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How to Speak Art & Tech: Social Media and the Global Guggenheim Social media is a lot like language. Users communicate with each other while living in a digital dimension of the world with trends that shift and evolve over time. If you’re not a part of that world, it might as well be a foreign language. How can social media be used to speak to a global audience—about art—a foreign language in and of itself, and how do you tell stories from within your own institution in a meaningful, accessible, and authentic voice? Conversely, how do you translate digital speak to key stakeholders who aren’t fluent in technology? Using the Guggenheim as a case study, this talk will guide participants on how to speak art and tech—from creating a digital content strategy around visual literacy and best practices for integration within a digital ecosystem, to leveraging success internally to inspire participation and champion support. The presentation will also include highlights and case studies from recent Guggenheim social media initiatives that engage both local and global audiences. JiaJia Fei is the Associate Director, Digital Marketing at the Solomon R. Guggenheim Museum in New York, where she has catalyzed the museum’s embrace of digital media through integrated social media, e-mail, web, mobile, and new media marketing initiatives since 2010. JiaJia received her BA in History of Art from Bryn Mawr College, and has lectured widely on social media and digital marketing at museum conferences and universities worldwide, including Museums & the Web, College Art Association, Sotheby’s Art Institute, New York University, University of Oregon, Fundación Proa, and MIT Media Lab.
JiaJia Fei - CultureGeek 2015
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Nynke Feenstra, Researcher and Museums' Accessibility Advisor, Leiden University, the Netherlands
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The digital team at Southbank Centre are investigating how to build an ‘Open’ website. The journey started last September with a 10-week stint in a glass box where the team met 100’s of people who visit Southbank Centre. Following this unique experience, the team grew in confidence and decided to open everything up to the public – this included their website vision, processes, thinking, designs, and even the development backlog. They have now created the first version of an open CMS platform that any cultural events organisation could pick up, configure, change and use. In this presentation Rob will explain why the Southbank Centre opened up everything. He will talk about the Glass Box experience and what the team learnt. He will also present the Open Event CMS and how he thinks this approach could fundamentally change how the cultural sector develops future digital platforms. Rob Gethen Smith is the Chief Information Officer at Southbank Centre where he is responsible for Digital and Technology strategy. He joined Southbank Centre in November 2012. Before this, Rob led business and technology transformation programmes at Tate, Macmillan Cancer Support and WWF-UK.
Open Everything - CultureGeek 2015
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The British Library Ventures Off the Map The Off The Map competition is a collaboration between the British Library and GameCity, a videogame cultural hub and festival run in partnership with Nottingham Trent University. It challenges higher education students based in the UK to create videogames inspired by the British Library’s collections. The 2014 Off The Map competition accompanied the British Library’s exhibition “Terror and Wonder: The Gothic Imagination”. Curators selected maps, sounds, text and illustrations to provide three Gothic themes for entrants to base their videogames on. These were author William Beckford’s home Fonthill Abbey, Edgar Allen Poe’s short story The Masque of the Red Death and the seaside town of Whitby, which features in Bram Stoker’s Dracula. The 2014 winning entry Nix, created by three students from the University of South Wales, invites gamers to reconstruct Fonthill Abbey via a series of puzzles in a spooky underwater world. It uses Oculus Rift, a revolutionary virtual reality headset for 3D gaming, to enable the user to virtually explore the Abbey. You can see a flythrough of their game here. For 2015, students are currently working on their entries for “Alice’s Adventures Off the Map”, as the competition accompanies the Library’s forthcoming exhibition, opening in November, which celebrates Alice in Wonderland’s 150th birthday. Stella Wisdom is a Digital Curator at the British Library, where her role explores and promotes new methods of research using both born digital content and digitised collections. In 2013 Stella co-founded with GameCity a competition for Higher Education videogame design students called Off the Map, where students are challenged to create videogames inspired by British Library collections. Stella has worked for the British Library for nine years and prior to working in Digital Research, she managed Collection Storage at the British Library’s site at Boston Spa in Yorkshire. Stella has also previously worked at the Library and Information Statistics Unit based at Loughborough University, the Warburg Institute Library and the National Library of Scotland.
Stella Wisdom - CultureGeek
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Me and My Instagram When Alice Rawsthorn started to post on Instagram on 1 January 2015, she decided to treat it as a project by choosing a weekly theme on a different aspect of design, and posting once a day about a relevant project. The objective of her posts is the same as for all of her writing, whether in a column for the New York Times, or a book like “Hello World: Where Design Meets Life”, to defuse the misconception of design as a superficial styling device by demonstrating its power to make an increasingly dynamic and eclectic contribution to our lives. A recent week of posts on Design and Disaster included a humanitarian design coup in R. Buckminster Fuller’s geodesic dome and a flop in the ill-judged PlayPumps irrigation program, the world’s first smart phone made from conflict-free minerals and a wind-powered landmine detonator. While a celebratory St. Andrew’s Day week on Scottish design ranged from the Dundee illustrators who drew Dennis the Menace and Gnasher, to the design patronage of the choreographer Michael Clark, William Playfair’s pioneering 19th century information graphics and the world’s most advanced prosthetic hand. Alice will discuss the impact of her Instagram feed at the CultureGeek conference, and her plans for its future. BIOGRAPHY Alice Rawsthorn writes about design in the International New York Times, which syndicates her columns worldwide. She is also a columnist for Frieze magazine, and the author of the critically acclaimed book “Hello World: Where Design Meets Life”, which explores design’s influence on our lives: past, present and future. Alice is a trustee of the Whitechapel Gallery and the contemporary dance group Michael Clark Company, as well as chair of trustees at the Chisenhale Gallery in London. She was awarded an OBE in 2014 for services to design and the arts.
