﻠـﺏ‬ ‫ﻟﻘﺩ ﺃﺤﺒﺒﺕ ﺫﻟﻙ ﻓﺄﻨﺎ ﺩﺍﺌ ‪‬ﺎ ﺃﻨﻅﺭ ﻟﻸﻤﻭﺭ ﺒﺸﻜل ﺁﺨﺭ.‬ ‫ﻤ‬ ‫: ﻭﻟﻤﺎﺫﺍ ﺍﻟﻨﺎﺱ ﻻ ﻴﻨﻅﺭﻭﻥ ﻤﺜﻠﻤﺎ..‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﻷﻨﻬﻡ ﺩﻭ ‪‬ﺎ ﻫﻜﺫﺍ.. ﻻ ﺘﺤﻥ ﺃﻴﻬﺎ ﺍﻟﺸـﻘﻲ ﻗـﺩ‬ ‫ﻤ‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻴﻜﻭﻥ ﺍﻟﺠﻤﺎل ﻫﻨﺎ ﻓﻲ ﺠﻭﻑ ﺍﻟﺼﺤﺭﺍﺀ ﺃﻭ ﻓﻲ ﺃﻋﻤـﺎﻕ‬ ‫ﺍﻟﺒﺤﺎﺭ ﺃﻭ ﻓﻀﺎﺀ ﺍﻟﺴﻤﺎﺀ ﺃﻭ ﻤﻜﻨـﻭﺯ ﺒـﺩﺍﺨﻠﻨﺎ... ﻟﻜﻨﻨـﺎ‬ ‫ﻻ ﻨﻌﺭﻑ ﺇﻻ ﺒﻌﺩ ﻓﻭﺍﺕ ﺍﻷﻭﺍﻥ.. ﺍﻁﻤﺌﻥ ﻤﺜﻠﻤـﺎ ﺘﻘﺎﺒﻠﻨـﺎ‬ ‫ﻓﺴﺭﻋﺎﻥ ﻤﺎ ﺘﺠﺩ ﺁﺨﺭﻴﻥ ﻴﻔﻬﻤﻭﻨﻙ ﻭﻴﻘﺩﺭﻭﻥ ﻤﺸﻴﺌﺔ ﺍﷲ.‬ ‫: ﺨﺎﺼﺔ ﻟﻭ ﻜﺎﻥ ﻴﻤﺘﻠﻙ ﻗﻠ ‪‬ﺎ ﻜﺒﻴ ‪‬ﺍ ﻤﺜﻠﻙ..‬ ‫ﺒ ﺭ‬ ‫ﺸﺭﻭﻕ‬ ‫)ﺘﺩﺨل ﺍﻟﻜﻭﺥ(.‬ ‫: ﻻ ﺘﻨﺴﻲ ﺍﻟﻤﺎﺀ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻭﺃﻨﺕ ﻟﻤﺎﺫﺍ ﺘﻭﺩ ﺍﻟﺭﺤﻴل؟‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫- ٢٣ -‬
‫: ﻫﺫﻩ ﺴﻨﺔ ﺍﻟﺤﻴﺎﺓ.. ﺍﻟﺘﺭﺤﺎل ﺍﻟﺩﺍﺌﻡ.. ﺍﻷﻤـل.. ﺍﻟﻁﻤـﻭﺡ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫)ﻴﻀﺤﻙ( ﻗﺩ ﺘﻜﻭﻥ ﺜﺭ ‪‬ﺎ ﻭﺘﺭﻴﺩ ﺃﻥ ﺘﺼﺒﺢ ﺃﻜﺜﺭ ﺜـﺭﺍﺀ..‬ ‫ﻴ‬ ‫ﻭﻋﻨﺩﻤﺎ ﺘﻜﻭﻥ.. ﻻ ﺘﻘﻨﻊ ﺒﺫﻟﻙ ﻓﺘﻌﻭﺩ ﻭﺘﺒﺤـﺙ ﻤـﺭﺍﺕ‬ ‫ﺃﺨﺭﻯ.. ﻭﻗﺩ ﺘﺼﺒﺢ ﻓﻘﻴ ‪‬ﺍ ﺃﻭ ﻋﺭﺒﻴ ‪‬ﺍ.. ﻗﺩ ﺘﻜﻭﻥ ﻤﻨﻌ ‪‬ـﺎ‬ ‫ﻤ‬ ‫ﺩ‬ ‫ﺭ‬ ‫ﺒﺎﻟﺼﺤﺔ ﻭﺘﻬـﺩﺭﻫﺎ.. ﻗـﺩ ﺘﻜـﻭﻥ ﺠﻤـﻴﻼ ﺃﻭ ﺩﻤﻴ ‪‬ـﺎ‬ ‫ﻤ‬ ‫ﹰ‬ ‫ﺃﻭ ﻓﺎﻀﻼ.. ﺃﻗﻨﻌﺔ ﺒﺎﺴﻤﺔ ﻓﻭﻕ ﻭﺠﻭﻩ ﺤﺯﻴﻨﺔ ﺃﻭ ﻨﺎﻗﻤـﺔ..‬ ‫ﹰ‬ ‫ﺃﺭﺩﻴﺔ ﻴﺭﺘﺩﻴﻬﺎ ﺍﻟﻨـﺎﺱ ﻟﻴﺨﻔـﻭﺍ ﺭﺫﺍﺌﻠﻬـﻡ ﺃﻭ ﻴﻅﻬـﺭﻭﺍ‬ ‫ﻓﻀﺎﺌﻠﻬﻡ.. ﺍﻹﻨﺴﺎﻥ ﺩﺍﺌ ‪‬ﺎ ﻻ ﻴﻘﻨﻊ ﺒﻤﺎ ﻗﺩﺭ ﻟﻪ.. ﻭﺩﺍﺌ ‪‬ﺎ ﻤﺎ‬ ‫ﻤ‬ ‫ﻤ‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﺍﻟﺘﻀﺎﺩ.. ﻗﺩ ﻴﻜﻭﻥ ﻫﺫﺍ ﺍﻟﺘﻀـﺎﺩ ﺇﻤـﺎ ﻤﻌـﻪ‬ ‫ﺃﻭ ﻀﺩﻩ.. ﺍﻟﻨﺘﻴﺠﺔ ﻭﺍﺤﺩﺓ.. ﺍﻟﺘﺭﺤﺎل ﺍﻟﺩﺍﺌﻡ.‬ ‫)ﺼﻴﺎﺡ ﺩﻴﻭﻙ.. ﺘﺨﺭﺝ ﺸﺭﻭﻕ(.‬ ‫: ﻤﺎ ﻫﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫل ﻨﺴﻴﺕ.. ﺇﻨﻙ ﻓﻲ ﻁﺭﻴﻕ ﺍﻟﺭﻴﺵ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻨﻌﻡ ﻭﻟﻜﻨﻲ ﻅﻨﻨﺕ ﺃﻨﻪ ﻤﺠﺭﺩ ﺍﺴﻡ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ ﻋﻠﻴﻙ.. ﺘﻔﻀﻼ ﺍﻟﻁﻌﺎﻡ.. )ﺘﻀﻊ ﺍﻟﻁﻌﺎﻡ ﻋﻠـﻰ ﺃﺤـﺩ‬ ‫ﺸﺭﻭﻕ‬ ‫ﺍﻟﺼﺨﻭﺭ.. ﺘﻨﺎﻭل ﺍﻟﻐﺭﻴﺏ ﺍﻟﻤﻴﺎﻩ(.‬ ‫: ﻭﺃﻨﺕ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻟﻘﺩ ﺃﻜﻠﺕ ﺒﺎﻟﺩﺍﺨل.. ﺘﺭﻯ ﻤﺎ ﺍﻟﺫﻱ ﺃﺨﺭﻫﻤﺎ؟ ﺍﻨﻅﺭ ﺇﻨﻬـﺎ‬ ‫ﺸﺭﻭﻕ‬ ‫- ٣٣ -‬
‫ﺘﺭﺤل )ﻟﻠﺩﻤﻴﻡ(.‬ ‫: )ﻴﺘﻨﺎﻭل ﺍﻟﻁﻌﺎﻡ ﺒﻨﻬﻡ( ﻤﺎﺫﺍ؟!‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺍﻟﺸﻤﺱ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻨﻌﻡ.. ﻨﻌﻡ.. )ﻴﻐﻴﺭ ﺍﻟﺤﺩﻴﺙ( ﻴﺒﺩﻭ ﺃﻨﻙ ﺠﺎﺌﻊ ﺠ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻜﻼ.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻜﻼ!! )ﻴﻀﺤﻙ( ﻤﺎﺫﺍ.. ﻭﻟﻭ ﻜﻨﺕ ﺠﺎﺌ ‪‬ﺎ؟ ﺴﺘﺄﻜﻠﻨﺎ.‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﺏ‬ ‫: ﺍﻋﺫﺭﻨﻲ.. ﻓﻬﺫﻩ ﻫﻲ ﺍﻟﻤﺭﺓ ﺍﻷﻭﻟﻰ ﺍﻟﺘﻲ ﺁﻜل ﻓﻴﻬـﺎ ﻤـﻊ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﺃﺤﺩ.‬ ‫: ﺍﺴﻤﻌﺎ.. ﺇﻨﻨﻲ ﺃﺴﻤﻊ ﻭﻗﻊ ﺃﻗﺩﺍﻡ..‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻟﺤﻅﺎﺕ ﺼﻤﺕ.. ﺘﻀﻊ ﺃﺫﻨﻬﺎ ﻋﻠﻰ ﺍﻷﺭﺽ(.‬ ‫)ﺘﺩﺨل ﺍﻷﻡ ﻭﺃﻤل.. ﺍﻟﺩﻤﻴﻡ ﻴﺩﻴﺭ ﻭﺠﻬﻪ(.‬ ‫: ﺃﻤﺎﻩ.. ﻟﻘﺩ ﺍﻨﺘﺎﺒﻨﻲ ﺍﻟﻘﻠﻕ.. ﻤﺎ ﺍﻟﺫﻱ ﺃﺨﺭﻜﻤﺎ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎ ﺍﻟﺫﻱ ﺃﺘﻰ ﺒﻬﻡ ﺇﻟﻰ ﻫﻨﺎ؟‬ ‫ﺍﻷﻡ‬ ‫: ﺴﺄﻗﻭل ﻟﻙ ﻓﻴﻤﺎ ﺒﻌﺩ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺭﺤ ‪‬ﺎ ﺒﻙ.‬ ‫ﺒ‬ ‫ﺃﻤل‬ ‫: ﻭﻫﺫﺍ ﻤﻥ ﻴﻜﻭﻥ؟‬ ‫ﺍﻷﻡ‬ ‫: ﻋﺎﺒﺭ ﺴﺒﻴل.. ﺠﻠﺱ ﻟﻴﺴﺘﺭﻴﺢ ﺜﻡ ﻴﻤﻀﻲ ﻟﺤﺎﻟﻪ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻴﻤﻀﻴﺎﻥ.‬ ‫ﺍﻷﻡ‬ ‫- ٤٣ -‬
‫: ﺇﻨﻨﻲ ﻤﺘﻌﺒﺔ.. ﺴﺄﺩﺨل ﺃﺴﺘﺭﻴﺢ )ﺘـﺭﻯ ﻭﺠـﻪ ﺍﻟـﺩﻤﻴﻡ..‬ ‫ﺃﻤل‬ ‫ﺘﺼﺭﺥ(.‬ ‫: ﻻ ﺘﺨﺎﻓﻲ.. ﺘﻌﺎﻟﻲ ﻤﻌﻲ.. ﻫﻴﺎ )ﺘﺩﺨﻼﻥ ﺍﻟﻜﻭﺥ(.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻭﺃﻨﺕ ﻴﺎ ﺴﻴﺩﺘﻲ.. ﺃﻻ ﺘﺨﺸﻴﻥ ﻫﺫﻩ ﺍﻟﺴﺤﻨﺔ؟‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻻ.. ﻟﻡ ﺘﺨﺘﻠﻑ ﻋﻨﻬﻡ ﻜﺜﻴ ‪‬ﺍ ﻜﻠﻜﻡ ﻤﺘﺸﺎﺒﻬﻭﻥ.‬ ‫ﺭ‬ ‫ﺍﻷﻡ‬ ‫: ﺃﺭﺠﻭ ﺍﻟﻤﻌﺫﺭﺓ.. ﻟﻘـﺩ ﺨﺸـﻴﺕ ﺃﻥ ﺃﺘﺭﻜﻬـﺎ ﺒﻤﻔﺭﺩﻫـﺎ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻓﺎﻨﺘﻅﺭﺕ.‬ ‫)ﺘﺨﺭﺝ ﺸﺭﻭﻕ.. ﺘﺤﻤل ﻗﻨﺩﻴﻼ ﺘﻀﻌﻪ ﺒﺠﺎﻨﺒﻬﻡ(.‬ ‫ﹰ‬ ‫: ﻫﻴﺎ ﺍﺩﺨﻠﻲ ﻭﻻ ﺘﺨﺭﺠﻲ ﺜﺎﻨﻴﺔ.‬ ‫ﺍﻷﻡ‬ ‫: ﻭﻟﻜﻥ...‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻤﻘﺎﻁﻌﺔ( ﺴﺄﻓﻜﺭ ﻓﻲ ﺃﻤﺭ ﺭﺤﻴﻠﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﺤ ﹰﺎ ﻴﺎ ﺃﻤﺎﻩ.‬ ‫ﻘ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤ ﹰﺎ.‬ ‫ﻘ‬ ‫ﺍﻷﻡ‬ ‫)ﺃﻤل ﺘﻨﺎﺩﻱ.. ﺘﺴﺭﻉ ﺇﻟﻴﻬﺎ ﺍﻷﻡ ﻭﺸﺭﻭﻕ.. ﺍﻟﻐﺭﻴﺏ ﻴﻬﻡ‬ ‫ﺒﺎﻟﻤﺸﻲ(.‬ ‫: ﺁﻥ ﺍﻷﻭﺍﻥ ﻟﻨﺭﺤل؟ )ﻴﻠﻤﻠﻡ ﻤﺘﻌﻠﻘﺎﺘﻪ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻟﻤﺎﺫﺍ ﺘﺄﺨﺭﺘﻲ؟‬ ‫ﺹ ﺸﺭﻭﻕ‬ ‫: ﻜﺎﻨﺕ ﺍﻟﺤﻤﻭﻟﺔ ﻜﺒﻴﺭﺓ ﻭﺍﻟﻌﺎﺼﻔﺔ ﺸﺩﻴﺩﺓ.. ﺃﺨﺭﻨـﺎ ﺃﺤـﺩ‬ ‫- ٥٣ -‬
‫ﺍﻟﺴﺎﺩﺓ ﻟﺴﻤﺎﻉ ﺸﺭﻭﻁ ﺃﺨﺭﻯ.‬ ‫ﺹ ﺍﻷﻡ‬ ‫: ﻓﻲ ﻜل ﻤﺭﺓ ﺴﻴﻤﻠﻭﻥ ﺸﺭﻭ ﹰﺎ ﺠﺩﻴﺩﺓ.. ﻓﻜﺭﻱ ﻓﻲ ﺍﻷﻤﺭ‬ ‫ﻁ‬ ‫ﺹ ﺸﺭﻭﻕ‬ ‫ﻻ ﺒﺩ ﻭﺃﻥ ﻨﺭﺤل.‬ ‫)ﺘﺨﺭﺝ ﺍﻷﻡ ﻭﻤﻌﻬﺎ ﺯﻜﻴﺒﺔ ﺼﻐﻴﺭﺓ(.‬ ‫: ﺃﻋﺘﻘﺩ ﺃﻨﻜﻤﺎ ﺴﺘﺤﺘﺎﺠﺎﻥ ﺒﻌـﺽ ﺍﻟﻁﻌـﺎﻡ ﻭﺍﻟﻤـﺎﺀ ﻓـﻲ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﻁﺭﻴﻕ.‬ ‫: ﺸﻜ ‪‬ﺍ ﻴﺎ ﺴﻴﺩﺘﻲ.‬ ‫ﺭ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﻨﻅﺭ ﻟﻠﺩﻤﻴﻡ( ﻟﻘﺩ ﺍﺨﺘﺭﺕ ﺨﻴﺭ ﺍﻟﺭﻓﻴﻕ )ﻟﻠﻐﺭﻴﺏ(.‬ ‫ﺍﻷﻡ‬ ‫: ﻤﺎﻟﻲ ﺴﻭﺍﻩ.. ﺃﺒﻠﻐﻲ ﺘﺤﻴﺎﺘﻲ ﻟﺼﻐﺎﺭﻙ.. ﺍﻟﻭﺩﺍﻉ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫)ﺘﺨﺭﺝ ﺸﺭﻭﻕ(.‬ ‫: ﻫل ﺴﺘﺭﺤل ﺍﻵﻥ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻨﻌﻡ.. ﺍﻨﺘﻅﺭﻱ ﺤﺘﻰ ﺘﺭﺤل ﺃﻤﻙ.. ﺴﻴﺄﺘﻲ ﺍﻟﻭﻗﺕ ﺍﻟـﺫﻱ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺴﺘﺭﺤل ﻓﻴﻪ.. ﺍﻟﻭﺩﺍﻉ.‬ ‫: ﻫﺫﺍ ﻻ ﻴﻤﻜﻥ ﺃﺒ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﺩﺨﻠﻲ ﻋﻨﺩ ﺃﺨﺘﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺒﺩ ﻭﺃﻥ ﻨﺭﺤل.. ﺃﺭﺠﻭﻙ ﻴﺎ ﺃﻤﺎﻩ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻋﻭﺍﺀ ﺫﺌﺎﺏ(.‬ ‫: ﺇﻨﻬﻡ ﻗﺭﻴﺒﻭﻥ ﺠ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫- ٦٣ -‬
‫: ﻋﻠﻰ ﺍﻷﻗل ﺩﻋﻴﻬﻤﺎ ﻴﻨﺘﻅﺭﺍ ﻟﻠﺼﺒﺎﺡ.. ﺃﺭﺠﻭﻙ ﻴﺎ ﺃﻤﺎﻩ..‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤﺴ ﹰﺎ.. ﻓﻠﺘﻨﺘﻅﺭﺍ ﻟﻠﺼﺒﺎﺡ.. ﺃﺭﺠﻭ ﺃﻻ ﺃﺭﺍﻜﻤﺎ ﻗﺒل ﻁﻠﻭﻉ‬ ‫ﻨ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﻔﺠﺭ.. )ﺘﺩﺨل(.‬ ‫)ﺘﺤﻀﺭ ﺸﺭﻭﻕ ﺒﻌﺽ ﺍﻟﺒﻁﺎﻁﻴﻥ(.‬ ‫: ﺘﺼﺒﺤﺎﻥ ﻋﻠﻰ ﺨﻴﺭ )ﺘﺩﺨل(.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻴﺤﻀﺭ ﺍﻟﺩﻤﻴﻡ ﺒﻌﺽ ﺍﻷﺨﺸﺎﺏ ﺍﻟﺼﻐﻴﺭﺓ ﻭﻴﺸﻌﻠﻬﺎ(.‬ ‫: ﻫﺫﻩ ﺍﻟﻤﺭﺃﺓ ﻋﻨﻴﺩﺓ ﺠ ‪‬ﺍ ﻭﺼﺎﺭﻤﺔ.‬ ‫ﺩ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺘﻘﺎﺒﻠﺕ ﻤﻌﻬﻡ ﺒﺎﻟﺼﺩﻓﺔ.. ﺘﻤﺎ ‪‬ﺎ ﻤﺜﻠﻤﺎ ﺘﻘﺎﺒﻠﻨﺎ..‬ ‫ﻤ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫)ﻴﺨﻔﺽ ﻀﻭﺀ ﺍﻟﻘﻨﺩﻴل ﻭﻴﺴﺘﻠﻘﻲ( ﺃﻻ ﺘﺭﻴﺩ ﺃﻥ ﺘﻨﺎﻡ؟‬ ‫: ﺃﻴﻥ؟‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻫﻨﺎﻙ ﻓﻲ ﻓﻡ ﺍﻟﺫﺌﺏ )ﻴﻀﺤﻙ( ﻫﻨﺎ ﺒﺠﺎﻨﺒﻲ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﺤ ﹰﺎ..‬ ‫ﻘ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺒﻜل ﺘﺄﻜﻴﺩ ﻴﺎ ﻋﺯﻴﺯﻱ.. ﻜل ﻤﺎ ﺴﺘﻔﻌﻠﻪ ﺃﻨﻙ ﺴﺘﻠﻘﻲ ﺒﻨﻔﺴﻙ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻫﻨﺎ ﻋﻠﻰ ﻫﺫﻩ ﺍﻟﺒﻁﺎﻨﻴﺔ.. ﻭﺘﻐﻤﺽ ﻋﻴﻨﻴﻙ ﻭﺘﻨﻡ..‬ ‫: )ﻴﻀﺤﻙ.. ﻴﺴﺘﻠﻘﻲ ﺒﺠﺎﻨﺒﻪ( ﺃﻋﺫﺭﻨﻲ ﻓﻬﺫﻩ ﻫـﻲ ﺍﻟﻤـﺭﺓ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﺍﻷﻭﻟﻰ ﺍﻟﺘﻲ...‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺃﻨﺎﻡ ﻓﻴﻬﺎ ﺒﺠﺎﻨﺏ ﺃﺤﺩ.. ﺘﺼﺒﺢ ﻋﻠﻰ ﺨﻴﺭ.‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺘﺼﺒﺢ ﻋﻠﻰ ﺨﻴﺭ.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫- ٧٣ -‬
‫)ﻋﻭﺍﺀ ﺫﺌﺎﺏ ـ ﺘﺨﺭﺝ ﺍﻷﻡ ﺘﺭﺘﺩﻱ ﻤﻼﺒـﺱ ﺒﻴﻀـﺎﺀ..‬ ‫ﺘﻤﺴﻙ ﻗﻨﺩﻴﻼ ﻭﺘﺘﺠﻪ ﺃﻤﺎﻡ ﺍﻟﻤﺭﺘﻔـﻊ ﺍﻟﺭﻤﻠـﻲ ﺘﺭﻜـﻊ..‬ ‫ﹰ‬ ‫ﻟﺤﻅﺎﺕ ﺼﻤﺕ(.‬ ‫: ﻴﺎ ﺤﺒﻴﺒﻲ ﻴﺎ ﻗﺭﺓ ﻋﻴﻨﻲ.. ﺇﻨﻨﻲ ﺃﺘﻭﻕ ﺇﻟﻴﻙ.. ﻓﻘﺩ ﺴـﺌﻤﺕ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﺒﻘﺎﺀ.. ﺃﻋﺭﻑ ﺃﻥ ﺭﻭﺤﻙ ﺍﻟﻁﺎﻫﺭﺓ ﺘﻬـﻴﻡ ﻜـل ﻴـﻭﻡ‬ ‫ﺘﻨﺎﺩﻴﻨﻲ.. ﺇﻨﻨﻲ ﻤﺎ ﻨﺴﻴﺕ ﻴﺎ ﺤﺒﻴﺒﻲ.. ﻓﻨﺎﺭ ﺍﻟﻘﻠﺏ ﺘـﺯﺩﺍﺩ‬ ‫ﺴﻌﻴ ‪‬ﺍ ﻭﺁﻻﻤﻲ ﺘﻔﻭﻕ ﺍﻟﺼﺨﺭﺍﺕ.. ﺃﻨـﺎ ﻋﻠـﻰ ﺍﻟﻌﻬـﺩ‬ ‫ﺭ‬ ‫ﺃﺴﻴﺭ.. ﻤﺎ ﻋﺎﺩ ﺍﻟﻘﻠﺏ ﻴﻨﺒﺽ ﺒﺎﻟﺤﻴـﺎﺓ ﺇﻻ ﻷﺠﻠـﻙ ﻴـﺎ‬ ‫ﺤﺒﻴﺒﻲ.. ﻓﺒﺤﻕ ﺍﻷﻴﺎﻡ ﺍﻟﺨﻭﺍﻟﻲ.. ﻭﺒﺤﻕ ﺍﻷﻏﻨﻴﺎﺕ ﻭﺒﺤﻕ‬ ‫ﺍﻟﻴﻭﻡ ﺍﻟﻤﺸﺌﻭﻡ ﻭﺩﻤﻙ ﺍﻟﻤﻬﺩﻭﺭ ﻋﻠﻰ ﻜل ﺠﺒﺔ ﺭﻤل ﻭﺒﺤﻕ‬ ‫ﺍﻟﺼﺭﺨﺔ ﺍﻟﻤﺨﺘﻨﻘﺔ ﻤﻥ ﺃﺴﻔل ﻫﺫﺍ ﺍﻟﻤﻜﺎﻥ.. ﻭﺒﺤﻕ ﺍﻟﺜﻜﺎﻟﻰ‬ ‫ﻭﺍﻟﻴﺘﺎﻤﻰ.. ﺃﻋﺎﻫﺩﻙ ﺃﻨﻨﻲ ﻤﺎ ﻨﺴﻴﺕ ﺒﻜﺎﺀ ﺍﻷﻁﻔـﺎل ﻓـﻲ‬ ‫ﺍﻟﻅﻠﻤﺎﺕ ﻭﻨﻌﻴﻕ ﺍﻟﺒﻭﻡ ﻭﺼﻔﻴﺭ ﺍﻟﺭﻴﺢ ﻭﻋـﻭﺍﺀ ﺍﻟـﺫﺌﺎﺏ‬ ‫ﻭﺼﻴﺎﺡ ﺍﻟﺩﻴﻭﻙ.. ﻴﻭﻡ ﺫﺒﺤﺕ.. ﺃﻨﺕ ﻤﻘﺘﻭل ﻫﻨﺎ.. ﻜـل‬ ‫ﺍﻟﺼﺨﻭﺭ ﺒل ﻜل ﺤﺒﺎﺕ ﺍﻟﺭﻤﺎل ﺍﺭﺘﺠﻔﺕ ﻓﺴﻜﺕ ﺍﻟﻨﻌﻴـﻕ‬ ‫ﻭﻭﻟﻰ ﺍﻟﺼﻔﻴﺭ ﻭﺘﺭﺍﺠﻌﺕ ﺍﻟﺫﺌﺎﺏ.. ﻜل ﺍﻷﺸﻴﺎﺀ ﺘﺭﺍﺠﻌﺕ‬ ‫ﻟﻡ ﺘﺴﺘﻁﻊ ﺃﻥ ﺘﺭﻯ ﻗﻁﺭﺓ ﺩﻡ ﺘﺴﻘﻁ ﻋﻠﻰ ﺭﻤـﺎل ﻫـﺫﻩ‬ ‫ﺍﻟﺼﺤﺭﺍﺀ.. ﺇﻻ ﺍﻟﺠﺒﺎﺒﺭﺓ ﺍﻟﻘﺘﻠﺔ.. ﻤﺎ ﺘﺭﺍﺠﻌﻭﺍ ﻗﻁ.. ﺇﻨﻨﻲ‬ ‫- ٨٣ -‬
‫ﻤﺎ ﻨﺴﻴﺕ ﻴﺎ ﺤﺒﻴﺒﻲ.. ﻓﻨﺎﺭ ﺍﻟﻘﻠﺏ ﺘﺯﺩﺍﺩ ﺴﻌﻴ ‪‬ﺍ..‬ ‫ﺭ‬ ‫)ﻴﺴﺘﻴﻘﻅ ﺍﻟﻐﺭﻴﺏ ﻴﺘﻠﻔﺕ ﺤﻭﻟﻪ(.‬ ‫: ﻤﻌﺫﺭﺓ ﻴﺎ ﺴﻴﺩﺘﻲ ﻋﻠﻰ ﻤﻘﺎﻁﻌﺘﻙ.. ﻟﻘﺩ ﺨﺸﻴﺕ ﺃﻥ ﻴﻜـﻭﻥ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻗﺩ ﺃﺼﺎﺒﻙ ﻤﻜﺭﻭﻩ.‬ ‫: ﻻ ﺩﺨل ﻟﻙ ﺒﻲ.. ﺩﻋﻨﻲ ﻭﺸﺄﻨﻲ.. )ﺘﻨﺘﺤﺏ(.‬ ‫ﺍﻷﻡ‬ ‫: ﻭﻟﻜﻥ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﺼﺭﺥ( ﻗﻠﺕ ﻻ ﺸﺄﻥ ﻟﻙ ﺒﻲ.. ﻜﻠﻜﻡ ﻤﺠﺭﻤﻭﻥ.. ﻜﻠﻜـﻡ‬ ‫ﺍﻷﻡ‬ ‫ﻟﺼﻭﺹ.. ﻗﺘﻠﺔ ﻭﺃﻨﺕ ﻭﺍﺤﺩ ﻤﻨﻬﻡ..‬ ‫: ﻻ.. ﺃﻨﺎ ﻟﺴﺕ ﻤﺠﺭ ‪‬ﺎ ﻭﻻ ﻟ ‪‬ﺎ ﻭﻻ ﻗﺎﺘﻼ.. ﻟﻘﺩ ﺃﺭﻏﻤﺘﻨﻲ‬ ‫ﹰ‬ ‫ﺼ‬ ‫ﻤ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻟﺤﻴﺎﺓ ﻋﻠﻰ ﺃﻥ ﺃﻓﻌل ﻤﺜﻠﻤﺎ ﺘﻔﻌﻠﻴﻥ ﺃﻨﺕ ﺍﻵﻥ.. ﻟﻘﺩ ﻫﺯﻤﺕ‬ ‫ﻓﻲ ﻨﻔﺴﻲ ﻜل ﺍﻵﻤﺎل.. ﺃﻁﻔﺄﺕ ﻨﻭﺭ ﺍﻟﻔـﺅﺍﺩ.. ﺍﻏﺘﺎﻟـﺕ‬ ‫ﺍﻷﺤﻼﻡ.. ﻭﺯﺍﺩ ﺍﻟﻔﺠﺭ ﻓﺠﻭ ‪‬ﺍ ﻭﺩﺱ ﺍﻟﺴﻡ ﻟﻲ.. ﻭﺸـﺎﺀ‬ ‫ﺭ‬ ‫ﺍﻟﻘﺩﺭ ﺃﻻ ﺃﻤﻭﺕ ﻟﻜﻲ ﺃﻨﺘﻘﻡ..‬ ‫: ﻭﻗﺘﻠﺘﻬﺎ..‬ ‫ﺍﻷﻡ‬ ‫: ﻻ.. ﺒل ﺍﻟﻭﻫﻡ ﻫﻭ ﺨﺎﻨﻘﻬﺎ.. ﺃﺤﺎﻁﻬﺎ ﻤﻥ ﻜل ﺍﻻﺘﺠﺎﻫﺎﺕ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻟﻡ ﺘﺭ ﻏﻴﺭﻩ.. ﻨﻌﻡ ﺤﺎﺼﺭﻫﺎ ﺍﻟـﻭﻫﻡ.. ﻜﻨـﺕ ﺃﺭﻴـﺩ ﺃﻥ‬ ‫ﺃﻨﺘﻘﻡ.. ﻟﻜﻨﻬﺎ ﻤﺎﺘﺕ ﺭﻋ ‪‬ﺎ ﺨﺸﻴﺔ ﺃﻥ ﺃﻓﺘﻙ ﺒﻬـﺎ ﻓـﻲ ﺃﻱ‬ ‫ﺒ‬ ‫ﻟﺤﻅﺔ.. ﻤﺎﺘﺕ ﺒﺎﻟﻭﻫﻡ ﻭﺘﺭﻜﺘﻨﻲ ﻤﻘﺘﻭﻻ.‬ ‫ﹰ‬ ‫- ٩٣ -‬
