The document lists various accessories and wall clocks available from the website www.ricco.com.br. It includes metal side tables, nesting tables, toolboxes, cork accessories, Eames elephants, cornices, and miniatures of famous chairs. Wall clocks are also listed, including designs by George Nelson in various sizes from 330mm to 765mm. Contact information is provided for Ricco stores in São Paulo and Rio de Janeiro.
Reversed-stress typefaces occupy a funny little corner of the world of typeface design. While most genres have grown organically, these faces intentionally flip conventions on their head, with jarring, amusing, and sometimes even useful results.
These faces can offer more to typography than the novelty of gunslingers and swinging saloon doors. I will explore the history of the genre, take a closer look at some particularly interesting specimens, and detail the drawing challenges that arise when the thick parts get thin and the thin parts get thick.
One of the hardest parts of drawing a typeface is finding a new approach to the same old alphabet. I will demonstrate how the reversal of one little attribute is enough to open up a host of uncharted letter-drawing possibilities.
THE father and son team who broke historic Rosslyn Chapel’s musical Da Vinci Code have done it again with another of the artist’s riddles.
Stuart and Tommy Mitchell believe they have cracked another secret of the Renaissance genius, this time in Leonardo’s famous portrait The Musician.
Art historians have remained baffled for centuries over the meaning of the work.They have also puzzled over the writing on the piece of music held by the subject of the 1490 painting, believed to be Da Vinci’s great friend Franchino Gaffurio.
Now Stuart and Tommy have used mirrors to reveal the words “agnus dei” and a musical score. Once the score is fully deciphered, Stuart plans to incorporate it in one of his classical pieces.as he did with the notes he found in Rosslyn.
Reversed-stress typefaces occupy a funny little corner of the world of typeface design. While most genres have grown organically, these faces intentionally flip conventions on their head, with jarring, amusing, and sometimes even useful results.
These faces can offer more to typography than the novelty of gunslingers and swinging saloon doors. I will explore the history of the genre, take a closer look at some particularly interesting specimens, and detail the drawing challenges that arise when the thick parts get thin and the thin parts get thick.
One of the hardest parts of drawing a typeface is finding a new approach to the same old alphabet. I will demonstrate how the reversal of one little attribute is enough to open up a host of uncharted letter-drawing possibilities.
THE father and son team who broke historic Rosslyn Chapel’s musical Da Vinci Code have done it again with another of the artist’s riddles.
Stuart and Tommy Mitchell believe they have cracked another secret of the Renaissance genius, this time in Leonardo’s famous portrait The Musician.
Art historians have remained baffled for centuries over the meaning of the work.They have also puzzled over the writing on the piece of music held by the subject of the 1490 painting, believed to be Da Vinci’s great friend Franchino Gaffurio.
Now Stuart and Tommy have used mirrors to reveal the words “agnus dei” and a musical score. Once the score is fully deciphered, Stuart plans to incorporate it in one of his classical pieces.as he did with the notes he found in Rosslyn.
11. Miniaturas
www.ricco.com.br
TULIP CHAIR TOM VAC CHAIR ORGÂNICA ARM CHAIR LA CHAISE
Saarinen, 1956 Arad, 1999 Eames, Saarinen, 1940 Eames, 1948
W. W. STOLL FAVELA STOOL HILL HOUSE
Philippe Stark, 1991 Campana, 1991 Eames, 1960 Mackintosh, 1903
LCW BUTTERFLY STOOL MR 90 BARCELONA PLYWOOD ELEPHANT
Eames, 1945 Sori Yanagi, 1954 Mies Van Der Rohe, 1929 Charles & Ray Eames, 1945
12. Miniaturas
www.ricco.com.br
TULIP CHAIR TOM VAC CHAIR ORGÂNICA ARM CHAIR LA CHAISE
Saarinen, 1956 Arad, 1999 Eames, Saarinen, 1940 Eames, 1948
W. W. STOLL FAVELA STOOL HILL HOUSE
Philippe Stark, 1991 Campana, 1991 Eames, 1960 Mackintosh, 1903
LCW BUTTERFLY STOOL MR 90 BARCELONA PLYWOOD ELEPHANT
Eames, 1945 Sori Yanagi, 1954 Mies Van Der Rohe, 1929 Charles & Ray Eames, 1945
13. Wall Clocks
www.ricco.com.br
Wall Clock Turbine
George Nelson, 1961 George Nelson, 1957
430 mm 765 mm
Eye Clock Sunflower
George Nelson, 1957 George Nelson, 1958
340 x 760 mm 750 mm
Ball Clock Ball Clock Ball Clock
George Nelson, 1948 George Nelson, 1948 George Nelson, 1948
330 mm 330 mm 330 mm
14.
15. Accesories Vitra Design Museum
São Paulo-SP:
Av. Brasil, 1.306 - Jd. América
Av. 9 de Julho, 5.435 - Itaim Bibi
Campinas-SP:
Rua Maria Monteiro, 1.538 - Cambuí
Rio de Janeiro-RJ:
Av. Rio Branco, 26 - Centro
+55 11 2696-4600 | 0800 774-2261
www.ricco.com.br