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Exposé:the visual culturearound us
GOOD LUCKBAD LUCKThe Push Pin StudioIssue #85
HOW DESIGN AND VISUAL CULTURE INFLUENCEEACH OTHER        COMMUNI CATION                         DESIGN               VISU ...
HOW DESIGN AND VISUAL CULTURE INFLUENCEEACH OTHER        COMMUNI CATION                         DESIGN               VISU ...
MEANING VARIATIONIN DISTINCT CONTEXT
LANGUAGEThe Visible Sign
ROUTE 22 TYPOGRAPHICAThe Push Pin StudioIssue #72
CHILDREN DRAW FUTUREThe Push Pin StudioIssue #26
HOW DESIGN AND VISUAL CULTURE INFLUENCEEACH OTHER        COMMUNI CATION                         DESIGN               VISU ...
1977 CALENDARThe Push Pin Studio
HOW DESIGN AND VISUAL CULTURE INFLUENCEEACH OTHER        COMMUNI CATION                         DESIGN               VISU ...
PRADA WALLPAPERS2x4 Studio
THE CONSUMER SEMISPHERE
THE DESIGNER SEMISPHERE
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Angel slideshow

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Angel slideshow

  1. 1. Exposé:the visual culturearound us
  2. 2. GOOD LUCKBAD LUCKThe Push Pin StudioIssue #85
  3. 3. HOW DESIGN AND VISUAL CULTURE INFLUENCEEACH OTHER COMMUNI CATION DESIGN VISU AL CUL TURE MEDIUM REPRESENTATION VISUAL LANGUAGE MEME (DE BORD) /SELF-ORGANIZING /PARTICIPOTORY MASSIVE ICON SIGN SEMIOTICS LINGUISTIC VERNACULAR COMMUNICATION (BARTHES) PROPAGATION MULTI-MEDIA IMAGERY PERCEPTION CO-CREATOR MEDIA FRAGMENTATION SYMBOLISM PARTICIPATION PSYCHOLOGY SPECTACLE PHENOMENA The subversive deconstruction of ideology
  4. 4. HOW DESIGN AND VISUAL CULTURE INFLUENCEEACH OTHER COMMUNI CATION DESIGN VISU AL CUL TURE MEDIUM REPRESENTATION VISUAL LANGUAGE MEME (DE BORD) /SELF-ORGANIZING /PARTICIPOTORY MASSIVE ICON SIGN SEMIOTICS LINGUISTIC VERNACULAR COMMUNICATION (BARTHES) PROPAGATION MULTI-MEDIA IMAGERY PERCEPTION CO-CREATOR MEDIA FRAGMENTATION SYMBOLISM PARTICIPATION PSYCHOLOGY SPECTACLE PHENOMENA The subversive deconstruction of ideology
  5. 5. MEANING VARIATIONIN DISTINCT CONTEXT
  6. 6. LANGUAGEThe Visible Sign
  7. 7. ROUTE 22 TYPOGRAPHICAThe Push Pin StudioIssue #72
  8. 8. CHILDREN DRAW FUTUREThe Push Pin StudioIssue #26
  9. 9. HOW DESIGN AND VISUAL CULTURE INFLUENCEEACH OTHER COMMUNI CATION DESIGN VISU AL CUL TURE MEDIUM REPRESENTATION VISUAL LANGUAGE MEME (DE BORD) /SELF-ORGANIZING /PARTICIPOTORY MASSIVE ICON SIGN SEMIOTICS LINGUISTIC VERNACULAR COMMUNICATION (BARTHES) PROPAGATION MULTI-MEDIA IMAGERY PERCEPTION CO-CREATOR MEDIA FRAGMENTATION SYMBOLISM PARTICIPATION PSYCHOLOGY SPECTACLE PHENOMENA The subversive deconstruction of ideology
  10. 10. 1977 CALENDARThe Push Pin Studio
  11. 11. HOW DESIGN AND VISUAL CULTURE INFLUENCEEACH OTHER COMMUNI CATION DESIGN VISU AL CUL TURE MEDIUM REPRESENTATION VISUAL LANGUAGE MEME (DE BORD) /SELF-ORGANIZING /PARTICIPOTORY MASSIVE ICON SIGN SEMIOTICS LINGUISTIC VERNACULAR COMMUNICATION (BARTHES) PROPAGATION MULTI-MEDIA IMAGERY PERCEPTION CO-CREATOR MEDIA FRAGMENTATION SYMBOLISM PARTICIPATION PSYCHOLOGY SPECTACLE PHENOMENA The subversive deconstruction of ideology
  12. 12. PRADA WALLPAPERS2x4 Studio
  13. 13. THE CONSUMER SEMISPHERE
  14. 14. THE DESIGNER SEMISPHERE

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