‫: ﻭﺴﺎﻗﺘﻙ ﻗﺩﻤﺎﻙ ﺇﻟﻰ ﻫﻨﺎ ﻜﻲ ﺘﺒﺘﻌﺩ.. ﻴﺎ ﻟﻠﻐﺭﺍﺒـﺔ.. ﻤـﺎ‬ ‫ﺍﻷﻡ‬ ‫ﺃﻋﺠﺏ ﻫﺫﺍ ﺍﻟﺯﻤﻥ!!‬ ‫: ﻫﺫﻩ ﻫﻲ ﺍﻟﺤﻴﺎﺓ!!‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻤﺭﺭﺕ ﺫﺍﺕ ﻴﻭﻡ ﻤﻥ ﻫﻨﺎ ﻭﻤﻜﺜﺕ ﺒﻘﻴﺔ ﻋﻤـﺭﻱ ﺃﺒﺤـﺙ‬ ‫ﺍﻷﻡ‬ ‫ﻋﻨﻬﺎ.‬ ‫: ﻭﺠﺩﺘﻬﺎ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ.. ﻭﻟﻜﻨﻲ ﻜﻨﺕ ﺃﺒﺤﺙ ﻋﻥ ﺸﻲﺀ ﺁﺨﺭ.. ﻋـﻥ ﺭﺠـل‬ ‫ﺍﻷﻡ‬ ‫ﻴﻘﻭل ﻟﻲ ﺇﻥ ﺍﻟﺤﻕ ﻤﺎ ﻀﺎﻉ ﻭﺍﻟﺤﺏ ﻤﺎ ﺯﺍل.. ﻭﺍﻷﻤـل‬ ‫ﻤﻭﺠﻭﺩ.. ﺭﺠل ﻴﺒﺙ ﺍﻟﻨﺨﻭﺓ ﻓﻲ ﻋﺭﻭﻕ ﺍﻟﺭﺠﺎل.. ﺭﺠل‬ ‫ﻴﻌﻴﺩ..‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺍﻟﺫﻱ ﺭﺤل ﻻ ﻴﻌﻭﺩ.‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ.. ﺇﻨﻪ ﻫﻨﺎ ﻟﻡ ﻴﺭﺤل )ﺘﺸﻴﺭ(.‬ ‫ﺍﻷﻡ‬ ‫: )ﻴﻨﻅﺭ ﻷﺴﻔل( ﻫﻨﺎ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﺠل.. ﻗﺘل ﻭﺩﻓﻥ ﻫﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻟﻤﺎﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻷﻨﻪ ﻁﻴﺏ ﺍﻟﻘﻠﺏ.. ﻻ ﻴﻌﺭﻑ ﻏﻴﺭ ﺍﻟﺤﺏ.. ﻟﻜﻨﻬﻡ ﺃﺭﺍﺩﻭﺍ‬ ‫ﺍﻷﻡ‬ ‫ﺃﻥ ﻴﻐﺘﺎﻟﻭﺍ ﻫﺫﺍ ﺍﻟﺤﺏ.. )ﺘﺸﻴﺭ( ﻫﻨﺎ ﻜﻨﺎ ﻨﺴﻴﺭ.. ﻭﻫﻨﺎ ﻜﻨﺎ‬ ‫ﻨﻨﺘﻅﺭ ﻤﺩﻴﻨﺔ ﺨﻀﺭﺍﺀ ﺠﺩﻴﺩﺓ.. ﻭﻫﻨﺎ ﻭﻗـﻑ ﺍﻟﻁﻐـﺎﺓ..‬ ‫- ٠٤ -‬
‫ﻻ ﻴﺭﻴﺩﻭﻥ ﺃﻥ ﻨﻤﺭ ﺒﺴﻼﻡ.. ﺼﺭﺨﺕ ﺍﺘﺭﻜﻭﻨﺎ.. ﻋـﺫﺒﻨﻲ‬ ‫ﺃﺤﺩﻫﻡ، ﺼﺭﺥ ﺒﻜل ﻤﺎ ﻴﻤﻠﻙ ﻤﺤﺎﻭﻻ ﺍﻟـﺩﻓﺎﻉ ﻋﻨـﻲ..‬ ‫ﹰ‬ ‫ﻴﺤﺎﻭل ﺃﻥ ﻴﺤﻤﻴﻨﻲ.. ﻟﻡ ﻴﺘﺤﻤل ﺒﺸﺎﻋﺔ ﻫﺅﻻﺀ ﺍﻷﺸـﺭﺍﺭ‬ ‫ﺼﺭﺥ.. ﻟﻜﻨﻪ ﻁﻌﻥ.. ﻭﻅـل ﻴﺼـﺭﺥ.. ﻻ.. ﻜﺎﻨـﺕ‬ ‫ﺍﻟﻁﻌﻨﺎﺕ ﺘﺨﻤﺩ ﻜل ﺼﺭﺨﺔ ﺒﻔﻴﺽ ﻤﻥ ﺍﻟﺩﻤﺎﺀ.. ﻫﻨﺎ ﻗﺘل‬ ‫ﻭﺩﻓﻥ.. ﻫﻨﺎ ﻤﺜﻭﺍﻩ ﺍﻷﺨﻴﺭ.‬ ‫: ﻭﺃﻨﺕ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﺤﺩﺜﻪ ﻜل ﻴﻭﻡ.‬ ‫ﺍﻷﻡ‬ ‫: ﺴﺎﻤﺤﻴﻨﻲ ﺇﻥ ﻜﻨﺕ ﺘﺴﺒﺒﺕ ﻓﻲ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻤﻘﺎﻁﻌﺔ(.. ﺃﺭﺠﻭﻙ ﺍﺘﺭﻜﻨﻲ ﺒﻤﻔﺭﺩﻱ.‬ ‫ﺍﻷﻡ‬ ‫)ﺍﻟﻐﺭﻴﺏ ﻴﺴﺘﻠﻘﻲ ﺒﺠﻭﺍﺭ ﺍﻟﺩﻤﻴﻡ.. ﺍﻷﻡ ﺘﻨﺘﺤﺏ..‬ ‫ﺘﺨﻔﺽ ﻀﻭﺀ ﺍﻟﻘﻨﺩﻴل ﻭﺘﺩﺨل ﺍﻟﻜﻭﺥ.. ﻟﺤﻅﺎﺕ‬ ‫ﺼﻤﺕ.. ﺘﺭﺘﻔﻊ ﺍﻹﻀـﺎﺀﺓ ﺘـﺩﺭﻴﺠ ‪‬ﺎ.. ﺼـﻴﺎﺡ‬ ‫ﻴ‬ ‫ﺩﻴﻭﻙ.. ﺘﺩﺨل ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﺤﺭﺍﺱ ﻴﺘﻘـﺩﻤﻬﻡ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ(.‬ ‫: ﺃﺤﻀﺭﻭﻫﻡ )ﻴﻤﺴﻜﻭﻥ ﺒﻬﻡ(.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: )ﻴﺭﻯ ﻭﺠﻪ ﺍﻟﺩﻤﻴﻡ( ﺍﻟﻨﺠﺩﺓ.. ﺍﻟﻨﺠﺩﺓ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﻴﺴﺭﻉ ﻭﻴﻤﺴﻙ ﺍﻟﺩﻤﻴﻡ.. ﻭﻴﺼﺭﺥ( ﻻ.. ﻻ...‬ ‫ﺤﺎﺭﺱ ٢‬ ‫- ١٤ -‬
‫: ﻤﺎﺫﺍ ﺃﺼﺎﺒﻜﻤﺎ ﺃﻴﻬﺎ ﺍﻷﻏﺒﻴﺎﺀ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﺍﻨﻅﺭ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: )ﻴﻀﺤﻙ( ﻻ ﺸﻲﺀ ﺃﻴﻬﺎ ﺍﻷﺤﻤﻕ.. ﺍﺴﻤﻊ ﺃﻴﻬـﺎ ﺍﻟﺠﺒـﺎﻥ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫)ﻟﺤﺎﺭﺱ ١(.‬ ‫: ﻨﻌﻡ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺍﻨﺯﻉ ﻋﻨﻪ ﻫﺫﺍ ﺍﻟﻘﻨﺎﻉ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻗﻨﺎﻉ!‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻨﻌﻡ ﺃﻴﻬﺎ ﺍﻷﺤﻤﻕ.. ﺘﻘﺩﻡ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: )ﻤﺫﻋﻭ ‪‬ﺍ( ﺃﻤﺭ ﺴﻴﺩﻱ.‬ ‫ﺭ‬ ‫ﺤﺎﺭﺱ ١‬ ‫)ﻴﺤﺎﻭل ﺃﻥ ﻴﺠﺫﺏ ﻭﺠﻪ ﺍﻟﺩﻤﻴﻡ(.‬ ‫ﺇﻨﻪ ﻤﺼﻤﻡ ﺒﻁﺭﻴﻘﺔ ﺠﻴﺩﺓ ﻴﺎ ﺴﻴﺩﻱ.. ﻻ ﺃﺴﺘﻁﻴﻊ ﺠﺫﺒﻪ.‬ ‫: ﺤﺎﻭل ﺃﻥ ﺘﺴﺎﻋﺩﻩ )ﻟﺤﺎﺭﺱ ٢(.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﺃﻤﺭ ﺴﻴﺩﻱ )ﻴﺠﺫﺒﻭﻥ ﻭﺠﻬﻪ(.‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﺍﺒﺘﻌﺩﻭﺍ ﻋﻨﻪ.. ﺍﺒﺘﻌﺩﻭﺍ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻴﺼﺭﺥ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺃﻴﻬﺎ ﺍﻟﺤﻤﻘﻰ ﺍﻨﺯﻋﻭﺍ ﺒﻬﺩﻭﺀ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﺃﺘﻭﺴل ﺇﻟﻴﻜﻡ ﺍﺘﺭﻜﻭﻩ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫- ٢٤ -‬
‫: )ﻴﺼﺭﺥ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺇﻨﻪ ﻤﺤﻜﻡ ﺠ ‪‬ﺍ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﻻ ﺃﺴﺘﻁﻴﻊ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﺼﺩﻗﻨﻲ.. ﻟﻴﺱ ﻗﻨﺎ ‪‬ﺎ ﺃﻨﻪ ﻭﺠﻬﻪ ﺍﻟﺤﻘﻴﻘﻲ.‬ ‫ﻋ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫل ﺘﻤﺯﺡ ﺃﻴﻬﺎ ﺍﻷﺒﻠﻪ )ﻴﺘﻘﺩﻡ ﻭﻴﺠﺫﺏ ﻭﺠﻪ ﺍﻟﺩﻤﻴﻡ( ﺃﺭﻨﻲ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﻭﺠﻬﻙ ﺍﻟﺤﻘﻴﻘﻲ.. ﻤﺎﺫﺍ ﺘﺨﻔﻲ ﻭﺭﺍﺀ ﻫﺫﺍ ﺍﻟﻘﻨﺎﻉ؟‬ ‫: )ﻴﺼﺭﺥ ﻤﺘﺄﻟ ‪‬ﺎ(.‬ ‫ﻤ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: )ﺒﻔﺯﻉ( ﺁﻩ.. )ﻴﺘﻤﺎﻟﻙ ﻨﻔﺴﻪ( ﻷﻭل ﻤﺭﺓ ﺃﺭﻯ ﺴﺤﻨﺔ ﺒﻬﺫﻩ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺍﻟﺸﺎﻜﻠﺔ.‬ ‫: )ﻴﺒﻜﻲ(‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺨﺫﻫﻤﺎ.. ﺍﺴﻤﻊ ﻀﻊ ﻟﺜﺎ ‪‬ﺎ ﻋﻠﻰ ﻭﺠﻪ ﻫﺫﺍ ﺍﻟـﺩﻤﻴﻡ ﺤﺘـﻰ‬ ‫ﻤ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﻻ ﻴﻔﺯﻉ ﺇﺨﻭﺍﻨﻜﻡ.. ﻻ ﺃﺭﻴﺩ ﺜﺭﺜﺭﺓ ﺃﺜﻨﺎﺀ ﺴﻴﺭﻜﻡ..ﻫﻴـﺎ..‬ ‫)ﻴﺴﻴﺭﻭﻥ( ﻫﺫﺍ ﺁﺨﺭ ﻤﺎ ﻜﻨﺕ ﺃﺘﺨﻴﻠﻪ.. ﻋﺩﻡ ﻨﻅـﺎﻡ ﻓـﻲ‬ ‫ﻤﻨﻁﻘﺘﻲ ﺃﻨﺎ.. ﻻ ﻋﺎﺵ ﻭﻻ ﻜﺎﻥ ﻤﻥ ﻴﺨل ﺒﺎﻟﻨﻅـﺎﻡ ﻓـﻲ‬ ‫ﻋﻬﺩﻱ.‬ ‫)ﺼﻴﺎﺡ ﺩﻴﻭﻙ.. ﻴﺴﻴﺭ ﺍﻟﺤﺭﺍﺱ ﺨﻠﻑ ﻤﺴﺌﻭل ﺍﻷﻤـﻥ..‬ ‫ﻴﺨﺘﻔﻭﻥ.. ﺘﺨﺭﺝ ﺍﻷﻡ.. ﺘﺘﻠﻔﺕ ﺤﻭﻟﻬﺎ.. ﺘﺤﻤل ﺍﻟﺒﻁﺎﻁﻴﻥ‬ ‫ﺘﻘﻑ ﺃﻤﺎﻡ ﺍﻟﻬﻀﺒﺔ.. ﺘﺭﻜﻊ(.‬ ‫- ٣٤ -‬
‫: ﺇﻨﻨﻲ ﻤﺎ ﻨﺴﻴﺕ ﻴﺎ ﺤﺒﻴﺒﻲ.. ﻓﻨﺎﺭ ﺍﻟﻘﻠﺏ ﺘﺯﺩﺍﺩ ﺴـﻌﻴ ‪‬ﺍ...‬ ‫ﺭ‬ ‫ﺍﻷﻡ‬ ‫ﻭﺁﻻﻤﻲ ﺘﻔﻭﻕ ﺍﻟﺼﺭﺨﺎﺕ..‬ ‫)ﻴﺭﺘﻔﻊ ﺼﻴﺎﺡ ﺍﻟﺩﻴﻭﻙ.. ﺘﻨﺨﻔﺽ ﺍﻹﻀﺎﺀﺓ ﺘﺩﺭﻴﺠ ‪‬ﺎ(.‬ ‫ﻴ‬ ‫)ﺇﻅﻼﻡ(‬ ‫- ٤٤ -‬
‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺭﺍﺒﻌﺔ‬ ‫)ﺒﻬﻭ ﻓﺨﻡ ﻤﺤﺎﻁ ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﻤﻨﺘﺼﻑ ﺍﻟﺒﻬﻭ‬ ‫ﻜﺭﺴﻲ ﻓﺨﻡ ﺨﻠﻔﻪ ﺼﻭﺭﺓ ﻜﺒﻴﺭﺓ ﻟﻤﻨﻘـﺎﺭ ﻭﻋـﺭﻑ‬ ‫ﺩﻴﻙ.. ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﺤﺭﺍﺱ ﻴﺤﻴﻁﻭﻥ ﺒﺎﻟﺒﻬﻭ(.‬ ‫: ﺃﺘﻌﺭﻑ.. ﺇﻨﻨﻲ ﻻ ﺃﺤﺏ ﻤﺜل ﻫﺫﻩ ﺍﻻﺤﺘﻔﺎﻻﺕ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺤ ﹰﺎ.. ﺘﺨﻴل ﺇﻨﻨﻲ ﻟﻡ ﺃﺭ ﺍﻟﻨﻭﻡ ﻤﻨﺫ ﺜﻼﺜﺔ ﺃﻴﺎﻡ.‬ ‫ﻘ‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﻨﺤﻥ ﻨﺘﻌﺏ ﻭﻨﻜﺩ ﻭﻫﻡ ﻴﺤﺘﻔﻠﻭﻥ )ﻟﺤﻅﺔ ﺼﻤﺕ(.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺃﻱ ﻋﻴﺩ ﺴﻨﺤﺘﻔل ﺒﻪ ﻫﺫﻩ ﺍﻟﻤﺭﺓ؟‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﻫﺫﻩ ﺍﻟﻤﺭﺓ ﺍﻟﻌﺎﺸﺭﺓ ﺍﻟﺘﻲ ﺘﺴﺄﻟﻨﻲ ﻓﻴﻬﺎ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺍﻋﺫﺭﻨﻲ.. ﻓﻤﻨﺫ ﺃﻥ ﺭﺃﻴﺕ ﺍﻟﺭﺠل ﺍﻟﺩﻤﻴﻡ ﻭﻗﺩ ﻨﺴﻴﺕ ﻜل‬ ‫ﺤﺎﺭﺱ ٢‬ ‫ﺸﻲﺀ.‬ ‫: ﺍﻟﻴﻭﻡ ﻫﻭ ﻋﻴﺩ ﺍﻟﺭﻴﺵ.. ﺇﻴﺎﻙ ﺃﻥ ﺘﺴﺄﻟﻨﻲ ﺜﺎﻨﻴﺔ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺘﺭﻯ ﺇﻟﻰ ﻤﺘﻰ ﺴﻨﻅل ﻭﺍﻗﻔﻴﻥ ﻫﻜﺫﺍ؟‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﺇﻟﻰ ﺃﻥ ﻴﺄﺘﻲ ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ.. ﺍﺼﻤﺕ ﻗﻠﻴﻼ.‬ ‫ﹰ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺴﻤﻌﺕ ﺒﻌﺽ ﺍﻟﺴﺎﺩﺓ ﻴﻘﻭﻟـﻭﻥ ﺇﻨـﻪ ﺴـﻴﺘﻡ ﻤﺤﺎﻜﻤـﺔ‬ ‫ﺤﺎﺭﺱ ٣‬ ‫ﺍﻟﻬﺎﺭﺒﻴﻥ ﺃﻭﻻ ﻭﺒﻌﻀﻬﻡ ﻴﻘﻭل ﺃﻨﻨـﺎ ﺴـﻨﻘﻴﻡ ﺍﻻﺤﺘﻔـﺎل‬ ‫ﹰ‬ ‫ﺃﻭﻻ.. ﺃﻻ ﺘﻌﺭﻑ ﻤﺎﺫﺍ ﺴﻴﺘﻡ؟‬ ‫ﹰ‬ ‫: ﻻ.. ﻭﻟﻜﻥ ﻋﻨﺩﻤﺎ ﻴﺄﺘﻲ ﺴﻴﺎﺩﺓ ﺍﻟﺴﻴﺩ ﻤﺴـﺌﻭل ﺍﻟﻌـﺩل‬ ‫ﺤﺎﺭﺱ ٤‬ ‫- ٥٤ -‬
‫ﺴﻨﻌﺭﻑ ﻜل ﺸﻲﺀ..‬ ‫: ﻫل ﺭﺃﻴﺘﻪ؟‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: ﻤﻥ؟‬ ‫ﺤﺎﺭﺱ ٤‬ ‫: ﺍﻟﺩﻤﻴﻡ.. ﻭﻫل ﻫﻨﺎﻙ ﺴﻴﺭﺓ ﻏﻴﺭ ﺍﻟﺤﺩﻴﺙ ﻋﻨﻪ؟‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: ﻴﺎﻩ.. ﺃﺭﺠﻭﻙ ﻻ ﺘﺫﻜﺭﻨﻲ.‬ ‫ﺤﺎﺭﺱ ٤‬ ‫: ﻤﺎ ﻤﻥ ﺃﺤﺩ ﻴﺭﺍﻩ ﺇﻻ ﻭﺃﺼﺎﺒﻪ ﺍﻟﺫﻋﺭ.‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: ﺍﻨﻅﺭ..‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﻤﺎﺫﺍ؟‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫)ﻴﺩﺨل ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ.. ﺍﻟﺠﻤﻴﻊ ﻓﻲ ﺤﺎﻟﺔ ﺍﻨﺘﺒﺎﻩ(.‬ ‫: ﺘﻌﺭﻓﻭﻥ ﺠﻤﻴ ‪‬ﺎ ﺃﻥ ﺍﻟﻴﻭﻡ ﻫﻭ ﻋﻴﺩ ﺍﻟﺭﻴﺵ.‬ ‫ﻌ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻨﻌﻡ.. ﻨﻌﻡ.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻴﺴﺄﻟﻨﻲ ﺃﺤﺩﻜﻡ.. ﻟﻤﺎﺫﺍ ﺃﻋﻠﻨﺎ ﺍﻟﻁﻭﺍﺭﺉ ﻤﻨﺫ ﺜﻼﺜﺔ ﺃﻴﺎﻡ؟‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻟﻤﺎﺫﺍ ﺃﻋﻠﻨﺎ ﺤﺎﻟﺔ ﺍﻟﻁﻭﺍﺭﺉ ﻤﻨﺫ ﺜﻼﺜﺔ ﺃﻴﺎﻡ؟‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﺴﺅﺍل ﻋﻅﻴﻡ.. ﻫﺫﻩ ﻫﻲ ﺃﺼﻭل ﺍﻟﺒﺭﻭﺘﻭﻜﻭل.. ﻤﺎ ﻤـﻥ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫ﺍﺤﺘﻔﺎل ﻴﺘﻡ ﺇﻻ ﻭﻴﻜﻭﻥ ﻫﻨﺎﻙ ﺤﺎﻟﺔ ﻁﻭﺍﺭﺉ.‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻴﺴﺄﻟﻨﻲ ﺃﺤﺩﻜﻡ.. ﻫل ﺴﻨﺒﺩﺃ ﺍﻻﺤﺘﻔﺎل ﺃﻭﻻ ﺃﻡ ﺴـﻨﺤﺎﻜﻡ‬ ‫ﹰ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫- ٦٤ -‬
‫ﺍﻟﺫﻱ ﻻ ﻴﺴﻤﻰ؟!‬ ‫: ﻫل ﺴﻨﺒﺩﺃ..‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﻻ ﻴﻭﺠﺩ ﺇﻻ ﺃﻨﺕ. ﺃﻋﻁ ﻹﺨﻭﺍﻨﻙ ﻓﺭﺼﺔ.‬ ‫ﻌ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻫل ﺴﻴﺘﻡ ﺍﻻﺤﺘﻔﺎل ﺃﻭﻻ ﺃﻡ ﻨﺤﺎﻜﻡ ﺍﻟﻬﺎﺭﺒﻴﻥ ﺃﻭ ﹰ؟‬ ‫ﻻ‬ ‫ﹰ‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺃﻡ ﻨﺤﺎﻜﻡ ﺴﻴﺭﺓ ﺍﻟﺫﻱ ﻻ ﻴﺴﻤﻰ ﺃﻭﻻ.. ﻫﻪ..؟‬ ‫ﹰ‬ ‫ﻌ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺃﻡ ﻨﺤﺎﻜﻡ ﺴﻴﺭﺓ ﺍﻟﺫﻱ ﻻ ﻴﺴﻤﻰ ﺃﻭ ﹰ؟‬ ‫ﻻ‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: ﺴﺅﺍل ﻭﺠﻴﻪ.. ﻭﺃﻨﺎ ﺃﻋﺘﻘﺩ ﺃﻥ ﺍﻟﺫﻱ ﺴﻴﺠﻴﺏ ﻋﻥ ﻫـﺫﺍ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫ﺍﻟﺴﺅﺍل ﻋﻠﻰ ﻭﺠﻪ ﺍﻟﺘﺤﺩﻴﺩ ﻫﻭ ﺴﻴﺎﺩﺓ ﻤﺴﺌﻭل ﺍﻟﻌﺩل.‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫)ﺘﺩﺨل ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﻤﻭﺴﻴﻘﻴﻴﻥ ﻭﺍﻟﺭﺍﻗﺼﻴﻥ ﻭﺒﻌـﺽ‬ ‫ﺍﻟﺭﺠﺎل ﻴﺤﻤﻠـﻭﻥ ﻜـﺎﻤﻴﺭﺍﺕ ﺘﻠﻴﻔﺯﻴﻭﻨﻴـﺔ... ﻴـﺩﺨل‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ ﻭﺨﻠﻔﻪ ﻤﺴﺌﻭل ﺍﻟﻌﺩل(.‬ ‫: ﺤﺭﺱ ﺍﻨﺘﺒﺎﻩ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻜل ﺸﻲﺀ ﻋﻠﻰ ﻤﺎ ﻴﺭﺍﻡ؟‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫: ﺘﻤﺎﻡ ﻴﺎ ﺃﻓﻨﺩﻡ.. ﻜل ﺸﻲﺀ ﻋﻠﻰ ﻤﺎ ﻴﺭﺍﻡ..‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻨﺘﺒﻬﻭﺍ ﺠﻴ ‪‬ﺍ.. ﺃﺭﻴﺩ ﺃﻥ ﻴﺘﻡ ﺍﻻﺤﺘﻔﺎل ﻋﻠﻰ ﺃﻜﻤل ﻭﺠﻪ.‬ ‫ﺩ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫: ﺍﻁﻤﺌﻥ ﻴﺎ ﺃﻓﻨﺩﻡ..‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺤﺴ ﹰﺎ ﺍﺴﻤﻊ )ﻟﻤﺴﺌﻭل ﺍﻟﻌﺩل( ﺴﻭﻑ ﻨﺅﺠـل ﻤﺤﺎﻜﻤـﺔ‬ ‫ﻨ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫- ٧٤ -‬
