This document provides biographical information about Polish animator Witold Giersz and summarizes some of his notable animated films. It notes that Giersz started his career in 1950 at the Cartoon Film Studio in Bielsko-Biała and later helped establish the studio's new branch in Warsaw in 1956. Some of his most famous works mentioned include Little Western from 1961, in which he painted directly onto animation cells, The Horse from 1967 which was painted with oils on glass, and The Star from 1984 which symbolically addressed censorship under communism. His later films such as Signum from 2013 explored prehistoric cave paintings. The document also discusses Giersz's pioneering use of live painting for animation frames.
Walt Disney was born in 1901 in Chicago and showed an early interest in drawing and cartoons. He dropped out of high school to join the army but later worked for ad agencies creating commercials using animation. Disney founded his own studio and created iconic characters like Mickey Mouse. He pioneered full-length animated films with Snow White and built Disneyland theme park, laying the foundation for his entertainment empire. Disney revolutionized animation and family entertainment before passing away in 1966.
Walter Elias Disney was an American entrepreneur, animator, voice actor and film producer who founded The Walt Disney Company. He was born in 1901 in Chicago and dropped out of high school to join the army but was rejected due to his age. He later took up jobs in commercial art and animation, co-founding Disney Brothers Studio which became Walt Disney Productions and then The Walt Disney Company. Some of his most famous works included Mickey Mouse, Snow White and the Seven Dwarfs, Cinderella and theme parks like Disneyland. He passed away in 1966 due to lung cancer at the age of 65, leaving behind a legacy as a pioneer in the American animation industry.
Walt Disney was born in 1901 in Illinois. He married Lillian Disney in 1925 and they had two daughters. Disney is famous for the movies and theme parks he created, bringing imagination to life and creating a world where everyone could be a child again. Some key facts: he dropped out of high school to join the army, was the original voice of Mickey Mouse, and created the first Disney movie Snow White. Disney faced challenges like being told he lacked imagination but overcame them by creating Disney World. He transformed entertainment and found new ways to educate through animation.
The student summarizes an article about a famous cartoon character, a kitten from Voronezh Street, and the sculpture created in honor of the character in Voronezh. The cartoon from 1988 tells the story of a kitten afraid of a puppy who goes on adventures with his friend, a crow, to overcome his fear. To celebrate the beloved character, a sculpture of the kitten and crow was erected in Voronezh in 2005 by artists Ivan Dikunov and Elza Pac. The student expresses pride in the city's attractions.
This document provides background information on the playwright August Wilson and his play Fences. It discusses that Wilson was born in Pittsburgh and had a difficult childhood. He began writing plays set in Pittsburgh in the 1960s-1970s that focused on the African American experience. One of his most famous plays, Fences, is set in 1950s Pittsburgh and focuses on Troy Maxson, a black garbage collector, and the racial tensions of the time as he struggles to provide for his family.
William Strobeck is a filmmaker and photographer known for documenting the 1990s Philadelphia skateboarding scene. He began filming skateboarding as a teenager in 1996 and was later hired by Alien Workshop as a skate videographer. Strobeck grew up with an absent mother who encouraged his creativity, which influenced his career path. Some of his notable works include the skate video Photosynthesis and a 2019 art show featuring his photography and video projects.
Sergei Eisenstein was a Russian film director born in 1898 who pioneered the use of montage in film. Montage is the process of editing separate film sections together to form a continuous whole. Eisenstein believed montage could create new ideas beyond the individual images by combining two or more images to form a "third thing" greater than the sum of its parts. His most famous use of montage was the "Odessa Steps" sequence in Battleship Potemkin which stretched out the crowds descent down the steps through editing to manipulate the audience's perception of time.
Stass Paraskos was a pioneer of modern art in Cyprus. But he was also a significant figure in the British art world of the 1950s and 1960s. As well as teaching at the radical art school Leeds College of Art, he was prosecuted by the British police in 1966 for displaying obscene paintings. The trial was an international cause celebre that led to a change in the law on obscenity and the arts in Britain. Paraskos was the founder of the first art school in Cyprus, the Cyprus College of Art, in 1969, and in his own work he chronicled the traumas of Cyprus, from its difficult birth out of the British Empire and colonialism, through its civil war and invasion by Turkey in 1974, to the inhuman treatment on the island of women and asylum seekers. Shunned still by the art establishment in Cyprus - the two main modern art galleries in Cyprus, the Leventis Art Museum and the Nicosia Municipal Art Gallery (NiMAC) still refuse to show his work - Paraskos saw himself as a perpetual outsider, a self-proclaimed anarchist who did not believe it was the job of art or artists to toe the line.
Walt Disney was born in 1901 in Chicago and showed an early interest in drawing and cartoons. He dropped out of high school to join the army but later worked for ad agencies creating commercials using animation. Disney founded his own studio and created iconic characters like Mickey Mouse. He pioneered full-length animated films with Snow White and built Disneyland theme park, laying the foundation for his entertainment empire. Disney revolutionized animation and family entertainment before passing away in 1966.
Walter Elias Disney was an American entrepreneur, animator, voice actor and film producer who founded The Walt Disney Company. He was born in 1901 in Chicago and dropped out of high school to join the army but was rejected due to his age. He later took up jobs in commercial art and animation, co-founding Disney Brothers Studio which became Walt Disney Productions and then The Walt Disney Company. Some of his most famous works included Mickey Mouse, Snow White and the Seven Dwarfs, Cinderella and theme parks like Disneyland. He passed away in 1966 due to lung cancer at the age of 65, leaving behind a legacy as a pioneer in the American animation industry.
