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MIGHTY GABBY
• FOLK
• CALYPSO
EARLY BEGINNINGS
WITH CALYPSO
• REDIFFUSION
• EARLY INFLUENCES – YOUNG BRIGADE -
MIGHTY SPARROW, LORD MELODY, LORD
KITCHENER, MIGHTY SPOILER (ROHLEHR
332).
• LATER INFLUENCES – DUKE, BLACK STALIN,
DAVID RUDDER, GYPSY, ALL ROUNDER
(CARTER).
EDDY GRANT
• PRODUCER AND SINGER
• GRANT WAS A SIGNIFICANT
INFLUENCE ON GABBY.
GABBY ON EDDY’S INFLUENCE
CULTURE
• CULTURE IS ARRANGED IN THE STYLE OF THE YOUNG BRIGADE CALYPSO SOUND.
• TEXTURE - BIG BAND AND RHYTHM SECTION.
• MELODY – MAJOR AND DISCURSIVE WITH CLEAR VERSE AND CHORUS SECTIONS
• HARMONY – TONAL AND ADHERES TO MELODY.
• RHYTHM – MEDIUM SLOW TEMPO, “CULTURE” USES THE STANDARDISED CALYPSO RHYTHM (WITH
VARIATION).
JACK
• MELODY – MUSEMATIC, COMPARATIVELY MORE REPETITIVE THAN CULTURE. VERSE CONSISTS OF ONE
MELODIC MOTIF.
• HARMONY - UTILISES TWO CHORDS IN THE VERSE AND THE THREE FUNDAMENTAL CHORDS IN THE
CHORUS.
• TEXTURE – A DIMINISHED USE OF HORNS WITHIN THE BAND CHORUS ESPECIALLY IN COMPARISON WITH
CULTURE.
• RHYTHM – A QUICKER TEMPO IS SEEN. MORE ATTACKS WITHIN THE MELODY ALSO PRESENT.
GABBY ON JACK
WUK UP (RECORDED) TOWARDS A RHYTHM
CENTRED APPROACH
• TEXTURE – SYNTHESISED DRUMS AND SYNTH LEAD. ABSENT OF ACOUSTIC INSTRUMENTS.
• MELODY – MELODY OSCILLATES BETWEEN DISCURSIVE AND MUSEMATIC.
• HARMONY – HARMONIC INSTRUMENTS ARE LARGELY ABSENT. ONLY HARMONIC CHANGES IN THE VERSES
IS THE I-V MOVEMENT CHORD.
• RHYTHM – GABBY’S MELODIC ATTACK IS AGAIN DENSE. THE RHYTHMIC ACCOMPANIMENT IS BASED ON
THE RING BANG BEAT OF THE EARLY-MID 90S.
GABBY’S FORM OF SONIC RESISTANCE
• RHYTHMIC EMPHASIS
• RHYTHM AS A WAY TO PRACTICE AN AFRO-BARBADIAN FORM OF IDENTITY.
WORKS CITED
• CARTER, ANTHONY. PERSONAL INTERVIEW. 1 MARCH 2013
• ROHLEHR, GORDON. A SCUFFLING OF ISLANDS : ESSAYS ON CALYPSO. SAN JUAN, TRINIDAD AND TOBAGO,
LEXICON TRINIDAD LTD, 1994.

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The Music of the Mighty Gabby Overview

  • 1.
  • 3. EARLY BEGINNINGS WITH CALYPSO • REDIFFUSION • EARLY INFLUENCES – YOUNG BRIGADE - MIGHTY SPARROW, LORD MELODY, LORD KITCHENER, MIGHTY SPOILER (ROHLEHR 332). • LATER INFLUENCES – DUKE, BLACK STALIN, DAVID RUDDER, GYPSY, ALL ROUNDER (CARTER).
  • 4. EDDY GRANT • PRODUCER AND SINGER • GRANT WAS A SIGNIFICANT INFLUENCE ON GABBY.
  • 5. GABBY ON EDDY’S INFLUENCE
  • 6. CULTURE • CULTURE IS ARRANGED IN THE STYLE OF THE YOUNG BRIGADE CALYPSO SOUND. • TEXTURE - BIG BAND AND RHYTHM SECTION. • MELODY – MAJOR AND DISCURSIVE WITH CLEAR VERSE AND CHORUS SECTIONS • HARMONY – TONAL AND ADHERES TO MELODY. • RHYTHM – MEDIUM SLOW TEMPO, “CULTURE” USES THE STANDARDISED CALYPSO RHYTHM (WITH VARIATION).
  • 7. JACK • MELODY – MUSEMATIC, COMPARATIVELY MORE REPETITIVE THAN CULTURE. VERSE CONSISTS OF ONE MELODIC MOTIF. • HARMONY - UTILISES TWO CHORDS IN THE VERSE AND THE THREE FUNDAMENTAL CHORDS IN THE CHORUS. • TEXTURE – A DIMINISHED USE OF HORNS WITHIN THE BAND CHORUS ESPECIALLY IN COMPARISON WITH CULTURE. • RHYTHM – A QUICKER TEMPO IS SEEN. MORE ATTACKS WITHIN THE MELODY ALSO PRESENT.
  • 9. WUK UP (RECORDED) TOWARDS A RHYTHM CENTRED APPROACH • TEXTURE – SYNTHESISED DRUMS AND SYNTH LEAD. ABSENT OF ACOUSTIC INSTRUMENTS. • MELODY – MELODY OSCILLATES BETWEEN DISCURSIVE AND MUSEMATIC. • HARMONY – HARMONIC INSTRUMENTS ARE LARGELY ABSENT. ONLY HARMONIC CHANGES IN THE VERSES IS THE I-V MOVEMENT CHORD. • RHYTHM – GABBY’S MELODIC ATTACK IS AGAIN DENSE. THE RHYTHMIC ACCOMPANIMENT IS BASED ON THE RING BANG BEAT OF THE EARLY-MID 90S.
  • 10. GABBY’S FORM OF SONIC RESISTANCE • RHYTHMIC EMPHASIS • RHYTHM AS A WAY TO PRACTICE AN AFRO-BARBADIAN FORM OF IDENTITY.
  • 11. WORKS CITED • CARTER, ANTHONY. PERSONAL INTERVIEW. 1 MARCH 2013 • ROHLEHR, GORDON. A SCUFFLING OF ISLANDS : ESSAYS ON CALYPSO. SAN JUAN, TRINIDAD AND TOBAGO, LEXICON TRINIDAD LTD, 1994.