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BUILDING
INTERACTIVE
STORIES
Bjarke Myrthu, Storyplanet.com
CORE ELEMENTS OF A STORY


IDEA: MESSAGE, PURPOSE, SOURCES, FORMAT, CHANNELS
ASSETS: PHOTO, VIDEO, AUDIO, TEXT, GRAPHICS
STRUCTURE: STORYLINE, FUNCTIONALITY
DESIGN: VISUAL IDENTITY, LAYOUT
TAKEAWAY



 »TODAY YOU WILL DEVELOP AN IDEA AND
 BUILD A PAPER PROTOTYPE CONSISTING OF
 A STORY-GRID AND WIREFRAMES«
THE IDEA
IT STARTS WITH QUESTIONS


WHY IS IT IMPORTANT FOR THE WORLD?
WHAT IS THE GENERAL AND SPECIFIC STORY?
WHAT ARE THE AUDIO AND VISUAL OPTIONS?
WHAT HAS BEEN DONE BEFORE?
WHY IS MY ANGLE SURPRISING?
DOES IT HOOK ONTO CURRENT EVENTS?
WHO CAN TELL THE STORY?
ASSIGNMENT




  FIND AN IDEA...NEW OR AN EXISTING ONE
ASSETS
WHAT ARE THE STRENGTHS AND
WEAKNESSES OF DIFFERENT MEDIA TYPES?
PHOTOS
OBSERVATIONS:


THE POWER OF THE DECISIVE MOMENT
MAKES YOUR IMAGINATION FILL IN THE BLANKS
CAN ILLUSTRATE SYMBOLIC ELEMENTS
CAN CREATE BALANCE AND CALMNESS
DON’T NEED TRANSLATION
»TAKING PHOTOGRAPHS IS EASY - JUST
READ THE INSTRUCTIONS ON THE BOX«
                       Elliott Erwitt
VIDEO
OBSERVATIONS:


GOOD FOR DOCUMENTING FACTS
GREAT FOR SHOWING REACTIONS AND EMOTIONS
CAN TAKE AWAY THE IMAGINATION
TAKES A LOT OF RESOURCES TO PRODUCE
AUDIO
RECOGNIZE THIS?
WHAT ABOUT THIS?
OBSERVATIONS:


GREAT FOR SETTING THE MOOD
CREATES RYTHM AND ACTS AS A MOTOR
GOOD FOR FILLING IN VISUAL GAPS
TIES SEGMENTS OF A STORY TOGETHER (SPEAKS)
CAN WORK IN THE BACKGROUND
TEXT
OBSERVATIONS:


GREAT FOR FACTUAL INFORMATION
GREAT FOR IN DEPT EXPLANATIONS
CAN BE USED AS A VISUAL BREAKER
TAKES LITTLE RESOURCE TO PRODUCE
GRAPHICS
OBSERVATIONS:


CAN PROVIDE OVERVIEW OF INFORMATION
CAN ADD ANOTHER LAYER TO VISUALS
CAN BE USED AS AN INTERFACE
DESIGN
THE VISUAL FRAMEWORK & LAYOUT
OBSERVATIONS:


EXPOSES THE DNA OF THE STORY
CREATES COHERENCE THROUGHOUT THE STORY
HELPS THE USER GET TO THE RIGHT CONTENT
STRUCTURE
HOW IS THE STRUCTURE AND FLOW OF THE
STORY? HOW DOES THE USER ENGAGE?
Linear:




Side branches:        Multiple directions:
INTERACTIVE NARRATIVE
www.stormingjuno.com
LINEAR MOVIE
One in 8 Million
PAGE BASED MAGAZINE
Inquiring Mind Magazine
USER DIRECTED
A different ending
USER DIRECTED
The Taubman Museum
ASSIGNMENT


 WIREFRAMES: COVER, SUB PAGES,
 TEMPLATES, FUNCTIONALITY
960 GRID SYSTEM
960 GRID SYSTEM

A SMALL TITLE:
A MAIN TITLE
GOES HERE
Feugait vel delenit ipsum elit vero    Feugait vel delenit ipsum elit vero
eum ut feugait dolor wisi ea           eum ut feugait dolor wisi ea
consequatvel. Molestie esse            consequatvel. Molestie esse
molestie facilisi dolore qui erat,     molestie facilisi dolore qui erat,
odio velit dolor molestie autem        odio velit dolor molestie autem
enim, eum illum nisl molestie.         enim, eum illum nisl molestie.
Delenit nisl vel. Esse dolore at,      Delenit nisl vel. Esse dolore at,
iriure ut commodo ad lorem             iriure ut commodo ad lorem
dignissim qui ut praesent velit nisl   dignissim qui ut praesent velit nisl
commodo amet. Commodo                  commodo amet. Commodo
nonummy delenit adipiscing             nonummy delenit adipiscing
veniam eu, nostrud dolore              veniam eu, nostrud dolore
molestie ipsum crisare. In duis,       molestie ipsum crisare. In duis,
dignissim facilisi feugait et illum    dignissim facilisi feugait et illum
duis, odio blandit erat aliquip        duis, odio blandit erat aliquip
volutpat ea velit.
    Nulla in sciurus erat facilisis
                                       volutpat ea velit.
                                                                              Feugait vel delenit ipsum elit vero eum ut
                                           Nulla in sciurus erat facilisis
tincidunt, in aliquam wisi blandit     tincidunt, in aliquam wisi blandit     feugait dolor wisi ea consequatvel. Molestie
sit elit. Hendrerit iusto wisi et      sit elit. Hendrerit iusto wisi et      esse molestie facilisi dolore qui erat,
delenit feugait ullamcorper            delenit feugait ullamcorper
THE GREAT STORY
    This is an introduction to the story and what it’s about




