The report characterizes the Audible and Visual Alarm market in the globe into different portions in light of a few industry verticals. It likewise orders the market in light of the geological dissemination of the Audible and Visual Alarm market
The report characterizes the Audible and Visual Alarm market in the globe into different portions in light of a few industry verticals. It likewise orders the market in light of the geological dissemination of the Audible and Visual Alarm market
FIVE TOWNS COLLEGEDix Hills, New York 11746MUB 2.docxgertrudebellgrove
FIVE TOWNS COLLEGE
Dix Hills, New York 11746
MUB 202 Name of Student ______________________________
Music Business Contracts Prof. B. Colfin
ASSIGNMENT #2
SPRING 2020
SCORE
ATTACHED you will find a live performance agreement similar to the one I posted on
Schoology. Review the “gig” agreement.and answer some questions about it.
Follow the flow of the Agreement and tell us what you see as the questions focus your attention. Answer the questions directly on the paper. Print Legibly so that it can be read by others. It may be helpful to highlight or underline as I did in the example on schoology. Print your name above and return the answer sheets only. Keep the Agreement for yourself.
1-Who are the parties to the agreement?
2-When is the show and where is the show?
3-How long is the show?
4-Who provides the musicians?
5-Who pays for the musicians?
6-Is ANY drummer OK to be used for the show? Why?
7-If Artist travels to New York for interview s to promote the show, who pays for the flight?
8-Who pays for the rental of Tammany Hall?
9-Who pays for security and stagehands?
10-What if there is not enough electrical power, who gets and pays for the generator?
11-When and How does Artist receive payment? Read carefully.
12-Who pays for Artist’s travel, hotel, transport and meals?
13-May Artist control which photo the Purchaser uses to promote the show?
14-Can another artist on the bill have a larger size name on the concert advertisements?
15-Is it OK for the purchaser to broadcast the show on the internet for a fee?
16- What is the Artist’s compensation for performing? Read carefully!
17- What happens if the Purchaser can’t come up with the money to promote the show?
18- Who pays for the airfare to fly Artist from Montreal to LaGuardia airport?
19- May the Purchaser cancel the show if there is a four foot deep snowfall on March 22.
20- If Purchaser cancels, what does he lose (or must pay)?
21- If Purchaser needs to re-schedule, what needs to be done?
22- If Artist just chooses not to perform that night, what is Artist responsible for?
23- Must Artist share any of its earnings from selling T-Shirts and dancing shoes at the show?
24- Why is a technical rider important to this Agreement?
25- If there are any lawsuits filed, where will the Court be located?
MUB 202 Music Business Contracts Prof Colfin
HOMEWORK ASSIGNMENT #3 DUE FRIDAY 2/21/20 on Schoology
1 The assignment concerns the attached Exclusive Songwriter Agreement which follows these directions below.
GO Through the contract with a highlighter and focus on the 3-6 important words in each sentence or clause. This will help you spot the important information. The KEY WORDS in each clause.
On a separate sheet TYPE UP IN OUTLINE FORM, using short statements, at least 20 of the important points found in the Agreement below.
Use plain English. Write short, simple, clearly stated numbered points in YOUR OWN WORDS. Follow the flow of the a.
MUB 202 Music Business Contracts Prof Colfin HOMEWORK ASSI.docxroushhsiu
MUB 202 Music Business Contracts Prof Colfin
HOMEWORK ASSIGNMENT #3 DUE FRIDAY 2/21/20 on Schoology
1 The assignment concerns the attached Exclusive Songwriter Agreement which follows these directions below.
GO Through the contract with a highlighter and focus on the 3-6 important words in each sentence or clause. This will help you spot the important information. The KEY WORDS in each clause.
On a separate sheet TYPE UP IN OUTLINE FORM, using short statements, at least 20 of the important points found in the Agreement below.
Use plain English. Write short, simple, clearly stated numbered points in YOUR OWN WORDS. Follow the flow of the agreement.
What SPECIFICALLY does MY exclusive songwriter AGREEMENT tell you?
HINT – DETAILS – SPECIFICS – NOT OPINIONS !! - Don’t tell me what you think is fair or unfair. - WHAT DO YOU SEE?
