Thriller History
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The earliest thrillers date back to the 1920s and 1930s, though filmmakers had to restrict graphic content to avoid overwhelming audiences. The Bourne Identity in 1980 helped establish the modern thriller style. Common thriller subgenres include mystery, crime, and psychological thrillers, which developed from early novels like Little Red Riding Hood in 1697. Over time, audiences grew accustomed to more exciting plots, so thrillers introduced new subgenres like spy thrillers in the 1960s inspired by early Bond films.
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2010's thrillers
The document discusses thrillers from the 2010s. It notes that the cancellation of the Hays Code in 1967 allowed thrillers to include more serious, violent and taboo topics. Modern thrillers from the 21st century depict confrontations between characters and challenges to reality in narratives. They also feature more complex representations of gender and portray main characters as antiheroes rather than purely positive heroes. The document provides examples of acclaimed 2010s thrillers like Black Swan, Inception, The Girl With The Dragon Tattoo, and Room that demonstrate these trends in modern thriller films.
1950's thrillers
The Hays Code, which was enforced in the US from 1934 to 1967, banned depictions of obscene language, nudity, drug use, sexual perversion, and mixed race relationships from films. This influenced 1950s thrillers, which featured dark stories and protagonists that investigated crimes but sometimes used unconventional methods, within the constraints of the Hays Code. Narrative theories like those of Levi-Strauss and Barthes can be applied to analyze elements like confrontations between protagonist and antagonist or how character actions influence the plot in these films. Examples of acclaimed 1950s thrillers that conformed to the Code include Alfred Hitchcock's Dial 'M' for Murder and Rear Window, as well as Sunset Boulevard
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Hot Fuzz (2007) is an action-comedy film directed by Edgar Wright that draws on conventions of cop films and buddy movies. It contains abundant references to other films through techniques like intertextuality, parody, and pastiche. The film uses a "hip-hop montage" during a train sequence and other postmodern film techniques. It simultaneously pays homage to and parodies cop action films while also being self-reflective on its own techniques and references to popular culture.
Horror history
The horror genre began in the late 19th century focusing on vampires and werewolves, and established these as stereotypes. In the early 20th century, films like Frankenstein and Nosferatu introduced new concepts and scare tactics to thrill audiences. The 1930s saw the rise of Gothic horror films blending science fiction, like Dracula and The Old Dark House. Technological advances in the 1950s-60s like 3D effects and lower budgets for films like Rosemary's Baby made the horror genre more popular and profitable, driving studios to continue innovating scares through increased violence and graphic effects in modern films like Saw and Dawn of the Dead.
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The history of thriller films began in the 1920s with Alfred Hitchcock's silent films which helped establish conventions of the genre like including an antagonist and protagonist. In the 1950s and 1960s, Hitchcock continued to produce influential thrillers in color like Psycho, which subverted audience expectations. During the 1970s and 80s, thrillers incorporated more graphic violence and psychological elements. In modern times, thrillers increasingly overlap with the horror genre through use of gore and terror while some adopt conventions from other genres like action.
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Question three of media evaluation
This document discusses which film institution, either an independent one (Warp Films) or mainstream one (Warner Bros.), would be best suited to produce the author's suspense thriller film. The author argues that a mainstream institution like Warner Bros. would be preferable because their film does not focus deeply on social realism and has the expected themes for the genre. Warner Bros. has distributed similar suspense thriller films in the past. An independent film might approach the themes and content differently by taking a wider view of society beyond just the higher classes portrayed in the author's film.
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Murder Mystery History
Murder mystery films originated in the early 1900s when crime films were popular. There were two main types - open mysteries which revealed the perpetrator early on, and closed mysteries or "whodunits" where the criminal was unknown. Alfred Hitchcock directed many famous murder mysteries in the 1920s-1930s that helped establish the genre. Through the 1950s-1990s, murder mysteries expanded widely on television and film, often combining with other genres like horror or fantasy. Into the 21st century, the genre continues to adapt novels and develop new psychological thrillers and suspenseful stories.
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German Expressionist films of the 1920s used visual styles like dramatic lighting and camera angles to create feelings of darkness and madness. Notable films included Metropolis and M. After the rise of the Nazis, many German filmmakers fled to the United States and worked in Hollywood, influencing the development of film noir, a genre known for its psychological themes and unrealistic depictions of crime. Film noir reflected the changing social roles of women and uncertainty faced by returning soldiers after World War II.