     1
                                             3


      2

1: Main video will be playing when entering
2: Bottom teasers for content
3. “Watch” button - will start story
Building Interactive Stories Miniworkshop
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Building Interactive Stories Miniworkshop

  • 2. CORE ELEMENTS OF A STORY IDEA: MESSAGE, PURPOSE, SOURCES, FORMAT, CHANNELS ASSETS: PHOTO, VIDEO, AUDIO, TEXT, GRAPHICS STRUCTURE: STORYLINE, FUNCTIONALITY DESIGN: VISUAL IDENTITY, LAYOUT
  • 3. TAKEAWAY »TODAY YOU WILL DEVELOP AN IDEA AND BUILD A PAPER PROTOTYPE CONSISTING OF A STORY-GRID AND WIREFRAMES«
  • 5. IT STARTS WITH QUESTIONS WHY IS IT IMPORTANT FOR THE WORLD? WHAT IS THE GENERAL AND SPECIFIC STORY? WHAT ARE THE AUDIO AND VISUAL OPTIONS? WHAT HAS BEEN DONE BEFORE? WHY IS MY ANGLE SURPRISING? DOES IT HOOK ONTO CURRENT EVENTS? WHO CAN TELL THE STORY?
  • 6. ASSIGNMENT FIND AN IDEA...NEW OR AN EXISTING ONE
  • 7. ASSETS WHAT ARE THE STRENGTHS AND WEAKNESSES OF DIFFERENT MEDIA TYPES?
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15. OBSERVATIONS: THE POWER OF THE DECISIVE MOMENT MAKES YOUR IMAGINATION FILL IN THE BLANKS CAN ILLUSTRATE SYMBOLIC ELEMENTS CAN CREATE BALANCE AND CALMNESS DON’T NEED TRANSLATION
  • 16. »TAKING PHOTOGRAPHS IS EASY - JUST READ THE INSTRUCTIONS ON THE BOX« Elliott Erwitt
  • 17. VIDEO
  • 18.
  • 19.
  • 20.
  • 21.
  • 22. OBSERVATIONS: GOOD FOR DOCUMENTING FACTS GREAT FOR SHOWING REACTIONS AND EMOTIONS CAN TAKE AWAY THE IMAGINATION TAKES A LOT OF RESOURCES TO PRODUCE
  • 23. AUDIO
  • 26.
  • 27.
  • 28. OBSERVATIONS: GREAT FOR SETTING THE MOOD CREATES RYTHM AND ACTS AS A MOTOR GOOD FOR FILLING IN VISUAL GAPS TIES SEGMENTS OF A STORY TOGETHER (SPEAKS) CAN WORK IN THE BACKGROUND
  • 29. TEXT
  • 30.
  • 31.
  • 32.
  • 33. OBSERVATIONS: GREAT FOR FACTUAL INFORMATION GREAT FOR IN DEPT EXPLANATIONS CAN BE USED AS A VISUAL BREAKER TAKES LITTLE RESOURCE TO PRODUCE
  • 35.
  • 36.
  • 37.
  • 38.
  • 39. OBSERVATIONS: CAN PROVIDE OVERVIEW OF INFORMATION CAN ADD ANOTHER LAYER TO VISUALS CAN BE USED AS AN INTERFACE
  • 41.
  • 42.
  • 43.
  • 44.
  • 45.
  • 46. OBSERVATIONS: EXPOSES THE DNA OF THE STORY CREATES COHERENCE THROUGHOUT THE STORY HELPS THE USER GET TO THE RIGHT CONTENT
  • 47. STRUCTURE HOW IS THE STRUCTURE AND FLOW OF THE STORY? HOW DOES THE USER ENGAGE?
  • 48. Linear: Side branches: Multiple directions:
  • 50. LINEAR MOVIE One in 8 Million
  • 54.
  • 55. ASSIGNMENT WIREFRAMES: COVER, SUB PAGES, TEMPLATES, FUNCTIONALITY
  • 57. 960 GRID SYSTEM A SMALL TITLE: A MAIN TITLE GOES HERE Feugait vel delenit ipsum elit vero Feugait vel delenit ipsum elit vero eum ut feugait dolor wisi ea eum ut feugait dolor wisi ea consequatvel. Molestie esse consequatvel. Molestie esse molestie facilisi dolore qui erat, molestie facilisi dolore qui erat, odio velit dolor molestie autem odio velit dolor molestie autem enim, eum illum nisl molestie. enim, eum illum nisl molestie. Delenit nisl vel. Esse dolore at, Delenit nisl vel. Esse dolore at, iriure ut commodo ad lorem iriure ut commodo ad lorem dignissim qui ut praesent velit nisl dignissim qui ut praesent velit nisl commodo amet. Commodo commodo amet. Commodo nonummy delenit adipiscing nonummy delenit adipiscing veniam eu, nostrud dolore veniam eu, nostrud dolore molestie ipsum crisare. In duis, molestie ipsum crisare. In duis, dignissim facilisi feugait et illum dignissim facilisi feugait et illum duis, odio blandit erat aliquip duis, odio blandit erat aliquip volutpat ea velit. Nulla in sciurus erat facilisis volutpat ea velit. Feugait vel delenit ipsum elit vero eum ut Nulla in sciurus erat facilisis tincidunt, in aliquam wisi blandit tincidunt, in aliquam wisi blandit feugait dolor wisi ea consequatvel. Molestie sit elit. Hendrerit iusto wisi et sit elit. Hendrerit iusto wisi et esse molestie facilisi dolore qui erat, delenit feugait ullamcorper delenit feugait ullamcorper
  • 58. THE GREAT STORY This is an introduction to the story and what it’s about 1 3 2 1: Main video will be playing when entering 2: Bottom teasers for content 3. “Watch” button - will start story