English homework for Basic 4

2. INCEPTION In Spanish the title is EL ORIGEN
They develop among imaginary
converts and intangible appearances,
which seem to charge in the dreams
the thickness and dimensions of the
most tangible elements.
Dreams in different planes (one within
the other), in which time is not the
same, spaces in the mind which are
the object of the most varied
interpretations that gives him who is
part of him, possibly the way of making
city.
"Logic takes you from point A to B.
Imagination takes you everywhere" .
Albert Einstein.

3. In Inception, dreams run much slower than
actions in real time. In the movie 5 minutes of
real life equal an hour of time in dreams.
Also if you are dreaming within a dream, 5
minutes of primary sleep equals a week of
secondary sleep, and so on. In real life while we
dream for 30 minutes we can be imagining a
Story that covers what we think are hours of
action.
Led to the interpretation of the urban space to
think if the illusion of time is nothing more than
a creation of the brain itself, when we dream,
but also when we are awake."In the walls of time we all work as architects of our
own destiny. May every occasion be a great occasion,
for we do not know when fate favors us. " Orison

4. "Within dreams you can give architecture
impossible ways to get in the real world."
― Arthur tells Ariadne.
Paradoxical architecture is the science of
building objects within dreams that
resemble bodies existing in the real world
but differ in an angle that makes them
more complex and confusing for
projections, which do not capture the
changes that are Dies continuous,
instinctively and consciously by a
dreamer.
The architect: The person who builds the
world of Dreams in the mind of the
dreamer.
Vieux Port Pavilion located in Marseille.

5. Valuable information stored deep
in the subconscious during sleep
state can be extracted when the
mind is most vulnerable.
There are present elements of
the subconscious as Cobb's wife,
or the moment when a train
appears out of nowhere, but
dreams are in some way a
controlled environment.
The concept of inserting an idea
into someone else is mind is very
original.

6. The model of the film is
psychoanalytic only in appearance,
its composition has more to do with
logic. For example, according to
Freud, memory and the unconscious
have a similar design to that of an
onion.
The layers are overlapping one over
another, being the more inner levels
increasingly elementary in their
logic of codification and governed
by increasingly basic mechanisms.
In the film, there is no such
difference between one layer and
another: they are all homogeneous,

7. FORM / ALL. The German
school proposed the theory
of production, which
considered the Gestalt
quality, that is to say, the
form or everything, as the
product of a perceptive act.

8. MOVEMENT.
This theory was demonstrated
with the "apparent
movement", with the
presentation of two
phenomena at different times.
.

9. SYMMETRY
Symmetrical images
are perceived as
equals, as a single
element, in the
distance.

10. FIGURE AND BACKGROUND
It states that any perceptual
field can be divided into a
figure against a background.
The figure is distinguished
from the background by
features such as: size, shape,
color, position, etc.

11. SIMILARITY
Our mind gathers the similar
elements in an entity.
Similarity depends on the
shape, size, color and other
visual aspects of the
elements.

12. CONTINUITY
Details that maintain a
pattern or direction tend to
group together as part of a
model. That is to say, to
perceive continuous
elements even if they are
interrupted with each other.

13. All the senses are
involved, I stress the
three most important,
which I think have more
influence in the film.
TOTEM: Object built by
someone who has plans to
invade a dream, whose exact
weight and composition only
he knows. It is used to discern
between dream and reality.

14. ENDLESS STAIRCASES: Endless
staircases are paradoxes,
logical fallacies that cannot
exist in reality.
The characteristic of this
staircase is to play with the
optical illusion.
Penrose staircase, which refers to
the two-dimensional representation
of a three-dimensional structure
created by Lionel Penrose and his
son Roger Penrose. In it, the steps
seem to fall eternally forming an
eternal circuit without however
descending horizontally beyond a
certain limit.

15. MUSIC: To wake up use the song
NON JE NE REGRETTE RIEN of Edith
Piaf, this theme sounds
background in some scenes,
when you think you have woken
up but you have to identify the
speed in which the song sounds
because each layer can be heard
if it goes slower or in normal
playback.

16. All I can say is that, is a very good movie with a frame
and interesting surround and what I like is that it
involves and gives importance to the ARCHITECTURE,
then I quote the filmmaker of this film.
"The only work that I have found interesting that is not
the cinema, is the architecture. I am very interested in
the similarities or analogies between how we
experience a three-dimensional space that the
architect has created and how the public experiences
a cinematic narrative that builds a three-dimensional
reality from a Two-dimensional medium – stage-
mounted scene. I think there is a narrative component
in architecture that is fascinating. " Christopher Nolan.