‫ﺍﻟﻬﺎﺭﺒﻴﻥ ﻟﺤﻴﻥ ﺍﻻﻨﺘﻬﺎﺀ ﻤﻥ ﺍﻻﺤﺘﻔﺎل.‬ ‫: ﻋﻴﻥ ﺍﻟﻌﻘل.. ﻭﻟﻜﻥ ﻜﺎﻥ ﻴﺠﺏ ﺃﻥ ﻨﺒﻠﻎ ﺴﻴﺎﺩﺓ ﺍﻟﻔﺼﻴﺢ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﻌﺩل‬ ‫: ﺇﻨﻪ ﻴﻌﺭﻑ ﻜل ﺸﻲﺀ.. ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ ﻻ ﻴﺒل ﻟﻪ ﻓﻭﻟﺔ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫ﻓﻲ ﻓﻤﻪ.. ﻗﺎﻡ ﺒﻭﺍﺠﺒﻪ ﻋﻠﻰ ﺃﻜﻤل ﻭﺠﻬﻪ.‬ ‫: ﻭﻤﺎﺫﺍ ﺴﻨﻔﻌل ﺒﺎﻹﺭﻫﺎﺒﻲ؟‬ ‫ﻤﺴﺌﻭل ﺍﻟﻌﺩل‬ ‫: ﻟﻘﺩ ﻭﻀﻌﺘﻪ ﻓﻲ ﺯﻨﺯﺍﻨﺔ ﺍﻟﺭﺠﻠﻴﻥ.. ﻭﺤﻴﻥ ﺭﺃﻯ ﺍﻟـﺩﻤﻴﻡ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫ﺼ ـﺭﺥ ﻭﻁﻠ ـﺏ ﺍﻟﻨﺠ ـﺩﺓ.. ﺃﻏﻴﺜ ـﻭﻨﻲ.. ﺃﻏﻴﺜ ـﻭﻨﻲ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫)ﻴﻀﺤﻜﺎﻥ(.‬ ‫: ﻭﻤﺘﻰ ﺴﻨﺒﺩﺃ ﺍﻻﺤﺘﻔﺎل؟‬ ‫ﻤﺴﺌﻭل ﺍﻟﻌﺩل‬ ‫: ﺍﻵﻥ )ﻴﺸﻴﺭ.. ﺘﻌﺯﻑ ﺍﻟﻤﻭﺴﻴﻘﻰ( ﺃﺩﺨل ﻜﺒﺎﺭ ﺍﻟﺯﻭﺍﺭ.‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫: ﺃﻤﺭ ﺴﻴﺩﻱ.. ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ )ﻴﺩﺨل ﻋﻠﻰ ﺃﻨﻐـﺎﻡ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫ﺍﻟﻤﻭﺴﻴﻘﻰ(.‬ ‫: )ﻤﺭﺩ ‪‬ﺍ ﺒﺼﻭﺕ ﻫﺯﻟﻲ( ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻷﻤﻥ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: )ﻤﺭﺩ ‪‬ﺍ( ﻤﺴﺌﻭل ﺍﻷﻤﻥ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫- ٨٤ -‬
‫: )ﻤﺭﺩ ‪‬ﺍ( ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: )ﻤﺭﺩ ‪‬ﺍ( ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: )ﻤﺭﺩ ‪‬ﺍ( ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫)ﺘﺭﺘﻔﻊ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﻴﺘﻭﺍﻓﺩ ﺍﻟﺴﺎﺩﺓ ﻭﺍﺤ ‪‬ﺍ ﺘﻠﻭ ﺍﻵﺨﺭ..‬ ‫ﺩ‬ ‫ﺘﺭﺘﻔﻊ ﺍﻹﻀﺎﺀﺓ ﺘﺩﺭﻴﺠ ‪‬ﺎ.. ﻴﺩﺨل ﺍﻟﻔﺼﻴﺢ ﻓﻲ ﻤﻭﻜـﺏ‬ ‫ﻴ‬ ‫ﺒﻬﻴﺞ ﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻟﻜﺭﺴﻲ.. ﻴﻘﻑ ﺒﺠﺎﻨﺒﻪ ﺍﻟﻤﺘﺤـﺩﺙ‬ ‫ﺍﻟﺭﺴﻤﻲ ﻭﻤﺴﺌﻭل ﺍﻟﻌﺩل.. ﻴﻠﺘﻑ ﺤﻭﻟﻪ ﺒﻘﻴﺔ ﺍﻟﺴﺎﺩﺓ(.‬ ‫: ﺴﻼﻡ ﺍﻟﻔﺼﻴﺢ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻴ ـﻭﻤﺊ ﺒﺭﺃﺴ ـﻪ.. ﻴﺘﻘ ـﺩﻡ ﻤﺴ ـﺌﻭل ﺍﻹﻋ ـﻼﻡ ﻨﺤ ـﻭ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ﺍﻟﻔﺼﻴﺢ‬ ‫ﺍﻟﻤﻴﻜﺭﻭﻓﻭﻥ.‬ ‫: )ﻴﻨﺤﻨﻲ ﻟﻠﻔﺼﻴﺢ( ﺴﻴﺩﻱ ﺍﻟﻤﺒﺠل ﺴﻴﺎﺩﺓ ﺍﻟﻔﺼﻴﺢ.. ﺍﻟﺴﺩ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ.. ﺍﻹﺨﻭﺓ ﺍﻟﺴﺎﺩﺓ ﺍﻷﻋﺯﺍﺀ.. ﺇﻨﻨﺎ ﺍﻟﻴﻭﻡ‬ ‫ﻨﺤﺘﻔل ﺒﻌﻴﺩ ﻤﻥ ﺃﻫﻡ ﺍﻷﻋﻴﺎﺩ ﺃﻻ ﻭﻫـﻭ ﻋﻴـﺩ ﺍﻟـﺭﻴﺵ‬ ‫- ٩٤ -‬
‫)ﺘﺼﻔﻴﻕ( ﻭﻜﺎﻥ ﻟﻲ ﺍﻟﺸﺭﻑ ﺃﻥ ﺃﻟﻘـﻲ ﻜﻠﻤـﺔ ﺴـﻴﺩﻱ‬ ‫ﺍﻟﻔﺼﻴﺢ.. ﻭﻻ ﻴﺴﻌﻨﻲ ﻓﻲ ﻫﺫﻩ ﺍﻟﻤﻨﺎﺴﺒﺔ ﺇﻻ ﺃﻥ ﺃﻋﺒـﺭ‬ ‫ﻋﻥ ﻋﻤﻴﻕ ﺸﻜﺭﻱ ﻭﺍﻤﺘﻨﺎﻨﻲ ﻭﻜﺎﻟﻌﺎﺩﺓ ﻭﻓﻲ ﻜـل ﻤـﺭﺓ‬ ‫ﺃﻗﻭﻟﻬﺎ.. ﺇﻥ ﺍﻟﺭﻴﺵ ﻟﻪ ﺃﻫﻤﻴﺔ ﻜﺒﻴﺭﺓ ﻓﻲ ﺤﻴﺎﺘﻨـﺎ ﻓﻬـﻭ‬ ‫ﺍﻟﺫﻱ ﺴﺎﻋﺩﻨﺎ ﻋﻠﻰ ﺍﻟﻌﻤل ﻭﺍﻟﺠﻬﺎﺩ ﻭﺍﻟﻜﻔﺎﺡ ﻭﺍﻟﻨﺠـﺎﺡ..‬ ‫ﻓﻼ ﺒﺩ ﺃﻥ ﻨﻌﻁﻲ ﻟﻪ ﺍﻟﺤﻕ ﻜل ﺍﻟﺤﻕ ﻓﻲ ﺃﻥ ﻨﺠﻌل ﻟـﻪ‬ ‫ﻋﻴ ‪‬ﺍ.. ﺃﻻ ﻭﻫﻭ ﻋﻴﺩ ﺍﻟﺭﻴﺵ )ﺘﺼـﻔﻴﻕ( ﻭﻓـﻲ ﻫـﺫﻩ‬ ‫ﺩ‬ ‫ﺍﻟﻤﻨﺎﺴﺒﺔ ﻻ ﻴﺴﻌﻨﻲ ﺇﻻ ﺃﻥ ﺃﺸﻜﺭ ﺴﻴﺎﺩﺓ ﺍﻟﻔﺼﻴﺢ ﻋﻠـﻰ‬ ‫ﺭﻋﺎﻴﺘﻪ ﻭﺘﺸﺭﻴﻔﻪ ﻟﻨﺎ ﻓﻲ ﻋﻴﺩ ﻫﻭ ﻤﻥ ﺃﻫـﻡ ﺍﻷﻋﻴـﺎﺩ..‬ ‫ﺃﻻ ﻭﻫﻭ ﻋﻴﺩ ﺍﻟﺭﻴﺵ )ﺘﺼﻔﻴﻕ(.‬ ‫)ﻴﺘﻘﺩﻡ ﻤﺴﺌﻭل ﺍﻟﻌﺩل ﻭﻴﻘﺩﻡ ﻋﻠﺒﺔ ﻤﻤﻠـﻭﺀﺓ ﺒـﺎﻟﺭﻴﺵ‬ ‫ﻟﻠﻔﺼﻴﺢ.. ﺘﺼﻔﻴﻕ(.‬ ‫: )ﻴﺭﻓﻊ ﺍﻟﺭﻴﺵ ﻭﻴﻭﻤﺊ ﺒﺭﺃﺴﻪ(.‬ ‫ﺍﻟﻔﺼﻴﺢ‬ ‫: ﻭﺍﻵﻥ. ﻓﻠﻴﺒﺩﺃ ﺍﻻﺤﺘﻔﺎل.. ﺍﺸﺭﺒﻭﺍ ﻭﺍﺭﻗﺼﻭﺍ ﻭﻏﻨـﻭﺍ..‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫ﻓﻠﺘﺼﺩﺡ ﺍﻟﻤﻭﺴﻴﻘﻰ..‬ ‫)ﺘﻌﺯﻑ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﻴﺸﺭﺒﻭﻥ ﻭﻴﺭﻗﺼﻭﻥ.. ﺍﺴﺘﻌﺭﺍﺽ‬ ‫ﺍﻟﺭﻴﺵ(.‬ ‫- ٠٥ -‬
‫)ﻭﺒﻌﺩ ﺍﻨﺘﻬﺎﺀ ﺍﻻﺴﺘﻌﺭﺍﺽ.. ﻴﻘﻑ ﺍﻟﻔﺼﻴﺢ.. ﻟﺤﻅـﺎﺕ‬ ‫ﺼﻤﺕ.. ﻴﺨـﺭﺝ ﻭﺤﻭﻟـﻪ ﻤﺠﻤﻭﻋـﺔ ﻤـﻥ ﺍﻟﺴـﺎﺩﺓ‬ ‫ﻭﺍﻟﺤﺎﺸﻴﺔ ﻓﻲ ﻤﻭﻜﺏ ﺒﻬﻴﺞ(.‬ ‫)ﺇﻅﻼﻡ(‬ ‫- ١٥ -‬
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  • 1.
  • 2.    ‫א‬ -٢-
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫‪‬‬ ‫ﻓﻬﺭﺱ ............................................. - ٣ -‬ ‫ﺍﻹﻫﺩﺍﺀ ............................................. - ٥ -‬ ‫* ‪- 6 - .................................................  ‬‬ ‫ﺍﻟﺸﺨﺼﻴﺎﺕ ........................................ - ٧ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻷﻭﻟﻰ ...................................... - ٩ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺜﺎﻨﻴﺔ ..................................... - ١٢ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺜﺎﻟﺜﺔ ..................................... - ٦٢ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺭﺍﺒﻌﺔ .................................... - ٥٤ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺨﺎﻤﺴﺔ................................... - ٢٥ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺴﺎﺩﺴﺔ ................................... - ١٦ -‬ ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺴﺎﺒﻌﺔ ................................... - ٥٧ -‬ ‫* ‪- 82 - ....................................................... ‬‬ ‫ﺍﻟﺸﺨﺼﻴﺎﺕ ...................................... - ٤٨ -‬ ‫ﺍﻟﻔﺼل ﺍﻷﻭل ............................................ - ٥٨ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻷﻭل( ................................... - ٦٨ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻟﺜﺎﻨﻲ(................................. - ٣٠١ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻟﺜﺎﻟﺙ( ................................ - ٤٢١ -‬ ‫-٣-‬
  • 5. ‫ﺍﻟﻔﺼل ﺍﻟﺜﺎﻨﻲ .......................................... - ٤٣١ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻷﻭل( ................................. - ٥٣١ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻟﺜﺎﻨﻲ(................................. - ٢٤١ -‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻟﺜﺎﻟﺙ( ................................ - ٨٥١ -‬ ‫-٤-‬
  • 6. ‫ﺍﻹﻫﺩﺍﺀ‬ ‫ﺇﻟﻰ..‬ ‫ﺯﻭﺠﺘﻲ ﻓﻲ ﻤﺜﻭﺍﻫﺎ ﺍﻷﺨﻴﺭ‬ ‫ﺇﻟﻰ ﻁﻔﻠﺘﻲ..‬ ‫ﻋﺒﻴﺭ.. ﺍﻟﻨﺴﻤﺔ ﺍﻟﻌﻁﺭﺓ..‬ ‫ﻨﺠﻼﺀ.. ﺍﻟﺒﻬﺠﺔ ﺍﻟﻤﺸﺭﻗﺔ..‬ ‫ﻤﺤﻲ ﻋﺒﺩ ﺍﻟﺤﻲ‬ ‫-٥-‬
  • 8. ‫ﺍﻟﺸﺨﺼﻴﺎﺕ‬ ‫: ﺼ ـﺎﺭﻤﺔ.. ﺘﺭﺘ ـﺩﻱ ﻤﻼﺒ ـﺱ ﺤ ـﺩﺍﺩ.. ﻓ ـﻲ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﺨﻤﺴﻴﻨﻴﺎﺕ.‬ ‫: ﺍﻻﺒﻨﺔ ﺍﻟﻜﺒﺭﻯ.. ﻓﻲ ﺃﻭﺍﺨﺭ ﺍﻟﻌﺸﺭﻴﻨﻴﺎﺕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻻﺒﻨﺔ ﺍﻟﺼﻐﺭﻯ.. ﻓﻲ ﺃﻭﺍﺌل ﺍﻟﻌﺸﺭﻴﻨﻴﺎﺕ.‬ ‫ﺃﻤل‬ ‫: ﻫﺎﺩﺉ.. ﻴﺭﺘﺩﻱ ﺒﺫﻟـﺔ ﻤـﻭﺩﺭﻥ.. ﻤﻨﺘﺼـﻑ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻟﺨﻤﺴﻴﻨﻴﺎﺕ.‬ ‫: ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﻤﻬﺘﺭﺌﺔ.. ﻤﻨﺘﺼﻑ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺤﺎﺩ ﺍﻟﻁﺒﺎﻉ.. ﻴﺭﺘﺩﻱ ﺠﻠﺒﺎﺏ ﺃﺒﻴﺽ.. ﻤﻨﺘﺼﻑ‬ ‫ﺍﻟﻤﻠﺘﺤﻲ‬ ‫ﺍﻟﺜﻼﺜﻴﻨﻴﺎﺕ.‬ ‫: ﻴﺭﺘﺩﻱ ﻋﺒﺎﺀﺓ ﺨﻀﺭﺍﺀ ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.. ﻓـﻲ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫: ﻓﺎﺭﻉ ﺍﻟﻁﻭل.. ﻴﺭﺘﺩﻱ ﻋﺒﺎﺀﺓ ﺴﻭﺩﺍﺀ ﻤﻜﺴـﻭﺓ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫: ﻗﺼﻴﺭ.. ﻤﺎﻜﺭ.. ﻴﺭﺘﺩﻱ ﻋﺒﺎﺀﺓ ﻤﻨﻘﻁﺔ ﻤﻜﺴـﻭﺓ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫: ﺴﻤﻴﻥ.. ﻴﺭﺘﺩﻱ ﻋﺒﺎﺀﺓ ﺤﻤﺭﺍﺀ ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ..‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫-٧-‬
  • 9. ‫: ﻴﺘﻌﺎﻤل ﺒﻠﻐﺔ ﺍﻹﺸﺎﺭﺓ.. ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﻤﺒﻬﺭﺠﺔ.‬ ‫ﺍﻟﻔﺼﻴﺢ‬ ‫: ﻤﺘﻭﺴﻁ ﺍﻟﻁﻭل.. ﻤـﺎﻜﺭ.. ﻴﺭﺘـﺩﻱ ﻤﻼﺒـﺱ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫ﻤﺒﻬﺭﺠﺔ ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.‬ ‫: ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﺴﻭﺩﺍﺀ ﺒﻬﺎ ﻋﻼﻤﺎﺕ ﺒﻴﻀـﺎﺀ..‬ ‫ﻤﺴﺌﻭل ﺍﻟﻌﺩل‬ ‫ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ : ﻟﺩﻴﻪ ﻋﺎﻫﺔ.. ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﺯﺭﻗﺎﺀ ﻭﺒﻴﻀـﺎﺀ‬ ‫ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ.‬ ‫: ﻴﺭﺘﺩﻱ ﻤﻼﺒﺱ ﺠﻠﺩﻴﺔ ﻤﻜﺴﻭﺓ ﺒﺎﻟﺭﻴﺵ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫ﺤﺎﺭﺱ ١، ٢، ٣، ٤‬ ‫ﺸﺨﺼﻴﺎﺕ ﺃﺨﺭﻯ.. ﺤﺭﺍﺱ.. ﻤﻭﺴﻴﻘﻴﻴﻥ.. ﺭﺍﻗﺼﻴﻥ.. ﻤﺼﺎﺭﻋﻴﻥ.‬ ‫-٨-‬
  • 10. ‫ﺍﻟﻠﻭﺤﺔ ﺍﻷﻭﻟﻰ‬ ‫)ﺼﺤﺭﺍﺀ.. ﻨﺘﻭﺀﺍﺕ ﻭﺼﺨﻭﺭ ﻤﺘﻔﺭﻗـﺔ.. ﺭﺠـل‬ ‫ﻓﺎﻗﺩ ﺍﻟﻭﻋﻲ ﺒﺠﺎﻨﺏ ﺼﺨﺭﺓ ﻜﺒﻴﺭﺓ.. ﺼﻔﻴﺭ ﺍﻟﻌﺎﺼـﻔﺔ‬ ‫ﻴﺩﻭﻱ ﻓﻲ ﺃﺭﺠﺎﺀ ﺍﻟﻤﻜﺎﻥ.. ﺍﻷﻡ ﻭﺸﺭﻭﻕ ﻭﺃﻤل ﻴﺒـﺩﻭ‬ ‫ﻋﻠﻴﻬﻥ ﺍﻟﺘﻌﺏ.. ﺘﺘﻬﺎﻭﻯ ﺸﺭﻭﻕ ﻋﻠﻰ ﺍﻟﺭﻤﺎل ﺒﻴﻨﻤـﺎ‬ ‫ﺍﻷﻡ ﻭﺃﻤل ﺘﻭﺍﺼﻼﻥ ﺍﻟﺴﻴﺭ(.‬ ‫: ﻫﻴﺎ ﺃﺴﺭﻋﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺒﺩ ﺃﻥ ﻨﻨﺘﻅﺭ ﺤﺘﻰ ﺘﻬﺩﺃ ﺍﻟﻌﺎﺼﻔﺔ.‬ ‫ﺃﻤل‬ ‫: ﻻ.. ﺒل ﻴﺠﺏ ﺃﻥ ﻨﺤﻀﺭ ﺍﻟﻘﻤﺢ ﻗﺒل ﺃﻥ ﻴﺩﺭﻜﻨﺎ ﺍﻟﻅﻼﻡ.‬ ‫ﺍﻷﻡ‬ ‫: ﻟﻘﺩ ﺘﻌﺒﺕ ﻗﺩﻤﺎﻱ ﻴﺎ ﺃﻤﺎﻩ.‬ ‫ﺃﻤل‬ ‫: )ﺘﺘﻭﻗﻑ( ﺃﻴﻥ ﺃﺨﺘﻙ؟‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﻨﻅﺭ ﺨﻠﻔﻬﺎ( ﺸﺭﻭﻕ..‬ ‫ﺃﻤل‬ ‫: ﻴﺒﺩﻭ ﺃﻥ ﺍﻟﻨﻬﺎﻴﺔ ﻗﺩ ﺍﻗﺘﺭﺒﺕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺩﻋﻙ ﻤﻥ ﻫﺫﻩ ﺍﻷﻓﻜﺎﺭ.. ﻫﻴﺎ.. ﻴﺠﺏ ﺃﻥ ﻨﺼـل ﻓـﻲ‬ ‫ﺍﻷﻡ‬ ‫ﻤﻭﻋﺩﻨﺎ.‬ ‫: ﻭﻤﺘﻰ ﺴﻨﺼل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻜﺎﻟﻤﺭﺍﺕ ﺍﻟﺴﺎﺒﻘﺔ ﻭﻓﻲ ﻨﻔﺱ ﺍﻟﻤﻴﻌﺎﺩ.‬ ‫ﺃﻤل‬ ‫: ﻟﻘﺩ ﺘﻌﺒﺕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ ﺘﻀﻴﻌﺎ ﺍﻟﻭﻗﺕ.. ﻫﻴﺎ.. ﻫﻴﺎ.‬ ‫ﺍﻷﻡ‬ ‫-٩-‬
  • 11. ‫: )ﺘﺒﻜﻲ( ﻻ ﺃﺴﺘﻁﻴﻊ ﻤﻭﺍﺼﻠﺔ ﺍﻟﺴﻴﺭ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻭﺃﻨﺎ ﺃﻴ ‪‬ﺎ ﺘﻌﺒﺕ ﻗﺩﻤﺎﻱ.‬ ‫ﻀ‬ ‫ﺃﻤل‬ ‫: ﻤﺎﺫﺍ ﺃﻓﻌل ﻴﺎ ﻟﻠﻴﻭﻡ ﺍﻟﻤﺸﺌﻭﻡ.. ﺍﺴﻤﻌﺎ ﻻ ﺒﺩ ﻭﺃﻥ ﻨـﺄﺘﻲ‬ ‫ﺍﻷﻡ‬ ‫ﺒﺎﻟﻘﻤﺢ ﺤﺘﻰ ﻻ ﻨﺘﻌﺭﺽ...‬ ‫: )ﻤﻘﺎﻁﻌﺔ( ﻤﻬﻤﺎ ﻜﺎﻥ ﺍﻷﻤﺭ.. ﺩﻋﻴﻨﺎ ﻨﺴﺘﺭﺡ.. ﻓﻲ ﻜـل‬ ‫ﺃﻤل‬ ‫ﻤﺭﺓ ﻨﺠﺘﺎﺯ ﺃﻤﻴﺎﻻ ﺴﻴ ‪‬ﺍ ﻋﻠﻰ ﺍﻷﻗﺩﺍﻡ ﻟﻨﺄﺘﻲ ﻟﻬﻡ ﺒـﺎﻟﻘﻤﺢ‬ ‫ﹰ ﺭ‬ ‫ﻭﻨﺤﻥ..‬ ‫: ﻨﻤﻭﺕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺁﻩ ﻴﺎ ﺼﻐﻴﺭﺘﻲ ﻟﻭ ﺘﻌﺭﻓﻴﻥ ﻤﺩﻯ ﺤﺒﻲ ﻟﻙ.‬ ‫ﺍﻷﻡ‬ ‫)ﺃﻤل ﺘﺨﺭﺝ ﺯﻤﺯﻤﻴﺔ ﺍﻟﻤﻴﺎﻩ.. ﺘﺸﺭﺏ.. ﻴﺘﻼﺸﻰ ﺼﻔﻴﺭ‬ ‫ﺍﻟﻌﺎﺼﻔﺔ ﺘﺩﺭﻴﺠ ‪‬ﺎ(‬ ‫ﻴ‬ ‫: ﺍﻟﺤﻤﺩ ﷲ.. ﻜﻡ ﻫﻭ ﻤﺨﻴﻑ.‬ ‫ﺃﻤل‬ ‫)ﻟﺤﻅﺎﺕ ﺼﻤﺕ(‬ ‫: ﻫﺎ ﻗﺩ ﺍﺴﺘﺭﺤﻨﺎ.. ﻓﻠﻨﻭﺍﺼل ﺍﻟﺴﻴﺭ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﻭﻗﻭﻑ.. ﺍﺘﺭﻜﻭﻨﻲ ﻫﻨﺎ )ﺘﺒﻜﻲ(.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ ﺴﻨﻔﻌل؟‬ ‫ﺃﻤل‬ ‫: ﺃﻟﻡ ﻴﺤﻥ ﺍﻟﻭﻗﺕ ﻜﻲ ﻴﺭﻓﻊ ﻋﻨﺎ ﺍﻟﻌﺫﺍﺏ؟ ﻤﺎﺫﺍ ﺃﻓﻌل؟ ﻓﻲ‬ ‫ﺍﻷﻡ‬ ‫ﻜل ﻤﺭﺓ ﺘﻔﻌﻠﻴﻥ ﻫﺫﻩ ﺍﻟﺤﻤﺎﻗﺎﺕ.. ﺩﺒﺭﻨﻲ ﻴﺎ ﺭﺒﻲ.. ﻤﺎﺫﺍ‬ ‫- ٠١ -‬
