The most recent edition of my Personal Portfolio.

1. CONNECT
NATHAN LANZETTI

2. NATHAN LANZETTI
CONNECT
nature
context
Connections
happen all the time, whether
urban you’re making connections between people, places
or things, links are virtually inevitable. Shouldn’t it make
sense, then, that architecture should take cues and make
connections to other design disciplines? Design is involved,
in some way, for most everything. And isn’t it said that inspi-
ration can come from most anything? Connection.
lifestyle My personal views on architecture are inspired
continually by other design fields and arts. Linking works,
whether literally, contextually, or conceptually, to locations,
the natural world or other disciplines, this portfolio is meant
n ics to prove that inter-disciplinary design can lead to innovative
and creative works. Enjoy creating your own connections.
c ha
me
-Nathan Lanzetti

3. NATHAN LANZETTI
EXPERIENCE
EDUCATION
Clemson University, Clemson, SC
-Major in Art and Design South Chase Custom Homes, LLC, Roebuck, SC
concentration in Architecture -Design and planning
-Minor in Music [cello perfor -Preparation of architectural plans, eleva
mance] tions, sections, and renderings
[expected grad. May 2013] -site visits
ESUME
A
-Three [3] time national award
LOVE
winner for CAD 2-D Architectural at the
ACHIEVE
FOR DESIGN
Technology Student Association National
AND INNOVATION DE-
OTHER
Conference.
SIRES TO BE CHALLENGED IN THE
-Several projects picked for Clem-
PROFESSIONAL FIELD BY INTERN- -Principle cellist in the Clemson University
son University Architectural School ac-
ING AT A SUCCESSFUL FIRM THAT EX- Symphony Orchestra.
creditation.
CELS IN A RANGE OF ARCHITECTURAL -Cellist in the Clemson University String
-Active Member of the American
PROGRAMS AS WELL AS INTER-DISCIPLIN- Quartet.
Institute of Architecture Students, AIAS.
ARY DESIGN.
-Outgoing and Personable
SOFTWARE
-Creative, Resourceful and Passionate
-Eye for design and materials
-Strong communication skills and Bilingual
-Advanced skills in Auto CAD, [spanish]
SKILLS
Revit, Adobe Photoshop, Adobe Illustra- -Strong Sketching skills
710 Terrace Creek Dr., Duncan, SC, 29334.
_ tor, Adobe InDesign, Google SketchUp 8, -Strong Graphic communication skills
864-431-6358. Kerkythea 2008. -Ability to multi-task and create high quality
Nlanzet@clemson.edu. -Microsoft Word Applications work
*References available upon request -Adobe Creative Suite -Team leading

4. 1
NATHAN LANZETTI
2
CONNECT
BAYERISCHE
DYNAMICS
GREEN SPINE
3
commodity, US
MP
firmness,
CA RE
CO
4
delight...
-VITRUVIUS STIMULATING
RELATIONS
5 UV
REJEREOT
ST
TE
INAYPES

5. BAYERISCHE
dynamics
german dynamics
connecting design
YEAR LEVEL__ 2ND UNDERGRADUATE
PROFESSOR__ ROB SILANCE
A composition comprised of three moments, one path,
all working together to form one itinerary. In addition, these
elements must describe certain characteristics of an individ-
ual. These characteristics not only describe and contribute
to this composition and design, they also form a connection.
Bavarian Mo-
tor Works, also known in
short as BMW, form some
of the most beautiful and
dynamic shapes in the au-
tomotive industry. Com-
bining aggressive lines
with elegance, sporti-
ness, and move-
ment, designs show
a wide range of
styling, but they
are ultimately
all the “ultimate
driving machine”.
FROM LEFT TO RIGHT; Rending of
the final design. BMW X1 Inspiration.
Architectural concept study
NATHAN LANZETTI
BAYERISCHE DYNAMICS

6. floorplan
F o ll o w i n g
characteristics
featured on BMW’s
high end product, the
design influence is noticeable.
Strong angles, sharp angular lines,
“movement” through shapes, and even
a hint of color that is associated with sport
3
vehicles, all contribute to the design’s outer shell.
Underneath, the design features a
tall stair tower, that simulates a vehicles un-
derpinning, or metal frame. This tall structure
allows for the design’s “sheet metal”, or
outer shell, to hang from it, just as
a vehicles sheet metal is at-
2
tached to its rigid frame.
del
mo
cale
al S
Fin
1
FROM LEFT TO RIGHT; Model the
final design. Experience of “balcony”
on the second level..
NATHAN LANZETTI
BAYERISCHE DYNAMICS