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The crime-thriller genre combines elements of crime and psychological thriller genres, often focusing on the criminal's perspective and creating suspense. The genre began in the early 20th century in films like Alfred Hitchcock's "The Lodger" (1926) and Fritz Lang's "Spies" (1928), and became popular in the 1990s with films like "Misery" (1990) that featured trapped victims trying to escape. Famous directors like Hitchcock, Spielberg, and Tarantino have made notable contributions to the genre, as have actors like Matt Damon, Leonardo DiCaprio, and Jason Statham through film series and standalone films such as "The Silence of the Lambs
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This document analyzes how different nationalities and groups are represented in Captain America, including:
1) America is presented as idealistic and progressive, working to build a better future through innovation at the World's Fair.
2) Post-war America is depicted as prosperous, validating America's role in defeating the Nazis.
3) Americans are shown as patriotic, heroic, and united behind Captain America who symbolizes ideal American qualities.
4) London during the war is represented as realistic but stereotypical, with familiar landmarks establishing it as the British capital.
5) Nazis like Hitler and Red Skull are villainized and dehumanized, portrayed as menacing threats to America through
Media evaluation Q2
This document discusses how the media product represents various social groups:
- The protagonist, Agent Savs, is black, which is unconventional for the crime thriller genre which usually features white protagonists.
- The antagonists are made foreign, following common stereotypes in British and American cinema of villainizing other nations. In this case, the antagonists are Russian.
- In the opening scenes, it only features male characters, which is common for action sequences to portray men as more violent and strong, though full films usually include a love interest as well.
- The setting of nice areas in London represents spies as living glamorous, urban lifestyles, conforming to stereotypical spy imagery through
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Horror films in the 1920s featured monsters and supernatural creatures, but by the 1950s audiences had grown desensitized to these classics. Psychological thrillers like Psycho and Frenzy began to focus fear closer to home by featuring ordinary human villains. In the 1970s, The Texas Chain Saw Massacre shifted the genre again by making teenagers the victims of brutal attacks, establishing the slasher film template that continued with movies like Halloween. Also in the 1970s, the "final girl" character was introduced as a strong female subversion of stereotypes that has become a staple of slasher films, represented by characters in Scream and The Cabin in the Woods.
Crime - OW
Crime films focus on the lives of criminals, ranging from realistic portrayals to fantastical villains. Common crime film conventions include settings like alleyways and streets, gangs planning operations that often go wrong, and victims being targeted at night. Subgenres include crime comedies, crime thrillers, film noir from the 1940s-50s, heist films about robbery plots and consequences, hood films about urban African-American culture, and mob films focused on organized crime. This document analyzes crime film genres, conventions, and examples.
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The document provides information about the genre of social realism in film. It defines social realism as a realistic portrayal of British society that depicts social and economic hardship through unvarnished pictures of life's struggles, often depicting working class activities and experiences. It lists several films that exemplify social realism such as Billy Elliot and discusses conventions of the genre including realistic settings and events, believable filming techniques, gritty styles and urban locations.
Genre research mas
The document discusses the thriller genre and provides examples of classic thriller films. It summarizes Alfred Hitchcock's background and rise to fame as the "Master of Suspense" through his directing of notable silent films and talkies in the 1920s-1940s that featured themes of mystery, false accusations, and plot twists. It also notes that psychological thrillers often focus on the unstable mental states of characters and themes involving reality, perception, identity and death.
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
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Thriller History
- 2. WHEN DID THEY START? • The earliest thrillers date back to the 1920's/early 30's. • In the early 30's (around about the time that the thriller genre was introduced) there was a certain line that film makers had to restrict themselves too when creating a thriller, in fear that it would be too much for the audience of this time to handle. The Bourne Identity (1980) was the first thriller written in the modern style that we know today.
- 3. WHAT'S THE MOST COMMON TYPES OF THRILLERS? • The most common sub genres in thrillers are mystery, crime and psychological thrillers. The film thriller genre developed from early novels. The very first being Little Red Riding (made in 1697)which some people say is a Phyco thriller. The novels then being made into thriller films.
- 4. HOW DO YOU KNOW WHEN A FILM IS A THRILLER? • A film is considered a thriller when the audience have that rush of adrenaline and excitement when watching the film. Obviously, as the audience changes and develops, this will also have to change. The reasons that thrillers change over the years is because audiences adapt to what is considered 'thrilling' and therefor seek more exciting plots.
- 5. WHAT EFFECT HAS TIME HAD ON THRILLERS? • As time went on, more and more sub genres were introduced into the thriller genre, some of the more well known ones being in the sixties when the 'spy-thriller' was created with the Bond Films being made. This franchise was the start of the 'spy-thriller' genre and many other film makers take this as inspiration.