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©	Mathias	Noschis	www.alphapanda.com
The	Impact	of	the	Digitalisation	
on	Film	Marketing
MATHIAS	NOSCHIS	
SCREEN.BRUSSELS	
1	DECEMBER	2015
©	Mathias	Noschis	www.alphapanda.com
Mathias	Noschis
• Career	start	in	independent	film	in	Switzerland	and	the	South	
Caucasus	
• InternaMonal	experience	in	adverMsing,	PR	and	social	media		
• Today	working	with	independent	producers	and	tutoring	for	training	
programmes	and	workshops	
• Clients:	Fox,	Warner,	EFA,	UniversCiné,	Under	the	Milky	Way	+	indies
©	Mathias	Noschis	www.alphapanda.com
Film	and	social	media	-	a	love	story?
• Film	fans	are	acMve	and	vocal	
• Audiences	tend	to	share	their	film	experience	with	friends		
• Films	produce	a	lot	of	audiovisual	material
©	Mathias	Noschis	www.alphapanda.com
…	but	love	comes	with	new	challenges
• BRANDING	-	Understanding	what	to	promote	and	learning	a	new	
language		
• TIMING	-	Occupying	the	whole	lifecycle	
• ROLES	-	Defining	everyone’s	role	in	the	markeMng	process
© Mathias Noschis alphapanda.com
©	Mathias	Noschis	www.alphapanda.com
Branding
Challenge	1
©	Mathias	Noschis	www.alphapanda.com
Branding,	really?
• Social	networks	work	best	for	brand	building	
• In	the	film	industry,	most	brands	aren’t	client	facing	
• Every	film	is	a	prototype	
• Director	and	cast	are	o]en	the	strongest	“brands”
© Mathias Noschis alphapanda.com
©	Mathias	Noschis	www.alphapanda.com
Learning	a	new	language
© Mathias Noschis alphapanda.com
©	Mathias	Noschis	www.alphapanda.com
Timing
Challenge	2
©	Mathias	Noschis	www.alphapanda.com
Traditional	film	marketing
Audience
Pre-
production Production Festivals Release
Pre-

production Production	 Festivals Releases	
Public
©	Mathias	Noschis	www.alphapanda.com
Film	marketing	in	the	age	of	social	media
Pre-
production Production Festivals Release
Fans
Audience
Viral
Guerilla
Social
Media
Public
Relations
Creative
Partnerships
Pre-

production Production	 Festivals Releases	
Fans

Audience		
Crowdfunding
PR
AdverMsing
Partnership
©	Mathias	Noschis	www.alphapanda.com
Practical	implications
• MarkeMng	budget	spread	over	the	whole	lifecycle	
• Key	decisions	to	be	made	early	(Mtle,	posiMoning,	target	audience)	
• Visual	material	(logo,	key	image,	film	sMlls)	required	from	the	start
©	Mathias	Noschis	www.alphapanda.com
The	Future	of	Tomorrow
Polish	English-language	documentary	exploring	the	topic	of	life	
extension.	
• Social	media	presence	9	months	before	producMon	and	20	months	
before	fesMval	release	
• 20%	of	development	budget	for	markeMng
© Mathias Noschis alphapanda.com
©	Mathias	Noschis	www.alphapanda.com
Roles
Challenge	3
© Mathias Noschis alphapanda.com
©	Mathias	Noschis	www.alphapanda.com
© Mathias Noschis alphapanda.com
Why	is	marketing	shifting	from	
distributors	towards	producers?
©	Mathias	Noschis	www.alphapanda.com
Multiplication	of	distribution	channels	and	
strategies
• MulMplicaMon	of	fesMvals	
• Theatrical	seen	as	a	“loss	leader”	
• OpportuniMes	to	break	distribuMon	windows	
• Development	of	VOD	
• Crowdfunding
© Mathias Noschis alphapanda.com
©	Mathias	Noschis	www.alphapanda.com
© Mathias Noschis alphapanda.com
Which	role	for	the	director?
©	Mathias	Noschis	www.alphapanda.com
Defining	the	role	of	the	director
• Users	expect	to	build	a	direct	relaMonship	with	the	director	
• For	indies,	the	director	is	o]en	the	strongest	“brand”	
• Films	have	a	shorter	lifecycle	than	directors
©	Mathias	Noschis	www.alphapanda.com
Three	new	challenges
• BRANDING	-	Understanding	what	to	promote	and	learning	a	new	
language		
• TIMING	-	Occupying	the	whole	lifecycle	
• ROLES	-	Defining	everyone’s	role	in	the	markeMng	process
©	Mathias	Noschis	www.alphapanda.com
Conclusions
• Producers,	distributors	and	directors	should	work	hand-in-hand	
• Public	funding	schemes	must	adapt	to	new	rules	and	new	budgets	
• Directors,	actors	and	other	elements	must	be	measured	through	
their	“social	value”
©	Mathias	Noschis	www.alphapanda.com
? Questions?
mathias@alphapanda.com	
LinkedIn:	Mathias	Noschis	
Twitter:	@FilmMktg
©	Mathias	Noschis	www.alphapanda.com
© Mathias Noschis alphapanda.com
The	Small	Print
All	informaMon	included	in	this	document	is	confidenMal	and	intended	
solely	for	the	use	of	the	individual	or	enMty	to	whom	it	is	addressed.	
All	materials	are	protected	by	copyright	laws,	and	may	not	be	
reproduced,	republished,	distributed,	transmijed,	displayed,	
broadcast	or	otherwise	exploited	in	any	manner	without	the	express	
prior	wrijen	permission	of	Alphapanda	Ltd.

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The Impact of Digitalisation on Film Marketing