This document discusses the 1956 film "And God Created Woman" directed by Roger Vadim. It provides context about the film being made in 1950s France during a time of social and political change. It compares the film to "Touchez pas au Grisbi", noting similarities like changing female roles but also differences like its provincial setting and focus on the central female character of Juliette. The document outlines themes in the film around changing gender roles, modernization, globalization and the dramatic changes occurring in 1950s France.
This film examines identity and social changes in post-independence Tunisia through the stories of several young women. It depicts a formerly multicultural neighborhood where Christians, Jews and Muslims coexisted. However, outside influences like Western culture begin to disrupt traditional Tunisian identity and values. The film has a nostalgic tone, looking back to a time when different groups lived harmoniously before social tensions increased. It suggests that both women's bids for greater freedom and Tunisia's independence project were thwarted by conservative social and political forces holding onto patriarchal power.
This document discusses the camerawork and points of view in the film The Wedding Song, including a focus on the female gaze looking out, considerations of class, race and gender, and the connection between liberation and oppression through marriage under Nazi influence. It also mentions that not all violence depicted was related to the Nazis and analyzes the dinner scene.
This document appears to be about photography and nature images. It mentions Greene Flower, Coconut Tree, and Abstruct, which are likely subject matters or styles of photographs. The document provides a welcome but does not contain much other contextual information in the brief text.
This document discusses the 1956 film "And God Created Woman" directed by Roger Vadim. It provides context about the film being made in 1950s France during a time of social and political change. It compares the film to "Touchez pas au Grisbi", noting similarities like changing female roles but also differences like its provincial setting and focus on the central female character of Juliette. The document outlines themes in the film around changing gender roles, modernization, globalization and the dramatic changes occurring in 1950s France.
This film examines identity and social changes in post-independence Tunisia through the stories of several young women. It depicts a formerly multicultural neighborhood where Christians, Jews and Muslims coexisted. However, outside influences like Western culture begin to disrupt traditional Tunisian identity and values. The film has a nostalgic tone, looking back to a time when different groups lived harmoniously before social tensions increased. It suggests that both women's bids for greater freedom and Tunisia's independence project were thwarted by conservative social and political forces holding onto patriarchal power.
This document discusses the camerawork and points of view in the film The Wedding Song, including a focus on the female gaze looking out, considerations of class, race and gender, and the connection between liberation and oppression through marriage under Nazi influence. It also mentions that not all violence depicted was related to the Nazis and analyzes the dinner scene.
This document appears to be about photography and nature images. It mentions Greene Flower, Coconut Tree, and Abstruct, which are likely subject matters or styles of photographs. The document provides a welcome but does not contain much other contextual information in the brief text.
The document discusses the film "Lift to the Scaffold" and provides context and discussion questions. It asks how the film depicts gender and different generations, and references to World War II and the Algerian War. It also asks about the film's notable visual and musical elements and how they influence the viewer's perception. The context provided notes that the film was made during the French-Algerian War period and explores themes of entrapment in modern urban spaces, the increasing police presence, and anxiety around new technologies.
This lesson teaches students to recognize the letter Uu and make two words with U. Students will learn to identify the letter Uu and form the words "Uu" and "Us" using the letter.
Conaxess Trade is a European trade group that operates in 7 countries, providing modular sales, marketing, distribution and logistics services. They offer full route-to-consumer solutions for branded FMCG clients, including commercial services like brand management and trade marketing, back office support, and logistic services. Conaxess aims to be a value-adding partner by helping clients increase market share and voice through their local expertise and coverage, while reducing costs and commercial risk.
Jaume vino a la clase de tercer grado para tocar el violín. Explicó que el violín es un instrumento italiano con cuatro cuerdas, Mi, Sol, Fa y La, y que se toca con el arco cubierto con pelos de caballo. Jaume tocó una canción para la clase y les enseñó que el violín tenía un puente que sostenía las cuerdas, y que ese violín en particular tenía 100 años.
Portfolio in brief about Aeonex Group. This presentation is basically used to display in public gathering or events to give people idea about our activities and what types of services are being provided by Aeonex.
Mata kuliah ini membahas tentang desain grafis, yang mencakup penggunaan program desain seperti CorelDRAW dan Photoshop, serta prinsip-prinsip desain grafis dan komunikasi visual. Tujuannya adalah melatih keterampilan mahasiswa dalam mendesain publikasi dakwah dan komunikasi untuk berbagai media. Materi kuliah meliputi konsep dan teknik dasar desain grafis beserta aplikasinya dalam membuat logo, iklan, dan publik
The document discusses the film "Lift to the Scaffold" and provides context and discussion questions. It asks how the film depicts gender and different generations, and references to World War II and the Algerian War. It also asks about the film's notable visual and musical elements and how they influence the viewer's perception. The context provided notes that the film was made during the French-Algerian War period and explores themes of entrapment in modern urban spaces, the increasing police presence, and anxiety around new technologies.
This lesson teaches students to recognize the letter Uu and make two words with U. Students will learn to identify the letter Uu and form the words "Uu" and "Us" using the letter.
Conaxess Trade is a European trade group that operates in 7 countries, providing modular sales, marketing, distribution and logistics services. They offer full route-to-consumer solutions for branded FMCG clients, including commercial services like brand management and trade marketing, back office support, and logistic services. Conaxess aims to be a value-adding partner by helping clients increase market share and voice through their local expertise and coverage, while reducing costs and commercial risk.
Jaume vino a la clase de tercer grado para tocar el violín. Explicó que el violín es un instrumento italiano con cuatro cuerdas, Mi, Sol, Fa y La, y que se toca con el arco cubierto con pelos de caballo. Jaume tocó una canción para la clase y les enseñó que el violín tenía un puente que sostenía las cuerdas, y que ese violín en particular tenía 100 años.
Portfolio in brief about Aeonex Group. This presentation is basically used to display in public gathering or events to give people idea about our activities and what types of services are being provided by Aeonex.
Mata kuliah ini membahas tentang desain grafis, yang mencakup penggunaan program desain seperti CorelDRAW dan Photoshop, serta prinsip-prinsip desain grafis dan komunikasi visual. Tujuannya adalah melatih keterampilan mahasiswa dalam mendesain publikasi dakwah dan komunikasi untuk berbagai media. Materi kuliah meliputi konsep dan teknik dasar desain grafis beserta aplikasinya dalam membuat logo, iklan, dan publik