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SEARCHING IN PRACTICE


 AN IDEAS EXCHANGE

 A CHANCE OF VIEWING THE
    WORLD DIFFERENTLY
MIXING     DISTORTING
                                             GENERATING    UNCOVERING NEW POTENTIAL




  PROVOKING CONVERSATION   +   QUESTIONING




                                                          CREATIVITY FARMING
I ‘M
COMFORTABLE
    WITH
   THAT
LESS
 IS
MORE
MORE FAMOUS

   LESS
 RELEVANT
I AM
  A
WHORE




JANUARY 8, 1979
LEWIS CARROLL: THE JABBERWOCK
                                               IMAGINED      REAL




                                FINDING WHERE THINGS MERGE
THE WORLD CONNECTED (ACCORDING TO iTunes)
THE WORLD REMAPPED             (ACCORDING TO GaWC)

“In the medieval world, the famous Mappa Mundi had Jerusalem at its centre; our
contemporary Mappa Mundi has the USA so positioned. But for how much longer”?

CITY CODES  :
AMS      Amsterdam,     ATH
Athens, ATL Atlanta, AUK
Auckland, BA Buenos Aires,
BAN       Bangkok,      BAR
Barcelona, BEJ Beijing, BOG
Bogota, BUD Budapest, BRU
Brussels, CAR Caracas, CHI
Chicago, DBL Dublin, FRA
Frankfurt, HK Hong Kong,
IST Istanbul, JAK Jakarta,
JOH Johannesburg, KAR
Karachi, KL Kuala Lumpur,
LA Los Angeles, LIS Lisbon,
LON London, MAD Madrid,
MEL Melbourne, MEX Mexico
City, MIL Milan, MNL Manila,
MOS Moscow, MUB Mumbai,
ND New Delhi, NY New
York, PAR Paris, PRA
Prague, ROM Rome, SGP
Singapore, SAN Santiago,
SEO     Seoul,    SF    San
Francisco, SHA Shanghai,
SP     São     Paulo,   STO
Stockholm, SYD Sydney,
TOK Tokyo, TOR Toronto,
TPE Taipei, VIE Vienna,
WAR       Warsaw,       WDC
Washington DC, ZUR Zurich
THE WORLD ACCORDING GaWC:   ALPHA CITIES 2008 MAP_GAWC
THE WORLD ACCORDING GaWC



CARTOGRAM OF CITY LISTINGS 2008_GAWC




                                                             DUBLIN

                                                                                                ABERDEEN




                                                        CLASSIFICATION OF CITIES 2008
                                                        _GAWC



                                                                      2000     2004     2008


                                                        ALPHA++ 0.988          0.992    0.998
                   AVERAGE CONNECTIVITIES BY ALPHA LEVELS ALPHA+      0.686    0.699    0.734
                                                        ALPHA         0.577    0.548    0.617
WHAT OF IRELAND?
NEW NETWORKS:

PREPARING CONNECTED CITIES

LIVING/FARMING & WATERING

CREATIVITY RECYCLED

THE INVERTED CENTRE (+ other rotational strategies)

THE LIMINAL EDGES


FURTHER EXAMINING:
(i)SUBURBIA VULGAROPOLIS
(ii)SOFT vs HARD MESSAGES
(iii)ENGAGEMENT OF ARCHITECTURE
(iv)COLLECTIVE RESEARCH EVOLUTION
(v)GAPS/MIGRATIONS + VOIDS




 ground                                               water   NEW CITY
THE WORLD ACCORDING TO iRISH

                                                                                       (DEVELOPER)

                               ‘Kelly was not interested in putting
                               up standard box houses and had
                               also concluded that “modern
                               architecture didn’t pay’.

