2. Thank you for your interest in our products and
services.
This slide presentation depicts various graphic,
printing, mounting, finishing and installation techniques
furnished for our clients.
Check back for updates soon. We are always adding
to our portfolio.
Thanks very much and please contact us anytime for a
quote or consultation.
Ed Bertorello,
ed@fineartimagingnyc.com
3. Samples of assorted
specialty printing
produced on our
digital press.
See our website at
fineartimagingnyc.
com for the benefits
of digital printing.
4. Upper left:
Banner, podium sign and
easel sign.
Upper right:
Weather proof re-
positionable adhesive
backing used to install
laminated fabric prints
on Golf Carts branded
for this event sponsor.
Middle:
Banner with easel signs.
Bottom:
Vinyl banner with hidden
track installation.
*All the mediums used
here were rigorously
color corrected for
perfect matching
establishing uniform
branding. Over 120
pieces were displayed at
this conference.
5. Large format
display signage
integrated with
existing LCD
displays.
Proprietary wall
mounting
techniques were
used to direct
images towards the
viewer from above
their line of sight.
6. Archway sign
measuring 144” x
24” was printed
and seamlessly
mounted to joined
sheets of gator
board and installed
in an existing
hidden track. The
two sheets of gator
board were glued
edge to edge to
hide any line of
demarcation.
7. …In addition all
oversized printed
and mounted
images were
joined on site
during the final
installation
process.
8. No Job Too Large – Here is a recently installed project measuring 92’7”x 162”. We
managed all aspects including measuring, imaging and installation as well as eventual
disassembly. Call us to find out more about the materials selected and the services
required to complete this project.
9. Mixed media exhibit
A continuous 120 foot
x 5 foot mural was
installed around the
upper third of this
exhibit hall. The client
desired a continuous
unbroken graphic.
Ten foot square maps
were seamlessly
spliced and wall
mounted.
10. Large Format
Imaging of
presentation or other
event graphics is
one of the many
services derived
from our inkjet
department. In this
case mounting to a
warp free substrate
was critical.
11. Various forms of free
standing display
methods are available.
Please call for a
consultation.
Pictured here is a
collapsible banner stand.
Durability and ease of
use were the clients chief
concerns.
12. Sell Sheets
Sell sheets are an important
asset to any sales and
marketing campaign. They
are usually produced in
limited quantities with
frequent updating required.
Digital printing is the way to
go with this type of organic
production. No run is too
small and changes can be
made on the fly.
13. We have established ourselves as a resource for the Medical and
Scientific sectors, supplying our clients with the best quality printed
products available. This enables them to present professional
speech support for all events and to display sparkling and vividly
colored graphics to their audience.
14. Specialty Cards may vary in size color and purpose but
continue to be a very effective marketing tool. Digital printing
allows an affordable means of printing short to medium run
lengths without sacrificing quality when turnaround time and
economy are critical.
15. Composite preparation services are employed when a fabricated representation of
your final product is needed for a live demonstration of functionality. This type of fabrication
is done in-house with the support of all our facilities. The samples below represent a project
where only a small amount of prototypes were needed for each product. As an example the
star shaped composite pictured lower right was used as a conference table centerpiece.
Twenty were made.
16. Here is another example of a
hand assembled composite
made for a current Broadway
show. It represents a ballot box.
The composite was printed flat,
mounted in sections, laminated
and assembled….and is fully
functional. Several of these were
made for our client.
17. Graphics for broadcast studios have become a regular request. A material able
to resist color shifting while being exposed to intense lighting has been found to fit
the demands of this environment.
18. We were recently honored with the assignment
of producing the images for an exhibit
dedicated to John Lennon. Previously
unpublished images of Lennon from childhood
to adulthood were provided by close friends
and family. We maintained and in some cases
restored color to create a harmonious flow to
the exhibit viewed by NYC’s most notable
personalities.
19. Fine Art Imaging was recently selected to reproduce a collection of costume designs created for the
Rockettes by Vincent Minelli. The project required Critical Scanning and Color Correction
Techniques which are a key feature of Fine Art Imaging’s production work flow.
20. The challenges of outdoor display can be
varied. Years of experience come into play when
selecting materials and ink-sets to produce the
most attractive and long lasting product.
Professional installers are key to completing the
presentation. We oversee all phases of
production from beginning to end. This includes
dismantling and/or relocation when necessary.
21. In this case the client requested multi dimensional support behind the primary graphic to separate it
from its background. The final result is a photographic background creating a memorable experience
for many children.
22. Color Fidelity is an uncompromised requirement for Broadway displays and posters.
Regardless of scale or material, correct color unifies brand recognition across a
variety of products for any Broadway production. Our proprietary color management
software guarantees a consistent result for all products.
23. Lighting Conditions can vary within the span of a few feet. This is especially
true with outdoor installations. Saturating colors with the correct contrast control
combined with the appropriate pre-press color temperature analysis are critical to
the success of the final product.
24. As always Color Intensity is key to being noticed. With this installation the reflectivity of the glass, the
shadowy available light and the distance from the viewer were all key factors in choosing materials and
ink-sets which worked best.
25. Here is an example of a traditional product being used for an untraditional
purpose. The client wanted a colored cylindrical sleeve that could encompass a lit
candle. The flash point of the material became an obvious concern. The solution:
research and provide 300 hurricane lanterns onto which a sleeve of backlit Trans-Vu
could be slid. These were used for centerpieces at an evening gala.