Gleitzeit Art, Zeitgeist, Art History, Philosophy, Prophecy, Mystical, Mythology, Humanitarian, Aesthetics, Fun, Adventure, Discovery, Creation, Genius, Da-Vinci, Paul-Jaisini, Prophetic Art, Prophetic-Artist, Visual, Language, Visual-Language, Written-Language,

1. THE DISCOVERY by gleitzeit blog (the lost Interview in Rome)
I am using magnifying glass to be able to read a a PDF file of a very low quality.
My eyes are hurting. What I have found is something that is just not available…
I must say on the search for anything tagged “invisible” I find some pretty amazing
stuff I would never know about (later on that)
Paul meet me at the gate. He looked younger than I had expected. Dressed
casually.
As a host he cordially offered me to dine. While we entered the hall I had an urge to ask
him, is this a museum? trying not to break anything as we passed by sculptures, paintings,
ceramics and a lot of other pieces of art which I had never seen before.
This unexpected excitement spoiled my appetite, and I was no longer hungry and
instead drank some wine.
He made clear that it is not any kind of a museum, but instead, his Paul’s studio. He lives
not in Rome, but by the Terranian sea, where he was going shortly.
I asked Paul how he earns a living. Paul thought a little and tried to find an appropriate
explanation. He finally lit on: "I am of independent means and don’t have to earn a
living" pouring me another glass of wine.
I asked him: “ Can I buy some of your paintings? How much it will cost me?”
This question Paul left unanswered but he said that commonly he paints his
pictures without the intention to sell them.
Earlier I noticed a little girl and a young woman moving about him.
OMG!!!! I am shaken up. NOBODY KNOWS ANYTHING ABOUT Paul Jaisini’s
personal life! I don’t believe this. THANK YOU GOOGLE! this is like really
mystifying. I am not an emotional person, rather someone who loves to work hard
and get the job done. This turned into something other than working.
Google nowadays is not your “grandfather’s” google so to speak. It is tailored
around you, your daily Internet activity, So finding any news, any special
information is no longer an easy task. I guess because there’s too much of
everything and what one is looking for could be placed out of reach. So we sort
of live on a planet that is flat as in dark ages. I say that because if one is
provided the info that is tailored with limitation it implies that breaking

2. away is not something one would even comprehend! We are too used to trust our
social functioning and think that we know everything, on top of all news provided to
us by the honest practice of the broadcasting companies.
We don’t want to be those conspiracy freaks with no trust to anything or
anyone. But truth is, if you don’t want to pay high dollar for some expert
articles on the topics that could give more than the free info, you are really
up against a brick wall of the new unknown reality and a total incapacity to acquire
the needed info of high quality without spending your whole life learning all the
crap on the net and beyond in order to find finally what you need.
So search is a tricky mother. If you are creative and sort of spontaneous you
might somehow find your own style of fishing out the essentials. But in my case I
often felt helpless and lost no longer willing to participate in this
undertaking trying to document Gleitzeit.
It doesn’t look like I had managed a short explanation. But this is my formula of
finding something that is not available on the tailored to fit google search.
I enter the variations of phrases and words from the gleitzeit context of emails,
postings, essays and add some other words I find on my way of locating Paul
Jaisini's links. Turning the tag in a sort of a potion number nine that had proven to
fetch some impossible to find info on such a quick inquiry without opening
thousands of websites where I might find or might not find anything at all. And the
most effective findings are with the tag "invisible" added to other things, be it email
abbreviations and so on.
“The other must be his wife”, I thought, because Paul called her with some pet name's
asking for a bottle of wine, for a book, or an ash tray.
“Is she your wife? “ I asked just in case.
Paul looked me in the eyes and said: “She is not my wife, nor the mother of my daughter,
she is my secretary. “
The secretary I sensed didn’t like me much.
She didn’t call Jaisini by his name, Paul, but she instead addressed him as
mister Jaisini. She seemed obsequious and perhaps didn’t like me for my unrestrained
manner and direct questions. She said to Paul: “You should not waste your time on this
interview. You need to return to your work. “
Paul said: “It will be few minutes." and spent a few hours with me. A self-ruling man.
Paul didn’t drink any wine but he behaved at times extravagantly, showing the
outlines of the silhouettes in his paintings and explaining what was happening in the
pictures.
Paul said that the point of his art being hidden from the public is an
intrigue that engages press in constant attempts to uncover the ‘truth’ behind it all.
Nevertheless it is very disappointing, that people don’t care about real art, as they do
about private affairs.
We went upstairs and in a spacious hall I saw a large painting. I didn’t hide my
awe.
“Wow! Where did you get such a big piece of canvas? The art stores don’t sell
this linen in such sizes. “
“It is stitched together from pieces," answered Paul.