  • 12. ‫ﺃﻓﻌل؟‬ ‫: ﻫﻭﻨﻲ ﻋﻠﻴﻙ ﻴﺎ ﺃﻤﺎﻩ.‬ ‫ﺃﻤل‬ ‫: ﺍﻨﻅﺭﻱ ﻴﺎ ﺃﻤل.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ؟‬ ‫ﺃﻤل‬ ‫: ﺍﻟﺸﻤﺱ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ ﺒﻬﺎ؟‬ ‫ﺃﻤل‬ ‫: ﺒﺩﺃﺕ ﺘﻅﻬﺭ ﺜﺎﻨﻴﺔ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻭﻤﺎ ﺍﻟﻐﺭﻴﺏ ﻓﻲ ﺫﻟﻙ؟‬ ‫ﺃﻤل‬ ‫: ﺇﻨﻬﺎ ﺘﻘﺘﺭﺏ ﻤﻨﺎ.. ﺘﻘﺘﺭﺏ ﺤﺘﻰ ﻨﻜﺎﺩ ﻨﻔﻘﺩ ﺃﺒﺼﺎﺭﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ ﺘﻨﻅﺭﻱ ﺇﻟﻴﻬﺎ.‬ ‫ﺃﻤل‬ ‫: ﺇﻨﻬﺎ ﺘﻬﺫﻱ ﻻ ﺘﺴﺘﻤﻌﻲ ﺇﻟﻴﻬﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻴﺒﺩﻭ ﺃﻨﻬﺎ ﺃﺼﻴﺒﺕ ﺒﻀﺭﺒﺔ ﺸﻤﺱ.‬ ‫ﺃﻤل‬ ‫)ﺸﺭﻭﻕ ﺘﺒﻜﻲ(.‬ ‫: ﻟﻤﺎﺫﺍ ﺘﺒﻜﻴﻥ؟‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﻤﻭﺍﺼﻠﺔ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻫﻴﺎ.. ﻻ ﺒﺩ ﻭﺃﻥ ﻨﻭﺍﺼل ﺍﻟﺴﻴﺭ.. ﻫﻴﺎ ﻗﺒل ﺃﻥ ﻨﺘﻌﺭﺽ‬ ‫ﺍﻷﻡ‬ ‫ﺠﻤﻴ ‪‬ﺎ ﻟﻀﺭﺒﺔ ﺸﻤﺱ.. ﻭﺭﺒﻤﺎ ﻨﺘﻌﺭﺽ ﻷﻜﺜـﺭ ﻤـﻥ‬ ‫ﻌ‬ ‫ﺫﻟﻙ.. ﻫﻴﺎ.‬ ‫- ١١ -‬
  • 13. ‫: ﺤﺴ ﹰﺎ.. ﺴﺄﻭﺍﺼل ﺍﻟﺴﻴﺭ ﻭﻟﻜﻥ ﻫﻨﺎﻙ ﻋﻨـﺩ ﺍﻟـﻭﺍﺩﻱ..‬ ‫ﻨ‬ ‫ﺸﺭﻭﻕ‬ ‫ﻟﻤﺎﺫﺍ ﺘﺼﺭﻴﻥ ﻋﻠﻰ ﺍﻟﺤﻴﺎﺓ ﻫﻨﺎ ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀ ﺍﻟﻤﻭﺤﺸﺔ؟‬ ‫ﻗﺩ ﻨﺭﻯ ﺤﻴﺎﺓ ﺃﺨﺭﻯ ﺃﻓﻀل.‬ ‫: ﻭﻫل ﻫﻨﺎﻙ ﺤﻴﺎﺓ ﺃﺨﺭﻯ؟‬ ‫ﺃﻤل‬ ‫: ﻤﺅﻜﺩ.. ﻭﻤﻥ ﺃﺠل ﻫﺫﺍ ﻻ ﺒﺩ ﺃﻥ ﻨﺭﺤل ﻤﻥ ﻫﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤﻴﺎﺘﻨﺎ ﻫﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻴﻜﻔﻲ ﻤﺎ ﻀﺎﻉ ﻤﻥ ﻋﻤﺭﻱ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺇﻨﻙ ﺘﻌﺭﻀﻴﻨﻨﺎ ﻟﻠﻌﺫﺍﺏ.‬ ‫ﺍﻷﻡ‬ ‫: ﺃﻨﺕ ﺘﺭﻴﺩﻴﻥ ﺫﻟﻙ.. ﻟﻘﺩ ﻀﻘﺕ ﺫﺭ ‪‬ﺎ.. ﺃﺘﻭﺴـل ﺇﻟﻴـﻙ‬ ‫ﻋ‬ ‫ﺸﺭﻭﻕ‬ ‫ﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﺒﻘﺎﺀ.. ﻴﺠﺏ ﺃﻥ ﻨﺭﺤل.‬ ‫: ﺴﻴﻠﺤﻘﻭﻥ ﺒﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﻴﻬﻡ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺴﺘﺤﻴل.. ﻫﻴﺎ.. ﻴﺠﺏ ﺃﻥ ﻨﻭﺍﺼل ﺍﻟﺴﻴﺭ.‬ ‫ﺍﻷﻡ‬ ‫: ﺒﻬﺫﺍ ﺴﺘﺠﻌﻠﻴﻨﻲ ﺃﻨﻬﻲ ﺤﻴﺎﺘﻲ ﺃﻤﺎﻤﻙ ﺍﻵﻥ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﺘﻤﺴﻙ ﺤﺠ ‪‬ﺍ(.‬ ‫ﺭ‬ ‫: ﻻ.. ﺃﺭﺠﻭﻙ.. ﻓﻜﺭﻱ ﻓﻲ ﺍﻷﻤﺭ.‬ ‫ﺃﻤل‬ ‫: )ﺘﺒﻜﻲ(.‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﺒﻜﻲ( ﻟﻤﺎﺫﺍ ﺍﻟﺒﻜﺎﺀ ﻴﺎ ﺃﻤﺎﻩ؟‬ ‫ﺃﻤل‬ ‫- ٢١ -‬
  • 14. ‫: )ﺘﺤﺘﻀﻨﻬﻤﺎ( ﺴﺄﻓﻜﺭ.. ﻭﻟﻜﻥ ﺒﻌﺩ ﺃﻥ ﻨﻌﻭﺩ.‬ ‫ﺍﻷﻡ‬ ‫: ﺃﺤ ﹰﺎ؟‬ ‫ﻘ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺴﻨﺭﺤل ﻟﻠﻭﺍﺩﻱ؟‬ ‫ﺃﻤل‬ ‫: )ﺘﺘﻠﻔﺕ ﺤﻭﻟﻬﺎ( ﺍﺨﻔﻀﻲ ﺼﻭﺘﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﻟﻤﺎﺫﺍ؟‬ ‫ﺃﻤل‬ ‫: ﻻ ﺸﻲﺀ.‬ ‫ﺍﻷﻡ‬ ‫: ﺁﻩ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﺘﺴﻤﻌﻭﻥ؟‬ ‫ﺃﻤل‬ ‫: ﻤﺎﺀ.. ﺃﺭﻴﺩ ﻤﺎﺀ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺇﻨﻪ ﻫﻨﺎﻙ.. ﻴﺒﺩﻭ ﺃﻨﻪ ﻀل ﺍﻟﻁﺭﻴﻕ.‬ ‫ﺃﻤل‬ ‫: ﺩﻋﻴﻪ ﻭﺸﺄﻨﻪ.‬ ‫ﺍﻷﻡ‬ ‫: ﺁﻩ.. ﻗﻁﺭﺓ ﻤﺎﺀ ﻗﺩ ﺘﻌﻴﺩ ﺍﻟﺤﻴﺎﺓ.. ﺁﻩ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺇﻨﻪ ﻴﺘﺄﻟﻡ )ﺍﻷﻡ ﺘﻘﺘﺭﺏ(.‬ ‫ﺃﻤل‬ ‫: ﻤﺎﺫﺍ ﺒﻙ؟‬ ‫ﺍﻷﻡ‬ ‫: ﺭﺃﺴﻲ ﺘﺅﻟﻤﻨﻲ.. ﻴﺒﺩﻭ ﺃﻨﻨﻲ ﺍﺼﻁﺩﻤﺕ ﺒﻬﺫﻩ ﺍﻟﺼـﺨﺭﺓ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫)ﺃﻤل ﺘﺒﻠل ﺸﻔﺘﻴﻪ ﺒﺎﻟﻤﺎﺀ(.‬ ‫: ﻤﺎ ﺍﻟﺫﻱ ﺃﺘﻰ ﺒﻙ ﺇﻟﻰ ﻫﻨﺎ؟‬ ‫ﺍﻷﻡ‬ ‫: ﺁﻩ.. ﺭﺃﺴﻲ ﺘﺅﻟﻤﻨﻲ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫- ٣١ -‬
  • 15. ‫: ﺃﺠﺏ ﻋﻥ ﺴﺅﺍﻟﻲ.‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﻘﺘﺭﺏ( ﻤﺎﺫﺍ ﺒﻪ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻟﻘﺩ ﻀل ﺍﻟﻁﺭﻴﻕ.‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﺨﺭﺝ ﺭﺒﺎ ﹰﺎ ﻤﻥ ﺍﻟﺯﻜﻴﺒﺔ( ﻗﺩ ﻴﺴﺎﻋﺩ.. ﺨﺫﻩ.‬ ‫ﻁ‬ ‫ﺃﻤل‬ ‫: ﻟﻡ ﺘﺠﺏ ﻋﻥ ﺴﺅﺍﻟﻲ.‬ ‫ﺍﻷﻡ‬ ‫: )ﻴﺭﺒﻁ ﺭﺃﺴﻪ( ﺠﺌﺕ ﺃﺒﺤﺙ ﻋﻥ ﺍﻟﺤﻴﺎﺓ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺘﺒﺤﺙ ﻋﻥ ﺍﻟﺤﻴﺎﺓ!! ﻫﻨﺎ ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀ.. ﻓﻲ ﺍﻟﻔـﺭﺍﻍ..‬ ‫ﺸﺭﻭﻕ‬ ‫ﻫﻨﺎ ﻋﻠﻰ ﻫﺎﻤﺵ ﺍﻟﺤﻴﺎﺓ.‬ ‫: ﻨﻌﻡ ﻋﻠﻰ ﻫﺎﻤﺵ ﺍﻟﺤﻴﺎﺓ.. ﻗﺩ ﺘﻜﻭﻥ ﻜل ﺍﻟﺤﻴﺎﺓ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﻨﺕ ﻤﺠﻨﻭﻥ.‬ ‫ﺍﻷﻡ‬ ‫: ﻜﻠﻨﺎ ﻤﺠﺎﻨﻴﻥ ﻴﺎ ﺴﻴﺩﺘﻲ.. ﻓﻴﻨﺎ ﻤﻥ ﻴﻌﺸﻕ ﺠﻨﻭﻨﻪ ﻭﻓﻴﻨـﺎ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻤﻥ ﻴﻤﻘﺘﻪ.. ﺍﻟﻜل ﻤﺠﻨـﻭﻥ ﺒﻁﺭﻴﻘﺘـﻪ.. ﻓـﻲ ﺍﻟﻨﻬﺎﻴـﺔ‬ ‫ﻻ ﻨﺴﺘﻁﻴﻊ ﺴﻭﻯ ﺃﻥ ﻨﺴﺄل.‬ ‫: ﻨﺴﺄل ﻋﻥ ﻤﺎﺫﺍ؟‬ ‫ﺃﻤل‬ ‫: ﻋﻥ ﺍﻷﻤل.. ﺍﻟﺴﻌﺎﺩﺓ.. ﻋﻥ ﺤﻴﺎﺓ ﺠﺩﻴﺩﺓ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻭﻫل ﻫﻨﺎﻙ ﺤﻴﺎﺓ ﺠﺩﻴﺩﺓ؟‬ ‫ﺃﻤل‬ ‫: ﻟﻴﺱ ﺃﻤﺎﻤﻨﺎ ﻭﻗﺕ.. ﻫﻴﺎ ﺒﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻗﻠﺕ ﻟﻙ ﻻ ﺃﺴﺘﻁﻴﻊ ﻤﻭﺍﺼﻠﺔ ﺍﻟﺴﻴﺭ.. ﻗﺩﻤﺎﻱ ﺘﺅﻟﻤﻨﻲ.‬ ‫ﺸﺭﻭﻕ‬ ‫- ٤١ -‬
  • 16. ‫: )ﺘﻀﻊ ﺯﻤﺯﻤﻴﺔ ﺍﻟﻤﻴﺎﻩ ﻓﻲ ﺍﻟﺯﻜﻴﺒﺔ( ﻫﻴﺎ ﺒﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻤﻌﺫﺭﺓ ﻴﺎ ﺴﻴﺩﺘﻲ.. ﺃﻱ ﺍﺘﺠﺎﻩ ﻴﺅﺩﻱ ﺇﻟﻰ ﺍﻟﺸﻤﺎل؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫﺫﺍ.. ﻭﻟﻜﻨﻙ ﻻ ﺘﺴﺘﻁﻴﻊ.‬ ‫ﺍﻷﻡ‬ ‫: ﻟﻤﺎﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻷﻨﻙ ﺴﺘﺠﺩ ﻤﻥ ﻴﻭﻗﻔﻙ ﻫﻨﺎﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﻤﻥ ﺴﻴﻭﻗﻔﻨﻲ؟ ﻋﻤﻥ ﺘﺘﺤﺩﺜﻴﻥ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ ﺸﻲﺀ ﻫﻴﺎ.. ﻫﻴﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﺃﺭﺠﻭ ﻴﺎ ﺴﻴﺩﺘﻲ ﺃﻻ ﺘﺘﺠﻬﻲ ﺃﻨـﺕ ﺃﻴ ‪‬ـﺎ ﻤـﻥ ﻫـﺫﺍ‬ ‫ﻀ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻻﺘﺠﺎﻩ.. ﺴﻭﻑ ﺘﺒﺩﺩﻴﻥ ﻭﻗﺘﻙ.. ﺇﻨﻨﻲ ﻗﺎﺩﻡ ﻤﻥ ﻫﻨﺎ.‬ ‫: ﻻ ﺸﺄﻥ ﻟﻙ ﺒﻨﺎ.. ﻫﻴﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺸﻲﺀ ﻫﻨﺎﻙ ﻏﻴﺭ ﺍﻟﻀﻴﺎﻉ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫﻴﺎ.. ﻫﻴﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻫل ﺴﻨﺩﺒﺭ ﺃﻤﻭﺭﻨﺎ ﻭﻨﺭﺤل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻜﻔﺎﻙ ﺜﺭﺜﺭﺓ.. ﺃﻏﻠﻘﻲ ﻓﻤﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﺤﺴ ﹰﺎ.. ﺴﺄﻏﻠﻕ ﻓﻤﻲ.. ﻭﻟﻜﻨﻲ ﻻ ﺃﺴـﺘﻁﻴﻊ ﻤﻭﺍﺼـﻠﺔ‬ ‫ﻨ‬ ‫ﺸﺭﻭﻕ‬ ‫ﺍﻟﺴﻴﺭ.. ﺃﺘﻔﻬﻤـﻴﻥ؟.. ﻟﻘـﺩ ﺴـﺌﻤﺕ ﺍﻟﺤﻴـﺎﺓ ﻫﻨـﺎ..‬ ‫ﻻ ﺃﺴﺘﻁﻴﻊ.‬ ‫: ﺃﺭﺠﻭﻙ ﻴﺎ ﺴﻴﺩﺘﻲ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫- ٥١ -‬
  • 17. ‫: )ﻤﻘﺎﻁﻌﺔ( ﻗﻠﺕ ﻻ ﺸﺄﻥ ﻟﻙ ﺒﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﺃﻱ ﺍﺘﺠﺎﻩ ﺃﺴﻴﺭ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻜل ﺍﻻﺘﺠﺎﻫﺎﺕ ﺘﺅﺩﻱ ﺇﻟﻰ ﻫﻨﺎﻙ.. ﻫﻴـﺎ.. ﻻ ﺘﻀـﻴﻌﺎ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﻭﻗﺕ.‬ ‫: ﺴﺄﻨﺘﻅﺭ ﻫﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺇﻨﻬﺎ ﻤﺘﻌﺒﺔ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺍﺫﻫﺏ ﻜﻴﻔﻤﺎ ﺸﺌﺕ ﻟﻜﻥ ﺩﻋﻨﺎ ﻭﺸﺄﻨﻨﺎ ﻫﻴﺎ.. )ﺘﺼـﺭﺥ(‬ ‫ﺍﻷﻡ‬ ‫ﻫﻴﺎ..‬ ‫: ﺤﺴ ﹰﺎ.. ﺤﺴ ﹰﺎ )ﻴﻨﻅﺭ ﻓﻲ ﺠﻤﻴﻊ ﺍﻻﺘﺠﺎﻫـﺎﺕ.. ﻴﺴـﻴﺭ‬ ‫ﻨ‬ ‫ﻨ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺒﺒﻁﺀ(.‬ ‫: ﻫﻴﺎ ﻴﺎ ﺍﺒﻨﺘﻲ ﻟﻘﺩ ﺘﺄﺨﺭﻨﺎ ﺒﻤﺎ ﻓﻴﻪ ﺍﻟﻜﻔﺎﻴﺔ.‬ ‫ﺍﻷﻡ‬ ‫: )ﺘﺼﻤﺕ(.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤﺴ ﹰﺎ.. ﺍﻨﺘﻅﺭﻱ ﻜﻴﻔﻤﺎ ﺘﺭﻴﺩﻴﻥ.. ﻫﻴﺎ ﻴﺎ ﺃﻤل.‬ ‫ﻨ‬ ‫ﺍﻷﻡ‬ ‫: ﻓﻲ ﻜل ﻤﺭﺓ ﺘﻔﻌل ﻤﺜل ﻫﺫﻩ ﺍﻷﻻﻋﻴﺏ.. ﻟـﻴﺱ ﻟـﺩﻴﻨﺎ‬ ‫ﺃﻤل‬ ‫ﻭﻗﺕ.‬ ‫: ﺴﺄﻨﺘﻅﺭ ﻗﺩﻭﻤﻙ ﻴﺎ ﺃﻤﺎﻩ.. ﺘﺫﻜﺭﻱ ﺠﻴ ‪‬ﺍ ﻤﺎ ﻗﻠﺘﻪ.. ﻻﺒـﺩ‬ ‫ﺩ‬ ‫ﺸﺭﻭﻕ‬ ‫ﻭﺃﻥ ﻨﺭﺤل..‬ ‫: ﺩﻋﻙ ﻤﻥ ﻫﺫﻩ ﺍﻷﻓﻜﺎﺭ.‬ ‫ﺍﻷﻡ‬ ‫- ٦١ -‬
  • 18. ‫: ﻻ ﺘﻘﻠﻘﻲ ﻴﺎ ﺸﺭﻭﻕ.. ﺴﻭﻑ ﻨﻌﻭﺩ ﺴﺭﻴ ‪‬ﺎ.‬ ‫ﻌ‬ ‫ﺃﻤل‬ ‫)ﺍﻷﻡ ﻭﺃﻤل ﺘﻭﺍﺼﻼﻥ ﺍﻟﺴﻴﺭ.. ﻟﺤﻅﺎﺕ ﺼﻤﺕ(.‬ ‫: ﺃﻴﻬﺎ ﺍﻟﻐﺭﻴﺏ.. ﺃﻴﻬﺎ ﺍﻟﻐﺭﻴﺏ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻴﻅﻬﺭ ﺍﻟﻐﺭﻴﺏ ﻤﻥ ﺨﻠﻑ ﺃﺤﺩ ﺍﻟﺼﺨﻭﺭ(.‬ ‫ﻜﻨﺕ ﺃﻋﺭﻑ ﺃﻨﻙ ﻟﻡ ﺘﺒﺘﻌﺩ ﻜﺜﻴ ‪‬ﺍ.‬ ‫ﺭ‬ ‫: ﻭﻜﻴﻑ ﻋﺭﻓﺕ ﺫﻟﻙ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﻨﺕ ﻏﺭﻴﺏ.. ﺜﻡ ﺇﻨﻙ ﻻ ﺘﻌﺭﻑ ﺍﻟﻁﺭﻴﻕ ﺠﻴ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺸﺭﻭﻕ:‬ ‫: ﻭﻟﻜﻥ ﻟﻴﺱ ﻫﺫﺍ ﻫﻭ ﺍﻟﺴﺒﺏ.. ﺍﻟﺴﺒﺏ ﺍﻟﺤﻘﻴﻘﻲ ﻫﻭ ﺃﻨﺕ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﻨﺎ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻨﻌﻡ ﺃﻨﺕ.. ﻟﻘﺩ ﺨﺸﻴﺕ ﺃﻥ ﺘﻅﻠﻲ ﺒﻤﻔﺭﺩﻙ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻜﻨﺕ ﺴﺄﻨﺩﺏ ﺤﻅﻲ ﺇﻥ ﻟﻡ ﺃﺠﺩﻙ.‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻴﻀﺤﻙ(.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺍﻨﻅﺭ..‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺍﻟﺸﻤﺱ.. ﺇﻨﻬﺎ ﺘﺭﺤل.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺇﻨﻬﺎ ﻻ ﺘﺭﺤل.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ.. ﻫﻲ ﺩﺍﺌ ‪‬ﺎ ﺘﺭﺤل ﺇﻟﻰ ﻫﻨﺎﻙ.. ﺇﻟﻰ ﺍﻟﻭﺍﺩﻱ.‬ ‫ﻤ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻟﺸﻤﺱ ﻴﺎ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫- ٧١ -‬
  • 19. ‫: ﺸﺭﻭﻕ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺸﺭﻭﻕ ﺍﺴﻡ ﺠﻤﻴل )ﻟﺤﻅﺎﺕ ﺼﻤﺕ(.. ﻤﺎ ﺍﺴـﻡ ﻫـﺫﺍ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻟﻁﺭﻴﻕ.‬ ‫: ﻁﺭﻴﻕ ﺍﻟﺭﻴﺵ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻟﺤﻅﺎﺕ ﺼﻤﺕ(.‬ ‫: ﻟﻘﺩ ﺘﺄﺨﺭﺕ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻤﻥ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺃﻤﻙ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ ﺘﻘﻠﻕ.. ﺴﻭﻑ ﺘﺄﺘﻲ ﻓﻠﻴﺱ ﻫﻨﺎﻙ ﻤﻜﺎﻥ ﻏﻴﺭ ﺍﻟﻜﻭﺥ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻟﻜﻭﺥ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻨﻌﻡ.. ﻓﻘﺩ ﺃﻋﻁﺎﻩ ﻟﻨﺎ..‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﻤﻥ؟‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺇﻨﻪ..‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﺭﺘﺒﻙ( ﻻ ﺸﻲﺀ.. ﻻ ﺸﻲﺀ..‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻟﺤﻅﺎﺕ ﺼﻤﺕ( ﻭﻤﺎﺫﺍ ﻋﻥ ﺃﺒﻴﻙ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻜﺎﻥ ﻟﻲ ﺃﺏ.‬ ‫ﺸﺭﻭﻕ‬ ‫- ٨١ -‬
