Media work.

1. HAYDON MEDIA
Shot List
Producer: Production:
Shot No. Shot Type Details of Shot Timing
1 Mid shot A view of the table, slowly panning left as
the subject and policeman sit in the chairs.
2 Close-up A static shot of the subject’s face.
3 Over-the-shoulder The camera circles the subject’s head to
position itself at her shoulder to provide a
view of the policeman.
4 Close-up A static shot of the subject’s face who
arches her eyebrow.
5 Two-shot A static shot of the whole table from the
side as the policeman shows a piece of
paper to the subject.
6 Close-up A static shot of the right side of the
subject’s face.
7 Close-up A static shot of the subject bringing her
arms to her head which faces her front.
8 Close-up A shot of the front of the subject’s face,
bringing her hands to her forehead as the
camera gradually zooms into her face.
9 Mid shot Static shot of the policeman sitting in his
chair, the camera facing his left side.
10 Mid shot The camera pans to the left side of the
table to get a view of the subject sitting on
her side.
11 Mid shot The camera pans back to the right side of
the table.
12 Close-up The camera slowly zooms into the
subject’s face.
13 Over-the-shoulder A shot from the policeman’s right shoulder
slowly panning to the right.
14 Tracking shot The camera follows the policeman as he
walks to the door, but stops when he stops.
15 Mid shot A static shot of the policeman’s seat as he
sits down.
16 Mid shot A shot of the subject from a diagonal angle
that is slanted to the left that slowly pans
to the right.
17 Extreme close-up A static shot of the side of the policeman’s
face, with hair just inside the shot.
18 Wide shot A diagonal, static shot of the table and the
two people from above.
19 Extreme close-up A static shot of the subject’s pupil as it
dilates.
20 Close-up A shot of the file resting next to the
policeman’s seat, gradually zooming in.
21 Extreme close-up A static shot of the side of the policeman’s
face.
22 Extreme close-up A static shot of the side of the subject’s

2. face.
23 Extreme close-up A static shot of the subject’s lips as she
smiles.
24 Over-the-shoulder The policeman is facing the camera, but
over his shoulder, we can see the able and
the subject.
25 Over-the-shoulder The camera is positioned just behind the
policeman’s left shoulder as he sits back
down in his chair.
26 Close-up A shot of the subject as the camera slowly
zooms into her face, before she pulls out a
gun.