The document discusses how the results of a survey could impact the film idea. Since most respondents were ages 16-20, the film would need to comply with age rating standards. Since over 60% of respondents were male, the film would be targeted towards male audiences. The variety of occupations among respondents means the film wouldn't cater to a specific occupation. Preferences for gory horror films and seeing films in cinemas frequently could influence content and release strategies. Scenes wouldn't be avoided that would make family viewings awkward. High quality trailers are important based on their influence. The film will aim to provoke fear and jump scares as preferred by respondents. The lack of named favorite horror films leaves the level of interest unclear
Two men who work for a drug organization have opposing paths - one decides to leave with the organization's money while the other hunts him down to kill him. The narrative focuses on these two antagonists, one whose face is hidden in shadow as he pursues the other who escapes with the money. Costumes including black suits and ties are chosen to portray the gangster characters traditionally seen in mob films.
The document discusses how the results of a survey could impact the film idea. Since most respondents were ages 16-20, the film would need to comply with age rating standards. Since over 60% of respondents were male, the film would be targeted towards male audiences. The variety of occupations among respondents means the film wouldn't cater to a specific occupation. Preferences for gory horror films and seeing films in cinemas frequently could influence content and release strategies. Scenes wouldn't be avoided that would make family viewings awkward. High quality trailers are important based on their influence. The film will aim to provoke fear and jump scares as preferred by respondents. The lack of named favorite horror films leaves the level of interest unclear
Two men who work for a drug organization have opposing paths - one decides to leave with the organization's money while the other hunts him down to kill him. The narrative focuses on these two antagonists, one whose face is hidden in shadow as he pursues the other who escapes with the money. Costumes including black suits and ties are chosen to portray the gangster characters traditionally seen in mob films.
The document discusses how gender is represented in film through various filmmaking techniques. It focuses on representing men in a traditional masculine way. Props like guns and cars are used to portray men as strong and brave. Costumes like black coats are used to depict men as aggressive. The setting of outside a building represents men as family providers and workers. Low lighting is used to show men as brave by being outside in the dark. Editing and sound are used to portray men as strong, emotionless, powerful, and motivated rather than emotional. Overall the document examines how mise-en-scene elements in film can reinforce traditional views of masculinity.
Martin Scorsese is an American film director and historian who attended New York University's film school. He made his first short films and first feature film called "I Call First," which was later changed to "Who's That Knocking at My Door?". Scorsese began collaborating with actor Harvey Keitel, starring him in "Who's That Knocking at My Door?" as an Italian-American Catholic in turmoil. He also created the 1973 film "Mean Streets," an autobiographical tale about young Italian-Americans living in New York City.
This document provides an overview of library resources for researchers at Middlesex University, including finding and evaluating information, managing references, and subject-specific resources. It discusses tools like Summon and citation indexes for discovering sources, and evaluating information based on authority, relevance, intent, objectivity, and currency. Referencing software like RefWorks is recommended for managing references. Subject librarians are available to assist with resources for various subject areas like art and design, business, health and education, and law and science.
The document discusses how gender is represented in film through various filmmaking techniques. It focuses on representing men in a traditional sense. Through props like guns and cars, costumes like black coats, settings like outside buildings, low lighting, editing techniques, and camera movements following characters, the film aims to portray men as strong, brave, aggressive, emotionless, powerful, motivated, and the heads of families or providers, reinforcing traditional gender roles. Actors and a tense music score are also used to build tension and further position men as dominant over women.
Март 2013 года.
Видео: http://www.youtube.com/watch?v=Boe4IvQ9Y84
В данном вебинаре рассказываю про SEO плагины
- Плагин винка
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The document discusses how gender is represented in film through various filmmaking techniques. It focuses on representing men in a traditional masculine way. Props like guns and cars are used to portray men as strong and brave. Costumes like black coats are used to depict men as aggressive. The setting of outside a building represents men as family providers and workers. Low lighting is used to show men as brave by being outside in the dark. Editing and sound are used to portray men as strong, emotionless, powerful, and motivated rather than emotional. Overall the document examines how mise-en-scene elements in film can reinforce traditional views of masculinity.
Martin Scorsese is an American film director and historian who attended New York University's film school. He made his first short films and first feature film called "I Call First," which was later changed to "Who's That Knocking at My Door?". Scorsese began collaborating with actor Harvey Keitel, starring him in "Who's That Knocking at My Door?" as an Italian-American Catholic in turmoil. He also created the 1973 film "Mean Streets," an autobiographical tale about young Italian-Americans living in New York City.