  • 20. ‫: ﻭﺃﻴﻥ ﻫﻭ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺭﺤل ﻤﻨﺫ ﻜﻨﺕ ﻁﻔﻠﺔ.. )ﻟﺤﻅﺎﺕ ﺼﻤﺕ( ﺃﺫﻜﺭ ﻋﻨـﺩﻤﺎ‬ ‫ﺸﺭﻭﻕ‬ ‫ﻜﻨﺎ ﻨﻤﺭ ﻤﻥ ﻫﻨﺎ )ﺘﺸﻴﺭ(... ﻫﺠﻡ ﻋﻠﻴﻨﺎ ﻤﺠﻤﻭﻋﺔ ﻤـﻥ‬ ‫ﺍﻷﺸﺭﺍﺭ.. ﻭﻀﺭﺒﻨﻲ ﺃﺤﺩﻫﻡ ﻟﻡ ﺃﺘﺫﻜﺭ ﺸﻴ ًﺎ.. ﻭﻋﻨـﺩﻤﺎ‬ ‫ﺌ‬ ‫ﺍﺴﺘﻴﻘﻅﺕ ﻭﺠﺩﺕ ﺃﻤﻲ ﺘﺤﺘﻀﻨﻨﻲ ﺃﻨـﺎ ﻭﺃﻤـل ﻭﻫـﻲ‬ ‫ﺘﺒﻜﻲ.. ﻭﻋﻨﺩﻤﺎ ﺴﺄﻟﺘﻬﺎ ﻋﻥ ﺃﺒﻲ ﻗﺎﻟﺕ ﺭﺤل.. ﻋﺭﻓـﺕ‬ ‫ﺒﻌﺩ ﺫﻟﻙ ﺃﻨﻪ ﺭﺤل ﻟﻸﺒﺩ.‬ ‫: ﻤﺎﺫﺍ ﻴﺠﺭﻱ ﻓﻲ ﻫﺫﺍ ﺍﻟﺯﻤﻥ؟ ﻤﻥ ﻤﻨﺎ ﻻ ﻴﺭﻴﺩ ﺍﻟﺭﺤﻴل..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ ﺸﻲﺀ.. ﻟﻘﺩ ﺘﺄﺨﺭﺕ ﺃﻤﻲ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻋﻭﺍﺀ ﺫﺌﺎﺏ(.‬ ‫: ﻫﻴﺎ.. ﻫﻴﺎ ﻨﺴﺭﻉ ﺇﻟﻰ ﺍﻟﻜﻭﺥ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ ﺒﺩ ﻭﺃﻥ ﻨﻨﺘﻅﺭ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺴﻨﺄﺘﻲ.. ﻓﻲ ﻜل ﻤﺭﺓ ﺘﻌﻭﺩ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﺼﻔﻴﺭ ﻋﺎﺼﻔﺔ.. ﻋﻭﺍﺀ ﺫﺌﺎﺏ.. ﻴﺴﺭﻉ ﺍﻟﻐﺭﻴﺏ ﻨﺤـﻭ‬ ‫ﺸﺭﻭﻕ.. ﺘﻨﺨﻔﺽ ﺍﻹﻀﺎﺀﺓ ﺘﺩﺭﻴﺠ ‪‬ﺎ(.‬ ‫ﻴ‬ ‫: ﻟﻘﺩ ﺘﺴﻠل ﺍﻟﻠﻴل.. ﻫﻴﺎ ﺒﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻴﺠﺏ ﺃﻥ ﻨﻨﺘﻅﺭﻫﻤﺎ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫﻴﺎ.. ﺇﻥ ﻟﻡ ﻨﻤﺕ ﻤﻥ ﺍﻟﻌﺎﺼﻔﺔ ﺴﺘﺄﻜﻠﻨﺎ ﺍﻟﺫﺌﺎﺏ.. ﻫﻴﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫- ٩١ -‬
  • 21. ‫: ﺤﺴ ﹰﺎ.. ﺤﺴ ﹰﺎ.. ﺃﻱ ﺍﺘﺠﺎﻩ؟‬ ‫ﻨ‬ ‫ﻨ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﺸﻴﺭ( ﻫﺫﺍ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻋﻅﻴﻡ.. ﻜﻠﻤﺎ ﺍﺒﺘﻌﺩﺕ ﻤﻥ ﺤﻴﺙ ﺃﺘﻴﺕ ﻜﻠﻤﺎ ﻜﺎﻨﺕ ﺍﻟﺤﻴﺎﺓ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺃﻓﻀل..‬ ‫)ﺸﺭﻭﻕ ﺘﺘﻜﺊ ﻋﻠﻰ ﺍﻟﻐﺭﻴﺏ ﻭﻴﺒﺩﺁﻥ ﺍﻟﺴـﻴﺭ.. ﻋـﻭﺍﺀ‬ ‫ﺫﺌﺎﺏ.. ﻴﺭﺘﻔﻊ ﺼﻔﻴﺭ ﺍﻟﻌﺎﺼﻔﺔ(.‬ ‫)ﺇﻅﻼﻡ(‬ ‫- ٠٢ -‬
  • 22. ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺜﺎﻨﻴﺔ‬ ‫)ﺴﺎﺤﺔ ﺭﻤﻠﻴﺔ.. ﻫﻀﺒﺔ ﻴﻘﻑ ﻋﻠﻴﻬﺎ ﺤﺎﺭﺴﺎﻥ ﻴﺭﺘـﺩﻴﺎﻥ‬ ‫ﻤﻼﺒﺱ ﻤﻥ ﺍﻟﺭﻴﺵ ﺍﻟﻤﻠﻭﻥ ﻭﻗﺒﻌﺎﺕ ﺤﻤﺭﺍﺀ ﺘﺸـﺒﻪ ﻋـﺭﻑ‬ ‫ﺍﻟﺩﻴﻙ.. ﺨﻠﻑ ﺍﻟﻬﻀﺒﺔ ﺴﺭﺩﺍﺏ ﻴﻅﻬﺭ ﻤﻨﻪ ﻤﺠﻤﻭﻋـﺔ ﻤـﻥ‬ ‫ﺍﻟﺭﺠﺎل ﻴﺭﺘﺩﻭﻥ ﻤﻼﺒﺱ ﻤﻥ ﺍﻟـﺭﻴﺵ.. ﺼـﻴﺎﺡ ﺩﻴـﻭﻙ..‬ ‫ﺍﻹﻀﺎﺀﺓ ﺨﺎﻓﺘﺔ(.‬ ‫: ﺍﻗﺘﺭﺏ ﻓﺠﺭ ﻴﻭﻡ ﺠﺩﻴﺩ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫: ﺘﺭﻯ.. ﻤﺎ ﺍﻟﺫﻱ ﺃﺨﺭﻫﻡ؟‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫: ﺃﻟﻡ ﺘﺴﻤﻊ ﺍﻟﺼﻔﻴﺭ ﻁﻭﺍل ﺍﻟﻠﻴل؟‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫: ﻴﺒﺩﻭ ﺃﻨﻪ ﻜﺎﻥ ﻴﺸﺎﻫﺩ ﻓﻴﻠ ‪‬ﺎ ﺼﺎﻤ ﹰﺎ )ﻴﻀﺤﻙ(.‬ ‫ﺘ‬ ‫ﻤ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫ﻅﺭﻴﻑ.. ﺤﺘﻰ ﻓﻲ ﻫﺫﻩ ﺍﻷﻭﻗﺎﺕ ﺍﻟﻌﺼﺒﻴﺔ ﺘﺤﺎﻭل‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫:‬ ‫ﺃﻥ ﺘﻅﻬﺭ ﻅﺭﻓﻙ ﻟﻨﺎ.. ﻤﺎﺫﺍ ﺴﻨﻘﻭل ﻟﻠﺴﻴﺩ ﺍﻟﻔﺼﻴﺢ؟‬ ‫: ﺍﻟﺼﺒﺭ.. ﺭﺒﻤﺎ ﺃﺨﺭﺘﻬﻡ ﺍﻟﻌﺎﺼﻔﺔ..‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫: ﺍﻟﻤﻬﻡ ﺃﻥ ﺘﺄﺘﻲ ﺍﻟﺤﻤﻭﻟﺔ ﻜﺎﻤﻠﺔ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺇﻥ ﻟﻡ ﺘﺄﻜل ﺍﻟﺭﻋﻴﺔ ﺨﻼل ﺍﻟﺴﺎﻋﺔ ﺍﻟﻘﺎﺩﻤﺔ.. ﺴﺘﻌﻡ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﺍﻟﻔﻭﻀﻰ ﻓﻲ ﺃﺭﺠﺎﺀ ﺍﻟﻤﻤﻠﻜﺔ ﻭﻨﺤـﻥ ﻓـﻲ ﻏﻨـﻰ‬ ‫ﻋﻨﻬﺎ.‬ ‫ﻤﻥ ﺤﻘﻙ ﺃﻥ ﺘﺨﺎﻑ.. ﻓﺄﻨﺕ ﺍﻟﻤﺴﺌﻭل ﺃﻤﺎﻤﻬﻡ ﻋﻥ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫:‬ ‫ﺍﻟﺯﺍﺩ ﻭﺍﻟﺯﻭﺍﺩ.‬ ‫- ١٢ -‬
  • 23. ‫: ﺴﻴﺄﺘﻭﻥ.‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫ﻟﻘﺩ ﺃﺤﻀﺭﺕ ﺠﻤﻴﻊ ﺍﻟﻨﺴﺎﺀ ﺤﺼﺼﻬﻥ ﻤﻥ ﺍﻟﻘﻤـﺢ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫:‬ ‫ﺇﻻ ﻫﺫﻩ ﺍﻟﻤﺭﺃﺓ.. ﻟﻤﺎﺫﺍ؟‬ ‫ﻷﻨﻙ ﺘﺘﻌﺎﻤل ﻤﻌﻬﻥ ﺒﺎﻟﻠﻴﻥ ﻭﺍﻟﻬﻭﺍﺩﺓ.. ﺭﺒﻤﺎ ﻗـﺎﻟﻭﺍ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫:‬ ‫ﺇﻨﻙ ﻁﻴﺏ ﺃﻭ...‬ ‫)ﻤﻘﺎﻁ ‪‬ﺎ( ﻫﺫﻩ ﻫﻲ ﺍﻟﻤﺭﺓ ﺍﻟﻭﺤﻴﺩﺓ ﺍﻟﺘﻲ ﻴﺘـﺄﺨﺭﻥ‬ ‫ﻌ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫:‬ ‫ﻓﻴﻬﺎ.. ﺍﻟﻭﻴل ﻟﻬﻥ.‬ ‫: ﺃﻨﺕ ﺍﻟﻤﺴﺌﻭل ﻋﻥ ﺍﻟﺘﻤﻭﻴﻥ.. ﺘﺼﺭﻑ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﻨﻌﻡ.. ﺃﻨﺕ ﺍﻟﺫﻱ ﺍﻗﺘﺭﺤﺕ ﺃﻥ ﺍﻟﺴﻴﺩﺍﺕ ﻴﺤﻀـﺭﻥ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫:‬ ‫ﺍﻟﻘﻤﺢ.‬ ‫ﻭﻤﺎﺫﺍ ﻓﻲ ﺫﻟﻙ؟.. ﺃﻟﻡ ﺘﻭﺍﻓﻘـﻭﺍ ﻭﻗﺘﻬـﺎ ﺒﺎﻟﻼﺌﺤـﺔ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫:‬ ‫ﺍﻟﻘﺎﻨﻭﻨﻴﺔ؟‬ ‫ﻨﻌﻡ.. ﻭﻟﻜﻨﻙ ﻨﺴﻴﺕ ﺃﻥ ﺘﻀﻊ ﺤـﺩﻭ ‪‬ﺍ ﻟﻠﺘـﺄﺨﻴﺭ..‬ ‫ﺩ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻤﺎﺫﺍ ﺴﻨﻔﻌل ﺒﻌﺩ ﺘﺄﺨﺭﻫﻥ؟ ﻻ ﺸﻲﺀ.. ﻷﻥ ﺍﻟﻼﺌﺤﺔ‬ ‫ﻟﻴﺱ ﺒﻬﺎ ﺸﺭ ﹰﺎ ﻟﻠﺘﺄﺨﻴﺭ.‬ ‫ﻁ‬ ‫: ﻋﻨﺩﻙ ﺤﻕ.. ﻻ ﺒﺩ ﻭﺃﻥ ﺃﻋﺩل ﻓﻲ ﺍﻟﻼﺌﺤﺔ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: )ﻴﻀﺤﻙ ﺒﺴﺨﺭﻴﺔ(.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻫل ﻗﻠﺕ ﻤﺎ ﻴﻀﺤﻙ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫- ٢٢ -‬
  • 24. ‫: ﻻ.. ﻻ.. )ﻴﺴﺘﻤﺭ ﻓﻲ ﺍﻟﻀﺤﻙ(.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺴﻴﺄﺘﻭﻥ.. ﻭﺇﺫﺍ ﺤﺩﺙ ﻟﻬﻡ ﻤﻜﺭﻭﻩ ﺴـﺘﻜﻭﻥ ﺃﻨـﺕ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫:‬ ‫ﺍﻟﻤﺴﺌﻭل.‬ ‫: ﺃﻨﺎ؟‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻨﻌﻡ.. ﺃﻟﺴﺕ ﺃﻨﺕ ﺍﻟﻤﺴﺌﻭل ﻋﻥ ﺃﻤﻨﻨﺎ ﻭﺴﻼﻤﺘﻨﺎ؟‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﺃﺠل.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺇﺫﻥ ﺃﻨﺕ ﻤﺴﺌﻭل ﻋﻥ ﺃﻱ ﺇﻋﺎﻗﺔ ﻁﺒﻴﻌﻴﺔ ﺃﻭ ﻏﻴـﺭ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﻁﺒﻴﻌﻴﺔ ﺘﺤﺩﺙ ﻟﻬﻡ.. ﺃﻨﺕ ﺃﻴ ‪‬ﺎ ﻟﻡ ﺘﺴﺠل ﻻﺌﺤﺘﻙ‬ ‫ﻀ‬ ‫ﺴﻼﻤﺔ ﻭﺼﻭﻟﻬﻡ.‬ ‫ﺘﻘﺼﺩ ﺍﻟﻌﺎﺼﻔﺔ.. ﺃﺘﺴﻤﻌﻭﻥ ﺃﻴﻬﺎ ﺍﻟﺴﺎﺩﺓ ﻴﺭﻴـﺩ ﺃﻥ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫:‬ ‫ﺃﻤﻨﻌﻬﻡ ﻤﻥ ﺍﻟﻌﺎﺼﻔﺔ.. ﻜﻴﻑ؟‬ ‫: ﻻ ﺃﻋﺭﻑ.. ﻭﻟﻜﻨﻬﺎ ﻤﺜل ﺍﻟﺘﺄﺨﻴﺭ ﺒﺎﻟﻀﺒﻁ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﻫﺫﻩ ﻨﻘﺭﺓ ﻭﻫﺫﻩ ﻨﻘﺭﺓ ﺃﺨﺭﻯ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻻ.. ﻫﺫﻩ ﺒﺘﻠﻙ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: )ﻴﺘﺸﺎﺠﺭﺍﻥ( ﻗﻠﺕ ﻟﻙ ﻻ..‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻫﺫﻩ ﺒﺘﻠﻙ..‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫ﻫﺩﻭ ‪‬ﺍ ﻴﺎ ﺴﺎﺩﺓ.. )ﻟﻸﻤﻥ( ﻫﺩﺉ ﻤﻥ ﺭﻭﻋـﻙ ﻴـﺎ‬ ‫ﺀ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫:‬ ‫ﺃﺨﻲ.. )ﻟﻠﺘﻤﻭﻴﻥ( ﻭﺃﻨﺕ ﻴﺎ ﺃﺨﻲ ﺤﺎﻭل ﺃﻥ ﺘﻬﺩﺃ..‬ ‫- ٣٢ -‬
  • 25. ‫ﻻ ﻫﺫﻩ ﺒﺘﻠﻙ ﻭﻻ ﺘﻠﻙ ﺒﻬﺫﻩ.. ﻟـﻭ ﺭﺁﻨـﺎ ﺍﻟﺴـﺎﺩﺓ‬ ‫ﺍﻵﺨﺭﻴﻥ ﻤﺎﺫﺍ ﻴﻘﻭﻟﻭﻥ ﻋﻠﻴﻨﺎ.‬ ‫: ﻭﻤﺎﺫﺍ ﺃﻴ ‪‬ﺎ ﻟﻭ ﻋﺭﻑ ﺍﻟﺴﻴﺩ ﺍﻟﻔﺼﻴﺢ؟‬ ‫ﻀ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫)ﻴﻬﺠﻡ ﻋﻠﻴﻪ( ﻨﻌﺭﻑ ﺃﻥ ﺍﻟﺨﺒﺭ ﺴﻭﻑ ﻴﺘﺭﺩﺩ ﻓـﻲ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﺍﻹﺫﺍﻋﺔ ﻭﺴﺘﺘﺼﻔﺤﻪ ﺍﻟﻌﺎﻤﺔ... ﻨﻌﺭﻑ ﺃﻨﻙ ﻤﺴﺌﻭل‬ ‫ﻋﻥ ﻫﺫﺍ.. ﻨﺤﻥ ﻻ ﻴﻬﻤﻨﺎ..‬ ‫ﻭﻫل ﻗﻠﺕ ﺸﻴ ًﺎ؟!.. ﺇﻨﻨﻲ ﻓﻘﻁ ﺃﺤﺎﻭل ﺃﻥ ﺃﻨﺒﻬﻜﻡ.‬ ‫ﺌ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫:‬ ‫)ﺘﺭﺘﻔﻊ ﺍﻹﻀﺎﺀﺓ ﺘﺩﺭﻴﺠ ‪‬ﺎ(.‬ ‫ﻴ‬ ‫: ﻟﻘﺩ ﺤﺎﻥ ﻭﻗﺕ ﺍﻟﺩﺨﻭل.. ﻫﻴﺎ ﻨﻨﺘﻅﺭ ﺒﺎﻟﺩﺍﺨل.‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫: ﻨﺤﻥ ﻻ ﻨﻨﺘﻅﺭ ﺍﻷﻭﺍﻤﺭ ﻤﻨﻙ ﺃﻨﺕ ﺍﻵﺨﺭ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺃﻨﺎ ﺍﻵﺨﺭ.. ﻻ.. ﻟﻴﺱ ﻜل ﺍﻟﻁﻴﺭ ﺍﻟﺫﻱ ﻴﺄﻜل ﻟﺤﻤﻪ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ‬ ‫)ﻴﺸﻴﺭ ﻋﻠﻰ ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ ﻭﺍﻟﺘﻤﻭﻴﻥ( ﻻ ﺃﻨﺎ ﻫﺫﺍ‬ ‫: ﻭﻻ ﺫﺍﻙ.. ﺍﻨﺘﺒﻪ ﻭﺍﻋﺭﻑ ﺠﻴ ‪‬ﺍ ﺃﻨﻙ ﺘﺘﺤـﺩﺙ ﻤـﻊ‬ ‫ﺩ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ.. ﻫﻪ.. ﺒﺈﺸﺎﺭﺓ ﻤﻨﻲ ﺃﻀﻴﻊ ﻋﻠﻴﻙ‬ ‫ﻤﺴﺘﺤﻘﺎﺘﻙ ﻭﻤﻌﺎﺸﻙ.. ﺃﺘﻔﻬﻡ.‬ ‫ﻫﺩﺉ ﻤﻥ ﺭﻭﻋﻙ )ﻟﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ( ﻤﺎﺫﺍ ﺤـﺩﺙ‬ ‫ﻤﺴﺌﻭل ﺍﻟﺘﻤﻭﻴﻥ‬ ‫: ﻟﻨﺎ ﻴﺎ ﺠﻤﺎﻋﺔ؟ ﻋﻴﻥ ﻭﺃﺼﺎﺒﺘﻨﺎ.. )ﻟﻸﻤﻥ( ﺍﺼـﺒﺭ‬ ‫ﻋﻠﻴﻨﺎ ﻴﺎ ﺃﺨﻲ.. ﺩﻉ ﺍﻷﻤﻭﺭ ﺘﺄﺨﺫ ﻤﺠﺭﺍﻫﺎ.. ﻫﻴﺎ..‬ ‫- ٤٢ -‬
  • 26. ‫ﻨﻨﺘﻅﺭ ﺒﺎﻟﺩﺍﺨل.‬ ‫)ﻴﻨﺯل ﺍﻟﺤﺎﺭﺴﺎﻥ ﻤﻥ ﻓﻭﻕ ﺍﻟﻬﻀﺒﺔ.. ﻴﺘﺠﻬـﻭﻥ‬ ‫ﺠﻤﻴ ‪‬ﺎ ﻨﺤﻭ ﺍﻟﺴﺭﺩﺍﺏ.. ﻴﺨﺘﻔﻭﻥ(.‬ ‫ﻌ‬ ‫)ﺇﻅﻼﻡ(‬ ‫- ٥٢ -‬
  • 27. ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺜﺎﻟﺜﺔ‬ ‫)ﺴﺎﺤﺔ ﺭﻤﻠﻴﺔ.. ﻴﺴﺎﺭ ﺍﻟﻤﺴﺭﺡ ﻜﻭﺥ ﺃﻤﺎﻤـﻪ‬ ‫ﻤﻅﻠﺔ.. ﺒﻌـﺽ ﺍﻟﻤﻘﺎﻋـﺩ ﺍﻟﺼـﺨﺭﻴﺔ.. ﻴﻤـﻴﻥ‬ ‫ﺍﻟﻤﺴﺭﺡ ﻤﺭﺘﻔﻊ ﺭﻤﻠﻲ ﻴﺸﺒﻪ ﺸﺎﻫﺩ ﺍﻟﻘﺒﺭ.. ﻴﺩﺨل‬ ‫ﺍﻟﻐﺭﻴﺏ ﻤﺘﻌ ‪‬ﺎ ﺘﺘﺒﻌﻪ ﺸﺭﻭﻕ(.‬ ‫ﺒ‬ ‫: ﻟﻡ ﻨﺼل ﺒﻌﺩ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﻭﻤﺊ ﺒﺭﺃﺴﻬﺎ( ﻟﻘﺩ ﻭﺼﻠﻨﺎ ﺒﺎﻟﻔﻌل.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻟﺤﻤﺩ ﷲ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫﺎ.. ﻭﻤﺎﺫﺍ ﺤﺩﺙ ﺒﻌﺩ ﺫﻟﻙ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻴﺸﻴﺭ ﻨﺤﻭ ﺍﻟﻜﻭﺥ( ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﻫﺫﺍ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻨﻌﻡ.. ﻻ ﻴﻭﺠﺩ ﻏﻴﺭﻩ ﺇﻻ ﺒﻌﺩ ﺜﻼﺜﺔ ﺃﻤﻴﺎل.. ﻗل ﻟﻲ ﻤـﺎﺫﺍ‬ ‫ﺸﺭﻭﻕ‬ ‫ﺤﺩﺙ ﺒﻌﺩ ﺫﻟﻙ؟.. ﺃﻻ ﺘﺭﻴﺩ ﺃﻥ ﺘﻜﻤل ﻟﻲ ﺒﻘﻴﺔ ﺍﻟﺤﻜﺎﻴﺔ؟‬ ‫)ﻴﺠﻠﺱ ﺍﻟﻐﺭﻴﺏ ﻤﺘﻌ ‪‬ﺎ ﻋﻠﻰ ﺇﺤـﺩﻯ ﺍﻟﺼـﺨﻭﺭ ﺘﺤـﺕ‬ ‫ﺒ‬ ‫ﺍﻟﻤﻅﻠﺔ.. ﻟﺤﻅﺔ ﺼﻤﺕ(.‬ ‫: ﺤﺴ ﹰﺎ.. ﺴﺄﻨﺘﻅﺭ ﻗﻠﻴﻼ ﺤﺘﻰ ﺃﺴﺘﺭﻴﺢ ﺜﻡ ﺃﺭﺤل..‬ ‫ﹰ‬ ‫ﻨ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻤﻘﺎﻁﻌﺔ( ﻫل ﺘﻌﺒﺕ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ.. ﻜل ﻤﺎ ﻓﻲ ﺍﻷﻤﺭ ﺃﻥ ﻗـﺩﻤﻲ ﺘﻭﺭﻤﺘـﺎ.. ﻭﺘﻭﻗـﻑ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺴﺎﻋﺩﺍﻱ ﻋﻠﻰ ﺃﻨﻐﺎﻡ ﻋﻭﺍﺀ ﺍﻟﺫﺌﺎﺏ.‬ ‫: ﻫل ﺘﺨﺎﻓﻬﻡ؟‬ ‫ﺸﺭﻭﻕ‬ ‫- ٦٢ -‬
  • 28. ‫: ﻨﻌﻡ.. ﻭﻟﻡ ﻻ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺍﻟﺭﺠﺎل ﻻ ﻴﺨﺎﻓﻭﻥ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻭﻟﻜﻨﻬﻡ ﺫﺌﺎﺏ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺤﺘﻰ ﺍﻟﺫﺌﺎﺏ.. ﺃﻤﻲ ﻗﺎﻟﺕ ﻫﺫﺍ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﻥ ﻻ ﻴﺨﺎﻑ ﻻ ﻴﺴﺘﺤﻕ ﺍﻟﺤﻴﺎﺓ.. ﺃﻤﻙ ﻗﺎﻟـﺕ ﺍﻟﺭﺠـﺎل‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻻ ﻴﺨﺎﻓﻭﻥ ﺍﻟﺫﺌﺎﺏ؟!‬ ‫: ﻨﻌﻡ.. ﺃﻟﺴﺕ ﺭﺠ ﹰ؟‬ ‫ﻼ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ.. ﻨﻌﻡ ﺒﻜل ﺘﺄﻜﻴﺩ.. ﻭﻟﻜﻨﻲ ﻻ ﺃﻋﺭﻑ ﻟﻤﺎﺫﺍ ﺨﻔﺕ؟ ﺭﺒﻤﺎ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻫﻡ ﺃﻴ ‪‬ﺎ ﻴﺨﺎﻓﻭﻥ.‬ ‫ﻀ‬ ‫: ﻤﻥ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﻟﺫﺌﺎﺏ.. ﺍﺩﺨﻠﻲ ﻟﺘﺴﺘﺭﻴﺤﻲ ﻗﻠﻴﻼ..‬ ‫ﹰ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻟﻴﺱ ﻗﺒل ﺃﻥ ﺘﻜﻤل ﻟﻲ ﺒﻘﻴﺔ ﺍﻟﺤﻜﺎﻴﺔ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤﺴ ﹰﺎ )ﻴﺘﺫﻜﺭ( ﻭﻅل ﺍﻟﺭﺠل ﻓﻲ ﺤﻴﺭﺓ ﺩﺍﺌﻤﺔ ﻴﺒﺤﺙ ﻋـﻥ‬ ‫ﻨ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺇﺠﺎﺒﺔ.. ﺘﺤﻭﻟﺕ ﻜل ﺍﻟﻤﻔﺎﻫﻴﻡ ﺇﻟﻰ ﻨﻘﻴﻀﻬﺎ.. ﺃﻴﻁﻌﻥ ﺍﻟﺤﻕ‬ ‫ﺒﺴﻴﻑ ﻋﻤﻼﻕ؟ ﺃﻡ ﻴﻘﺘل ﺍﻟﺼﺩﻴﻕ؟‬ ‫: ﻭﻤﺎﺫﺍ ﻓﻌل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻫﺭﺏ ﺍﻟﺼﺩﻴﻕ.. ﻭﺸﻴﺩ ﺍﻟﺤﺏ ﻗﻼﻋﻪ ﺍﻟﻤﺎﺌﻠﺔ.. ﻟﻡ ﻴﺴﺘﻁﻊ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺁﻨﺫﺍﻙ ﺃﻥ ﻴﻭﺍﺠﻪ ﻗﻠﺒﻪ.. ﻫل ﻴﻤـﺯﻕ ﺃﻭﺼـﺎﻟﻪ ﺒﺎﻟﺴـﻴﻑ‬ ‫- ٧٢ -‬
