1. ¥ To write a section on a new example case study for the examination topic
¥ To use reasoning skills to understand how to write a proficient/excellent paragraph
¥ To demonstrate confidence in examination style writing
Green Blue
Alex S Emma C
Frankie Max
Joe
Purple
Andrew
Mimi Writing up the case study of BritPop
for Media and Collective Identity
examination
Red
Emma O
Turquoise
Abs
Alex B
James
Tom
2. ““One is Anglo-centric, frequently conservative, backward looking, and
increasingly located in a frozen and largely stereotyped idea of the national
culture. The other is ex-centric, open ended, and multi-ethnic. The first is
based on a homogenous ‘unity’ in which history, tradition, and individual
biographies and roles, including ethnic and sexual ones, are fundamentally
fixed and embalmed in the national epic, in the mere fact of being ‘British’.
The other perspective suggests an overlapping network of histories and
traditions, a heterogeneous complexity in which positions and identities,
including that of the national, cannot be taken for granted are not
interminably fixed but are in flux.” Iain Chambers
3. Britpop symbolic of a ‘flag waving’ period
Bennett, 1997
Cloonan has questioned
Anglo-centric the use of ‘Brit’ as in fact that
all of the bands that were included
under the term were ‘quintessentially English’.
frequently conservative, backward looking,
Zuberi has spoken of Britpop
as being a ‘patrotic/ xenophobic
reaction multicultural Britain’.
homogenous ‘unity’ in which ... roles, Retisamer’s work on Britpop
has effectively concluded that at the time,
including ethnic and sexual ones, British guitar pop simply ‘equalled white masculinity’.
are fundamentally fixed
Bennett who has
largely stereotyped idea reflected how Britpop
of the national culture was a ‘traditionalist view of
British cultural identity’
fixed and embalmed in the national epic Britpop ‘excluded an extraordinary
range of people, sounds and experiences’
Gilbert & Ewan Pearson
4. Britpop symbolic of a ‘flag waving’ period
Bennett, 1997
Anglo-centric frequently conservative, backward looking,
Cloonan has questioned
the use of ‘Brit’ as in fact that Zuberi has spoken of Britpop
all of the bands that were included as being a ‘patrotic/ xenophobic
under the term were ‘quintessentially English’. reaction multicultural Britain’.
homogenous ‘unity’ in which ... roles,
including ethnic and sexual ones,
are fundamentally fixed
largely stereotyped idea
of the national culture Retisamer’s work on Britpop
has effectively concluded that at the time,
Bennett who has
British guitar pop simply ‘equalled white masculinity’.
reflected how Britpop
was a ‘traditionalist view of
British cultural identity’
fixed and embalmed in the national epic
Britpop ‘excluded an extraordinary
range of people, sounds and experiences’
Gilbert & Ewan Pearson
5. BritPop was a musical
movement of the 1990s,
the main artists were... According to Chambers, there are two
conflicting representations
of Britishness, the first…
I believe that the representation
of nation offered by BritPop was...
MINIMAL U/E BASIC D PROFICIENT C GOOD B EXCELLENT A
Level 1 - 10+ Level 2 - 20+ Level 3 - 28+ Level 4 - 40+
Explain/Analyse/Argue 20 Marks Bands Lyrics
Low Examples 20 Marks
High
Terminology 10 Marks Music videos
Interviews
Hegemony Pluralism
Interrogate Chambers quotation
6. ILT - Complete a case study applying Chambers to Grime
http://stanfordfas.files.wordpress.com/2011/10/white_sfas2011.pdf