Taboos and censorship in Independent American Cinema Fl a vi ä  Br ö wn e , Alicia Byrne$, Jo$hua Maddox Wellington.
“ How does independent American cinema push the boundaries of content and censorship to pervade the consciousness of a wider audience?”
Our Project: 6 cinematic examples Distribution Marketing Classification Reception 3 thematic explorations The ramifications of censorship
Our Presentation: Happiness  (1998) Boys Don’t Cry  (1999) Mysterious Skin  (2005)
What constitutes an independent film?
MPAA Motion Picture Association of America
NC-17 “ no one 17 or under admitted”
 
 
 
 
 
 
 
‘ None of the premium pay-channels—HBO, Cinemax, Showtime, the Movie Channel, Starz, etc.—screen NC-17 films. Blockbuster and Kmart won’t shelve NC-17 rated videos’ - Thomas Elsaesser
‘ Since [...] Blockbuster controls nearly a third of the rental market, and, in most mid- and small-size markets has vanquished its independent competition, this meant that we were effectively banned throughout a great deal of the United States. That's how censorship works these days.’ - James Schamus
 
 
 
 
“ NC-17 rating can cost a picture millions of dollars” - Paul Derbarabedian, Box Office Analyst
“ Well, in a construct where most movies are written by men, directed by men, they’re mostly the male experience, so even in sex scenes they’re from the male perspective. I think female pleasure is unnatural, I think female pleasure is scary, in the narrative setting. I think unfamiliarity is what breeds these NC-17’s”
“ If it’s the same gender sex, they seem to often have a bigger problem than if it’s a man and a women” - David Ansen, film critic,  Newsweek
 
 
 
 
 
 
Our conclusions on censorship
"It just seems backwards that to show human sexuality in pretty much any form is getting to R territory, while you can shoot as many bodies without any blood and still get PG-13, I mean, what are we training our kids for?" - Darren Aronofsky

Taboos and censorship

  • 1.
    Taboos and censorshipin Independent American Cinema Fl a vi ä Br ö wn e , Alicia Byrne$, Jo$hua Maddox Wellington.
  • 2.
    “ How doesindependent American cinema push the boundaries of content and censorship to pervade the consciousness of a wider audience?”
  • 3.
    Our Project: 6cinematic examples Distribution Marketing Classification Reception 3 thematic explorations The ramifications of censorship
  • 4.
    Our Presentation: Happiness (1998) Boys Don’t Cry (1999) Mysterious Skin (2005)
  • 5.
    What constitutes anindependent film?
  • 6.
    MPAA Motion PictureAssociation of America
  • 7.
    NC-17 “ noone 17 or under admitted”
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
    ‘ None ofthe premium pay-channels—HBO, Cinemax, Showtime, the Movie Channel, Starz, etc.—screen NC-17 films. Blockbuster and Kmart won’t shelve NC-17 rated videos’ - Thomas Elsaesser
  • 16.
    ‘ Since [...]Blockbuster controls nearly a third of the rental market, and, in most mid- and small-size markets has vanquished its independent competition, this meant that we were effectively banned throughout a great deal of the United States. That's how censorship works these days.’ - James Schamus
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
    “ NC-17 ratingcan cost a picture millions of dollars” - Paul Derbarabedian, Box Office Analyst
  • 22.
    “ Well, ina construct where most movies are written by men, directed by men, they’re mostly the male experience, so even in sex scenes they’re from the male perspective. I think female pleasure is unnatural, I think female pleasure is scary, in the narrative setting. I think unfamiliarity is what breeds these NC-17’s”
  • 23.
    “ If it’sthe same gender sex, they seem to often have a bigger problem than if it’s a man and a women” - David Ansen, film critic, Newsweek
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
    "It just seemsbackwards that to show human sexuality in pretty much any form is getting to R territory, while you can shoot as many bodies without any blood and still get PG-13, I mean, what are we training our kids for?" - Darren Aronofsky