This document provides an overview of library resources for researchers at Middlesex University, including finding and evaluating information, managing references, and subject-specific resources. It discusses tools like Summon and citation indexes for discovering sources, and evaluating information based on authority, relevance, intent, objectivity, and currency. Referencing software like RefWorks is recommended for managing references. Subject librarians are available to assist with resources for various subject areas like art and design, business, health and education, and law and science.
The document discusses how gender is represented in film through various filmmaking techniques. It focuses on representing men in a traditional sense. Through props like guns and cars, costumes like black coats, settings like outside buildings, low lighting, editing techniques, and camera movements following characters, the film aims to portray men as strong, brave, aggressive, emotionless, powerful, motivated, and the heads of families or providers, reinforcing traditional gender roles. Actors and a tense music score are also used to build tension and further position men as dominant over women.
Март 2013 года.
Видео: http://www.youtube.com/watch?v=Boe4IvQ9Y84
В данном вебинаре рассказываю про SEO плагины
- Плагин винка
- Плагин Xtool
- RDS bar
- SEO Quake
- FireBug
- WebDeveloper
- Live HTTP Headers
2. ЧТО ДЕЛАЕМ?
г. Санкт-Петербург
ул. Белоостровская, дом
22
БЦ «Черная речка», оф.
421+7 (812) 648-28-53
+7 (495) 215-08-53
E-mail: info@ilpi.ru
www.ilpi.ru
Основная цель: получить список максимально качественных
доноров
3. ПОЛУЧАЕМ СПИСОК ДОНОРОВ НА ПРИМЕРЕ SAPE
• На нужно собрать максимальное количество доменов-доноров
нужной нам тематики
• Пользуйтесь SAPE.API она дает больше возможностей для решения
данной задачи
г. Санкт-Петербург
ул. Белоостровская, дом
22
БЦ «Черная речка», оф.
421+7 (812) 648-28-53
+7 (495) 215-08-53
E-mail: info@ilpi.ru
www.ilpi.ru
4. СОБИРАЕМ МЕТРИКИ ДОНОРОВ
г. Санкт-Петербург
ул. Белоостровская, дом
22
БЦ «Черная речка», оф.
421+7 (812) 648-28-53
+7 (495) 215-08-53
E-mail: info@ilpi.ru
www.ilpi.ru
5. АЛГОРИТМ ОПРЕДЕЛЕНИЯ КАЧЕСТВЕННОГО
ДОНОРА
На данном этапе мы имеем список доноров с набором метрик по
каждому, по которым мы можем делать вывод на сколько тот или иной
донор подходит нам.
• Делаем свой Rank – каждое значение того или иного свойства может
принимать, как положительное так и отрицательное значение
вкладывающее в общий Ранк свою
Информация по данной теме:
• Доклад Чекушина на SEO Moskow 2012 -
http://www.megaindex.tv/programs/seo_moscow_2012/doklad_alekseya
_chekushina/
г. Санкт-Петербург
ул. Белоостровская, дом
22
БЦ «Черная речка», оф.
421+7 (812) 648-28-53
+7 (495) 215-08-53
E-mail: info@ilpi.ru
www.ilpi.ru
6. PROFIT
• Ускорили закупку ссылочного через биржы в несколько раз, при
этом качественно ссылочного профиля не пострадало
• От визуального просмотра страницы донора увы не отказались
• Можно пойти дальше: брать список “хороших доноров” собирать
через SAPE.API страницы на которых он продает и так же по какому
то алгоритму отбирать лучшие
г. Санкт-Петербург
ул. Белоостровская, дом
22
БЦ «Черная речка», оф.
421+7 (812) 648-28-53
+7 (495) 215-08-53
E-mail: info@ilpi.ru
www.ilpi.ru
7. THE END
Иванов Антон
Начальник SEO отдела компании
ИЛПИ
г. Санкт-Петербург
ул. Белоостровская, дом
22
БЦ «Черная речка», оф.
421
+7 (812) 648-28-53
+7 (495) 215-08-53
E-mail: info@ilpi.ru
www.ilpi.ru
.tel: iAnton.tel
Skype: tonik_812
twitter: @tonikspb
e-mail:
tonikspb@gmail.com