Alice Rawsthorn - CultureGeek 2015
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JiaJia Fei - CultureGeek 2015
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AWS Data Engineer Associate (DEA-C01) Exam Dumps 2024.pdf
AWS Data Engineer Associate (DEA-C01) Exam Dumps 2024.pdf
SkillCertProExams
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Presentation about poverty in France.
Causes of poverty in France presentation.pptx
Causes of poverty in France presentation.pptx
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The workplace ecosystem of the future 24.4.2024 Fabritius_share ii.pdf
The workplace ecosystem of the future 24.4.2024 Fabritius_share ii.pdf
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This is the complete presentation on the diver animals adaptation for diving
Air breathing and respiratory adaptations in diver animals
Air breathing and respiratory adaptations in diver animals
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Dreaming Music Video Treatment _ Project & Portfolio III
Dreaming Music Video Treatment _ Project & Portfolio III
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ICT role in 21st century education Role of ICT in education Is importance to you knowing
ICT role in 21st century education and it's challenges.pdf
ICT role in 21st century education and it's challenges.pdf
Islamia university of Rahim Yar khan campus
I had the honour of presenting my reflections on the autobiography of Professor Isaac Folorunso Adewole, titled "Uncommon Grace." As someone deeply invested in documentation and history, I found Professor Adewole's decision to narrate his journey from humble beginnings to occupying one of the highest offices in the land both inspiring and invaluable. In this eloquently written memoir, Professor Adewole provides a comprehensive account of his life, from his ancestral roots to his time as Minister of Health in Nigeria. The unique aspect of this autobiography is that he portrayed himself authentically without taking the help of third-party narratives, which is often seen in accounts of high-ranking officials. His upbringing was greatly influenced by his father's commitment to education. He became a prominent figure in advocating for the rights of the underprivileged through trade unionism. His story is one of unwavering determination, resilience, and faith. His experiences, including both successes and struggles, provide priceless lessons on leadership, perseverance, and the alignment of personal values with public service. While reading "Uncommon Grace," I was struck by the deep leadership lessons that are embedded within its chapters. Professor Adewole stresses the importance of inclusivity, servant leadership, and planning, which are all highly relevant in today's complex world. His commitment to accountability, as well as his primary responsibility as a researcher, serves as a guiding light for aspiring leaders across various disciplines. During his tenure as the Vice Chancellor of the University of Ibadan, he led with visionary leadership and transformative impact. His accomplishments have been meticulously documented in the book, which can serve as a blueprint for rejuvenating institutions and promoting academic excellence. In the latter part of his autobiography, Professor Adewole shares his experiences as a Minister, detailing the challenges he faced while serving the public with integrity and courage. His reflections on the complexities of public service, coupled with his commitment to the well-being of the nation, offer practical insights for policymakers and citizens alike. I have carefully read "Uncommon Grace" and it is more than just a memoir. It is a timeless book that is hard to put down once you start reading. While intellectuals may continue to debate whether uncommon grace was made possible by uncommon preparation or the other way around, I applaud Professor Adewole for sharing his ideas, knowledge, and experience with the public. I highly recommend this book to everyone.
Uncommon Grace The Autobiography of Isaac Folorunso
Uncommon Grace The Autobiography of Isaac Folorunso
Kayode Fayemi
This is an introductory session on how to engineer prompts for commercially available Large Language Models (LLMs) such as ChatGPT and Gemini. This session uses ChatGPT as the example, but the strategies can be equally applied to Gemini and other LLMs.
Introduction to Prompt Engineering (Focusing on ChatGPT)
Introduction to Prompt Engineering (Focusing on ChatGPT)
Chameera Dedduwage
10th class notes by MS. SAJIDA LODHI Pakistan studies Teacher Msc.Pakistan Studies. Bachelor degree in Eduction. TEFL DIP
lONG QUESTION ANSWER PAKISTAN STUDIES10.
lONG QUESTION ANSWER PAKISTAN STUDIES10.
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Slides museum next gaming workshop_2015-04-05
1.
TRANSFORMING+MUSEUMS+ THROUGH+GAMES+ + April+20,+2015+
2.
+ GAMES+
3.
DEFINITION+ Closed,+formal+system+ Structured+conflict+ Unequal+outcome+
4.
+ STRUCTURE+
5.
FORMAL+ELEMENTS+ Players+ ObjecLves+ Procedures+ Rules+ Resources+ Conflict+ Boundaries+ Outcome+ +
6.
DRAMATIC+ELEMENTS+ Challenge+ Play+ Premise+ Character+ Story+ +
7.
+ DEVELOPMENT+
8.
PROCESS+ Set+player+experience+goals+ Prototype+and+playtest+ Iterate+
9.
+ TOOLS+
10.
TETRAD+ Game+Design+ Tetrad+ AestheLcs+ Story+ Technology+ Mechanics+
11.
MECHANICS+ FRUSTRATING:+ Too+hard+or+confusing+ BORING:+ Too+easy+ FLOW:+ Time+spent+playing+ Difficulty+
12.
STORY+
13.
AESTHETICS+
14.
TECHNOLOGY+
15.
+ WORKSHOP+
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