                               Fintan O’Toole; Rise and fall of a Tiger tycoon, The Irish Times - Saturday, July 17,
                               2010.
VINGINCE BEGAYSUS!.....   land
SAMPLED- TECHNIQUES


                        LINKAGES/
                      COMBINATIONS/
                        SCALINGS/
                        ROTATIONS




                                      IMAGINED   REAL
In the absence of imperical
truths, we will have to be
discursive, enquiring &
questioning………..

developing
“WHAT IF ” SCENARIO’S
               POROSITY       WALL
“IT ONLY BECAME A DOOR WHEN I
                        PUSHED IT”
                        Ravin ponniah




MATERIAL   ACTIVATION
DRAW, MAKE, RE-POSITION   EXAMINE DEAD-ENDS
Site at Heywood, Laois, Ireland.   A series of moves were created to isolated
                                   key elements, waterscapes, roadscape and
                                   folies, of the site at Heywood. These
                                   elements were then placed on an imaginary
                                   landscape which we were able to manipulate
                                   to help develop the hotel landscape.
Site at New Delhi, India.   Hybrid Moves between Heywood and New Delhi
Various axes existed between the sites which contained a
similar linear layout We began to look at potential
anchorages in which we could use to provide connections
between the details and axis which would provide a final
overlay of the two sites on one another.




                                                           Connections were made between Heywood House and the
                                                           Viceroy’s House also. We began to look at the scaling
                                                           factors between the two sites and further ways in which
                                                           we could combine the different elements.
A catalogue of architectural details were
then created through a similar method with
the Viceroy’s House. These details were used
to create a layout which would eventually
drive the placement and function of our
hotel.
The Reader’s Hotel - The Library Compartments.




                                                           Within the development of the Reader’s Hotel the
                                                           architectural elements which were created came through a
                                                           overlaying of spaces from the Viceroy’s house. These
                                                           spaces included bedrooms, libraries and office spaces.
The Readers Hotel is a hybridization of the libraries
within the Vicegral Palace, New Delhi and the garden
compartments  present  at  Heywood  House,  Laois.   A
collection of private library compartments will allow
spaces of recollection and thoughtfulness for the
guests, with books within the libraries providing the
gateway to these rooms. The compartments will depict
installations  within  the  landscape,  allowing   for
internal and external reading spaces,    bedrooms and
other rooms.


The final move within the development of the Reading
Hotel was to isolate the horizontal walls facing Heywood
House. The walls carried the architectural charge of the
connection between the two sites, framing the view of
Heywood House, while also housing the function of the
spaces they defined. They would become active in there
movement, enclosing and revealing spaces
The walls which defined the spaces were then isolated, and designed to include all the functions of the
hotel. They contained fold out beds, reading compartments and hinged bookshelves. A specific wall was
modeled at 1:2.
GAMEBOARD




            NEW TRAJECTORIES   SPECULATION
The Hallway of Newman House is
deconstructed it’s constituent
elements, namely:
                                 table
Chimney (hearth)    Ch H
Tile Floor Grid     T/F Gr
Window Ope          Win O
Window Arch         Win Arc
Chimney Breast      Ch B
Archway 1           Arc 1
Archway 2           Arc 2
Front Door          FD
Apollo Room Wall    AR W
Apollo Room Door    AR D
Window Grid 9/6     Win Gr 9/6
Secret Door         SD

                                  1      SLOT1: ARCHITECTURE 53SEVEN
THE GAME
The premise is that throughout Carroll’s work, questions concerning the position of the body in relation to its surroundings— the possibility for one to forge a sense
of place—are recurrent; one is constantly reminded that one’s perception of space, as well as one’s understanding of where one stands, are phenomena
In order to make sense of such situating, we will establish a “GAME-BOARD” out of the elements of wood to be cut from the exhibition table (not literally), and
establish a matrix within the Hallway of Newman House that initially allows for the exploration of new trajectories and geometries within the Hallway itself, whilst
then forming a physical construct to sit within/on top of/below the allocated opening of the table itself.
EXERGUE

TO PRESENT,
MAKE EXPLICIT


          UN-FOLD
ACTIVE MATERIAL




                  surface   air
1897

                       2008
1563




       1800’s
TOOLING




                          excavating

civic offices & library
RE-SITUATE




                                    OCCUPY
NEW FRENCH QUARTER, PORTARLINGTON
CITY CONNECTIVITY
                    OCCUPIED   DISTORTED
inversion & hybridisation
BORD GAIS National Distribution H.Q
URBAN GRAIN
SPECULATION
SITE




MILK MARKET




              N
CITY
CODE MIL Milan (Alpha+)




                          CITY
                          CODE MIL
                          Milan
AREA
CODE MER
Cascina Merlata
ORTH              casina merlata geometry
cascina merlata
                          expo site


