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Tinjauan Desain Komunikasi Visual analogi.pptx
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3. EMPHASIS IS THE STRESSING OF
A PARTICULAR AREA OF FOCUS
EMPHASIS ADALAH PENEKANAN PADA SUATU FOKUS AREA
4. If the rest of the elements are irregular,
a geometric shape will stand out.
5. In this painting it is easy to see how the artist used light to emphasize the chef.
He stands out as the main focal point of the entire the painting.
6. The artist created emphasis in this painting through the use of color.
By painting the cowboy's shirt red he was able to create a center of interest.
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16. There is a real sense of proportion in each of the two paintings above.
Without the effective use of the principle of proportion you
would not experience the majesty of the mountain cliffs
in the painting on the right or the towering height of the trees
in the painting on the left.
17. In the two paintings above proportion emphasizes
the distance of the ship and the vastness of the ball room.
18. CONTOH PENERAPAN HARMONY YANG EFEKTIF
It is easy to observe harmony in action in nature.
Notice how the individual wedges "fit"
the orange in the painting above.
In the coat of arms above we observe
how the different elements "fit"
together perfectly inside each other
to create harmony.
40. Ciri-ciri style
1. Ilustrasi realisme dan sentimental
serta mengutamakan estetika.
2. Penggambaran karakter perempuan yang berbadan subur.
3. Framing berupa ornamen-ornamen.
4. Banyak ditemui karya-karya yang sifatnya simetris.
5. Typografi dengan menggunakan fonts jenis Serif
banyak ditemui, dalam satu karya menggunakan
berbagai variasi font.
6. Penggunaan warna-warna yang natural.
41. (Sir) John Everett Millais
A Christmas Story, Illustrated London News, 20 Des 1862
Lahir | 8 Juni 1829
Southampton, Inggris
Wafat | 13 Agustus 1896 (umur 67)
Kensington, London
Kewarganegaraan | Inggris
Bidang |Melukis, Seni Grafis
Aliran |Pre-Raphaelite
Christ In the House of His Parents, 1850
42. Jephthah, 1867 Vanessa, 1868
Pearl of Great Price, engraving, 1864
Isabella, 1849
Cherry Ripe, 1879
Self Portrait
43. ALFRED LE PETIT
Le Ratapoil de (1869):
"Les beaux jours
sont passés“
The Ratapoil of 1869:
"The best days are past.
French painter
and caricaturist
(1841-1909)
Berkontribusi untuk berbagai
Majalah di Perancis seperti L'Eclipse,Le Charge,
Le Grelot, Le Charivari,. Le Pétard, dan Le Sans-Culotte.
Menghabiskan sisa hidupnya
menggambar karikatur turis yang
berkunjung ke Menara Eiffel.
Autoportrait ,1893
Band Rehearsal,
from the Back Cover
of 'Le Rire',
16th April 1898
44.
45. KETIDAKPUASAN TERHADAP
GAYA VICTORIAN
ARTS AND CRAFT LAHIR,
DIPELOPORI OLEH
WILLIAM MORRIS
MENGUSUNG GAYA ILUSTRASI
YANG KAYA AKAN
DECORATIVE ART
YANG MEMILIKI
NILAI CRAFTMENSHIP TINGGI
“David's Charge to Solomon" (1882),
a stained-glass window by Edward Burne-Jones
and William Morris,
in Trinity Church, Boston, Massachusetts.
46. Ciri-ciri style
1. Sudah memiliki prinsip proporsi dan fungsi-fungsi bentukan
2. Memiliki nilai estetis dan craftmenship yang sangat tinggi
3. Border berupa seni ornament yang mayoritas berupa sulur-sulur atau
tetumbuhan yang padat dan rumit
4. Dipengaruhi oleh gaya ilustrasi Gothic
47. LAHIR : WALTHAMSTOW, ENGLAND, 24 MARET 1834
MENINGGAL : LONDON, ENGLAND, 3 OKTOBER 1896
KEWARGANEGARAAN : INGGRIS
PROFESI : SENIMAN, PENULIS, SOSIALIS
BIDANG KEAHLIAN : PERANCANG WALLPAPER & DESAIN TEKSTIL,
PENULIS CERITA FANTASY / MEDIEVALIST SOSIALIST
48. Drawing for block-printed fabric
“Tulip and Willow”
by William Morris, 1873
Portion of “Cabbage and Vine” tapestry,
William Morris's first tapestry woven
at Kelmscott House
in the summer of 1879.
Editor's Notes
One way of achieving emphasis is by creating center of interest, a.k.a. a focal point.
The second way to create emphasis is by contrasting the primary element with its subordinates, or emphasis can be created by a sudden change in direction, size, shape, texture, color, tone or line.
When the principle of proportion is applied to a work of art it is usually in the relationship of size. That is, the size of one element of the composition as compared to the size of another related element. In the instance of a relationship of size a comparison is made between the:
-height, width and depth of one element to that of another
-size of one area to the size of another area
-size of one element to the size of another element
-amount of space between two or more elements
Good Proportion
There are several ways for achieving good proportion:
Place together elements which are similar in character or have some feature in common.
Create major and minor areas in the design, as equal parts can quickly become monotonous and boring. However, the differences in size must not be so great as to make the parts appear unrelated and therefore, out of harmony with each other.
Arrangement of space should be in such a way that the eye does not perceive a standard mathematical relationship. Dividing up the composition in halves, quarters and thirds should be avoided. A subtle relationship creates a more dynamic design.
Create harmony in the art work. Harmony is an agreement between the shapes that stresses the similarities of all parts. In other words, the shape of one part should "fit" the shape of the adjoining elements. Shapes should"fit" properly in their positions and spaces.