3. “How did you reach the upper parts of the painting"
"I climbed the riser. Do you see the nude black man up there, tangled with a
serpent?"
"It reminds me of Laocoön. Is it intentional?"
"No, he is a symbol of physical grace without intellect. Do you see a group of
female bodies intertwined in a threesome?"
"No, I don’t see it. Where is the threesome?"
"To the left, look there."
"I look there."
"There the three figures, here is one, here is another one and the third one."
"Third is not a female figure, it’s some animal."
"It’s a female, but there is an animal, a bit higher up. The clown in the center
tears his mouth in a bloody smile, carrying out his role of a fool, laughing when
he wants to cry."
"Is that a monkey?"
"You got it, she is another symbol of the fate, she stopped hitting the tom-tom,
her direct purpose in circus. When she stopped to play and started to think, she
realized that her life is pitiful and she wants to kill herself. It’s a second
symbol of the same meaning."
"Tell me about that threesome again."
"Well, they show the natural grace, as three graces would, the sensual concept of
procreation."
"This picture must be a depiction of a circus performance, I suppose. Is it ?
Why it is so dynamic?"
"It is a circus performance but is the personal trial of human character. The ball
construction is an object: - Paulsen’s ball, it is also a title of the painting."
"This ball creates some weight and it seems to move the composition with it’s
size and position and it seems to be on a verge of rolling down."
"You’re right! I also sense this immediate impulse to prevent the clown to fall
off that ball.
We went to other paintings, whole series of paintings.
When I gathered all my sensations about the art that surrounded me, it was time to leave.
Paul Jaisini escorted me to the door. I shook his hand saying:
"You are an interesting man!"
"I am not a man..."
(the last sentence was a good ending)
http://en.wikipedia.org/wiki/Symbolism
http://en.wikipedia.org/wiki/Symbolism_(arts)
http://en.wikipedia.org/wiki/Invisibility
http://en.wikipedia.org/wiki/Fatalism
http://en.wikipedia.org/wiki/Gracefulness

4. http://en.wikipedia.org/wiki/Impossible_object
Have to type as I read PDF file that can’t be copied
Have to type as I read PDF file that can’t be copied
I am using magnifying glass to be able to read a a PDF file of very low quality. My eyes are hurting. What I have found is something that is just not
available… I must say on the search for anything tagged “invisible” I find some pretty amazing stuff I would never know about (later on that) Now I
am sitting in my office instead of having night out. It really is an impossible task to just discern the text. I filled up a spray bottle with cold water to
spray my face to frequently refresh my eyes, as they get tired from the magnifying glass. It’s totally worth it, the thrill of discovery is my ultimate
high.
Subj: Re: any suggestions?
Date: 2/5/00 Pacific Standard Time
From: bcwoodward@bigfoot.com (B. Woodward)
To: Yustas61@aol.com
CC: Angela Ahermeign
The attached file with original text before translation can be used in all related your project on Paul Jaisini.
All my corrections are in () and sometimes they replace the words nearby, other times they get inserted or have comments as well. It should be clear.
Angela, you had some trouble with colloquialisms, unclear constructions and misplaced verb tenses. You switched among various forms of the past
with irregularity. I’ve brushed it up. It makes a good narrative, though. Very interesting :)
Original Message-
From Angela A, Sent Thursday, February 03, 2000, 4: 25 PM
to bcwoodward@bigfoot.com
Subject Any suggestions
My first meeting with Paul Jaisini in Rome
(was it your first meeting with him, or just first time in Rome… unclear construction)
Paul Jaisini’s appearance at the exhibition of his art made a lot of noise in 1995 in Rome.
(caused a lot of noise, a lot of excitement, or was it just a noisy appearance?)
After newspapers published the (a) photograph of Paul Jaisini in the empty gallery, I read the article and realized how lucky I was to be in Rome.
Nobody saw Paul Jaisini’s paintings. Yes, nobody… This what happened next. I called him once, then (a) second time. (,b)But Paul didn’t return my
calls. Unfortunately I was not able to stay on guards (stand guard is the appropriate colloquialism) to catch him by the art gallery being (as I was)
preoccupied with my (own) business. So I decided that I have (needed, not have) to find a way to see Paul Jaisini’s (hidden) paintings if he hides them.
Such extravagance has (had) to be stopped.
I decided to offer him (no him here) to write a testament about (to) the existence of his art (, which would necessarily lead to him revealing it to me.)
which will rise the necessity to see it.
I heard about Paul Jaisini before (that time) because he is quite a (reverse the a and quite) well-known contemporary artist. When I set up the
appointment to meet (him) I easily found his cozy two- story town-house surrounded by (an) antique iron fence.
When I called (on) the intercom it took a while to explain who I was and why (I had come) did I come.
Paul meet me at the gate. He looked younger than I (had) expected. Dressed casually.

5. As a host he cordially offered me to dine. While we were entering (entered) the hall I had an urge to ask him, (“I) is it (this) a museum (?), trying to
brake (break) anything, (no comma… as we passed) passing by sculptures, paintings, ceramic pieces (ceramics… drop the p word) and a lot of (other
pieces of) art which I (had never seen before. drop rest of the sentence) was not able…
Gosh, I can feel how B. Woodward was feeling… WILL SHE REALLY SEE THE PAINTINGS by PAUL JAISINI?????? my eyes are punishing me for this thrill.
I need to stop looking into the magnifier when I am now writing a comment without looking into unreadable copy.
Just waiting to get the courage to continue… my eyes need rest, I made myself some coffee with soy milk. But it surely means I want to prolong the
suspense. I have no idea what is written in that text I located only god knows where or how.
I think that a gamer guru would understand me after he/she played hardest strategic games for a very long time and turned into a savvy thrill seeker.
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