                                         cemetery




                                                         rotating steps




                                                    (MIL) Milan
     formation geometry
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures
57 10 Presentation 10.000 Lectures

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57 10 Presentation 10.000 Lectures

  • 1.
  • 2.
  • 3. SEARCHING IN PRACTICE AN IDEAS EXCHANGE A CHANCE OF VIEWING THE WORLD DIFFERENTLY
  • 4. MIXING DISTORTING GENERATING UNCOVERING NEW POTENTIAL PROVOKING CONVERSATION + QUESTIONING CREATIVITY FARMING
  • 5. I ‘M COMFORTABLE WITH THAT
  • 7. MORE FAMOUS LESS RELEVANT
  • 8. I AM A WHORE JANUARY 8, 1979
  • 9. LEWIS CARROLL: THE JABBERWOCK IMAGINED REAL FINDING WHERE THINGS MERGE
  • 10. THE WORLD CONNECTED (ACCORDING TO iTunes)
  • 11. THE WORLD REMAPPED (ACCORDING TO GaWC) “In the medieval world, the famous Mappa Mundi had Jerusalem at its centre; our contemporary Mappa Mundi has the USA so positioned. But for how much longer”? CITY CODES : AMS Amsterdam, ATH Athens, ATL Atlanta, AUK Auckland, BA Buenos Aires, BAN Bangkok, BAR Barcelona, BEJ Beijing, BOG Bogota, BUD Budapest, BRU Brussels, CAR Caracas, CHI Chicago, DBL Dublin, FRA Frankfurt, HK Hong Kong, IST Istanbul, JAK Jakarta, JOH Johannesburg, KAR Karachi, KL Kuala Lumpur, LA Los Angeles, LIS Lisbon, LON London, MAD Madrid, MEL Melbourne, MEX Mexico City, MIL Milan, MNL Manila, MOS Moscow, MUB Mumbai, ND New Delhi, NY New York, PAR Paris, PRA Prague, ROM Rome, SGP Singapore, SAN Santiago, SEO Seoul, SF San Francisco, SHA Shanghai, SP São Paulo, STO Stockholm, SYD Sydney, TOK Tokyo, TOR Toronto, TPE Taipei, VIE Vienna, WAR Warsaw, WDC Washington DC, ZUR Zurich
  • 12. THE WORLD ACCORDING GaWC: ALPHA CITIES 2008 MAP_GAWC
  • 13. THE WORLD ACCORDING GaWC CARTOGRAM OF CITY LISTINGS 2008_GAWC DUBLIN ABERDEEN CLASSIFICATION OF CITIES 2008 _GAWC 2000 2004 2008 ALPHA++ 0.988 0.992 0.998 AVERAGE CONNECTIVITIES BY ALPHA LEVELS ALPHA+ 0.686 0.699 0.734 ALPHA 0.577 0.548 0.617
  • 14. WHAT OF IRELAND? NEW NETWORKS: PREPARING CONNECTED CITIES LIVING/FARMING & WATERING CREATIVITY RECYCLED THE INVERTED CENTRE (+ other rotational strategies) THE LIMINAL EDGES FURTHER EXAMINING: (i)SUBURBIA VULGAROPOLIS (ii)SOFT vs HARD MESSAGES (iii)ENGAGEMENT OF ARCHITECTURE (iv)COLLECTIVE RESEARCH EVOLUTION (v)GAPS/MIGRATIONS + VOIDS ground water NEW CITY
  • 15. THE WORLD ACCORDING TO iRISH (DEVELOPER) ‘Kelly was not interested in putting up standard box houses and had also concluded that “modern architecture didn’t pay’. Fintan O’Toole; Rise and fall of a Tiger tycoon, The Irish Times - Saturday, July 17, 2010.
  • 17. SAMPLED- TECHNIQUES LINKAGES/ COMBINATIONS/ SCALINGS/ ROTATIONS IMAGINED REAL
  • 18. In the absence of imperical truths, we will have to be discursive, enquiring & questioning……….. developing “WHAT IF ” SCENARIO’S POROSITY WALL
  • 19. “IT ONLY BECAME A DOOR WHEN I PUSHED IT” Ravin ponniah MATERIAL ACTIVATION
  • 20. DRAW, MAKE, RE-POSITION EXAMINE DEAD-ENDS
  • 21. Site at Heywood, Laois, Ireland. A series of moves were created to isolated key elements, waterscapes, roadscape and folies, of the site at Heywood. These elements were then placed on an imaginary landscape which we were able to manipulate to help develop the hotel landscape.
  • 22. Site at New Delhi, India. Hybrid Moves between Heywood and New Delhi
  • 23. Various axes existed between the sites which contained a similar linear layout We began to look at potential anchorages in which we could use to provide connections between the details and axis which would provide a final overlay of the two sites on one another. Connections were made between Heywood House and the Viceroy’s House also. We began to look at the scaling factors between the two sites and further ways in which we could combine the different elements.