Walt Disney was born in 1901 in Illinois. He married Lillian Disney in 1925 and they had two daughters. Disney is famous for the movies and theme parks he created, bringing imagination to life and creating a world where everyone could be a child again. Some key facts: he dropped out of high school to join the army, was the original voice of Mickey Mouse, and created the first Disney movie Snow White. Disney faced challenges like being told he lacked imagination but overcame them by creating Disney World. He transformed entertainment and found new ways to educate through animation.
The student summarizes an article about a famous cartoon character, a kitten from Voronezh Street, and the sculpture created in honor of the character in Voronezh. The cartoon from 1988 tells the story of a kitten afraid of a puppy who goes on adventures with his friend, a crow, to overcome his fear. To celebrate the beloved character, a sculpture of the kitten and crow was erected in Voronezh in 2005 by artists Ivan Dikunov and Elza Pac. The student expresses pride in the city's attractions.
This document provides background information on the playwright August Wilson and his play Fences. It discusses that Wilson was born in Pittsburgh and had a difficult childhood. He began writing plays set in Pittsburgh in the 1960s-1970s that focused on the African American experience. One of his most famous plays, Fences, is set in 1950s Pittsburgh and focuses on Troy Maxson, a black garbage collector, and the racial tensions of the time as he struggles to provide for his family.
William Strobeck is a filmmaker and photographer known for documenting the 1990s Philadelphia skateboarding scene. He began filming skateboarding as a teenager in 1996 and was later hired by Alien Workshop as a skate videographer. Strobeck grew up with an absent mother who encouraged his creativity, which influenced his career path. Some of his notable works include the skate video Photosynthesis and a 2019 art show featuring his photography and video projects.
Sergei Eisenstein was a Russian film director born in 1898 who pioneered the use of montage in film. Montage is the process of editing separate film sections together to form a continuous whole. Eisenstein believed montage could create new ideas beyond the individual images by combining two or more images to form a "third thing" greater than the sum of its parts. His most famous use of montage was the "Odessa Steps" sequence in Battleship Potemkin which stretched out the crowds descent down the steps through editing to manipulate the audience's perception of time.
Stass Paraskos was a pioneer of modern art in Cyprus. But he was also a significant figure in the British art world of the 1950s and 1960s. As well as teaching at the radical art school Leeds College of Art, he was prosecuted by the British police in 1966 for displaying obscene paintings. The trial was an international cause celebre that led to a change in the law on obscenity and the arts in Britain. Paraskos was the founder of the first art school in Cyprus, the Cyprus College of Art, in 1969, and in his own work he chronicled the traumas of Cyprus, from its difficult birth out of the British Empire and colonialism, through its civil war and invasion by Turkey in 1974, to the inhuman treatment on the island of women and asylum seekers. Shunned still by the art establishment in Cyprus - the two main modern art galleries in Cyprus, the Leventis Art Museum and the Nicosia Municipal Art Gallery (NiMAC) still refuse to show his work - Paraskos saw himself as a perpetual outsider, a self-proclaimed anarchist who did not believe it was the job of art or artists to toe the line.
Galway Kinnell was concerned that poetry may serve as a warning for the loss of beauty in the world. He was born in 1927 in Rhode Island and studied at Princeton before earning numerous honors for his poetry focused on social and political issues like the Vietnam War. He believed the imaginary world did not fulfill one's life and was inspired by Walt Whitman to write poetry addressing real world concerns.
The document summarizes James Joyce's short story "The Dead" which follows Gabriel Conroy and his wife Gretta at a Christmas party in Dublin. During the party, Gretta has an auditory epiphany when a song reminds her of her first love, Michael Furey, who died for her. She confesses this to Gabriel, who then has a visual epiphany looking at the snow, feeling small and insignificant in comparison to Michael Furey's love for Gretta. The story explores themes of epiphany, love, death, and the realities of life through its realistic yet symbolic portrayal and the characters' indirect interior monologues.
LIFE Magazine and the Most Influential Photos of All Time (part 2)guimera
The document provides summaries of influential photographs from the 20th century, including Charles Moore's 1963 photo of police brutality against civil rights protesters which helped pass the Civil Rights Act, Malcolm Browne's 1963 photo of a monk self-immolating in protest of the Vietnamese government which changed US policy, and Eddie Adams' 1968 photo of a Saigon execution which helped turn US public opinion against the Vietnam War. It also discusses the influence of photos like the 1968 Earthrise image capturing the fragility of Earth, and Don McCullin's 1969 photo of a starving albino child in Biafra which pressured governments to provide aid.
Lindsay Seers creates complex narrative works in film that draw from both fiction and autobiography. The piece described, Nowhere Less Now (2012), explores Seers' family history through the story of her great-great uncle George Edwards, using projections, sound, and objects to immerse viewers in questions around memory and personal connections to the past. The installation is presented in an upturned boat-like structure to further situate viewers in an atmosphere of uncertainty and fragmented narrative strands that refuse simple conclusions.
This document provides biographical information on several individuals:
- Pol Medina Jr., a Filipino cartoonist best known for creating the comic strip "Pugad Baboy".
- Bob Ong, a pseudonymous Filipino author known for humorously depicting life as a Filipino using conversational Filipino.
- Cristina S. Canonigo, a Filipino author who has written over 100 books, most notably on teaching Cebuano language.
- Gary Lising, a Filipino actor, comedian and writer known for his work with comedian Bob Hope.
It also recounts a funny story about the narrator and their siblings getting lost and having car troubles on the way home from the mall.