  • 29. ‫ﺍﻟﻌﻤﻼﻕ ﻓﻴﺴﻴل ﺍﻟﺩﻡ ﻭﻴﻔﻭﺭ ﻏﻠﻴﺎ ﹰﺎ ﺼﺭﻴﻊ ﻫـﺫﺍ ﺍﻟﻌـﺎﻟﻡ؟‬ ‫ﻨ‬ ‫ﺃﻡ ﻴﺘﺤﺩﻯ ﺍﻟﻘﻠﺏ؟ ﻭﺩﺨل ﺍﻟﺭﺠل ﻓﻲ ﻤﻭﺍﺠﻬﺔ ﻤﺭﻴﺭﺓ ﺒﻴﻥ‬ ‫ﺍﻟﻘﻠﺏ ﻭﺍﻟﻌﻘل.. ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻷﻤﺭ ﺍﻨﺘﺼﺭ ﺍﻟﻌﻘل.‬ ‫: ﻜﻴﻑ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺯﻋﻡ ﺍﻟﻘﻠﺏ ﺃﻨﻪ ﺩﺱ ﺍﻟﺴﻡ ﻟﻠﻌﻘل ﻓﺸﺭﺒﻪ.. ﻭﺃﻭﻫﻤـﻪ ﺃﻨـﻪ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺴﻴﻤﻭﺕ ﺨﻼل ﻴﻭﻡ.. ﻭﺃﺨﺫ ﺍﻟﻌﻘل ﻴﻨﺘﻅﺭ ﺘﺄﺜﻴﺭ ﺍﻟﺴـﻡ..‬ ‫ﻭﻅل ﻴﻔﻜﺭ ﻭﻟﻜﻨﻪ ﺘﻌﺏ ﻓﻨﺎﻡ ﻭﻤﺭ ﺍﻟﻴﻭﻡ ﻭﺍﺴﺘﻴﻘﻅ ﻓﻭﺠـﺩ‬ ‫ﻨﻔﺴﻪ ﺤ ‪‬ﺎ ﻟﻡ ﻴﻤﺕ.. ﻓﻬﻠل ﺒﺎﻟﻔﺭﺡ ﻭﻨﺎﺩﻯ ﺒﺄﻋﻠﻰ ﺼﻭﺘﻪ..‬ ‫ﻴ‬ ‫ﻟﻘﺩ ﻨﺠﻭﺕ.. ﺇﻨﻨﻲ ﺤﻲ ﺘ ‪‬ﺎ ﻟﻙ ﺃﻴﻬﺎ ﺍﻟﻘﻠﺏ ﺍﻟﻠﻌﻴﻥ.. ﺴﻭﻑ‬ ‫ﺒ‬ ‫ﺃﺴﺤﻘﻙ.‬ ‫: ﻭﻤﺎﺫﺍ ﻓﻌل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺃﺤﻀﺭ ﺍﻟﻌﻘل ﻜﺭﺓ ﻜﺒﻴﺭﺓ ﻤﻠﻔﻭﻓﺔ ﺒﺨﻴﻁ ﺭﻓﻴـﻊ.. ﻭﺃﻗﻨـﻊ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻟﻘﻠﺏ ﺃﻥ ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻟﺨﻴﻁ ﻤﻔﺎﺠﺄﺓ ﺴﻭﻑ ﺘﻘﻀﻲ ﻋﻠﻴـﻪ..‬ ‫ﻭﺴﺄل ﺍﻟﻘﻠﺏ ﻨﻔﺴﻪ.. ﺘﺭﻯ ﻤﺎ ﺍﻟﺫﻱ ﺘﺨﻔﻴﻪ ﻫـﺫﻩ ﺍﻟﻜـﺭﺓ؟‬ ‫ﻭﺒﺩﺃ ﻴﻔﻙ ﺍﻟﺨﻴﻁ.. ﻭﺒﺩﺃﺕ ﻀﺭﺒﺎﺘﻪ ﺘﺯﺩﺍﺩ ﻭﻜﻠﻤـﺎ ﻓـﻙ‬ ‫ﺍﺯﺩﺍﺩﺕ ﻀﺭﺒﺎﺘﻪ ﻓﻴﺴﺭﻉ ﻓﻲ ﻓﻙ ﺍﻟﺨﻴﻁ ﻤﺤﺎﻭﻻ ﺃﻥ ﻴﺼل‬ ‫ﹰ‬ ‫ﻟﻨﻬﺎﻴﺘﻪ ﻓﻴﺯﺩﺍﺩ ﺨﻭﻓﻪ.. ﻓﻴﺴﺭﻉ ﺒﺎﻟﻔـﻙ ﻓﻴـﺯﺩﺍﺩ ﺨﻭﻓـﻪ‬ ‫ﺨﻭ ﹰﺎ.. ﻓﺎﺯﺩﺍﺩﺕ ﻀﺭﺒﺎﺘﻪ ﺤﺘﻰ ﻭﺼﻠﺕ ﺫﺭﻭﺘﻬﺎ ﻓﺘﻭﻗﻔﺕ‬ ‫ﻓ‬ ‫- ٨٢ -‬
  • 30. ‫ﺍﻟﻀﺭﺒﺎﺕ ﻭﺍﻨﺘﻬﻰ ﺍﻟﺨﻭﻑ.‬ ‫: ﻤﺎﺫﺍ ﺤﺩﺙ ﻟﻪ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻟﻡ ﻴﺼل ﺇﻟﻰ ﻨﻬﺎﻴﺔ ﺍﻟﺨﻴﻁ.. ﻟﻘﺩ ﻤﺎﺕ ﺒﺎﻟﻭﻫﻡ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻤﺎﺕ ﺒﺎﻟﻭﻫﻡ!! ﻭﻤﺎﺫﺍ ﻋﻥ ﺍﻟﻌﻘل؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺭﺤل ﻫﺎﺌ ‪‬ﺎ ﻋﻠﻰ ﻭﺠﻬﻪ ﺸﺭﻴ ‪‬ﺍ ﻴﺒﺤﺙ ﻋﻥ ﻗﻠﺏ.‬ ‫ﺩ‬ ‫ﻤ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻤﺴﻜﻴﻥ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻓﻲ ﻜل ﺍﻷﺤﻭﺍل ﻓﻘﺩ ﺭﺤل.. )ﻟﺤﻅﺎﺕ ﺼﻤﺕ( )ﻴﻤﺴـﻙ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺯﻤﺯﻤﻴﺔ ﺍﻟﻤﻴﺎﻩ ﻭﻴﺸﺭﺏ( ﺇﻨﻬﺎ ﻓﺎﺭﻏـﺔ.. ﺃﺭﻴـﺩ ﻤـﺎﺀ..‬ ‫)ﺘﺩﺨل ﺸﺭﻭﻕ ﺍﻟﻜﻭﺥ.. ﺘﻬﺭﻭل ﺨﺎﺭﺠﺔ(.‬ ‫: )ﺘﺼﺭﺥ( ﺁﻩ..‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻻ ﺘﺨﺎﻓﻲ.. ﻤﺎﺫﺍ ﺤﺩﺙ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻟﺹ.. ﻤﻼﻤﺤﻪ ﻤﺨﻴﻔﺔ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻴﺨﺭﺝ ﺍﻟﺩﻤﻴﻡ.. ﺘﺨﺘﺒﺊ ﺨﻠﻑ ﺍﻟﻐﺭﻴﺏ(.‬ ‫: )ﺘﺼﺭﺥ(.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻗﻠﺕ ﻟﻙ ﻻ ﺘﺨﺎﻓﻲ.. ﻤﻥ ﺃﻨﺕ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺇﻨﺴﺎﻥ ﻤﺜﻠﻜﻡ )ﻴﺨﻔﻲ ﻭﺠﻬﻪ( ﻭﻫﺫﻩ ﺇﺭﺍﺩﺓ ﺍﷲ ﺃﻥ ﺃﻜـﻭﻥ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﻫﻜﺫﺍ ﻟﻴﻔﺯﻉ ﻤﻨﻲ ﻜل ﻤﻥ ﻴﺭﺍﻨﻲ )ﻴﺒﻜﻲ( ﺃﻨﺎ ﻟﺴﺕ ﻟ ‪‬ـﺎ‬ ‫ﺼ‬ ‫ﺃﻭ ﺸﺭﻴ ‪‬ﺍ.. ﺇﻨﻨﻲ ﺃﺤﻤل ﻓﻲ ﻗﻠﺒﻲ ﻜل ﺍﻟﺤﺏ.. ﻭﻟﻜـﻨﻜﻡ‬ ‫ﺭ‬ ‫- ٩٢ -‬
  • 31. ‫ﻻ ﺘﺭﻴﺩﻭﻥ ﻫﺫﺍ ﺍﻟﺤﺏ.. ﻟﺴﺕ ﺍﻟﻤﺘﺴﺒﺏ ﺃﻥ ﺘﻜﻭﻥ ﺴﺤﻨﺘﻲ‬ ‫ﻫﻜﺫﺍ )ﺒﻤﺭﺍﺭﺓ(... ﺃﻨﺎ ﻤﻅﻠﻭﻡ.. ﺃﻨﺎ ﺒﺭﻱﺀ.. ﺃﻨﺎ ﺩﻤﻴﻡ..‬ ‫: ﺃﻨﺕ ﻁﻴﺏ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺒل ﺩﻤﻴﻡ ﺃﺭﺍﺩ ﺃﻥ ﻴﺒﺘﻌﺩ ﻋﻥ ﻜل ﺍﻟﻨﺎﺱ ﺨﺸﻴﺔ ﻤﺎ ﺤﺩﺙ..‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﻓﻜل ﻤﻥ ﻴﺭﺍﻨﻲ ﻴﺼﻴﺒﻪ ﺍﻟﺫﻋﺭ ﻟﻘﺩ ﺃﺠﺒﺭﺘﻨـﻲ ﺍﻟﺤﻴـﺎﺓ ﺃﻥ‬ ‫ﺃﺒﺘﻌﺩ.. ﺃﺒﺘﻌﺩ ﻤﻥ ﻤﻜﺎﻥ ﺇﻟﻰ ﻤﻜﺎﻥ ﺃﺒﻌﺩ.. ﻜﺎﻟﻌﺎﺩﺓ ﻟـﻴﺱ‬ ‫ﺃﻤﺎﻤﻲ ﺴﻭﻯ ﺍﻟﺭﺤﻴل.. ﻻ ﺍﺴﻡ.. ﻻ ﻭﻁﻥ.. ﻻ ﻋﻨﻭﺍﻥ..‬ ‫ﻻ ﺘﺨﺎﻓﻲ ﻓﻤﺎ ﺍﻨﺘﻅﺭﺕ ﺇﻻ ﻟﻼﺤﺘﻤﺎﺀ ﻓﻘـﻁ ﺤﺘـﻰ ﺘﻬـﺩﺃ‬ ‫ﺍﻟﻌﺎﺼﻔﺔ.. ﻭﻗﺩ ﻏﻔﻠـﺕ ﻋﻴﻨـﺎﻱ.. ﺃﺭﺠـﻭ ﺍﻟﻤﻌـﺫﺭﺓ..‬ ‫ﺍﻟﻤﺸﻭﺍﺭ ﻁﻭﻴل ﻻﺠﺘﻴﺎﺯ ﺁﻻﻑ ﺍﻷﻤﻴﺎل.. ﻋﻠﻰ ﺃﻴﺔ ﺤـﺎل‬ ‫ﺸﻜ ‪‬ﺍ ﻟﻜﻤﺎ.‬ ‫ﺭ‬ ‫: ﺃﺭﺠﻭ ﺃﻥ ﺘﻘﺒل ﺃﺴﻔﻲ.‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻴﺤﻤل ﻤﺘﻌﻠﻘﺎﺘﻪ( ﺒل ﺃﺭﺠﻭ ﺃﻨﺎ ﺃﻥ ﺘﻘﺒﻼ ﻋﺫﺭﻱ )ﻴﺴﻴﺭ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺍﻨﺘﻅﺭ.. ﺇﻟﻰ ﺃﻴﻥ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺒﻼﺩ ﺍﷲ ﻭﺍﺴﻌﺔ.. ﺃﻱ ﻁﺭﻴﻕ.. ﻓﻜل ﺍﻟﻁﺭﻕ ﺘﺅﺩﻱ ﻨﻔﺱ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﺍﻟﻨﺘﻴﺠﺔ.. ﻨﻔﺱ ﺍﻵﻻﻡ.‬ ‫: ﺍﻵﻻﻡ!! ﺒﺩﻭﻨﻬﺎ ﺘﺼﻴﺭ ﺍﻟﺤﻴﺎﺓ ﺤﻠﻭﺓ ﻓﻘﻁ ﺃﻭ ﻤﺭﺓ ﻓﻘـﻁ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻨﺘﻅﺭ ﺴﻭﻑ ﻨﺭﺤل ﻤ ‪‬ﺎ..‬ ‫ﻌ‬ ‫- ٠٣ -‬
  • 32. ‫: )ﺒﻔﺭﺡ( ﻤ ‪‬ﺎ.. ﻭﻟﻜﻨﻲ )ﻴﺘﻠﻤﺱ ﻭﺠﻬﻪ(.‬ ‫ﻌ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻁﻴﺏ.. ﺫﻭ ﻗﻠﺏ ﻜﺒﻴﺭ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺴﺄﻋﺩ ﻁﻌﺎ ‪‬ﺎ ﺸﻬ ‪‬ﺎ ﻗﺒل ﺃﻥ ﻨﺭﺤل.‬ ‫ﻤ ﻴ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺒل ﻴﺠﺏ ﺃﻥ ﺘﻨﺘﻅﺭﻱ ﺃﻤﻙ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺘﻨﺘﻅﺭ!! ﻻ ﻴﺠﺏ ﺃﻥ ﺘﺘﺭﻜﻬﺎ ﺒﻤﻔﺭﺩﻫﺎ ﻫﻨﺎ ﻓـﻲ‬ ‫ﻌ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﻫﺫﺍ ﺍﻟﻤﻜﺎﻥ ﺍﻟﻤﻭﺤﺵ.‬ ‫: ﺃﺭﺠﻭﻙ ﻗل ﻟﻪ ﺃﻻ ﻴﺘﺭﻜﻨﻲ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺃﻨﺕ ﻻ ﺘﻔﻬﻡ ﺃﻱ ﺸﻲﺀ.. ﺇﻨﻬﺎ ﻟﻴﺴﺕ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻤﻘﺎﻁﻌ ـﺔ( ﺃﻜ ـﻭﻥ ﻤ ـﺎ ﺃﻜ ـﻭﻥ.. ﺍﺒﻨﺘ ـﻙ.. ﺃﺨﺘ ـﻙ..‬ ‫ـ‬ ‫ـ‬ ‫ـ ـ‬ ‫ـ‬ ‫ﺸﺭﻭﻕ‬ ‫ﺍﻟﻤﻬﻡ ﻻ ﺘﺘﺭﻜﻨﻲ.. ﺃﺭﻴﺩ ﺃﻥ ﺃﺫﻫﺏ ﺇﻟﻰ ﺍﻟﻭﺍﺩﻱ.‬ ‫: ﻭﻟﻜﻨﻲ ﻟﻥ ﺃﻋﻭﺩ ﺇﻟﻰ ﻫﻨﺎ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻭﻟﻴﻜﻥ.. ﺃﻱ ﻤﻜﺎﻥ ﺴﻴﻜﻭﻥ ﺃﻓﻀل ﻤﻥ ﻫﻨﺎ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻟﻜﻥ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﻻ ﺩﺨل ﻟﻙ ﻓﻲ ﻫﺫﺍ ﺍﻟﻤﻭﻀﻭﻉ..‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻋﻨﺩﻤﺎ ﺘﻌﻭﺩ ﺃﻤﻙ ﺴﻭﻑ..‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺘﺫﻫﺏ ﻤﻌﻨﺎ.. ﺃﻟﻴﺱ ﻜﺫﻟﻙ؟‬ ‫ﻌ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻗﻠﺕ ﻟﻙ ﻻ ﺘﺘﺩﺨل.. ﺩﻋﻬﺎ ﻭﺸﺄﻨﻬﺎ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻴﺤﻤل ﻤﺘﻌﻠﻘﺎﺘﻪ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫- ١٣ -‬
  • 33. ‫: ﺍﻨﺘﻅﺭ.. ﺃﻨﺎ ﻻ ﺃﻗﺼﺩ ﻤﺎ ﻓﻬﻤﺕ.. ﺇﻨﻨﻲ ﻓﻘـﻁ ﺃﺭﻴـﺩ ﺃﻥ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺘﻨﺘﻅﺭ ﺃﻤﻬﺎ ﻓﻬﻲ ﺍﻟﻤﺴﺌﻭﻟﺔ ﻋﻨﻬﺎ..‬ ‫)ﻴﺭﺒﺕ ﻋﻠﻴﻪ(.‬ ‫: ﺯﻭﺠﺘﻙ؟‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻻ ﻴﺎ ﻋﺯﻴﺯﻱ.. ﻟﻘـﺩ ﻓﻬﻤﺘﻨـﻲ ﺨﻁـﺄ.. ﺃﻤﻬـﺎ ﻟﻴﺴـﺕ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺯﻭﺠﺘﻲ.. ﻋﺸﺕ ﺃﺤﻠﻡ ﺃﻥ ﺘﻜﻭﻥ ﻟﻲ ﺍﺒﻨﺔ ﻤﺜﻠﻬﺎ ﺃﺤـﺩﺜﻬﺎ‬ ‫ﻭﺘﺤﺩﺜﻨﻲ.. ﺇﻨﻬﺎ ﺘﻨﻅﺭ ﺇﻟﻰ ﺍﻷﻤﻭﺭ ﺒﻌﻴﻥ ﺍﻟﻌﻘل ﻭﺍﻟﻘﻠـﺏ‬ ‫ﻟﻘﺩ ﺃﺤﺒﺒﺕ ﺫﻟﻙ ﻓﺄﻨﺎ ﺩﺍﺌ ‪‬ﺎ ﺃﻨﻅﺭ ﻟﻸﻤﻭﺭ ﺒﺸﻜل ﺁﺨﺭ.‬ ‫ﻤ‬ ‫: ﻭﻟﻤﺎﺫﺍ ﺍﻟﻨﺎﺱ ﻻ ﻴﻨﻅﺭﻭﻥ ﻤﺜﻠﻤﺎ..‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﻷﻨﻬﻡ ﺩﻭ ‪‬ﺎ ﻫﻜﺫﺍ.. ﻻ ﺘﺤﻥ ﺃﻴﻬﺎ ﺍﻟﺸـﻘﻲ ﻗـﺩ‬ ‫ﻤ‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻴﻜﻭﻥ ﺍﻟﺠﻤﺎل ﻫﻨﺎ ﻓﻲ ﺠﻭﻑ ﺍﻟﺼﺤﺭﺍﺀ ﺃﻭ ﻓﻲ ﺃﻋﻤـﺎﻕ‬ ‫ﺍﻟﺒﺤﺎﺭ ﺃﻭ ﻓﻀﺎﺀ ﺍﻟﺴﻤﺎﺀ ﺃﻭ ﻤﻜﻨـﻭﺯ ﺒـﺩﺍﺨﻠﻨﺎ... ﻟﻜﻨﻨـﺎ‬ ‫ﻻ ﻨﻌﺭﻑ ﺇﻻ ﺒﻌﺩ ﻓﻭﺍﺕ ﺍﻷﻭﺍﻥ.. ﺍﻁﻤﺌﻥ ﻤﺜﻠﻤـﺎ ﺘﻘﺎﺒﻠﻨـﺎ‬ ‫ﻓﺴﺭﻋﺎﻥ ﻤﺎ ﺘﺠﺩ ﺁﺨﺭﻴﻥ ﻴﻔﻬﻤﻭﻨﻙ ﻭﻴﻘﺩﺭﻭﻥ ﻤﺸﻴﺌﺔ ﺍﷲ.‬ ‫: ﺨﺎﺼﺔ ﻟﻭ ﻜﺎﻥ ﻴﻤﺘﻠﻙ ﻗﻠ ‪‬ﺎ ﻜﺒﻴ ‪‬ﺍ ﻤﺜﻠﻙ..‬ ‫ﺒ ﺭ‬ ‫ﺸﺭﻭﻕ‬ ‫)ﺘﺩﺨل ﺍﻟﻜﻭﺥ(.‬ ‫: ﻻ ﺘﻨﺴﻲ ﺍﻟﻤﺎﺀ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻭﺃﻨﺕ ﻟﻤﺎﺫﺍ ﺘﻭﺩ ﺍﻟﺭﺤﻴل؟‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫- ٢٣ -‬
  • 34. ‫: ﻫﺫﻩ ﺴﻨﺔ ﺍﻟﺤﻴﺎﺓ.. ﺍﻟﺘﺭﺤﺎل ﺍﻟﺩﺍﺌﻡ.. ﺍﻷﻤـل.. ﺍﻟﻁﻤـﻭﺡ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫)ﻴﻀﺤﻙ( ﻗﺩ ﺘﻜﻭﻥ ﺜﺭ ‪‬ﺎ ﻭﺘﺭﻴﺩ ﺃﻥ ﺘﺼﺒﺢ ﺃﻜﺜﺭ ﺜـﺭﺍﺀ..‬ ‫ﻴ‬ ‫ﻭﻋﻨﺩﻤﺎ ﺘﻜﻭﻥ.. ﻻ ﺘﻘﻨﻊ ﺒﺫﻟﻙ ﻓﺘﻌﻭﺩ ﻭﺘﺒﺤـﺙ ﻤـﺭﺍﺕ‬ ‫ﺃﺨﺭﻯ.. ﻭﻗﺩ ﺘﺼﺒﺢ ﻓﻘﻴ ‪‬ﺍ ﺃﻭ ﻋﺭﺒﻴ ‪‬ﺍ.. ﻗﺩ ﺘﻜﻭﻥ ﻤﻨﻌ ‪‬ـﺎ‬ ‫ﻤ‬ ‫ﺩ‬ ‫ﺭ‬ ‫ﺒﺎﻟﺼﺤﺔ ﻭﺘﻬـﺩﺭﻫﺎ.. ﻗـﺩ ﺘﻜـﻭﻥ ﺠﻤـﻴﻼ ﺃﻭ ﺩﻤﻴ ‪‬ـﺎ‬ ‫ﻤ‬ ‫ﹰ‬ ‫ﺃﻭ ﻓﺎﻀﻼ.. ﺃﻗﻨﻌﺔ ﺒﺎﺴﻤﺔ ﻓﻭﻕ ﻭﺠﻭﻩ ﺤﺯﻴﻨﺔ ﺃﻭ ﻨﺎﻗﻤـﺔ..‬ ‫ﹰ‬ ‫ﺃﺭﺩﻴﺔ ﻴﺭﺘﺩﻴﻬﺎ ﺍﻟﻨـﺎﺱ ﻟﻴﺨﻔـﻭﺍ ﺭﺫﺍﺌﻠﻬـﻡ ﺃﻭ ﻴﻅﻬـﺭﻭﺍ‬ ‫ﻓﻀﺎﺌﻠﻬﻡ.. ﺍﻹﻨﺴﺎﻥ ﺩﺍﺌ ‪‬ﺎ ﻻ ﻴﻘﻨﻊ ﺒﻤﺎ ﻗﺩﺭ ﻟﻪ.. ﻭﺩﺍﺌ ‪‬ﺎ ﻤﺎ‬ ‫ﻤ‬ ‫ﻤ‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﺍﻟﺘﻀﺎﺩ.. ﻗﺩ ﻴﻜﻭﻥ ﻫﺫﺍ ﺍﻟﺘﻀـﺎﺩ ﺇﻤـﺎ ﻤﻌـﻪ‬ ‫ﺃﻭ ﻀﺩﻩ.. ﺍﻟﻨﺘﻴﺠﺔ ﻭﺍﺤﺩﺓ.. ﺍﻟﺘﺭﺤﺎل ﺍﻟﺩﺍﺌﻡ.‬ ‫)ﺼﻴﺎﺡ ﺩﻴﻭﻙ.. ﺘﺨﺭﺝ ﺸﺭﻭﻕ(.‬ ‫: ﻤﺎ ﻫﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫل ﻨﺴﻴﺕ.. ﺇﻨﻙ ﻓﻲ ﻁﺭﻴﻕ ﺍﻟﺭﻴﺵ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻨﻌﻡ ﻭﻟﻜﻨﻲ ﻅﻨﻨﺕ ﺃﻨﻪ ﻤﺠﺭﺩ ﺍﺴﻡ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ ﻋﻠﻴﻙ.. ﺘﻔﻀﻼ ﺍﻟﻁﻌﺎﻡ.. )ﺘﻀﻊ ﺍﻟﻁﻌﺎﻡ ﻋﻠـﻰ ﺃﺤـﺩ‬ ‫ﺸﺭﻭﻕ‬ ‫ﺍﻟﺼﺨﻭﺭ.. ﺘﻨﺎﻭل ﺍﻟﻐﺭﻴﺏ ﺍﻟﻤﻴﺎﻩ(.‬ ‫: ﻭﺃﻨﺕ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻟﻘﺩ ﺃﻜﻠﺕ ﺒﺎﻟﺩﺍﺨل.. ﺘﺭﻯ ﻤﺎ ﺍﻟﺫﻱ ﺃﺨﺭﻫﻤﺎ؟ ﺍﻨﻅﺭ ﺇﻨﻬـﺎ‬ ‫ﺸﺭﻭﻕ‬ ‫- ٣٣ -‬
  • 35. ‫ﺘﺭﺤل )ﻟﻠﺩﻤﻴﻡ(.‬ ‫: )ﻴﺘﻨﺎﻭل ﺍﻟﻁﻌﺎﻡ ﺒﻨﻬﻡ( ﻤﺎﺫﺍ؟!‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺍﻟﺸﻤﺱ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻨﻌﻡ.. ﻨﻌﻡ.. )ﻴﻐﻴﺭ ﺍﻟﺤﺩﻴﺙ( ﻴﺒﺩﻭ ﺃﻨﻙ ﺠﺎﺌﻊ ﺠ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻜﻼ.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻜﻼ!! )ﻴﻀﺤﻙ( ﻤﺎﺫﺍ.. ﻭﻟﻭ ﻜﻨﺕ ﺠﺎﺌ ‪‬ﺎ؟ ﺴﺘﺄﻜﻠﻨﺎ.‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﺏ‬ ‫: ﺍﻋﺫﺭﻨﻲ.. ﻓﻬﺫﻩ ﻫﻲ ﺍﻟﻤﺭﺓ ﺍﻷﻭﻟﻰ ﺍﻟﺘﻲ ﺁﻜل ﻓﻴﻬـﺎ ﻤـﻊ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﺃﺤﺩ.‬ ‫: ﺍﺴﻤﻌﺎ.. ﺇﻨﻨﻲ ﺃﺴﻤﻊ ﻭﻗﻊ ﺃﻗﺩﺍﻡ..‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻟﺤﻅﺎﺕ ﺼﻤﺕ.. ﺘﻀﻊ ﺃﺫﻨﻬﺎ ﻋﻠﻰ ﺍﻷﺭﺽ(.‬ ‫)ﺘﺩﺨل ﺍﻷﻡ ﻭﺃﻤل.. ﺍﻟﺩﻤﻴﻡ ﻴﺩﻴﺭ ﻭﺠﻬﻪ(.‬ ‫: ﺃﻤﺎﻩ.. ﻟﻘﺩ ﺍﻨﺘﺎﺒﻨﻲ ﺍﻟﻘﻠﻕ.. ﻤﺎ ﺍﻟﺫﻱ ﺃﺨﺭﻜﻤﺎ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺎ ﺍﻟﺫﻱ ﺃﺘﻰ ﺒﻬﻡ ﺇﻟﻰ ﻫﻨﺎ؟‬ ‫ﺍﻷﻡ‬ ‫: ﺴﺄﻗﻭل ﻟﻙ ﻓﻴﻤﺎ ﺒﻌﺩ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻤﺭﺤ ‪‬ﺎ ﺒﻙ.‬ ‫ﺒ‬ ‫ﺃﻤل‬ ‫: ﻭﻫﺫﺍ ﻤﻥ ﻴﻜﻭﻥ؟‬ ‫ﺍﻷﻡ‬ ‫: ﻋﺎﺒﺭ ﺴﺒﻴل.. ﺠﻠﺱ ﻟﻴﺴﺘﺭﻴﺢ ﺜﻡ ﻴﻤﻀﻲ ﻟﺤﺎﻟﻪ.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻴﻤﻀﻴﺎﻥ.‬ ‫ﺍﻷﻡ‬ ‫- ٤٣ -‬
