What I love most about this particular genre of music isn’t just the bass that makes my flat shake
(sorry neighbours) it’s the storytelling. And it’s the double entendres that I catch and rewind
over and over again, in awe of the wordplay. Two legends in the game, D Double E and Frisco,
released albums (Double or Nothing and The Familiar Stranger, respectively) while I was in the
last stretch of writing, and I had these on repeat, keeping me company and driving me forward,
while I was crawling towards the finish line. It’s a cultural crossover that few might expect, but
to me, now it makes total sense.
DBA Basics: Getting Started with Performance Tuning.pdf
Writing a novel is an arduous and solitary process that's why I need music
1. Page turners
Writing a novel is an arduous and solitary process
that's why I need music
Candice Carty Williams
I have just completed my second novel and it was grime and
UK rap that helped me across the finish line
Sat 7 Nov 2020 08.00 GMT
16
henever I am asked how I write, my answer is always: “with grime or UK rap
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Support The Guardian Remind me in December
Wplaying as loud as possible in my ears . When I finally sent my second novel off to
my weary editors this week, I understood why. There is something about the
energy of the music that I need to keep me amped up through one of the most
arduous and solitary processes I’ve experienced. If I’m writing an emotional scene that’s forcing
me to turn deep into myself, I’ll put a slow, introspective song on repeat (usually “The Essence”
by Giggs). If I’m writing a big explosive scene (in my second novel I have one whole chapter that
is just a heated argument between five people) I’ll listen to the most frenzied, charged track I can
think of. And all of these music choices are subconscious, I realised.
What I love most about this particular genre of music isn’t just the bass that makes my flat shake
(sorry neighbours) it’s the storytelling. And it’s the double entendres that I catch and rewind
over and over again, in awe of the wordplay. Two legends in the game, D Double E and Frisco,
released albums (Double or Nothing and The Familiar Stranger, respectively) while I was in the
last stretch of writing, and I had these on repeat, keeping me company and driving me forward,
while I was crawling towards the finish line. It’s a cultural crossover that few might expect, but
to me, now it makes total sense.