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By ziad hadjam
 in
   which the hero/heroine confronts a large,
 powerful group of enemies whose true extent
 only s/he recognizes
   This particular genre is a hybrid type of
    both crime films and thrillers that offers a
    suspenseful account of a successful or failed
    crime or crimes. These films often focus on the
    criminal(s) rather than a policeman. Central
    topics of these films include serial
    killers/murders, robberies,
    chases, shootouts, heists and double-crosses.
   In which (until the often violent resolution) the conflict between the
    main characters is mental and emotional, rather than physical.
    Characters, either by accident or their own curiousness, are dragged into
    a dangerous conflict or situation that they are not prepared to resolve.
    Characters are not reliant on physical strength to overcome their brutish
    enemies, but rather are reliant on their mental resources, whether it be
    by battling wits with a formidable opponent or by battling for equilibrium
    in the character's own mind. At times, the characters attempt solving, or
    are involved in, a mystery. The suspense created by psychological
    thrillers often comes from two or more characters preying upon one
    another's minds, either by playing deceptive games with the other or by
    merely trying to demolish the other's mental state
 In which the protagonist is generally a
  government agent who must take violent
  action against agents of a rival government
  or (in recent years) terrorists. The subgenre
  usually deals with the subject of fictional
  espionage in a realistic way
A suspense film in which the manipulation of
 sophisticated technology plays a prominent
 part. There is a bit of action and science
 fiction

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Sub genres of a thriller

  • 2.  in which the hero/heroine confronts a large, powerful group of enemies whose true extent only s/he recognizes
  • 3. This particular genre is a hybrid type of both crime films and thrillers that offers a suspenseful account of a successful or failed crime or crimes. These films often focus on the criminal(s) rather than a policeman. Central topics of these films include serial killers/murders, robberies, chases, shootouts, heists and double-crosses.
  • 4. In which (until the often violent resolution) the conflict between the main characters is mental and emotional, rather than physical. Characters, either by accident or their own curiousness, are dragged into a dangerous conflict or situation that they are not prepared to resolve. Characters are not reliant on physical strength to overcome their brutish enemies, but rather are reliant on their mental resources, whether it be by battling wits with a formidable opponent or by battling for equilibrium in the character's own mind. At times, the characters attempt solving, or are involved in, a mystery. The suspense created by psychological thrillers often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state
  • 5.  In which the protagonist is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. The subgenre usually deals with the subject of fictional espionage in a realistic way
  • 6. A suspense film in which the manipulation of sophisticated technology plays a prominent part. There is a bit of action and science fiction