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OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
OpenGLAM Minerva 15/11/2012
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OpenGLAM Minerva 15/11/2012

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  • 1. Joris Pekel 14/11/2012 Minerva Conference @jpekelSunday 18 November 2012(w) 1
  • 2. What  does  Open  mean? Digital  content  or  data  is  open  that  is  free   to  use,  re-­‐use  and  re-­‐distribute  without   technical  or  legal  restric8on   (see  h2p://opendefini7on.org) @OpenGLAMSunday 18 November 2012(w) 2
  • 3. Open  Licenses @OpenGLAMSunday 18 November 2012(w) 3
  • 4. 5  Stars  of  Open  Data @OpenGLAMSunday 18 November 2012(w) 4
  • 5. What  is  GLAM? @OpenGLAMSunday 18 November 2012(w) 5
  • 6. What  is  GLAM? Galleries,  Libraries,  Archives  and  Museums ✔ @OpenGLAMSunday 18 November 2012(w) 5
  • 7. What  we  do • We  are  an  ini7a7ve  of  the  Open   Knowledge  Founda7on • Supported  by  a  network  of   organisa7ons  working  to  open  up   content  and  data  held  by  GLAMs  which   includes  the  likes  of  Europeana,  the   Digital  Public  Library  of  America,   Crea7ve  Commons  and  Wikimedia • A  provider  of  exper7se  to  GLAMs  on   open  issues • A  provider  of  open  source  tools  for   working  with  the  cultural  heritage   content  and  data @OpenGLAMSunday 18 November 2012(w) 6
  • 8. Explore out-of-copyright works from digital collections across the web through our online journal. Want an unusual collection from your institution to be featured? Get in touch! @OpenGLAMSunday 18 November 2012(w) 7
  • 9. @OpenGLAMSunday 18 November 2012(w) 8
  • 10. Different layers of data • Metadata  -­‐  e.g.  author,  provenance,  date • Digi7sed  Objects  -­‐  e.g.  book  scans,  digital   photos • User  generated  content @OpenGLAMSunday 18 November 2012(w) 9
  • 11. The  Digital  Dream @OpenGLAMSunday 18 November 2012(w) 10
  • 12. The  Digital  Dream • A  world  in  which  our  shared  cultural   heritage,  the  map  of  humanity,  is  open  to   all  regardless  of  their  background @OpenGLAMSunday 18 November 2012(w) 10
  • 13. The  Digital  Dream • A  world  in  which  our  shared  cultural   heritage,  the  map  of  humanity,  is  open  to   all  regardless  of  their  background • A  world  in  which  people  are  no  longer   passive  consumers  of  cultural  content   created  by  an  elite,  but  contribute,   par8cipate,  create  and  share @OpenGLAMSunday 18 November 2012(w) 10
  • 14. Why  Open? @OpenGLAMSunday 18 November 2012(w) 11
  • 15. Why  Open? 1. Helping  GLAMs  fulfill  their  public  mission @OpenGLAMSunday 18 November 2012(w) 11
  • 16. Why  Open? 1. Helping  GLAMs  fulfill  their  public  mission 2. Larger  audience @OpenGLAMSunday 18 November 2012(w) 11
  • 17. Why  Open? 1. Helping  GLAMs  fulfill  their  public  mission 2. Larger  audience 3. Allow  your  audiences  to  par7cipate @OpenGLAMSunday 18 November 2012(w) 11
  • 18. Why  Open? 1. Helping  GLAMs  fulfill  their  public  mission 2. Larger  audience 3. Allow  your  audiences  to  par7cipate 4. Connect  and  contextualise  collec7ons @OpenGLAMSunday 18 November 2012(w) 11
  • 19. Why  Open? 1. Helping  GLAMs  fulfill  their  public  mission 2. Larger  audience 3. Allow  your  audiences  to  par7cipate 4. Connect  and  contextualise  collec7ons 5. Keep  memory  ins7tu7ons  relevant  in  a   Digital  Age @OpenGLAMSunday 18 November 2012(w) 11