7. c e
ie n
e r
x p
e
FROM LEFT TO RIGHT; rending of the
north-east elevation. Interior experi-
ence of event II.
NATHAN LANZETTI
BAYERISCHE DYNAMICS

8. GREEN
spine bridging the gap
connecting design
YEAR LEVEL__ 2ND UNDERGRADUATE
PROFESSOR__ DAVID NOCELLA
The green spine is a comprehensive design CONTRIBUTION__ CONCEPT
concept that infuses modern, bold, and organic impres- __ MASTER PLAN
sions into the Columbia landscape through an overhaul __ BRIDGE DESIGN
of the old railway into a Rails-to-Trails path and more.
The design integrates four main components: Bridge,
Tunnel, Branding, and Bike to create a cohesive linkage
between Finlay Park and The Vista via the green spine.
Though being the project manager, my main
focus and individual contribution was the bridge.
The bridge is a literal and conceptual connection
for the residents of Columbia simluating as though a
strip of landscape was draped upon an urban area.
FROM LEFT TO RIGHT; rending
beneath the Final Bridge Design.
Siteplan of the overall Master Plan.
NATHAN LANZETTI
GREEN SPINE

9. in g
n n
l a
p T h e
design scheme
utilizes a few key ele-
ments: draping, flowing arcs and
earth inspired facets. Draping is appar-
ent through the general approach of the struc-
tural forms. Aimed at being arranged in a natural
and easy manner, the forms are evocative of a gi-
ant cloth draped upon Columbia, remaining low-lying
and seamless—never abrupt or lacking integration—
they manifest themselves as effortless and instinctive.
Fabric is introduced throughout the design
not only in the dictation of forms, but also liter-
ally in the tensile fabric shades that provide prac-
tical shade as well as compelling, natural forms.
FROM LEFT TO RIGHT; Energy sketch of intended
design energy. Overall rendering of completed
Bridge design. CAD section of bridge deck.
NATHAN LANZETTI
GREEN SPINE

10. experience
FROM LEFT TO RIGHT; Final 1/8” model of full
master plan. Experience of the bridge “junction”
at the pedestrian tunnel.
NATHAN LANZETTI
GREEN SPINE

11. existing boundriies
connecting design
CAMPUS
core
YEAR LEVEL__ 3RD UNDERGRADUATE
PROFESSOR__ ROBERT HOGAN
Urban design and campus plan-
ning is about making connections between
people and places, movement and ur-
ban form, nature and the built fabric.
The concept for “Campus Core” was
derived from the need, and desire, to
create the youthful energy of a city
within the Clemson University Cam-
pus. The concept resulted in a
few key pieces; Mixed-use struc-
tures, Public spaces, Private spac-
es, convenience, and a large
“downtown” pedestrian street.
The plan’s angle and orga-
nization was a result of two
grids that currently exist on
the Clemson campus, the
“Academic” grid and the
“Athletic” grid. These
two grids were placed
proportionally on top
of one another; from
there massing was
created followed
by a series for im-
portant cuts, lifts,
and overhangs
that solve all
programmatic
FROM LEFT TO RIGHT; Site context with site loca-
boundaries. tion previous to any design intervention. Concep-
tual massing model of final master plan.
NATHAN LANZETTI
CAMPUS CORE

12. The Program is complex, including various high
profile student activity buildings. The list includes a
main dining hall, recreation complex, student hous-
ing, as well as some academic flex spaces and
plans
offices. In total, the amount of built square foot-
age would be around 306,000 Square
Feet and 700 new student housing beds.
MASSING CUTTING REFINING
er
lass Tow
Upperc wer
Retai l Dining ntial To
ntial Dining Reside
es Reside Center
sidenc Fitness ences
1
LIFTING OVERHANGING SPACING ore Re ore Res
id
Sophom nter ophom
tion Ce S
Recrea
ces
Residen
AREAS TERRACING CIRCULATION l Dining Faculty g
Retai Learni
n
Retail
Dining Mixeer/
d NATHAN LANZETTI
Cent CAMPUS CORE

13. ex
pe
rie
nce
FROM LEFT TO RIGHT; Master plan’s “Central
Park” that provides a visual connection between
campus icons. Massing cut through experience.
NATHAN LANZETTI
CAMPUS CORE