Maurice Sendak was a famous American illustrator and author, best known for his classic children's book Where the Wild Things Are. He was born in 1928 in New York to Polish-Jewish immigrant parents. As a child, illnesses confined him to bed where he passed time drawing. Where the Wild Things Are, published in 1963, tells the story of a boy named Max who sails to a land of wild creatures where he becomes their king. It won the Caldecott Medal and has sold over 19 million copies. Though initially controversial, it is now considered one of the most iconic children's books of all time and helped change the genre with its vivid illustrations and themes addressing childhood emotions. Sendak received many honors and
The document provides a history of film and the evolution of the horror genre. It discusses the earliest films from the late 1800s through the present. Key developments included the introduction of sound in 1927 with The Jazz Singer, the rise of color film in the 1930s, and advances in makeup, gore, and technology that pushed the genre in new directions. Events like the Vietnam War and 9/11 influenced filmmakers to incorporate more blood and focus on unknown threats. Common conventions of horror films include unsettling sounds, exaggerated makeup and costumes, dark settings isolated from society, and the use of props like knives and dolls to create fear.
Emigrant Age Colour Photographs and Films by Prokudin-Gorskii & sonsNadezhda Stanulevich
Presentation.
International Conference “Russian Émigré Culture: Transcending the Borders of Countries, Languages and Disciplines”, Universität des Saarlandes, Saarbruecken, November 12-15, 2015
Hosted a MELAS Quiz as a part of the proceedings at Aura 2019, AIIMS Jodhpur.
The highest score in the prelims was 25 with the cutoff hovering around 14.
Classic films teach us about past generations' perceptions and provide cultural references still used today. They illustrate the evolution of cinema from early illusions of motion to full narratives and Hollywood studios. Key developments included silent films, talkies, color, special effects innovations, and the rise of genres like film noir. Iconic films from all eras like Citizen Kane, Casablanca, and more cement cinema's lasting influence and importance to study.
Ray Harryhausen was inspired by films like King Kong to pursue a career in stop-motion animation. He learned techniques by visiting museums and taking classes. Some of his most famous films using stop-motion dinosaurs and creatures include Mighty Joe Young and Jason and the Argonauts. Harryhausen inspired many later filmmakers like Steven Spielberg and George Lucas with his pioneering work in special effects and stop-motion animation.
The document summarizes the history and evolution of movie posters and magazine covers over time. It notes that some of the earliest movie posters from the 1890s simply stated the movie title with little other information. Movie posters grew in the 1920s as production companies realized their promotional value. Iconic posters from the 1930s included King Kong. By the 1940s, posters typically included the year of release. Computerization in the 1980s allowed for one sheet posters alongside smaller mini sheets, and posters could now be produced digitally.
W.P. Kinsella is a Canadian author known for his baseball novels and stories about First Nations people. He wrote the novel Shoeless Joe in 1982, which tells the story of a farmer who builds a baseball field in his cornfield and is visited by the ghosts of Shoeless Joe Jackson and other members of the disgraced 1919 Chicago White Sox team. The novel was adapted into the popular 1989 film Field of Dreams. Kinsella also incorporated the famous reclusive author J.D. Salinger as a character into Shoeless Joe, who comes to the baseball field seeking redemption. While Salinger was reportedly offended by his fictional portrayal, the novel helped establish Kinsella as a renowned magic
The document provides background information on several key figures from the mod subculture:
Pete Townshend was the guitarist and songwriter for the influential rock band The Who. He also wrote the screenplay for the mod-inspired film Quadrophenia.
Don Letts was a DJ who helped introduce punk rock bands to reggae and dub music. He later became a filmmaker known for documenting the punk scene in London.
Julien Temple is an English filmmaker known for his early films and documentaries featuring mod-inspired bands like the Sex Pistols. His most notable early works focused on documenting the rise and fall of the Sex Pistols.
Chris Green is an English director
A presentation made on Magnum Photographer Joseph Koudelka , Who has photographed variety of subjects including his most well known Prague War and pioneering work on gypsies,
Turning to landscape photography in his later part of career
This document discusses various examples of parody across different mediums. It begins by defining parody as the reproduction of another work's style in an exaggerated form for comic effect or criticism. It then provides examples of parodies in art (Picasso parodying Velazquez), literature (Carroll parodying children's poems), film (Brooks and Python), and music ("Weird Al" Yankovic). The document explores how parodies deconstruct and reimagine original works while holding interest for those familiar with the source. It suggests parodies of children's literature are popular as they reference shared cultural touchstones. Overall, the summary highlights how parody is a form of creative commentary that reproduces and exaggerates other works for hum
General Quiz Finals at Eclectiza, Thapar University 2016RisHi Raj
This document discusses various trivia questions and prompts the reader to identify missing information. It includes questions about comic book characters, musicians, historical figures, movies, inventions and more. The reader is awarded points for correct answers and deducted points for incorrect ones.
Galway Kinnell was concerned that poetry may serve as a warning for the loss of beauty in the world. He was born in 1927 in Rhode Island and studied at Princeton before earning numerous honors for his poetry focused on social and political issues like the Vietnam War. He believed the imaginary world did not fulfill one's life and was inspired by Walt Whitman to write poetry addressing real world concerns.
The document summarizes James Joyce's short story "The Dead" which follows Gabriel Conroy and his wife Gretta at a Christmas party in Dublin. During the party, Gretta has an auditory epiphany when a song reminds her of her first love, Michael Furey, who died for her. She confesses this to Gabriel, who then has a visual epiphany looking at the snow, feeling small and insignificant in comparison to Michael Furey's love for Gretta. The story explores themes of epiphany, love, death, and the realities of life through its realistic yet symbolic portrayal and the characters' indirect interior monologues.