  • 20. Public  Mission "Enable  access  to  everyone  who  wants  to  do  research" -­‐  Bri$sh  Library,  Our  Mission  and  2020  Vision "Our  core  values  are:  accessibility,  sustainability,  innova7on  and  coopera7on." -­‐Na$onal  Library  of  the  Netherlands,  Our  Mission  and  Vision "To  provide  diverse  audiences  with  the  best  quality  experience  and  op7mum  access  to  our  collec7ons,  physically  and   digitally." -­‐  the  Victoria  &  Albert  Museum,  Mission  and  Objec$ves "The  Federal  Archives  have  the  legal  responsibility  of  permanently  preserving  the  federal  archival  documents  and  making   them  available  for  use." -­‐  German  Federal  Archives  -­‐  Responsibili7es The  Na7onal  Gallery  of  Denmark  is  Denmark’s  premier  museum  of  art.  Through    Accessibility,  educa7on,  and  exhibi7on  -­‐  Danish  Na$onal  Gallery  -­‐  Mission @OpenGLAMSunday 18 November 2012(w) 12
  • 21. Public  Mission The  Na7onal  Library  of  Israel  was  established  by  law  to  "collect,   preserve,  cul7vate  and  endow  the  treasures  of  knowledge,  heritage   and  culture  in  general,  with  an  emphasis  on  the  Land  of  Israel,  the   State  of  Israel  and  the  Jewish  people  in  par7cular." “We  are  delighted  by  the  growing  number  of  friends  of  the  Israel   Museum  who  have  become  virtual  visitors  to  our  website.   However,  when  our  virtual  friends  become  real  visitors  to  us  in   Jerusalem,  we  know  that  our  website  has  served  its  true  purpose.” @OpenGLAMSunday 18 November 2012(w) 13
  • 22. Global  Audience • Le  Louvre  about  8.8  million  visits  a  year1 • The  poten7al  audience  when  your  collec7ons   are  on  the  web: o 2.27  billion  -­‐  34.3%  of  the  worlds   popula7on • Growing  body  of  evidence  that  the  more  open   your  collec7ons  are  the  more  hits  they  a2ract • Find  audience  for  unusual  collec7ons 1. http://www.telegraph.co.uk/travel/travelnews/8993072/The-Louvre-attracts-record-visitor-numbers.html 2. http://en.wikipedia.org/wiki/Wikipedia:GLAM/BM#Quantitative @OpenGLAMSunday 18 November 2012(w) 14
  • 23. The  Open    Images  Project Study  by  the  Open  Images  projects  in  the   Netherlands  -­‐  2.5  million  views  a  month1 1500 items on Wikimedia commons about Dutch history. Being used in 500 articles in the Netherlands More than 700 times in 63 different languages Average article views per 1. http://www.slideshare.net/DM2E/open-cultuur-data-14469640. month: more than 2,5 million @OpenGLAMSunday 18 November 2012(w) 15
  • 24. Wikimedia  Commons • A  database  of  14,810,554  freely  usable  media   files  to  which  anyone  can  contribute. • Images  being  reused  on  Wikipedia • Wikipedia  is  the  6th  largest  website  in  the   world1    with  the  English  Wikipedia  receiving   551  million  views  a  day 2 1. http://www.alexa.com/siteinfo/http://en.wikipedia.org/wiki/Main_Page# 2. http://stats.wikimedia.org/EN/TablesPageViewsMonthly.htm @OpenGLAMSunday 18 November 2012(w) 16
  • 25. Wikimedia  Commons • A  database  of  14,810,554  freely  usable  media   files  to  which  anyone  can  contribute. • Images  being  reused  on  Wikipedia • Wikipedia  is  the  6th  largest  website  in  the   world1    with  the  English  Wikipedia  receiving   551  million  views  a  day 2 The Israel Museum has joined the Google Art project and they are ‘happy’ that users can not download the images from there. Not realising, that many 1. http://www.alexa.com/siteinfo/http://en.wikipedia.org/wiki/Main_Page# of these images can already be 2. http://stats.wikimedia.org/EN/TablesPageViewsMonthly.htm found on Wikimedia Commons, in full resolution. @OpenGLAMSunday 18 November 2012(w) 17
  • 26. Connect  and  contextualise @OpenGLAMSunday 18 November 2012(w) 18
  • 27. Connect  and  contextualise • Connect  collec7on  with  a  vast  and  expanding   network  of  cultural  collec7ons @OpenGLAMSunday 18 November 2012(w) 18
  • 28. Connect  and  contextualise http://www-958.ibm.com/software/data/cognos/manyeyes/visualizations/europeana-jewish-images-per-countr @OpenGLAMSunday 18 November 2012(w) 19
  • 29. Connect  and  contextualise @OpenGLAMSunday 18 November 2012(w) 20
  • 30. Connect  and  contextualise @OpenGLAMSunday 18 November 2012(w) 21