  • 36. ‫: ﺇﻨﻨﻲ ﻤﺘﻌﺒﺔ.. ﺴﺄﺩﺨل ﺃﺴﺘﺭﻴﺢ )ﺘـﺭﻯ ﻭﺠـﻪ ﺍﻟـﺩﻤﻴﻡ..‬ ‫ﺃﻤل‬ ‫ﺘﺼﺭﺥ(.‬ ‫: ﻻ ﺘﺨﺎﻓﻲ.. ﺘﻌﺎﻟﻲ ﻤﻌﻲ.. ﻫﻴﺎ )ﺘﺩﺨﻼﻥ ﺍﻟﻜﻭﺥ(.‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻭﺃﻨﺕ ﻴﺎ ﺴﻴﺩﺘﻲ.. ﺃﻻ ﺘﺨﺸﻴﻥ ﻫﺫﻩ ﺍﻟﺴﺤﻨﺔ؟‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻻ.. ﻟﻡ ﺘﺨﺘﻠﻑ ﻋﻨﻬﻡ ﻜﺜﻴ ‪‬ﺍ ﻜﻠﻜﻡ ﻤﺘﺸﺎﺒﻬﻭﻥ.‬ ‫ﺭ‬ ‫ﺍﻷﻡ‬ ‫: ﺃﺭﺠﻭ ﺍﻟﻤﻌﺫﺭﺓ.. ﻟﻘـﺩ ﺨﺸـﻴﺕ ﺃﻥ ﺃﺘﺭﻜﻬـﺎ ﺒﻤﻔﺭﺩﻫـﺎ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻓﺎﻨﺘﻅﺭﺕ.‬ ‫)ﺘﺨﺭﺝ ﺸﺭﻭﻕ.. ﺘﺤﻤل ﻗﻨﺩﻴﻼ ﺘﻀﻌﻪ ﺒﺠﺎﻨﺒﻬﻡ(.‬ ‫ﹰ‬ ‫: ﻫﻴﺎ ﺍﺩﺨﻠﻲ ﻭﻻ ﺘﺨﺭﺠﻲ ﺜﺎﻨﻴﺔ.‬ ‫ﺍﻷﻡ‬ ‫: ﻭﻟﻜﻥ...‬ ‫ﺸﺭﻭﻕ‬ ‫: )ﻤﻘﺎﻁﻌﺔ( ﺴﺄﻓﻜﺭ ﻓﻲ ﺃﻤﺭ ﺭﺤﻴﻠﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﺤ ﹰﺎ ﻴﺎ ﺃﻤﺎﻩ.‬ ‫ﻘ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤ ﹰﺎ.‬ ‫ﻘ‬ ‫ﺍﻷﻡ‬ ‫)ﺃﻤل ﺘﻨﺎﺩﻱ.. ﺘﺴﺭﻉ ﺇﻟﻴﻬﺎ ﺍﻷﻡ ﻭﺸﺭﻭﻕ.. ﺍﻟﻐﺭﻴﺏ ﻴﻬﻡ‬ ‫ﺒﺎﻟﻤﺸﻲ(.‬ ‫: ﺁﻥ ﺍﻷﻭﺍﻥ ﻟﻨﺭﺤل؟ )ﻴﻠﻤﻠﻡ ﻤﺘﻌﻠﻘﺎﺘﻪ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻟﻤﺎﺫﺍ ﺘﺄﺨﺭﺘﻲ؟‬ ‫ﺹ ﺸﺭﻭﻕ‬ ‫: ﻜﺎﻨﺕ ﺍﻟﺤﻤﻭﻟﺔ ﻜﺒﻴﺭﺓ ﻭﺍﻟﻌﺎﺼﻔﺔ ﺸﺩﻴﺩﺓ.. ﺃﺨﺭﻨـﺎ ﺃﺤـﺩ‬ ‫- ٥٣ -‬
  • 37. ‫ﺍﻟﺴﺎﺩﺓ ﻟﺴﻤﺎﻉ ﺸﺭﻭﻁ ﺃﺨﺭﻯ.‬ ‫ﺹ ﺍﻷﻡ‬ ‫: ﻓﻲ ﻜل ﻤﺭﺓ ﺴﻴﻤﻠﻭﻥ ﺸﺭﻭ ﹰﺎ ﺠﺩﻴﺩﺓ.. ﻓﻜﺭﻱ ﻓﻲ ﺍﻷﻤﺭ‬ ‫ﻁ‬ ‫ﺹ ﺸﺭﻭﻕ‬ ‫ﻻ ﺒﺩ ﻭﺃﻥ ﻨﺭﺤل.‬ ‫)ﺘﺨﺭﺝ ﺍﻷﻡ ﻭﻤﻌﻬﺎ ﺯﻜﻴﺒﺔ ﺼﻐﻴﺭﺓ(.‬ ‫: ﺃﻋﺘﻘﺩ ﺃﻨﻜﻤﺎ ﺴﺘﺤﺘﺎﺠﺎﻥ ﺒﻌـﺽ ﺍﻟﻁﻌـﺎﻡ ﻭﺍﻟﻤـﺎﺀ ﻓـﻲ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﻁﺭﻴﻕ.‬ ‫: ﺸﻜ ‪‬ﺍ ﻴﺎ ﺴﻴﺩﺘﻲ.‬ ‫ﺭ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﻨﻅﺭ ﻟﻠﺩﻤﻴﻡ( ﻟﻘﺩ ﺍﺨﺘﺭﺕ ﺨﻴﺭ ﺍﻟﺭﻓﻴﻕ )ﻟﻠﻐﺭﻴﺏ(.‬ ‫ﺍﻷﻡ‬ ‫: ﻤﺎﻟﻲ ﺴﻭﺍﻩ.. ﺃﺒﻠﻐﻲ ﺘﺤﻴﺎﺘﻲ ﻟﺼﻐﺎﺭﻙ.. ﺍﻟﻭﺩﺍﻉ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫)ﺘﺨﺭﺝ ﺸﺭﻭﻕ(.‬ ‫: ﻫل ﺴﺘﺭﺤل ﺍﻵﻥ؟‬ ‫ﺸﺭﻭﻕ‬ ‫: ﻨﻌﻡ.. ﺍﻨﺘﻅﺭﻱ ﺤﺘﻰ ﺘﺭﺤل ﺃﻤﻙ.. ﺴﻴﺄﺘﻲ ﺍﻟﻭﻗﺕ ﺍﻟـﺫﻱ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺴﺘﺭﺤل ﻓﻴﻪ.. ﺍﻟﻭﺩﺍﻉ.‬ ‫: ﻫﺫﺍ ﻻ ﻴﻤﻜﻥ ﺃﺒ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺍﺩﺨﻠﻲ ﻋﻨﺩ ﺃﺨﺘﻙ.‬ ‫ﺍﻷﻡ‬ ‫: ﻻ ﺒﺩ ﻭﺃﻥ ﻨﺭﺤل.. ﺃﺭﺠﻭﻙ ﻴﺎ ﺃﻤﺎﻩ.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻋﻭﺍﺀ ﺫﺌﺎﺏ(.‬ ‫: ﺇﻨﻬﻡ ﻗﺭﻴﺒﻭﻥ ﺠ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫- ٦٣ -‬
  • 38. ‫: ﻋﻠﻰ ﺍﻷﻗل ﺩﻋﻴﻬﻤﺎ ﻴﻨﺘﻅﺭﺍ ﻟﻠﺼﺒﺎﺡ.. ﺃﺭﺠﻭﻙ ﻴﺎ ﺃﻤﺎﻩ..‬ ‫ﺸﺭﻭﻕ‬ ‫: ﺤﺴ ﹰﺎ.. ﻓﻠﺘﻨﺘﻅﺭﺍ ﻟﻠﺼﺒﺎﺡ.. ﺃﺭﺠﻭ ﺃﻻ ﺃﺭﺍﻜﻤﺎ ﻗﺒل ﻁﻠﻭﻉ‬ ‫ﻨ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﻔﺠﺭ.. )ﺘﺩﺨل(.‬ ‫)ﺘﺤﻀﺭ ﺸﺭﻭﻕ ﺒﻌﺽ ﺍﻟﺒﻁﺎﻁﻴﻥ(.‬ ‫: ﺘﺼﺒﺤﺎﻥ ﻋﻠﻰ ﺨﻴﺭ )ﺘﺩﺨل(.‬ ‫ﺸﺭﻭﻕ‬ ‫)ﻴﺤﻀﺭ ﺍﻟﺩﻤﻴﻡ ﺒﻌﺽ ﺍﻷﺨﺸﺎﺏ ﺍﻟﺼﻐﻴﺭﺓ ﻭﻴﺸﻌﻠﻬﺎ(.‬ ‫: ﻫﺫﻩ ﺍﻟﻤﺭﺃﺓ ﻋﻨﻴﺩﺓ ﺠ ‪‬ﺍ ﻭﺼﺎﺭﻤﺔ.‬ ‫ﺩ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺘﻘﺎﺒﻠﺕ ﻤﻌﻬﻡ ﺒﺎﻟﺼﺩﻓﺔ.. ﺘﻤﺎ ‪‬ﺎ ﻤﺜﻠﻤﺎ ﺘﻘﺎﺒﻠﻨﺎ..‬ ‫ﻤ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫)ﻴﺨﻔﺽ ﻀﻭﺀ ﺍﻟﻘﻨﺩﻴل ﻭﻴﺴﺘﻠﻘﻲ( ﺃﻻ ﺘﺭﻴﺩ ﺃﻥ ﺘﻨﺎﻡ؟‬ ‫: ﺃﻴﻥ؟‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﻫﻨﺎﻙ ﻓﻲ ﻓﻡ ﺍﻟﺫﺌﺏ )ﻴﻀﺤﻙ( ﻫﻨﺎ ﺒﺠﺎﻨﺒﻲ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﺤ ﹰﺎ..‬ ‫ﻘ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺒﻜل ﺘﺄﻜﻴﺩ ﻴﺎ ﻋﺯﻴﺯﻱ.. ﻜل ﻤﺎ ﺴﺘﻔﻌﻠﻪ ﺃﻨﻙ ﺴﺘﻠﻘﻲ ﺒﻨﻔﺴﻙ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻫﻨﺎ ﻋﻠﻰ ﻫﺫﻩ ﺍﻟﺒﻁﺎﻨﻴﺔ.. ﻭﺘﻐﻤﺽ ﻋﻴﻨﻴﻙ ﻭﺘﻨﻡ..‬ ‫: )ﻴﻀﺤﻙ.. ﻴﺴﺘﻠﻘﻲ ﺒﺠﺎﻨﺒﻪ( ﺃﻋﺫﺭﻨﻲ ﻓﻬﺫﻩ ﻫـﻲ ﺍﻟﻤـﺭﺓ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫ﺍﻷﻭﻟﻰ ﺍﻟﺘﻲ...‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺃﻨﺎﻡ ﻓﻴﻬﺎ ﺒﺠﺎﻨﺏ ﺃﺤﺩ.. ﺘﺼﺒﺢ ﻋﻠﻰ ﺨﻴﺭ.‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺘﺼﺒﺢ ﻋﻠﻰ ﺨﻴﺭ.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫- ٧٣ -‬
  • 39. ‫)ﻋﻭﺍﺀ ﺫﺌﺎﺏ ـ ﺘﺨﺭﺝ ﺍﻷﻡ ﺘﺭﺘﺩﻱ ﻤﻼﺒـﺱ ﺒﻴﻀـﺎﺀ..‬ ‫ﺘﻤﺴﻙ ﻗﻨﺩﻴﻼ ﻭﺘﺘﺠﻪ ﺃﻤﺎﻡ ﺍﻟﻤﺭﺘﻔـﻊ ﺍﻟﺭﻤﻠـﻲ ﺘﺭﻜـﻊ..‬ ‫ﹰ‬ ‫ﻟﺤﻅﺎﺕ ﺼﻤﺕ(.‬ ‫: ﻴﺎ ﺤﺒﻴﺒﻲ ﻴﺎ ﻗﺭﺓ ﻋﻴﻨﻲ.. ﺇﻨﻨﻲ ﺃﺘﻭﻕ ﺇﻟﻴﻙ.. ﻓﻘﺩ ﺴـﺌﻤﺕ‬ ‫ﺍﻷﻡ‬ ‫ﺍﻟﺒﻘﺎﺀ.. ﺃﻋﺭﻑ ﺃﻥ ﺭﻭﺤﻙ ﺍﻟﻁﺎﻫﺭﺓ ﺘﻬـﻴﻡ ﻜـل ﻴـﻭﻡ‬ ‫ﺘﻨﺎﺩﻴﻨﻲ.. ﺇﻨﻨﻲ ﻤﺎ ﻨﺴﻴﺕ ﻴﺎ ﺤﺒﻴﺒﻲ.. ﻓﻨﺎﺭ ﺍﻟﻘﻠﺏ ﺘـﺯﺩﺍﺩ‬ ‫ﺴﻌﻴ ‪‬ﺍ ﻭﺁﻻﻤﻲ ﺘﻔﻭﻕ ﺍﻟﺼﺨﺭﺍﺕ.. ﺃﻨـﺎ ﻋﻠـﻰ ﺍﻟﻌﻬـﺩ‬ ‫ﺭ‬ ‫ﺃﺴﻴﺭ.. ﻤﺎ ﻋﺎﺩ ﺍﻟﻘﻠﺏ ﻴﻨﺒﺽ ﺒﺎﻟﺤﻴـﺎﺓ ﺇﻻ ﻷﺠﻠـﻙ ﻴـﺎ‬ ‫ﺤﺒﻴﺒﻲ.. ﻓﺒﺤﻕ ﺍﻷﻴﺎﻡ ﺍﻟﺨﻭﺍﻟﻲ.. ﻭﺒﺤﻕ ﺍﻷﻏﻨﻴﺎﺕ ﻭﺒﺤﻕ‬ ‫ﺍﻟﻴﻭﻡ ﺍﻟﻤﺸﺌﻭﻡ ﻭﺩﻤﻙ ﺍﻟﻤﻬﺩﻭﺭ ﻋﻠﻰ ﻜل ﺠﺒﺔ ﺭﻤل ﻭﺒﺤﻕ‬ ‫ﺍﻟﺼﺭﺨﺔ ﺍﻟﻤﺨﺘﻨﻘﺔ ﻤﻥ ﺃﺴﻔل ﻫﺫﺍ ﺍﻟﻤﻜﺎﻥ.. ﻭﺒﺤﻕ ﺍﻟﺜﻜﺎﻟﻰ‬ ‫ﻭﺍﻟﻴﺘﺎﻤﻰ.. ﺃﻋﺎﻫﺩﻙ ﺃﻨﻨﻲ ﻤﺎ ﻨﺴﻴﺕ ﺒﻜﺎﺀ ﺍﻷﻁﻔـﺎل ﻓـﻲ‬ ‫ﺍﻟﻅﻠﻤﺎﺕ ﻭﻨﻌﻴﻕ ﺍﻟﺒﻭﻡ ﻭﺼﻔﻴﺭ ﺍﻟﺭﻴﺢ ﻭﻋـﻭﺍﺀ ﺍﻟـﺫﺌﺎﺏ‬ ‫ﻭﺼﻴﺎﺡ ﺍﻟﺩﻴﻭﻙ.. ﻴﻭﻡ ﺫﺒﺤﺕ.. ﺃﻨﺕ ﻤﻘﺘﻭل ﻫﻨﺎ.. ﻜـل‬ ‫ﺍﻟﺼﺨﻭﺭ ﺒل ﻜل ﺤﺒﺎﺕ ﺍﻟﺭﻤﺎل ﺍﺭﺘﺠﻔﺕ ﻓﺴﻜﺕ ﺍﻟﻨﻌﻴـﻕ‬ ‫ﻭﻭﻟﻰ ﺍﻟﺼﻔﻴﺭ ﻭﺘﺭﺍﺠﻌﺕ ﺍﻟﺫﺌﺎﺏ.. ﻜل ﺍﻷﺸﻴﺎﺀ ﺘﺭﺍﺠﻌﺕ‬ ‫ﻟﻡ ﺘﺴﺘﻁﻊ ﺃﻥ ﺘﺭﻯ ﻗﻁﺭﺓ ﺩﻡ ﺘﺴﻘﻁ ﻋﻠﻰ ﺭﻤـﺎل ﻫـﺫﻩ‬ ‫ﺍﻟﺼﺤﺭﺍﺀ.. ﺇﻻ ﺍﻟﺠﺒﺎﺒﺭﺓ ﺍﻟﻘﺘﻠﺔ.. ﻤﺎ ﺘﺭﺍﺠﻌﻭﺍ ﻗﻁ.. ﺇﻨﻨﻲ‬ ‫- ٨٣ -‬
  • 40. ‫ﻤﺎ ﻨﺴﻴﺕ ﻴﺎ ﺤﺒﻴﺒﻲ.. ﻓﻨﺎﺭ ﺍﻟﻘﻠﺏ ﺘﺯﺩﺍﺩ ﺴﻌﻴ ‪‬ﺍ..‬ ‫ﺭ‬ ‫)ﻴﺴﺘﻴﻘﻅ ﺍﻟﻐﺭﻴﺏ ﻴﺘﻠﻔﺕ ﺤﻭﻟﻪ(.‬ ‫: ﻤﻌﺫﺭﺓ ﻴﺎ ﺴﻴﺩﺘﻲ ﻋﻠﻰ ﻤﻘﺎﻁﻌﺘﻙ.. ﻟﻘﺩ ﺨﺸﻴﺕ ﺃﻥ ﻴﻜـﻭﻥ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻗﺩ ﺃﺼﺎﺒﻙ ﻤﻜﺭﻭﻩ.‬ ‫: ﻻ ﺩﺨل ﻟﻙ ﺒﻲ.. ﺩﻋﻨﻲ ﻭﺸﺄﻨﻲ.. )ﺘﻨﺘﺤﺏ(.‬ ‫ﺍﻷﻡ‬ ‫: ﻭﻟﻜﻥ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﺘﺼﺭﺥ( ﻗﻠﺕ ﻻ ﺸﺄﻥ ﻟﻙ ﺒﻲ.. ﻜﻠﻜﻡ ﻤﺠﺭﻤﻭﻥ.. ﻜﻠﻜـﻡ‬ ‫ﺍﻷﻡ‬ ‫ﻟﺼﻭﺹ.. ﻗﺘﻠﺔ ﻭﺃﻨﺕ ﻭﺍﺤﺩ ﻤﻨﻬﻡ..‬ ‫: ﻻ.. ﺃﻨﺎ ﻟﺴﺕ ﻤﺠﺭ ‪‬ﺎ ﻭﻻ ﻟ ‪‬ﺎ ﻭﻻ ﻗﺎﺘﻼ.. ﻟﻘﺩ ﺃﺭﻏﻤﺘﻨﻲ‬ ‫ﹰ‬ ‫ﺼ‬ ‫ﻤ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﺍﻟﺤﻴﺎﺓ ﻋﻠﻰ ﺃﻥ ﺃﻓﻌل ﻤﺜﻠﻤﺎ ﺘﻔﻌﻠﻴﻥ ﺃﻨﺕ ﺍﻵﻥ.. ﻟﻘﺩ ﻫﺯﻤﺕ‬ ‫ﻓﻲ ﻨﻔﺴﻲ ﻜل ﺍﻵﻤﺎل.. ﺃﻁﻔﺄﺕ ﻨﻭﺭ ﺍﻟﻔـﺅﺍﺩ.. ﺍﻏﺘﺎﻟـﺕ‬ ‫ﺍﻷﺤﻼﻡ.. ﻭﺯﺍﺩ ﺍﻟﻔﺠﺭ ﻓﺠﻭ ‪‬ﺍ ﻭﺩﺱ ﺍﻟﺴﻡ ﻟﻲ.. ﻭﺸـﺎﺀ‬ ‫ﺭ‬ ‫ﺍﻟﻘﺩﺭ ﺃﻻ ﺃﻤﻭﺕ ﻟﻜﻲ ﺃﻨﺘﻘﻡ..‬ ‫: ﻭﻗﺘﻠﺘﻬﺎ..‬ ‫ﺍﻷﻡ‬ ‫: ﻻ.. ﺒل ﺍﻟﻭﻫﻡ ﻫﻭ ﺨﺎﻨﻘﻬﺎ.. ﺃﺤﺎﻁﻬﺎ ﻤﻥ ﻜل ﺍﻻﺘﺠﺎﻫﺎﺕ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫ﻟﻡ ﺘﺭ ﻏﻴﺭﻩ.. ﻨﻌﻡ ﺤﺎﺼﺭﻫﺎ ﺍﻟـﻭﻫﻡ.. ﻜﻨـﺕ ﺃﺭﻴـﺩ ﺃﻥ‬ ‫ﺃﻨﺘﻘﻡ.. ﻟﻜﻨﻬﺎ ﻤﺎﺘﺕ ﺭﻋ ‪‬ﺎ ﺨﺸﻴﺔ ﺃﻥ ﺃﻓﺘﻙ ﺒﻬـﺎ ﻓـﻲ ﺃﻱ‬ ‫ﺒ‬ ‫ﻟﺤﻅﺔ.. ﻤﺎﺘﺕ ﺒﺎﻟﻭﻫﻡ ﻭﺘﺭﻜﺘﻨﻲ ﻤﻘﺘﻭﻻ.‬ ‫ﹰ‬ ‫- ٩٣ -‬
  • 41. ‫: ﻭﺴﺎﻗﺘﻙ ﻗﺩﻤﺎﻙ ﺇﻟﻰ ﻫﻨﺎ ﻜﻲ ﺘﺒﺘﻌﺩ.. ﻴﺎ ﻟﻠﻐﺭﺍﺒـﺔ.. ﻤـﺎ‬ ‫ﺍﻷﻡ‬ ‫ﺃﻋﺠﺏ ﻫﺫﺍ ﺍﻟﺯﻤﻥ!!‬ ‫: ﻫﺫﻩ ﻫﻲ ﺍﻟﺤﻴﺎﺓ!!‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻤﺭﺭﺕ ﺫﺍﺕ ﻴﻭﻡ ﻤﻥ ﻫﻨﺎ ﻭﻤﻜﺜﺕ ﺒﻘﻴﺔ ﻋﻤـﺭﻱ ﺃﺒﺤـﺙ‬ ‫ﺍﻷﻡ‬ ‫ﻋﻨﻬﺎ.‬ ‫: ﻭﺠﺩﺘﻬﺎ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ.. ﻭﻟﻜﻨﻲ ﻜﻨﺕ ﺃﺒﺤﺙ ﻋﻥ ﺸﻲﺀ ﺁﺨﺭ.. ﻋـﻥ ﺭﺠـل‬ ‫ﺍﻷﻡ‬ ‫ﻴﻘﻭل ﻟﻲ ﺇﻥ ﺍﻟﺤﻕ ﻤﺎ ﻀﺎﻉ ﻭﺍﻟﺤﺏ ﻤﺎ ﺯﺍل.. ﻭﺍﻷﻤـل‬ ‫ﻤﻭﺠﻭﺩ.. ﺭﺠل ﻴﺒﺙ ﺍﻟﻨﺨﻭﺓ ﻓﻲ ﻋﺭﻭﻕ ﺍﻟﺭﺠﺎل.. ﺭﺠل‬ ‫ﻴﻌﻴﺩ..‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺍﻟﺫﻱ ﺭﺤل ﻻ ﻴﻌﻭﺩ.‬ ‫ﻌ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻻ.. ﺇﻨﻪ ﻫﻨﺎ ﻟﻡ ﻴﺭﺤل )ﺘﺸﻴﺭ(.‬ ‫ﺍﻷﻡ‬ ‫: )ﻴﻨﻅﺭ ﻷﺴﻔل( ﻫﻨﺎ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﺠل.. ﻗﺘل ﻭﺩﻓﻥ ﻫﻨﺎ.‬ ‫ﺍﻷﻡ‬ ‫: ﻟﻤﺎﺫﺍ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻷﻨﻪ ﻁﻴﺏ ﺍﻟﻘﻠﺏ.. ﻻ ﻴﻌﺭﻑ ﻏﻴﺭ ﺍﻟﺤﺏ.. ﻟﻜﻨﻬﻡ ﺃﺭﺍﺩﻭﺍ‬ ‫ﺍﻷﻡ‬ ‫ﺃﻥ ﻴﻐﺘﺎﻟﻭﺍ ﻫﺫﺍ ﺍﻟﺤﺏ.. )ﺘﺸﻴﺭ( ﻫﻨﺎ ﻜﻨﺎ ﻨﺴﻴﺭ.. ﻭﻫﻨﺎ ﻜﻨﺎ‬ ‫ﻨﻨﺘﻅﺭ ﻤﺩﻴﻨﺔ ﺨﻀﺭﺍﺀ ﺠﺩﻴﺩﺓ.. ﻭﻫﻨﺎ ﻭﻗـﻑ ﺍﻟﻁﻐـﺎﺓ..‬ ‫- ٠٤ -‬
  • 42. ‫ﻻ ﻴﺭﻴﺩﻭﻥ ﺃﻥ ﻨﻤﺭ ﺒﺴﻼﻡ.. ﺼﺭﺨﺕ ﺍﺘﺭﻜﻭﻨﺎ.. ﻋـﺫﺒﻨﻲ‬ ‫ﺃﺤﺩﻫﻡ، ﺼﺭﺥ ﺒﻜل ﻤﺎ ﻴﻤﻠﻙ ﻤﺤﺎﻭﻻ ﺍﻟـﺩﻓﺎﻉ ﻋﻨـﻲ..‬ ‫ﹰ‬ ‫ﻴﺤﺎﻭل ﺃﻥ ﻴﺤﻤﻴﻨﻲ.. ﻟﻡ ﻴﺘﺤﻤل ﺒﺸﺎﻋﺔ ﻫﺅﻻﺀ ﺍﻷﺸـﺭﺍﺭ‬ ‫ﺼﺭﺥ.. ﻟﻜﻨﻪ ﻁﻌﻥ.. ﻭﻅـل ﻴﺼـﺭﺥ.. ﻻ.. ﻜﺎﻨـﺕ‬ ‫ﺍﻟﻁﻌﻨﺎﺕ ﺘﺨﻤﺩ ﻜل ﺼﺭﺨﺔ ﺒﻔﻴﺽ ﻤﻥ ﺍﻟﺩﻤﺎﺀ.. ﻫﻨﺎ ﻗﺘل‬ ‫ﻭﺩﻓﻥ.. ﻫﻨﺎ ﻤﺜﻭﺍﻩ ﺍﻷﺨﻴﺭ.‬ ‫: ﻭﺃﻨﺕ؟‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﺃﺤﺩﺜﻪ ﻜل ﻴﻭﻡ.‬ ‫ﺍﻷﻡ‬ ‫: ﺴﺎﻤﺤﻴﻨﻲ ﺇﻥ ﻜﻨﺕ ﺘﺴﺒﺒﺕ ﻓﻲ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻤﻘﺎﻁﻌﺔ(.. ﺃﺭﺠﻭﻙ ﺍﺘﺭﻜﻨﻲ ﺒﻤﻔﺭﺩﻱ.‬ ‫ﺍﻷﻡ‬ ‫)ﺍﻟﻐﺭﻴﺏ ﻴﺴﺘﻠﻘﻲ ﺒﺠﻭﺍﺭ ﺍﻟﺩﻤﻴﻡ.. ﺍﻷﻡ ﺘﻨﺘﺤﺏ..‬ ‫ﺘﺨﻔﺽ ﻀﻭﺀ ﺍﻟﻘﻨﺩﻴل ﻭﺘﺩﺨل ﺍﻟﻜﻭﺥ.. ﻟﺤﻅﺎﺕ‬ ‫ﺼﻤﺕ.. ﺘﺭﺘﻔﻊ ﺍﻹﻀـﺎﺀﺓ ﺘـﺩﺭﻴﺠ ‪‬ﺎ.. ﺼـﻴﺎﺡ‬ ‫ﻴ‬ ‫ﺩﻴﻭﻙ.. ﺘﺩﺨل ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﺤﺭﺍﺱ ﻴﺘﻘـﺩﻤﻬﻡ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ(.‬ ‫: ﺃﺤﻀﺭﻭﻫﻡ )ﻴﻤﺴﻜﻭﻥ ﺒﻬﻡ(.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: )ﻴﺭﻯ ﻭﺠﻪ ﺍﻟﺩﻤﻴﻡ( ﺍﻟﻨﺠﺩﺓ.. ﺍﻟﻨﺠﺩﺓ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﻴﺴﺭﻉ ﻭﻴﻤﺴﻙ ﺍﻟﺩﻤﻴﻡ.. ﻭﻴﺼﺭﺥ( ﻻ.. ﻻ...‬ ‫ﺤﺎﺭﺱ ٢‬ ‫- ١٤ -‬
  • 43. ‫: ﻤﺎﺫﺍ ﺃﺼﺎﺒﻜﻤﺎ ﺃﻴﻬﺎ ﺍﻷﻏﺒﻴﺎﺀ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﺍﻨﻅﺭ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: )ﻴﻀﺤﻙ( ﻻ ﺸﻲﺀ ﺃﻴﻬﺎ ﺍﻷﺤﻤﻕ.. ﺍﺴﻤﻊ ﺃﻴﻬـﺎ ﺍﻟﺠﺒـﺎﻥ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫)ﻟﺤﺎﺭﺱ ١(.‬ ‫: ﻨﻌﻡ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺍﻨﺯﻉ ﻋﻨﻪ ﻫﺫﺍ ﺍﻟﻘﻨﺎﻉ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﻗﻨﺎﻉ!‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻨﻌﻡ ﺃﻴﻬﺎ ﺍﻷﺤﻤﻕ.. ﺘﻘﺩﻡ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: )ﻤﺫﻋﻭ ‪‬ﺍ( ﺃﻤﺭ ﺴﻴﺩﻱ.‬ ‫ﺭ‬ ‫ﺤﺎﺭﺱ ١‬ ‫)ﻴﺤﺎﻭل ﺃﻥ ﻴﺠﺫﺏ ﻭﺠﻪ ﺍﻟﺩﻤﻴﻡ(.‬ ‫ﺇﻨﻪ ﻤﺼﻤﻡ ﺒﻁﺭﻴﻘﺔ ﺠﻴﺩﺓ ﻴﺎ ﺴﻴﺩﻱ.. ﻻ ﺃﺴﺘﻁﻴﻊ ﺠﺫﺒﻪ.‬ ‫: ﺤﺎﻭل ﺃﻥ ﺘﺴﺎﻋﺩﻩ )ﻟﺤﺎﺭﺱ ٢(.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﺃﻤﺭ ﺴﻴﺩﻱ )ﻴﺠﺫﺒﻭﻥ ﻭﺠﻬﻪ(.‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﺍﺒﺘﻌﺩﻭﺍ ﻋﻨﻪ.. ﺍﺒﺘﻌﺩﻭﺍ..‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: )ﻴﺼﺭﺥ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺃﻴﻬﺎ ﺍﻟﺤﻤﻘﻰ ﺍﻨﺯﻋﻭﺍ ﺒﻬﺩﻭﺀ.‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫: ﺃﺘﻭﺴل ﺇﻟﻴﻜﻡ ﺍﺘﺭﻜﻭﻩ.‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫- ٢٤ -‬
