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Georgina Saunders




                                        Fragile – Title Sequence

The title sequence starts 4 minutes and 41 seconds into the film, by this point the setting of a
hospital has already been established, we have seen a small boy screaming as the doctor takes x-rays
of him, as his bones are breaking from him laying still.

                                                            The main image in this shot below shows a
                                                            hand drawing a picture, but to the left of
                                                            the shot we can see a different angle of the
                                                            scene that takes over the main shot, this is
                                                            using the technique superimposition in
                                                            editing to blend the two different shots
                                                            together. The background is dark and bleak
                                                            to signify misery and unhappiness.


                                                          The building blocks suggest children are
                                                          involved, which also leads to innocence. As
                                                          the setting is a hospital we feel sympathy
                                                          for these children, as they are obviously
                                                          unwell in some way. The letter ‘p’ may be
                                                          significant in the film, possible protection,
                                                          as they are in a hospital. As the block is
                                                          upside down it suggests that this is not
being given and the children are in danger. The toy is dirty, signify its age. Dirt is also not associated
with hospitals, as they are meant to be clean and germ free. From the scene before the title
sequence we see boxes so they could be moving and long lost items are being found. The image
again has a bleak tone, and has probably been filmed with a grey filter to add to the darkness.

                                                                This close up shot it linking back to the
                                                                setting of a hospital, as a medicine
                                                                bottle is being opened; it is also a point
                                                                of view shot, from the person opening
                                                                the bottle. These bottles are meant to
                                                                be child proof, which signifies it is being
                                                                opened by an adult, who is either going
                                                                to take the tablets herself or is giving
                                                                them to someone else, whom we
presume to be a child. The medicine bottle is all that is in focus, whilst the background is blurred,
this draws our attention to it, enforcing that hospitals and illness are an important theme in the film.

                                                               This print screen shows the rule of three
                                                               being used, as the text takes up the left
                                                               and middle part of the screen and the
                                                               ballerina the far right. The font used for
                                                               the text signifies what it is saying, as the
                                                               lettering is narrow, so potentially fragile
Georgina Saunders



and easily broken. We are drawn to the ballerina, as it is the only hint of colour seen in the
sequence. By it being dirty and broken it is a counter type of a stereotypical ballerina who we expect
to be perfect and neat, with all her hair tightly pulled back. The dullness of the surrounding items
suggests their age, which signifies the past might be reoccurring in the film, or something unsolved
has come back. The music being played does not fit with the ballet style of dance, but although it is
creepy and puts you on edge it also has a relaxing tone to it. The title is shown alongside the toy to
illustrate what is fragile in the film, so children and possibly their innocence.



                                                       The image shown is either shadows or imprints
                                                       of butterflies. These reflect the title as their
                                                       wings are fragile, and before they become
                                                       butterflies they must first protect themselves
                                                       from animals and the weather to form a cocoon
                                                       to make the transformation. This signifies that
                                                       the children must protect themselves in order
to survive and find somewhere they feel safe. If they manage this then as adults they will be
venerable, as maybe an event will psychologically harm them. Butterflies are normally associated
with bright colours and flowers, but neither is present in this shot, which signifies how the children
will not be as you expect them to be. This could link in with the toys being dirty, as they have not
been played with in a long time.

The title sequence starts with screaming to signify the genre of the film, horror, and suggests what
the producers want the audience to feel like. The music played throughout the sequence is creepy
and has a nervous fee to it. As an audience this makes you feel uneasy. The music is quite gentle and
consists or two tones, the first being made on the violin to give a bleak ton, low notes are used to
create this mood. This is mixed with the high notes of a piano, to hive the music a happier feel,
although this is less noticeable than the violins so is suggesting a power struggle between happiness
and gloom in the film. The music alongside the dull colours suggests this will be a horror film. Having
a hint of innocence in the title sequence adds to the facts that children will be involved, making the
horror more realistic as children would be more scared than adults, and you also feel sympathy for
them.

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Title Sequence - Fragile

  • 1. Georgina Saunders Fragile – Title Sequence The title sequence starts 4 minutes and 41 seconds into the film, by this point the setting of a hospital has already been established, we have seen a small boy screaming as the doctor takes x-rays of him, as his bones are breaking from him laying still. The main image in this shot below shows a hand drawing a picture, but to the left of the shot we can see a different angle of the scene that takes over the main shot, this is using the technique superimposition in editing to blend the two different shots together. The background is dark and bleak to signify misery and unhappiness. The building blocks suggest children are involved, which also leads to innocence. As the setting is a hospital we feel sympathy for these children, as they are obviously unwell in some way. The letter ‘p’ may be significant in the film, possible protection, as they are in a hospital. As the block is upside down it suggests that this is not being given and the children are in danger. The toy is dirty, signify its age. Dirt is also not associated with hospitals, as they are meant to be clean and germ free. From the scene before the title sequence we see boxes so they could be moving and long lost items are being found. The image again has a bleak tone, and has probably been filmed with a grey filter to add to the darkness. This close up shot it linking back to the setting of a hospital, as a medicine bottle is being opened; it is also a point of view shot, from the person opening the bottle. These bottles are meant to be child proof, which signifies it is being opened by an adult, who is either going to take the tablets herself or is giving them to someone else, whom we presume to be a child. The medicine bottle is all that is in focus, whilst the background is blurred, this draws our attention to it, enforcing that hospitals and illness are an important theme in the film. This print screen shows the rule of three being used, as the text takes up the left and middle part of the screen and the ballerina the far right. The font used for the text signifies what it is saying, as the lettering is narrow, so potentially fragile
  • 2. Georgina Saunders and easily broken. We are drawn to the ballerina, as it is the only hint of colour seen in the sequence. By it being dirty and broken it is a counter type of a stereotypical ballerina who we expect to be perfect and neat, with all her hair tightly pulled back. The dullness of the surrounding items suggests their age, which signifies the past might be reoccurring in the film, or something unsolved has come back. The music being played does not fit with the ballet style of dance, but although it is creepy and puts you on edge it also has a relaxing tone to it. The title is shown alongside the toy to illustrate what is fragile in the film, so children and possibly their innocence. The image shown is either shadows or imprints of butterflies. These reflect the title as their wings are fragile, and before they become butterflies they must first protect themselves from animals and the weather to form a cocoon to make the transformation. This signifies that the children must protect themselves in order to survive and find somewhere they feel safe. If they manage this then as adults they will be venerable, as maybe an event will psychologically harm them. Butterflies are normally associated with bright colours and flowers, but neither is present in this shot, which signifies how the children will not be as you expect them to be. This could link in with the toys being dirty, as they have not been played with in a long time. The title sequence starts with screaming to signify the genre of the film, horror, and suggests what the producers want the audience to feel like. The music played throughout the sequence is creepy and has a nervous fee to it. As an audience this makes you feel uneasy. The music is quite gentle and consists or two tones, the first being made on the violin to give a bleak ton, low notes are used to create this mood. This is mixed with the high notes of a piano, to hive the music a happier feel, although this is less noticeable than the violins so is suggesting a power struggle between happiness and gloom in the film. The music alongside the dull colours suggests this will be a horror film. Having a hint of innocence in the title sequence adds to the facts that children will be involved, making the horror more realistic as children would be more scared than adults, and you also feel sympathy for them.