  • 24. A catalogue of architectural details were then created through a similar method with the Viceroy’s House. These details were used to create a layout which would eventually drive the placement and function of our hotel.
  • 25. The Reader’s Hotel - The Library Compartments. Within the development of the Reader’s Hotel the architectural elements which were created came through a overlaying of spaces from the Viceroy’s house. These spaces included bedrooms, libraries and office spaces. The Readers Hotel is a hybridization of the libraries within the Vicegral Palace, New Delhi and the garden compartments present at Heywood House, Laois. A collection of private library compartments will allow spaces of recollection and thoughtfulness for the guests, with books within the libraries providing the gateway to these rooms. The compartments will depict installations within the landscape, allowing for internal and external reading spaces, bedrooms and other rooms. The final move within the development of the Reading Hotel was to isolate the horizontal walls facing Heywood House. The walls carried the architectural charge of the connection between the two sites, framing the view of Heywood House, while also housing the function of the spaces they defined. They would become active in there movement, enclosing and revealing spaces
  • 26. The walls which defined the spaces were then isolated, and designed to include all the functions of the hotel. They contained fold out beds, reading compartments and hinged bookshelves. A specific wall was modeled at 1:2.
  • 27. GAMEBOARD NEW TRAJECTORIES SPECULATION
  • 28. The Hallway of Newman House is deconstructed it’s constituent elements, namely: table Chimney (hearth) Ch H Tile Floor Grid T/F Gr Window Ope Win O Window Arch Win Arc Chimney Breast Ch B Archway 1 Arc 1 Archway 2 Arc 2 Front Door FD Apollo Room Wall AR W Apollo Room Door AR D Window Grid 9/6 Win Gr 9/6 Secret Door SD 1 SLOT1: ARCHITECTURE 53SEVEN
  • 29. THE GAME The premise is that throughout Carroll’s work, questions concerning the position of the body in relation to its surroundings— the possibility for one to forge a sense of place—are recurrent; one is constantly reminded that one’s perception of space, as well as one’s understanding of where one stands, are phenomena In order to make sense of such situating, we will establish a “GAME-BOARD” out of the elements of wood to be cut from the exhibition table (not literally), and establish a matrix within the Hallway of Newman House that initially allows for the exploration of new trajectories and geometries within the Hallway itself, whilst then forming a physical construct to sit within/on top of/below the allocated opening of the table itself.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35. ACTIVE MATERIAL surface air
  • 36. 1897 2008 1563 1800’s
  • 37.
  • 38.
  • 39.
  • 40.
  • 41.
  • 42.
  • 43.
  • 44.
  • 45.
  • 46.
  • 47. TOOLING excavating civic offices & library
  • 48.
  • 49.
  • 50.
  • 51. RE-SITUATE OCCUPY NEW FRENCH QUARTER, PORTARLINGTON
  • 52.
  • 53.
  • 54.
  • 55.
  • 56.
  • 57.
  • 58.
  • 59. CITY CONNECTIVITY OCCUPIED DISTORTED
  • 60.
  • 61.
  • 62.
  • 63.
  • 64.
  • 65.
  • 66.
  • 67.
  • 68.
  • 69.
  • 70.
  • 71.
  • 72.
  • 73. inversion & hybridisation BORD GAIS National Distribution H.Q
  • 74.
  • 75.
  • 76.
  • 79.
  • 80.
  • 81.
  • 82.
  • 83.
  • 84.
  • 85.
  • 86.
  • 87.
  • 88. CITY CODE MIL Milan (Alpha+) CITY CODE MIL Milan
  • 90.
  • 91. ORTH casina merlata geometry cascina merlata expo site cemetery rotating steps (MIL) Milan formation geometry