  • 44. ‫: )ﻴﺼﺭﺥ(.‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺇﻨﻪ ﻤﺤﻜﻡ ﺠ ‪‬ﺍ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﻻ ﺃﺴﺘﻁﻴﻊ ﻴﺎ ﺴﻴﺩﻱ.‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﺼﺩﻗﻨﻲ.. ﻟﻴﺱ ﻗﻨﺎ ‪‬ﺎ ﺃﻨﻪ ﻭﺠﻬﻪ ﺍﻟﺤﻘﻴﻘﻲ.‬ ‫ﻋ‬ ‫ﺍﻟﻐﺭﻴﺏ‬ ‫: ﻫل ﺘﻤﺯﺡ ﺃﻴﻬﺎ ﺍﻷﺒﻠﻪ )ﻴﺘﻘﺩﻡ ﻭﻴﺠﺫﺏ ﻭﺠﻪ ﺍﻟﺩﻤﻴﻡ( ﺃﺭﻨﻲ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﻭﺠﻬﻙ ﺍﻟﺤﻘﻴﻘﻲ.. ﻤﺎﺫﺍ ﺘﺨﻔﻲ ﻭﺭﺍﺀ ﻫﺫﺍ ﺍﻟﻘﻨﺎﻉ؟‬ ‫: )ﻴﺼﺭﺥ ﻤﺘﺄﻟ ‪‬ﺎ(.‬ ‫ﻤ‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: )ﺒﻔﺯﻉ( ﺁﻩ.. )ﻴﺘﻤﺎﻟﻙ ﻨﻔﺴﻪ( ﻷﻭل ﻤﺭﺓ ﺃﺭﻯ ﺴﺤﻨﺔ ﺒﻬﺫﻩ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﺍﻟﺸﺎﻜﻠﺔ.‬ ‫: )ﻴﺒﻜﻲ(‬ ‫ﺍﻟﺩﻤﻴﻡ‬ ‫: ﺨﺫﻫﻤﺎ.. ﺍﺴﻤﻊ ﻀﻊ ﻟﺜﺎ ‪‬ﺎ ﻋﻠﻰ ﻭﺠﻪ ﻫﺫﺍ ﺍﻟـﺩﻤﻴﻡ ﺤﺘـﻰ‬ ‫ﻤ‬ ‫ﻤﺴﺌﻭل ﺍﻷﻤﻥ‬ ‫ﻻ ﻴﻔﺯﻉ ﺇﺨﻭﺍﻨﻜﻡ.. ﻻ ﺃﺭﻴﺩ ﺜﺭﺜﺭﺓ ﺃﺜﻨﺎﺀ ﺴﻴﺭﻜﻡ..ﻫﻴـﺎ..‬ ‫)ﻴﺴﻴﺭﻭﻥ( ﻫﺫﺍ ﺁﺨﺭ ﻤﺎ ﻜﻨﺕ ﺃﺘﺨﻴﻠﻪ.. ﻋﺩﻡ ﻨﻅـﺎﻡ ﻓـﻲ‬ ‫ﻤﻨﻁﻘﺘﻲ ﺃﻨﺎ.. ﻻ ﻋﺎﺵ ﻭﻻ ﻜﺎﻥ ﻤﻥ ﻴﺨل ﺒﺎﻟﻨﻅـﺎﻡ ﻓـﻲ‬ ‫ﻋﻬﺩﻱ.‬ ‫)ﺼﻴﺎﺡ ﺩﻴﻭﻙ.. ﻴﺴﻴﺭ ﺍﻟﺤﺭﺍﺱ ﺨﻠﻑ ﻤﺴﺌﻭل ﺍﻷﻤـﻥ..‬ ‫ﻴﺨﺘﻔﻭﻥ.. ﺘﺨﺭﺝ ﺍﻷﻡ.. ﺘﺘﻠﻔﺕ ﺤﻭﻟﻬﺎ.. ﺘﺤﻤل ﺍﻟﺒﻁﺎﻁﻴﻥ‬ ‫ﺘﻘﻑ ﺃﻤﺎﻡ ﺍﻟﻬﻀﺒﺔ.. ﺘﺭﻜﻊ(.‬ ‫- ٣٤ -‬
  • 45. ‫: ﺇﻨﻨﻲ ﻤﺎ ﻨﺴﻴﺕ ﻴﺎ ﺤﺒﻴﺒﻲ.. ﻓﻨﺎﺭ ﺍﻟﻘﻠﺏ ﺘﺯﺩﺍﺩ ﺴـﻌﻴ ‪‬ﺍ...‬ ‫ﺭ‬ ‫ﺍﻷﻡ‬ ‫ﻭﺁﻻﻤﻲ ﺘﻔﻭﻕ ﺍﻟﺼﺭﺨﺎﺕ..‬ ‫)ﻴﺭﺘﻔﻊ ﺼﻴﺎﺡ ﺍﻟﺩﻴﻭﻙ.. ﺘﻨﺨﻔﺽ ﺍﻹﻀﺎﺀﺓ ﺘﺩﺭﻴﺠ ‪‬ﺎ(.‬ ‫ﻴ‬ ‫)ﺇﻅﻼﻡ(‬ ‫- ٤٤ -‬
  • 46. ‫ﺍﻟﻠﻭﺤﺔ ﺍﻟﺭﺍﺒﻌﺔ‬ ‫)ﺒﻬﻭ ﻓﺨﻡ ﻤﺤﺎﻁ ﺒﺎﻟﺭﻴﺵ.. ﻓﻲ ﻤﻨﺘﺼﻑ ﺍﻟﺒﻬﻭ‬ ‫ﻜﺭﺴﻲ ﻓﺨﻡ ﺨﻠﻔﻪ ﺼﻭﺭﺓ ﻜﺒﻴﺭﺓ ﻟﻤﻨﻘـﺎﺭ ﻭﻋـﺭﻑ‬ ‫ﺩﻴﻙ.. ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﺤﺭﺍﺱ ﻴﺤﻴﻁﻭﻥ ﺒﺎﻟﺒﻬﻭ(.‬ ‫: ﺃﺘﻌﺭﻑ.. ﺇﻨﻨﻲ ﻻ ﺃﺤﺏ ﻤﺜل ﻫﺫﻩ ﺍﻻﺤﺘﻔﺎﻻﺕ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺤ ﹰﺎ.. ﺘﺨﻴل ﺇﻨﻨﻲ ﻟﻡ ﺃﺭ ﺍﻟﻨﻭﻡ ﻤﻨﺫ ﺜﻼﺜﺔ ﺃﻴﺎﻡ.‬ ‫ﻘ‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﻨﺤﻥ ﻨﺘﻌﺏ ﻭﻨﻜﺩ ﻭﻫﻡ ﻴﺤﺘﻔﻠﻭﻥ )ﻟﺤﻅﺔ ﺼﻤﺕ(.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺃﻱ ﻋﻴﺩ ﺴﻨﺤﺘﻔل ﺒﻪ ﻫﺫﻩ ﺍﻟﻤﺭﺓ؟‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﻫﺫﻩ ﺍﻟﻤﺭﺓ ﺍﻟﻌﺎﺸﺭﺓ ﺍﻟﺘﻲ ﺘﺴﺄﻟﻨﻲ ﻓﻴﻬﺎ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺍﻋﺫﺭﻨﻲ.. ﻓﻤﻨﺫ ﺃﻥ ﺭﺃﻴﺕ ﺍﻟﺭﺠل ﺍﻟﺩﻤﻴﻡ ﻭﻗﺩ ﻨﺴﻴﺕ ﻜل‬ ‫ﺤﺎﺭﺱ ٢‬ ‫ﺸﻲﺀ.‬ ‫: ﺍﻟﻴﻭﻡ ﻫﻭ ﻋﻴﺩ ﺍﻟﺭﻴﺵ.. ﺇﻴﺎﻙ ﺃﻥ ﺘﺴﺄﻟﻨﻲ ﺜﺎﻨﻴﺔ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺘﺭﻯ ﺇﻟﻰ ﻤﺘﻰ ﺴﻨﻅل ﻭﺍﻗﻔﻴﻥ ﻫﻜﺫﺍ؟‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﺇﻟﻰ ﺃﻥ ﻴﺄﺘﻲ ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ.. ﺍﺼﻤﺕ ﻗﻠﻴﻼ.‬ ‫ﹰ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﺴﻤﻌﺕ ﺒﻌﺽ ﺍﻟﺴﺎﺩﺓ ﻴﻘﻭﻟـﻭﻥ ﺇﻨـﻪ ﺴـﻴﺘﻡ ﻤﺤﺎﻜﻤـﺔ‬ ‫ﺤﺎﺭﺱ ٣‬ ‫ﺍﻟﻬﺎﺭﺒﻴﻥ ﺃﻭﻻ ﻭﺒﻌﻀﻬﻡ ﻴﻘﻭل ﺃﻨﻨـﺎ ﺴـﻨﻘﻴﻡ ﺍﻻﺤﺘﻔـﺎل‬ ‫ﹰ‬ ‫ﺃﻭﻻ.. ﺃﻻ ﺘﻌﺭﻑ ﻤﺎﺫﺍ ﺴﻴﺘﻡ؟‬ ‫ﹰ‬ ‫: ﻻ.. ﻭﻟﻜﻥ ﻋﻨﺩﻤﺎ ﻴﺄﺘﻲ ﺴﻴﺎﺩﺓ ﺍﻟﺴﻴﺩ ﻤﺴـﺌﻭل ﺍﻟﻌـﺩل‬ ‫ﺤﺎﺭﺱ ٤‬ ‫- ٥٤ -‬
  • 47. ‫ﺴﻨﻌﺭﻑ ﻜل ﺸﻲﺀ..‬ ‫: ﻫل ﺭﺃﻴﺘﻪ؟‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: ﻤﻥ؟‬ ‫ﺤﺎﺭﺱ ٤‬ ‫: ﺍﻟﺩﻤﻴﻡ.. ﻭﻫل ﻫﻨﺎﻙ ﺴﻴﺭﺓ ﻏﻴﺭ ﺍﻟﺤﺩﻴﺙ ﻋﻨﻪ؟‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: ﻴﺎﻩ.. ﺃﺭﺠﻭﻙ ﻻ ﺘﺫﻜﺭﻨﻲ.‬ ‫ﺤﺎﺭﺱ ٤‬ ‫: ﻤﺎ ﻤﻥ ﺃﺤﺩ ﻴﺭﺍﻩ ﺇﻻ ﻭﺃﺼﺎﺒﻪ ﺍﻟﺫﻋﺭ.‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: ﺍﻨﻅﺭ..‬ ‫ﺤﺎﺭﺱ ١‬ ‫: ﻤﺎﺫﺍ؟‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ.‬ ‫ﺤﺎﺭﺱ ١‬ ‫)ﻴﺩﺨل ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ.. ﺍﻟﺠﻤﻴﻊ ﻓﻲ ﺤﺎﻟﺔ ﺍﻨﺘﺒﺎﻩ(.‬ ‫: ﺘﻌﺭﻓﻭﻥ ﺠﻤﻴ ‪‬ﺎ ﺃﻥ ﺍﻟﻴﻭﻡ ﻫﻭ ﻋﻴﺩ ﺍﻟﺭﻴﺵ.‬ ‫ﻌ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻨﻌﻡ.. ﻨﻌﻡ.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻴﺴﺄﻟﻨﻲ ﺃﺤﺩﻜﻡ.. ﻟﻤﺎﺫﺍ ﺃﻋﻠﻨﺎ ﺍﻟﻁﻭﺍﺭﺉ ﻤﻨﺫ ﺜﻼﺜﺔ ﺃﻴﺎﻡ؟‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻟﻤﺎﺫﺍ ﺃﻋﻠﻨﺎ ﺤﺎﻟﺔ ﺍﻟﻁﻭﺍﺭﺉ ﻤﻨﺫ ﺜﻼﺜﺔ ﺃﻴﺎﻡ؟‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: ﺴﺅﺍل ﻋﻅﻴﻡ.. ﻫﺫﻩ ﻫﻲ ﺃﺼﻭل ﺍﻟﺒﺭﻭﺘﻭﻜﻭل.. ﻤﺎ ﻤـﻥ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫ﺍﺤﺘﻔﺎل ﻴﺘﻡ ﺇﻻ ﻭﻴﻜﻭﻥ ﻫﻨﺎﻙ ﺤﺎﻟﺔ ﻁﻭﺍﺭﺉ.‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻴﺴﺄﻟﻨﻲ ﺃﺤﺩﻜﻡ.. ﻫل ﺴﻨﺒﺩﺃ ﺍﻻﺤﺘﻔﺎل ﺃﻭﻻ ﺃﻡ ﺴـﻨﺤﺎﻜﻡ‬ ‫ﹰ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫- ٦٤ -‬
  • 48. ‫ﺍﻟﺫﻱ ﻻ ﻴﺴﻤﻰ؟!‬ ‫: ﻫل ﺴﻨﺒﺩﺃ..‬ ‫ﺤﺎﺭﺱ ٢‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﻻ ﻴﻭﺠﺩ ﺇﻻ ﺃﻨﺕ. ﺃﻋﻁ ﻹﺨﻭﺍﻨﻙ ﻓﺭﺼﺔ.‬ ‫ﻌ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻫل ﺴﻴﺘﻡ ﺍﻻﺤﺘﻔﺎل ﺃﻭﻻ ﺃﻡ ﻨﺤﺎﻜﻡ ﺍﻟﻬﺎﺭﺒﻴﻥ ﺃﻭ ﹰ؟‬ ‫ﻻ‬ ‫ﹰ‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: )ﻤﻘﺎﻁ ‪‬ﺎ( ﺃﻡ ﻨﺤﺎﻜﻡ ﺴﻴﺭﺓ ﺍﻟﺫﻱ ﻻ ﻴﺴﻤﻰ ﺃﻭﻻ.. ﻫﻪ..؟‬ ‫ﹰ‬ ‫ﻌ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺃﻡ ﻨﺤﺎﻜﻡ ﺴﻴﺭﺓ ﺍﻟﺫﻱ ﻻ ﻴﺴﻤﻰ ﺃﻭ ﹰ؟‬ ‫ﻻ‬ ‫ﺤﺎﺭﺱ ٣‬ ‫: ﺴﺅﺍل ﻭﺠﻴﻪ.. ﻭﺃﻨﺎ ﺃﻋﺘﻘﺩ ﺃﻥ ﺍﻟﺫﻱ ﺴﻴﺠﻴﺏ ﻋﻥ ﻫـﺫﺍ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫ﺍﻟﺴﺅﺍل ﻋﻠﻰ ﻭﺠﻪ ﺍﻟﺘﺤﺩﻴﺩ ﻫﻭ ﺴﻴﺎﺩﺓ ﻤﺴﺌﻭل ﺍﻟﻌﺩل.‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫)ﺘﺩﺨل ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﻤﻭﺴﻴﻘﻴﻴﻥ ﻭﺍﻟﺭﺍﻗﺼﻴﻥ ﻭﺒﻌـﺽ‬ ‫ﺍﻟﺭﺠﺎل ﻴﺤﻤﻠـﻭﻥ ﻜـﺎﻤﻴﺭﺍﺕ ﺘﻠﻴﻔﺯﻴﻭﻨﻴـﺔ... ﻴـﺩﺨل‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ ﻭﺨﻠﻔﻪ ﻤﺴﺌﻭل ﺍﻟﻌﺩل(.‬ ‫: ﺤﺭﺱ ﺍﻨﺘﺒﺎﻩ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻜل ﺸﻲﺀ ﻋﻠﻰ ﻤﺎ ﻴﺭﺍﻡ؟‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫: ﺘﻤﺎﻡ ﻴﺎ ﺃﻓﻨﺩﻡ.. ﻜل ﺸﻲﺀ ﻋﻠﻰ ﻤﺎ ﻴﺭﺍﻡ..‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻨﺘﺒﻬﻭﺍ ﺠﻴ ‪‬ﺍ.. ﺃﺭﻴﺩ ﺃﻥ ﻴﺘﻡ ﺍﻻﺤﺘﻔﺎل ﻋﻠﻰ ﺃﻜﻤل ﻭﺠﻪ.‬ ‫ﺩ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫: ﺍﻁﻤﺌﻥ ﻴﺎ ﺃﻓﻨﺩﻡ..‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺤﺴ ﹰﺎ ﺍﺴﻤﻊ )ﻟﻤﺴﺌﻭل ﺍﻟﻌﺩل( ﺴﻭﻑ ﻨﺅﺠـل ﻤﺤﺎﻜﻤـﺔ‬ ‫ﻨ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫- ٧٤ -‬
  • 49. ‫ﺍﻟﻬﺎﺭﺒﻴﻥ ﻟﺤﻴﻥ ﺍﻻﻨﺘﻬﺎﺀ ﻤﻥ ﺍﻻﺤﺘﻔﺎل.‬ ‫: ﻋﻴﻥ ﺍﻟﻌﻘل.. ﻭﻟﻜﻥ ﻜﺎﻥ ﻴﺠﺏ ﺃﻥ ﻨﺒﻠﻎ ﺴﻴﺎﺩﺓ ﺍﻟﻔﺼﻴﺢ.‬ ‫ﻤﺴﺌﻭل ﺍﻟﻌﺩل‬ ‫: ﺇﻨﻪ ﻴﻌﺭﻑ ﻜل ﺸﻲﺀ.. ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ ﻻ ﻴﺒل ﻟﻪ ﻓﻭﻟﺔ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫ﻓﻲ ﻓﻤﻪ.. ﻗﺎﻡ ﺒﻭﺍﺠﺒﻪ ﻋﻠﻰ ﺃﻜﻤل ﻭﺠﻬﻪ.‬ ‫: ﻭﻤﺎﺫﺍ ﺴﻨﻔﻌل ﺒﺎﻹﺭﻫﺎﺒﻲ؟‬ ‫ﻤﺴﺌﻭل ﺍﻟﻌﺩل‬ ‫: ﻟﻘﺩ ﻭﻀﻌﺘﻪ ﻓﻲ ﺯﻨﺯﺍﻨﺔ ﺍﻟﺭﺠﻠﻴﻥ.. ﻭﺤﻴﻥ ﺭﺃﻯ ﺍﻟـﺩﻤﻴﻡ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫ﺼ ـﺭﺥ ﻭﻁﻠ ـﺏ ﺍﻟﻨﺠ ـﺩﺓ.. ﺃﻏﻴﺜ ـﻭﻨﻲ.. ﺃﻏﻴﺜ ـﻭﻨﻲ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫)ﻴﻀﺤﻜﺎﻥ(.‬ ‫: ﻭﻤﺘﻰ ﺴﻨﺒﺩﺃ ﺍﻻﺤﺘﻔﺎل؟‬ ‫ﻤﺴﺌﻭل ﺍﻟﻌﺩل‬ ‫: ﺍﻵﻥ )ﻴﺸﻴﺭ.. ﺘﻌﺯﻑ ﺍﻟﻤﻭﺴﻴﻘﻰ( ﺃﺩﺨل ﻜﺒﺎﺭ ﺍﻟﺯﻭﺍﺭ.‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ‬ ‫: ﺃﻤﺭ ﺴﻴﺩﻱ.. ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ )ﻴﺩﺨل ﻋﻠﻰ ﺃﻨﻐـﺎﻡ‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫ﺍﻟﻤﻭﺴﻴﻘﻰ(.‬ ‫: )ﻤﺭﺩ ‪‬ﺍ ﺒﺼﻭﺕ ﻫﺯﻟﻲ( ﻤﺴﺌﻭل ﺍﻟﺸﺌﻭﻥ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻷﻤﻥ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: )ﻤﺭﺩ ‪‬ﺍ( ﻤﺴﺌﻭل ﺍﻷﻤﻥ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫- ٨٤ -‬
  • 50. ‫: )ﻤﺭﺩ ‪‬ﺍ( ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: )ﻤﺭﺩ ‪‬ﺍ( ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫: ﺍﻟﺴﻴﺩ ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: )ﻤﺭﺩ ‪‬ﺍ( ﻤﺴﺌﻭل ﺍﻟﺭﻴﺎﻀﺔ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﺩ‬ ‫ﺤﺎﺭﺱ ١‬ ‫: )ﺘﺼﻔﻴﻕ(.‬ ‫ﺍﻟﺤﺭﺍﺱ‬ ‫)ﺘﺭﺘﻔﻊ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﻴﺘﻭﺍﻓﺩ ﺍﻟﺴﺎﺩﺓ ﻭﺍﺤ ‪‬ﺍ ﺘﻠﻭ ﺍﻵﺨﺭ..‬ ‫ﺩ‬ ‫ﺘﺭﺘﻔﻊ ﺍﻹﻀﺎﺀﺓ ﺘﺩﺭﻴﺠ ‪‬ﺎ.. ﻴﺩﺨل ﺍﻟﻔﺼﻴﺢ ﻓﻲ ﻤﻭﻜـﺏ‬ ‫ﻴ‬ ‫ﺒﻬﻴﺞ ﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻟﻜﺭﺴﻲ.. ﻴﻘﻑ ﺒﺠﺎﻨﺒﻪ ﺍﻟﻤﺘﺤـﺩﺙ‬ ‫ﺍﻟﺭﺴﻤﻲ ﻭﻤﺴﺌﻭل ﺍﻟﻌﺩل.. ﻴﻠﺘﻑ ﺤﻭﻟﻪ ﺒﻘﻴﺔ ﺍﻟﺴﺎﺩﺓ(.‬ ‫: ﺴﻼﻡ ﺍﻟﻔﺼﻴﺢ )ﻤﻭﺴﻴﻘﻰ(.‬ ‫ﻜﺒﻴﺭ ﺍﻟﺤﺭﺍﺱ‬ ‫: ﻴ ـﻭﻤﺊ ﺒﺭﺃﺴ ـﻪ.. ﻴﺘﻘ ـﺩﻡ ﻤﺴ ـﺌﻭل ﺍﻹﻋ ـﻼﻡ ﻨﺤ ـﻭ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ﺍﻟﻔﺼﻴﺢ‬ ‫ﺍﻟﻤﻴﻜﺭﻭﻓﻭﻥ.‬ ‫: )ﻴﻨﺤﻨﻲ ﻟﻠﻔﺼﻴﺢ( ﺴﻴﺩﻱ ﺍﻟﻤﺒﺠل ﺴﻴﺎﺩﺓ ﺍﻟﻔﺼﻴﺢ.. ﺍﻟﺴﺩ‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫ﺍﻟﻤﺘﺤﺩﺙ ﺍﻟﺭﺴﻤﻲ.. ﺍﻹﺨﻭﺓ ﺍﻟﺴﺎﺩﺓ ﺍﻷﻋﺯﺍﺀ.. ﺇﻨﻨﺎ ﺍﻟﻴﻭﻡ‬ ‫ﻨﺤﺘﻔل ﺒﻌﻴﺩ ﻤﻥ ﺃﻫﻡ ﺍﻷﻋﻴﺎﺩ ﺃﻻ ﻭﻫـﻭ ﻋﻴـﺩ ﺍﻟـﺭﻴﺵ‬ ‫- ٩٤ -‬
  • 51. ‫)ﺘﺼﻔﻴﻕ( ﻭﻜﺎﻥ ﻟﻲ ﺍﻟﺸﺭﻑ ﺃﻥ ﺃﻟﻘـﻲ ﻜﻠﻤـﺔ ﺴـﻴﺩﻱ‬ ‫ﺍﻟﻔﺼﻴﺢ.. ﻭﻻ ﻴﺴﻌﻨﻲ ﻓﻲ ﻫﺫﻩ ﺍﻟﻤﻨﺎﺴﺒﺔ ﺇﻻ ﺃﻥ ﺃﻋﺒـﺭ‬ ‫ﻋﻥ ﻋﻤﻴﻕ ﺸﻜﺭﻱ ﻭﺍﻤﺘﻨﺎﻨﻲ ﻭﻜﺎﻟﻌﺎﺩﺓ ﻭﻓﻲ ﻜـل ﻤـﺭﺓ‬ ‫ﺃﻗﻭﻟﻬﺎ.. ﺇﻥ ﺍﻟﺭﻴﺵ ﻟﻪ ﺃﻫﻤﻴﺔ ﻜﺒﻴﺭﺓ ﻓﻲ ﺤﻴﺎﺘﻨـﺎ ﻓﻬـﻭ‬ ‫ﺍﻟﺫﻱ ﺴﺎﻋﺩﻨﺎ ﻋﻠﻰ ﺍﻟﻌﻤل ﻭﺍﻟﺠﻬﺎﺩ ﻭﺍﻟﻜﻔﺎﺡ ﻭﺍﻟﻨﺠـﺎﺡ..‬ ‫ﻓﻼ ﺒﺩ ﺃﻥ ﻨﻌﻁﻲ ﻟﻪ ﺍﻟﺤﻕ ﻜل ﺍﻟﺤﻕ ﻓﻲ ﺃﻥ ﻨﺠﻌل ﻟـﻪ‬ ‫ﻋﻴ ‪‬ﺍ.. ﺃﻻ ﻭﻫﻭ ﻋﻴﺩ ﺍﻟﺭﻴﺵ )ﺘﺼـﻔﻴﻕ( ﻭﻓـﻲ ﻫـﺫﻩ‬ ‫ﺩ‬ ‫ﺍﻟﻤﻨﺎﺴﺒﺔ ﻻ ﻴﺴﻌﻨﻲ ﺇﻻ ﺃﻥ ﺃﺸﻜﺭ ﺴﻴﺎﺩﺓ ﺍﻟﻔﺼﻴﺢ ﻋﻠـﻰ‬ ‫ﺭﻋﺎﻴﺘﻪ ﻭﺘﺸﺭﻴﻔﻪ ﻟﻨﺎ ﻓﻲ ﻋﻴﺩ ﻫﻭ ﻤﻥ ﺃﻫـﻡ ﺍﻷﻋﻴـﺎﺩ..‬ ‫ﺃﻻ ﻭﻫﻭ ﻋﻴﺩ ﺍﻟﺭﻴﺵ )ﺘﺼﻔﻴﻕ(.‬ ‫)ﻴﺘﻘﺩﻡ ﻤﺴﺌﻭل ﺍﻟﻌﺩل ﻭﻴﻘﺩﻡ ﻋﻠﺒﺔ ﻤﻤﻠـﻭﺀﺓ ﺒـﺎﻟﺭﻴﺵ‬ ‫ﻟﻠﻔﺼﻴﺢ.. ﺘﺼﻔﻴﻕ(.‬ ‫: )ﻴﺭﻓﻊ ﺍﻟﺭﻴﺵ ﻭﻴﻭﻤﺊ ﺒﺭﺃﺴﻪ(.‬ ‫ﺍﻟﻔﺼﻴﺢ‬ ‫: ﻭﺍﻵﻥ. ﻓﻠﻴﺒﺩﺃ ﺍﻻﺤﺘﻔﺎل.. ﺍﺸﺭﺒﻭﺍ ﻭﺍﺭﻗﺼﻭﺍ ﻭﻏﻨـﻭﺍ..‬ ‫ﻤﺴﺌﻭل ﺍﻹﻋﻼﻡ‬ ‫ﻓﻠﺘﺼﺩﺡ ﺍﻟﻤﻭﺴﻴﻘﻰ..‬ ‫)ﺘﻌﺯﻑ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﻴﺸﺭﺒﻭﻥ ﻭﻴﺭﻗﺼﻭﻥ.. ﺍﺴﺘﻌﺭﺍﺽ‬ ‫ﺍﻟﺭﻴﺵ(.‬ ‫- ٠٥ -‬
  • 52. ‫)ﻭﺒﻌﺩ ﺍﻨﺘﻬﺎﺀ ﺍﻻﺴﺘﻌﺭﺍﺽ.. ﻴﻘﻑ ﺍﻟﻔﺼﻴﺢ.. ﻟﺤﻅـﺎﺕ‬ ‫ﺼﻤﺕ.. ﻴﺨـﺭﺝ ﻭﺤﻭﻟـﻪ ﻤﺠﻤﻭﻋـﺔ ﻤـﻥ ﺍﻟﺴـﺎﺩﺓ‬ ‫ﻭﺍﻟﺤﺎﺸﻴﺔ ﻓﻲ ﻤﻭﻜﺏ ﺒﻬﻴﺞ(.‬ ‫)ﺇﻅﻼﻡ(‬ ‫- ١٥ -‬