LIFE Magazine and the Most Influential Photos of All Time (part 2)guimera
The document provides summaries of influential photographs from the 20th century, including Charles Moore's 1963 photo of police brutality against civil rights protesters which helped pass the Civil Rights Act, Malcolm Browne's 1963 photo of a monk self-immolating in protest of the Vietnamese government which changed US policy, and Eddie Adams' 1968 photo of a Saigon execution which helped turn US public opinion against the Vietnam War. It also discusses the influence of photos like the 1968 Earthrise image capturing the fragility of Earth, and Don McCullin's 1969 photo of a starving albino child in Biafra which pressured governments to provide aid.
Lindsay Seers creates complex narrative works in film that draw from both fiction and autobiography. The piece described, Nowhere Less Now (2012), explores Seers' family history through the story of her great-great uncle George Edwards, using projections, sound, and objects to immerse viewers in questions around memory and personal connections to the past. The installation is presented in an upturned boat-like structure to further situate viewers in an atmosphere of uncertainty and fragmented narrative strands that refuse simple conclusions.
This document provides biographical information on several individuals:
- Pol Medina Jr., a Filipino cartoonist best known for creating the comic strip "Pugad Baboy".
- Bob Ong, a pseudonymous Filipino author known for humorously depicting life as a Filipino using conversational Filipino.
- Cristina S. Canonigo, a Filipino author who has written over 100 books, most notably on teaching Cebuano language.
- Gary Lising, a Filipino actor, comedian and writer known for his work with comedian Bob Hope.
It also recounts a funny story about the narrator and their siblings getting lost and having car troubles on the way home from the mall.
Maurice Sendak was a famous American illustrator and author, best known for his classic children's book Where the Wild Things Are. He was born in 1928 in New York to Polish-Jewish immigrant parents. As a child, illnesses confined him to bed where he passed time drawing. Where the Wild Things Are, published in 1963, tells the story of a boy named Max who sails to a land of wild creatures where he becomes their king. It won the Caldecott Medal and has sold over 19 million copies. Though initially controversial, it is now considered one of the most iconic children's books of all time and helped change the genre with its vivid illustrations and themes addressing childhood emotions. Sendak received many honors and
The document provides a history of film and the evolution of the horror genre. It discusses the earliest films from the late 1800s through the present. Key developments included the introduction of sound in 1927 with The Jazz Singer, the rise of color film in the 1930s, and advances in makeup, gore, and technology that pushed the genre in new directions. Events like the Vietnam War and 9/11 influenced filmmakers to incorporate more blood and focus on unknown threats. Common conventions of horror films include unsettling sounds, exaggerated makeup and costumes, dark settings isolated from society, and the use of props like knives and dolls to create fear.
Emigrant Age Colour Photographs and Films by Prokudin-Gorskii & sonsNadezhda Stanulevich
Presentation.
International Conference “Russian Émigré Culture: Transcending the Borders of Countries, Languages and Disciplines”, Universität des Saarlandes, Saarbruecken, November 12-15, 2015
Hosted a MELAS Quiz as a part of the proceedings at Aura 2019, AIIMS Jodhpur.
The highest score in the prelims was 25 with the cutoff hovering around 14.
Classic films teach us about past generations' perceptions and provide cultural references still used today. They illustrate the evolution of cinema from early illusions of motion to full narratives and Hollywood studios. Key developments included silent films, talkies, color, special effects innovations, and the rise of genres like film noir. Iconic films from all eras like Citizen Kane, Casablanca, and more cement cinema's lasting influence and importance to study.
Ray Harryhausen was inspired by films like King Kong to pursue a career in stop-motion animation. He learned techniques by visiting museums and taking classes. Some of his most famous films using stop-motion dinosaurs and creatures include Mighty Joe Young and Jason and the Argonauts. Harryhausen inspired many later filmmakers like Steven Spielberg and George Lucas with his pioneering work in special effects and stop-motion animation.
The document summarizes the history and evolution of movie posters and magazine covers over time. It notes that some of the earliest movie posters from the 1890s simply stated the movie title with little other information. Movie posters grew in the 1920s as production companies realized their promotional value. Iconic posters from the 1930s included King Kong. By the 1940s, posters typically included the year of release. Computerization in the 1980s allowed for one sheet posters alongside smaller mini sheets, and posters could now be produced digitally.
W.P. Kinsella is a Canadian author known for his baseball novels and stories about First Nations people. He wrote the novel Shoeless Joe in 1982, which tells the story of a farmer who builds a baseball field in his cornfield and is visited by the ghosts of Shoeless Joe Jackson and other members of the disgraced 1919 Chicago White Sox team. The novel was adapted into the popular 1989 film Field of Dreams. Kinsella also incorporated the famous reclusive author J.D. Salinger as a character into Shoeless Joe, who comes to the baseball field seeking redemption. While Salinger was reportedly offended by his fictional portrayal, the novel helped establish Kinsella as a renowned magic
The document provides background information on several key figures from the mod subculture:
Pete Townshend was the guitarist and songwriter for the influential rock band The Who. He also wrote the screenplay for the mod-inspired film Quadrophenia.
Don Letts was a DJ who helped introduce punk rock bands to reggae and dub music. He later became a filmmaker known for documenting the punk scene in London.
Julien Temple is an English filmmaker known for his early films and documentaries featuring mod-inspired bands like the Sex Pistols. His most notable early works focused on documenting the rise and fall of the Sex Pistols.
