1. Ushak1
The final project in Shenkar College of Engineering and Design, Ramat Gan, Israel.
March-July 2001.
In the project I have conducted a research about ageing and destruction of textiles. A16 th century
medallion carpet from Ushak, which is in Turkey, served me as a starting model. Five hundred years
which have passed through it’s dense knots, have left their sign, have eaten, worn out, scratched the
wool, but the carpet has not vanished, contrarily, the pile partially worn out has only emphasized the
density of the survived. The holes and the patches have stressed the complexity and the fineness of
the pattern. This state has made visible the hidden qualities of the carpet. Those qualities were
getting close to animal hide and dry grass.
As the work progressed, I found movements similar in their meanings – the pile movement, the
hair movement, the grass movement. The writing and the engraving appeared close to them. The
engraving revealed itself as a very interesting action, since the signs appeared as a result of
removing the material and not adding it. The engraving brought after it another action, the etching.
Each of the actions has originated from the material, but at the same time, the material derived from
the actions. Strangely, those actions, relatively distant from the conceptual source - the carpet - have
brought an action close to it fearfully: the pile plucking.
In my work I have created a kind of laboratory, where the experiment subjects have suffered, lost
of their flash, were refined and made thinner. I did not try to fake the natural process. I have
conducted research; have chosen the instruments with strictness and tried to refer to the results with
a kind of scientific distancing, not to reject the unexpected conclusions, but give myself up to them,
formulate them with all possible precision, just as phrasing a sentence or choosing the words for a
poem.
Materials and techniques:
The technical aspects that interested me mostly during the work were the possible ways of
interaction between the industrial production and hand processing and finishing.
1) Textiles – cotton warp and mixed cotton wool weft jacquards, felting, dyeing, devoure.
2) Carpet – industrial tufting, handspun wool pile on felt ground, felted, pile plucked, sewn on
a thin plastic net (the elaboration was so intense that I had to reconstruct the carpet and to
fix it still).
3) Digital C-prints - scratched, painted with ink.
1
The Hebrew name of the project is “The work of Ushak” – " ."עבודת אושקIn Hebrew the word " "עבודהhas many
meanings. Alongside with its common translation, “work”, it also means “worshipping”.