14. STIMULATING
re l at i o n s
repairing existing
connecting design
YEAR LEVEL__ 3ND UNDERGRADUATE
PROFESSOR__ ROBERT HOGAN
Coffee is a delicious stimulant for those in need of inspiration and
energy, but what if we view coffee as a lifestyle? In some aspects, coffee is
a lifestyle. Walk into a coffee shop in New York and the atmosphere is electric.
There are visual artists, musicians, innovators, and more; all in one location.
The truth is, coffee, as well as coffee shops, are inspir-
ing and provides an undeniable energy, pun intended.
Many of today’s buildings are massive structures built by devel-
opers who are not as interested in the planning of an area as they are
in the amount of square feet they can profit from. Repairing this discon-
nection within areas, such as strip malls, is an ad-
ditional, and valuable, intent of this
coffee shop, connect-
ing and repairing
the urban structure.
FROM LEFT TO RIGHT; Coffee shop’s final fa-
cade and pedestrian walk up area. Site Location
for the coffee shop within a typical “strip mall”. NATHAN LANZETTI
STIMULATING RELATIONS

15. pla
B
A
n
With strong lines, graphic elements, and an en-
ergetic and connective triangular shaping, the shop is a
literal interpretation of coffee as a lifestyle. There are two
scales, in conjunction with the ordering style they serve.
60”
5.
A long wall with a tall shade above serve
the drive-thru window, while short walls and a low,
wide, shade provide a more intimate area for those
being served at the walk-up window. Inside,
the worker has complete control of
a well-lit and planned
environment. PRO
DUC
ED B
Y AN
AUT
ODE
SK E
DUC
ATIO
NAL
PRO
DUC
T
B A
NATHAN LANZETTI
STIMULATING RELATIONS

16. experience
FROM LEFT TO RIGHT; Coffee shop’s final fa-
cade from the drive-thru area. Interior work
space for employees only. NATHAN LANZETTI
STIMULATING RELATIONS

17. REJUVINATE
seamless addition-
connecting design stereotypes
YEAR LEVEL__ 3RD UNDERGRADUATE
PROFESSOR__ ROBERT HOGAN
In an attempt to reinvigorate Clemson Univer-
sity’s student living, a modern master plan for the Stu-
dent union is in order. Having redesigned this valu-
able area in a series of “cuts, lifts, and overhangs”,
the new student union is a vision of the campus of
the future. Mixed use buildings, sidewalks, and
terracing form a “central park” that is lined with
trees. Featuring areas that are private, pub-
lic, protected from weather, out in the open,
convenient, and exciting, there is only one
envisioning left, buildings within the plan.
The master plan features a series
of buildings that are dedicated to student
residences. From these, there is one that
will be solely for upper-class students.
Currently, Clemson is trying to
keep more upper-class students on
campus, and away from the apart-
ments that seem to overtake a
local town. These apartment
complexes feature some very
enticing amenities, including;
swimming pools, gyms, hot
tubs, personal bathrooms
and bedrooms. So what
will it take for students to
stay on campus longer?
FROM LEFT TO RIGHT; Site plan’s massing dia-
gram with building location and expected pedes-
trian circulation patterns. Final building facade.
NATHAN LANZETTI
REJUVINATE STEREOTYPES

18. 5,6 This rejuvenation is all about
what entices the youth. Large
common areas, private bed-
rooms, modern living arrange-
R
ments, and “condo” style living, all
6
work together to prove to students
that living on campus can be cool.
As for the concept of the structure,
it is an extension of the vision of the
5
Master plan. In a series of lifts and
plan
overhangs, but still following
the footprint allotted
in the master, the
building is able
G,1,2,3
to achieve a
cohesive
look 4
3
2
1
M M
G
with
not only the campus of
the future, but also existing
Clemson structures. Using
similar motifs, materials, and
shapes, this imagined residence
tower meshes Clemson’s past,
present, and future in design.
NATHAN LANZETTI
REJUVINATE STEREOTYPES

19. experience
FROM LEFT TO RIGHT; Interior view of the stu-
dent “condo” with proposed materials. Public
Harcombe lobby with proposed center artwork.
NATHAN LANZETTI
REJUVINATE STEREOTYPES

20. CONNECTED
NATHAN LANZETTI
brid
na ging th
tur
e e ga
p
n
sea mless additio
context
iies
boundr
existing RCHIT
I hope you’ve
urban
enjoyed my connections, as well
ECTUR
as my portfolio and works. Always, Inspire
and be inspired. E
repairing existing ics
lifestyle m
na
dy
an ics -Nathan Lanzetti
rm an
geech
m