Chris Green is an English director
A presentation made on Magnum Photographer Joseph Koudelka , Who has photographed variety of subjects including his most well known Prague War and pioneering work on gypsies,
Turning to landscape photography in his later part of career
This document discusses various examples of parody across different mediums. It begins by defining parody as the reproduction of another work's style in an exaggerated form for comic effect or criticism. It then provides examples of parodies in art (Picasso parodying Velazquez), literature (Carroll parodying children's poems), film (Brooks and Python), and music ("Weird Al" Yankovic). The document explores how parodies deconstruct and reimagine original works while holding interest for those familiar with the source. It suggests parodies of children's literature are popular as they reference shared cultural touchstones. Overall, the summary highlights how parody is a form of creative commentary that reproduces and exaggerates other works for hum
General Quiz Finals at Eclectiza, Thapar University 2016RisHi Raj
This document discusses various trivia questions and prompts the reader to identify missing information. It includes questions about comic book characters, musicians, historical figures, movies, inventions and more. The reader is awarded points for correct answers and deducted points for incorrect ones.
Pictorialism was an international photographic movement from the late 19th to early 20th century that emphasized artistic expression and emotional response over straightforward documentation. Photographers would manipulate their images to create a mood or feeling rather than simply record a scene. Popular techniques included platinum printing for its tonal range and gum bichromate printing which allowed for a painterly style. Leading pictorialist photographers included Alfred Stieglitz, Edward Steichen, Clarence White, and Gertrude Käsebier who sought to use photography as a means of creative expression rather than just documentation.
"Constellations in the night sky": Mobile Media & the Landscapes of CinemagoingCharlotte Crofts
Presentation given at the International Screen Conference, Glasgow 2014 on how mobile heritage apps can bring the landscape of cinemagoing to life - using the example of the Lost Cinemas of Castle Park app which features over 100 years of cinemagoing in Bristol City Centre from 1896 to the present day. The presentation argues that mobile location-based technology can raise awareness of the practice of moviegoing through different technological eras of cinema, as well as inform us about the recent history, culture and society. The presentation situates this micro history within the wider landscape of developments in new cinema history, audience research and cultural geography.
The video embedded in the powerpoint is the demo video used for publication on app store to demonstrate the location-based dimension of the app: https://vimeo.com/53189913
Children of Men is analyzed as a postmodern film. It borrows elements from multiple genres like action, drama and sci-fi but does not fully conform to any single genre. It features intertextual references to artworks, music and historical events to explore themes. While set in a futuristic world, the film does not provide explanations or resolutions through science and questions the idea of inevitable human progress.
Ray Harryhausen was a pioneering visual effects artist known for his work in stop-motion animation. He was inspired by films like King Kong at a young age and began making his own miniature models and stop-motion films. After studying at art school, he went on to create the special effects for many classic sci-fi and fantasy films through his innovative technique called Dynamation. His work influenced generations of filmmakers and helped advance the art of visual effects in cinema.
Satta Matka, Kalyan Matka, Matka Result, Fix Matka Number, Matka by unnati seo solution pvt. limited, has 3 slides
Satta Matka Dpboss Kalyan Matka Results Kalyan Chart | PDF
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A Brief Introduction About Hanying Chen_Hanying Chen
Vancouver-based artist Hanying Chen boasts extensive skills in writing, directing, producing, and singing, reflecting her diverse talents in the performing arts. As she looks ahead, Hanying is driven to craft a fulfilling career path that harmonizes with her deep passion for artistic expression. In the coming years, she envisions cultivating a balanced life, blending her professional aspirations with her desire to foster meaningful connections in her vibrant urban community.
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2. WITOLD
GIERSZ
• Born in 1927
• Started in 1950 in Bielsko-Biała at Cartoon Film
Studio
• He was an assistant to Lechosław Marszałek
• Was responsible for the studio’s new branch in
Warsaw – the capitol – in 1956
• Due to communism, artists couldn’t create political
content
20/10/2021
W
I
T
O
L
D
G
I
E
R
S
Z
–
O
N
E
F
R
AM
E
AT
A
T
I
M
E
3.
4. WITOLD
GIERSZ
–
ONE
FRAM
E
AT
A
TIM
E
4
‘ ’ L I T T L E W E S T E R N ’’
( 1 9 6 1 )
• Painted with tempera on cells, under
the camera
• Giersz took advantage of the medium
• Characters seemingly aware of the
properties of paint
Norman McLaren was a Scottish-
Canadian animator. One of his works
is Neighbours (1952)
5. WITOLD
GIERSZ
–
ONE
FRAM
E
AT
A
TIM
E
5
‘ ’ T H E H O R S E ’’
( 1 9 6 7 )
• Story about a man dreaming of catching
a horse
• Painted with oils on glass using knives
– inspired by French impressionists
• The pulsating background adds to the
dramatic nature of the animation
‘ ’ T H E F I R E ’’
( 1 9 7 5 )
7. WITOLD
GIERSZ
–
ONE
FRAM
E
AT
A
TIM
E
7
‘ ’ T H E S TA R ’’
( 1 9 8 4 )
• Script was written by Ernest Bryll, and
Witold was offered to be a director
• An all-seeing eye watches people living
in the city and controls their lives
• Soft toy is taken away from a little boy,
to be replaced with a toy tank
• Symbolic Joseph and Mary are looking
for a place to stay, but are refused as
the residents are being watched
• People from all around the world are
following the star. Polish Highlanders in
traditional clothing are seen walking
and singing “stand up and do not be
afraid”
8. WITOLD
GIERSZ
–
ONE
FRAM
E
AT
A
TIM
E
8
‘ ’ S I G N U M ’’
( 2 0 1 3 / 2 0 1 5 )
• Inspired by palaeolithic drawings in
various caves
• Drawn in charcoal and clay on stone
• Further explores Giersz’s fascination
with early peoples art
• Giersz is remarkable at portraying
quadrupeds, his interest in horses
starting early as his father was a cavalry
officer
drawing over the image for next
frame
Erasing the previous frame and
cleaning up the current, before
taking a photo
11. WITOLD
GIERSZ
–
ONE
FRAM
E
AT
A
TIM
E
11
‘ ’ L O V I N G V I N C E N T ’’
( 2 0 1 7 )
[ B R E A K T H R U F I L M S ,
D O R O TA K O B I E L A ]
• Frames filmed, then projected and
painted by various painters
• Plot inspired by 157 of his paintings,
style of the animation imitating Van
Gogh’s work
• 65 000 paintings created
12.