  • 31. Connect  and  contextualise http://www-958.ibm.com/software/data/cognos/manyeyes/visualizations/europeana-jewish-images-per-countr @OpenGLAMSunday 18 November 2012(w) 22
  • 32. Connect  and  contextualise @OpenGLAMSunday 18 November 2012(w) 23
  • 33. Par8cipa8on • Visitors  and  users  can  ac7vely  contribute  to   aspects  of  your  collec7ons: o Cura7on o Enrichment  and  improvement o Provide  content  for  new  collec7ons @OpenGLAMSunday 18 November 2012(w) 24
  • 34. HistoryPin • Allows  users  to  submit  their  photographs,  videos   and  audio  clips  that  can  be  placed  on  a  map  and   7meline • Collabora7ng  with  over  200  cultural  ins7tu7ons   worldwide • Lets  communi7es  tell  their  stories  about  their   history @OpenGLAMSunday 18 November 2012(w) 25
  • 35. Danish  Mobile  PlaKorm Merete Sanderhoff at the OKFestival in Helsinki 2012 Merete Sanderhoff at the OKFestival 2012 in Helsinki @OpenGLAMSunday 18 November 2012(w) 26
  • 36. The  21st  Century  GLAM @OpenGLAMSunday 18 November 2012(w) 27
  • 37. The  21st  Century  GLAM It  remains: @OpenGLAMSunday 18 November 2012(w) 27
  • 38. The  21st  Century  GLAM It  remains: • The  key  preserver  of  our  shared  cultural  heritage @OpenGLAMSunday 18 November 2012(w) 27
  • 39. The  21st  Century  GLAM It  remains: • The  key  preserver  of  our  shared  cultural  heritage • An  authorita7ve  source  of  informa7on  and   exper7se  about  your  collec7ons @OpenGLAMSunday 18 November 2012(w) 27
  • 40. The  21st  Century  GLAM It  remains: • The  key  preserver  of  our  shared  cultural  heritage • An  authorita7ve  source  of  informa7on  and   exper7se  about  your  collec7ons • You  curate,  contextualise  and  tells  stories  about   your  collec7ons @OpenGLAMSunday 18 November 2012(w) 27
  • 41. The  21st  Century  GLAM @OpenGLAMSunday 18 November 2012(w) 28
  • 42. The  21st  Century  GLAM It  stands  to  gain: @OpenGLAMSunday 18 November 2012(w) 28
  • 43. The  21st  Century  GLAM It  stands  to  gain: • An  audience  far  beyond  the  wildest  dreams  of  its   first  founders @OpenGLAMSunday 18 November 2012(w) 28
  • 44. The  21st  Century  GLAM It  stands  to  gain: • An  audience  far  beyond  the  wildest  dreams  of  its   first  founders • Connec7ons  to  other  collec7ons  that   contextualise  stories  about  its  objects @OpenGLAMSunday 18 November 2012(w) 28
  • 45. The  21st  Century  GLAM It  stands  to  gain: • An  audience  far  beyond  the  wildest  dreams  of  its   first  founders • Connec7ons  to  other  collec7ons  that   contextualise  stories  about  its  objects • A  closer  to  connec7on  to  its  audience  (and  the   improvements  to  its  digital  collec7ons  that  come   with  that) @OpenGLAMSunday 18 November 2012(w) 28
  • 46. Challenges @OpenGLAMSunday 18 November 2012(w) 29
  • 47. Challenges • Concerns  over  lost  revenue  streams @OpenGLAMSunday 18 November 2012(w) 29
  • 48. Challenges • Concerns  over  lost  revenue  streams • A2rac7on  of  private  schemes  that  lockdown   heritage @OpenGLAMSunday 18 November 2012(w) 29
  • 49. Challenges • Concerns  over  lost  revenue  streams • A2rac7on  of  private  schemes  that  lockdown   heritage • Worries  about  the  misuse  of  data  and  content @OpenGLAMSunday 18 November 2012(w) 29
  • 50. Challenges • Concerns  over  lost  revenue  streams • A2rac7on  of  private  schemes  that  lockdown   heritage • Worries  about  the  misuse  of  data  and  content • Legal  uncertain7es:  licensing,  orphan  works @OpenGLAMSunday 18 November 2012(w) 29
  • 51. Challenges • Concerns  over  lost  revenue  streams • A2rac7on  of  private  schemes  that  lockdown   heritage • Worries  about  the  misuse  of  data  and  content • Legal  uncertain7es:  licensing,  orphan  works • Technical  challenges:  standards,  tools @OpenGLAMSunday 18 November 2012(w) 29

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