13. „Dear Weronika,
for every creator – painter, graphic artist or
even a sculptor – enriching his work with the
element of movement, creates a completely
new field of artistic activity. Dear young
artists, try to transfer your own, individual
style into the world of animation. In films
which you’ll be making, you can – depending
on your own preferences – convey your own
thoughts on any topic, or bring to life abstract
forms which, changing their compositional or
colour arrangement, will react differently to
each other with the passage of film time. Both
paths can bring huge satisfaction. I wish you
all success.”
Witold Giersz
WITOLD
GIERSZ
–
ONE
FRAM
E
AT
A
TIME
15. BIBLIOGRAPHY
WITOLD GIERSZ – ONE FRAME AT A TIME
• Bendazzi, G. (2016) Animation: a world history. Volume I, Foundations - the golden age. Boca Raton, Florida: CRC Press, Taylor & Francis Group.
• Bendazzi, G. (2016) Animation: a world history. Volume II, The birth of a style - the three markets. Boca Raton, Florida: CRC Press.
• Bendazzi, G. (2016) Animation: a world history. Volume III, Contemporary times. Boca Raton, Florida: CRC Press.
• BreakThru Films (2013) Loving Vincent - Concept Trailer. N/A. Available at: https://vimeo.com/60825345 (Accessed: 4 October 2021).
• BreakThru Films (2020) Chlopi (Zwiastun Koncepcyjny). 4 August. Available at: https://www.youtube.com/watch?v=pABRhQpaOTI&ab_channel=BreakThruFilms (Accessed: 4 October 2021).
• Breakthru Films (no date) Breakthru Films. Available at: http://www.breakthrufilms.pl/ (Accessed: 4 October 2021).
• Culture.pl (2014) '"Loving Vincent", czyli polska animacja o van Goghu', 2 January. Available at: https://culture.pl/pl/artykul/loving-vincent-czyli-polska-animacja-o-van-goghu (Accessed: 4 October 2021).
• Czupryn, A. (2017) 'Polscy animatorzy wracają do klasyki. Znów liczy się kreska', Polska Times+, 10 February. Available at: https://plus.polskatimes.pl/polscy-animatorzy-wracaja-do-klasyki-znow-liczy-sie-
kreska/ar/11779057 (Accessed: 4 October 2021).
• Dies Irae (2006) Directed by Joanna Jasińska-Koronkiewicz. Available at: https://www.youtube.com/watch?v=CLvJgrLnGhg&ab_channel=KinozaRogiem (Accessed: 13 October 2021).
• EndusHDMapper (2019) S51 w Polsce. Available at: https://commons.wikimedia.org/wiki/File:S51_w_Polsce.png (Accessed: 17 October 2021). – edited (Bielsko-Biała added, colour changed, distance
between Bielsko-Biała and Warszawa added)
• Frank, A. (2015) ‘Wild horses: Witold Giersz and the art of animation', BFI, 5 August. Available at: https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/wild-horses-witold-giersz-art-
animation (Accessed: 14 October 2021).
• Giersz, W. (2012) 'Oczami Mistrzów (Notacje Archiwalne SFP) - Witold Giersz'. Interview with Witold Giersz. Interviewed by Marcin Pieczonka for Stowarzyszenie Filmowcow Polskich, 8 May. Available at:
https://www.youtube.com/watch?v=U5GmP5qiOCQ&ab_channel=SFPorgPL (Accessed: 12 October 2021).
• Giersz, W. (2013) ‘Witold Giersz o animacji 2D’. Interview with Witold Giersz. Interviewed by Studio Miniatur Filmowych for Sudio Miniatur Filmowych, 16 May. Available at:
https://www.youtube.com/watch?v=-OKyrhTMImk&ab_channel=StudioMiniaturFilmowych (Accessed: 12 October 2021).
• Gwiazda [The Star] (1984) Directed by Witold Giersz. Available at: https://www.youtube.com/watch?v=rL72PYjcgck&ab_channel=SMFART (Accessed: 16 October 2021).
• Jasińska Koronkiewicz, J (2019) 'Informacja o kierunkach działania, zainteresowaniach i zamierzeniach w pracy artystycznej i dydaktycznej'. Łódź, April. p. 8. Available at:
http://bip.filmschool.lodz.pl/userfiles2/file/Uczelniana%20Komisja%20ds%20Stopni/03_a_%20AUTOREFERAT_JJK.pdf (Accessed: 14 October 2021)
• Koń [The Horse] (1967) Directed by Witold Giersz. Available at: https://www.youtube.com/watch?v=v_IT84KYcq0&t=558s&ab_channel=SMFART (Accessed: 12 October 2021).
• Kriger, J. (2012) Animated realism: a behind the scenes look at the animated documentary genre. Oxford: Focal.
• Len (2005) Directed by Joanna Jasińska-Koronkiewicz. Available at: https://www.youtube.com/watch?v=JNuw60G1lUI&ab_channel=KinozaRogiem (Accessed: 13 October 2021).
• Loving Vincent: The Impossible Dream (2019) Directed by Miki Wecel. Available at: Amazon Prime (Accessed: 4 October 2021).
• Making the Movies (2017) Exclusive Look Behind Loving Vincent | Making the Movies. 3 November. Available at: https://www.youtube.com/watch?v=PR8FzZDQN6k&ab_channel=MakingtheMovies
(Accessed: 14 October).
16. BIBLIOGRAPHY
WITOLD GIERSZ – ONE FRAME AT A TIME
• Mały Western [Little Western] (1960) Directed by Witold Giersz. Available at: https://www.youtube.com/watch?v=6D3Wq6ujd48&ab_channel=StudioMiniaturFilmowych (Accessed: 12 October 2021).
• Nadarzycka, O. (2021) 'A Brief History of Polish Animation Festivals (1957-2005)', animationstudies2.0, 24 May. Available at: http://blog.animationstudies.org/?p=4115 (Accessed: 4 October 2021).
• Neighbours (1952) Directed by Norman McLaren. Available at: https://www.youtube.com/watch?v=e_aSowDUUaY&ab_channel=NFB (Accessed: 16 October 2021).
• News – Centrum Technologii Audiowizualnych (no date) 'Loving Vincent', no date. Available at: https://filmstudioceta.pl/en/loving-vincent/ (Accessed: 4 October 2021).
• No name. (1989) 'Art of Witold Giersz', Polish Film, Issue 2, Pp. 15-18.
• Noake, R. (1989) Animation techniques: planning & producing animation with today's technologies. London: Chartwell.
• Ole Lukoje Trailer (2019) Directed by Joanna Jasińska-Koronkiewicz. Available at: https://www.youtube.com/watch?v=apVrQ-cu7vM&ab_channel=JoannaJasi%C5%84skaKoronkiewicz (Accessed: 13
October 2021).
• Parks, C. F. (2016) Fluid frames: experimental animation with sand, clay, paint, and pixels. Boca Raton: CRC Press.
• PISF (2021) 'Ruszyła animacja malarska „Chłopów”', 8 March. Available at: https://pisf.pl/aktualnosci/ruszyla-animacja-malarska-chlopow/# (Accessed: 4 October 2021).
• Poklatkowo.pl - Warsztaty Animacji Filmowej (2017) Witold Giersz animuje na żywo!. 19 August. Available at: https://www.facebook.com/warsztatyanimacji/videos/1893582620668473 (Accessed: 15
October).
• Pożar [The Fire] (1976) Directed by Witold Giersz. Available at: https://www.youtube.com/watch?v=fvS5Fb7Bbos&ab_channel=StudioMiniaturFilmowych (Accessed: 12 October 2021).
• Prodeus, A. (2012) 'Człowiek dobrej roboty', 12. International Film Festival, T-Mobile New Horizons, Wrocław, Pp. 433-458.
• Prosińska-Giersz, J. and Armata, J. (2012) Witold Giersz malarz ekranu. Warsaw: T-mobile.
• Secret Weapons (2020) EbSynth | Real Life vs Animation. 31 August. Available at: https://www.youtube.com/watch?v=Ki9NVyD3It4&ab_channel=SecretWeapons (Accessed: 13 October).
• Signum (2015) Directed by Witold Giersz. Available at: Private Link (Accessed: 16 October 2021).
• Stefan, R. (2013) 'Witold Giersz', Wybitni Polacy. Available at: http://wybitni-polacy.com/index.php?page_id=gall&gall=Witold%20Giersz (Accessed: 16 October 2021).
• Studio (2014) 'It’s Quite True!', TVSFA, 18 September. Available at: http://tvsfa.com/7912-to-pewna-wiadomosc-2/?lang=en (Accessed: 14 October 2021).
• To Pewna Wiadomosc Trailer (2014) Directed by Joanna Jasińska-Koronkiewicz. Available at: https://www.youtube.com/watch?v=OvB8V_9D3XY&ab_channel=KinozaRogiem (Accessed: 13 October 2021).
• Vollenbroek, T. (2017) '‘Loving Vincent’: 6 Facts About The First Oil Painted Animated Feature', Cartoon Brew, 25 April. Available at: https://www.cartoonbrew.com/feature-film/loving-vincent-6-facts-first-oil-
painted-animated-feature-150443.html (Accessed: 4 October 2021).
• Weldon, C. (2013) 'Photo Friday | 20 Brilliant Pictures of Norman McLaren', NFB, 9 August. Available at: https://blog.nfb.ca/blog/2013/08/09/photo-friday-20-brilliant-pictures-of-norman-mclaren/ (Accessed:
16 October 2021).
• Witold Giersz (2017) Witold Giersz – Malarz Ekranu. Available at: http://www.witoldgiersz.org/ (Accessed: 14 October 2021).
• Zgóralska, W. (2021) Email to Witold Giersz, 14 October.
Editor's Notes
Hi everyone, so I’m going to try and do this with auto-generated subtitles. It’s going to pick up the names wrong, because they’re Polish, but oh well.So I’d like to introduce you to Witold Giersz, a Polish animator, whose material of choice is usually paint.
He was born in 1927, so before the Second World War. He wanted to be an artist, but his parents persuaded him not to, for the fear of him not making any money. So he studied economy at university.
But in 1950 he saw a job offer for animators at a new studio in Bielsko-Biała, and took the risk. He quit his studies and the job at a time.
When he went to interview for the position he had prepared a portfolio with drawings in the style of Disney but was told the studio were trying to update the film style, and have it influenced by Polish artists. He still got the job, though, and his dream was coming true.
He learnt under Lechosław Marszałek, a very respected animator at the time.In 1956 he started the branch of the studio in Warsaw and directed his first film, which he was very dissatisfied with.
Due to communism in the country at the time, the animators couldn’t release political films and a lot of work was comical, or made for children.
Now, I’d like to show you a little showreel of just few of his auteur films.
Giersz wasn’t satisfied with drawn animation, so he started experimenting with paint. He was fascinated with auteur films, because the artist was responsible for everything and it opened a world of experimentation for him. When he was making the Little Western, Norman McLaren visited the studio and liked his work very much, which encouraged Giersz. He wasn’t afraid to experiment with the medium and took full advantage of it, making the characters aware of it as well. They lift up water, paint the environment, and the blue and yellow cowboys combine to create a green one. His lines are simple and graphic, and he relies on the body movement and sound to convey the emotions rather than character’s face. He also wasn’t afraid to include real objects in his films – you can see a tube of paint, and in Red and Black a mirror. Little Western was screened at the Annecy Festival.
Giersz was inspired by French impressionist painters and the depth they achieved by using knives for their paintings. He was worried that rubbing the character out of the background, to paint the next frame would look like a technical error, but instead he decided to use it to his advantage as a background effect to add more interest to it.He then used the same effect in his later work, The Fire, as the pulsating effect made the fire more effective.
According to Parks, The Horse was likely the first paint-on-glass film in the world to be widely shown in festivals.
In 2017, the artist gave a live presentation. He used a painting knife and paint straight from the tube, applying the paint directly on glass, using sketches underneath as a guide. The sketch was then removed and a photo taken, before forming an animation.
The Star is probably his most controversial work and one that got him in trouble. tells a story of heavily controlled city, where a star appears in the sky, giving people hope. It draws from themes of Big Brother, as well as Christian religion. The script was originally approved by the authorities, but Giersz ran into problems when they saw the finished animation. The film was heavily censored internally already. Instead of showing queues of people waiting to the shops, the artists only painted the shoes. During those times, people had allowances, or vouchers, with what they were allowed to buy. My mother would actually tell me stories about how she tore her tights and my grandma didn’t have anymore vouchers to buy her new ones. On top of the censorship, it turned out the Finnish production partner didn’t have enough funds to cover their part of the contract, and announced they could not give funding to anti-soviet story.When the animation was finished, the commission did not like the theme of an all-seeing-eye and wanted Giersz to remove it, which he refused to do. Due to this the film was banned from being distributed or entered into any festivals, and Witold never got to make the three remaining parts. After threats from of holding back money and not paying the artists, as well as lack of support from his colleagues, Witold quite his job in the studio in 1985.
Giersz’s most recent work is inspired by cave drawings from Lascaux, Altamira, Teruel, and others. I actually had to email him to ask for a copy, as it’s not available anywhere that I could find. His intention was to bring the expressive drawings to life, to perhaps make them what the original artists intended them to be, now that technology allows it. But he still chose to use the medium people back then would – charcoal and clay. He drew each new frame on the stone, then removed the previous frame’s lines before photographing the image. He also used the stone’s texture in interesting way, forcing the perspective as the horse runs away.Of course, Witold Giersz inspired many artists and productions with his work, despite the technique being so time consuming. One of those artists is Joanna Jasińska-Koronkiewicz. I’ll play you a short clip of her work, so you can see the clear influence.
As you can see, she also paints frames of her animations, although she uses oil on canvas rather than glass or celluloid. Witold Giersz actually saw her work and was very happy that someone is taking painted animation seriously. Perhaps there’s one painted animation you guys are more familiar with...
The film Loving Vincent was the first feature length film created in painted animation and was produced by BreaThru Films. The scenes were filmed, then projected onto the sheet and painted. It was basically rotoscoping but with paint. Witold Giersz mentioned had rotoscoping equipment in the Warsaw studio in 1956, but the technique never took off in Poland at the time. Although rotoscoping is often frowned upon in the industry, Giersz says the audience doesn’t care about the technique as long as it’s effective and they like it. Although he doesn’t deny it simplifies the process greatly. Despite this, the film was a great success and the studio is now working on another painted feature ‚The Peasants’.It’s one thing if rotoscoping is used... But what if AI could paint the film for you?
EbSynth is a program which let’s you paint over the key frames and fills in the gaps. It’s undeniable that it’s amazing, but still. It seems to lack that... Personal artistic touch to me. It lacks the aesthetic. Is painting a waste of time? Is a realistic painting useless, because you can take a photo, or is it even more incredible? Still, perhaps if the artist has to spend less time on tedious tasks, it allows them to be more creative. And it coul be very useful in 2D animation to colour in and add shadows... I’ll leave you with that as something to think about.I’ve also asked Witold Giersz if he had any advice to current animation students....
„Dear Weronika,for every creator – painter, graphic artist or even a sculptor – enriching his work with the element of movement, creates a completely new field of artistic activity. Young artists, try to transfer your own, individual style into the world of animation. In films which you’ll be making, you can – depending on your own preferences – convey your own thoughts on any topic, or bring to life abstract forms which, changing their compositional or colour arrangement, will react differently to each other with the passage of film time. Both paths can bring huge satisfaction. I wish you all success.”