WHO are the parties ? WHEN does the agreement begin and What is the Duration of services? What is the duration of Publisher’s rights? HOW MUCH does each party earn? HOW is the amount earned determined? How is it paid, and when? DON’T STOP THERE !! – YOU NEED MORE.
What else is going on?
WHAT specific rights are granted ?
WHAT are the obligations of each party?
WHAT are their responsibilities to each other? Look closely.
How do the parties communicate if there is a problem? What if there is a dispute?
You need to understand what you see before you can figure out whether you like it or whether you can change any of it.
Lastly – Follow the numeric flow of the agreement itself as you draft your outline
Post BOTH the Marked UP copy of the Contract AND the OUTLINE on SCHOOLOGY for my review and grading.
DUE FRIDAY February 21, 2020 11:59 PM
Agreement made this 12th day of October, 2017 by and between WE EXPLOIT ALL SONGS MUSIC PUBLISHING, INC., whose address is Music Row Nashville, TN (hereinafter referred to as "Publisher") and Joseph P. Murgatroyd III p/k/a JOE BLOW residing at The Chelsea Hotel NY, NY, (hereinafter referred to as "Writer").
1. (a) Writer will render services as a songwriter on an exclusive basis to Publisher for the Term hereof, (the "Term").
(b) The Term shall commence on the date hereof and continue, unless extended as provided for herein, for a First Contract Period (the "First Contract Period") ending one (1) year from the date hereinabove.
(c) Writer hereby irrevocably grants to Publisher four (4) separate consecutive options to extend the Term for "Second", "Third", "Fourth", and "Fifth", Contract Periods, respectively. Such Contract Periods shall be one (1) year each. Each such option shall be exercised automatically by Publisher unless written notice to the contrary is sent to Writer, from Publisher, at least Thirty (30) days prior to the date the then current Contract Period would otherwise expire.
2. (a) In consideration of the royalties payable to Writer hereunder, Writer hereby assigns, transfers and delivers to Publisher one hund ...
MUB 202 Music Business Contracts Prof Colfin HOMEWORK ASSI.docx
Synchronisation license
1. Synchronization License
For Use Of Musical Composition In Motion Picture
This agreement (Agreement") made on ___________________, 200___
by and between __________________________ ("Film Producer")
and_________________
_______________________________________________________________________
_ ("Licensor(s)(s)") the owner of rights in the musical composition ("Musical
Composition") described below do hereby set forth the following agreements:
1. License: Film Producer and Licensor(s), as owner of the Musical Composition,
grants a license to Film Producer to have the non-exclusive right to use the
Synchronization in the Film presently titled _________________________.
("Motion") and for synchronizing the Musical Composition with the action in the
Motion Picture.
2. Titles and Selections: The following Musical Composition is covered under this
Agreement.
Musical Composition Title: ______________________________
Writers: _____________________________________________
_____________________________________________
Publisher: ____________________________________________
Record Label: _________________________________________
Artist: _______________________________________________
3. Rights Granted To Film Producer: Licensor(s) grants the non-exclusive right to
synchronize the Musical Composition in the Video to the Film Producer for use on
all prints of the Motion Picture world-wide, including theatrical motion picture,
video format and television. Film Producer is granted the right to use the Musical
Composition in the use of all television trailers, preview trailers, or other forms of
advertising or promotion associated with the Motion Picture. The term shall be for
the entire life of the copyright of the Musical Composition including renewals and
extensions. The Licensor(s) hereby grants to Film Producer a limited videogram
license for purposes of manufacture in a video cassette cartridge for purposes of
transmission of the Motion Picture for those performances authorized and set forth
in this Agreement.
4. Rights Retained By Licensor(s): Licensor(s) will retain all rights in and to the
Musical Composition except for sound track synchronization as described and
restricted to in this Agreement.
2. 5. Restrictions: This license does not include any right or authority to make changes
or alter the Master Recording.
6. Cue Sheets: Film Producer agrees to furnish Licensor(s) a cue sheet of the Motion
Picture thirty (30) days prior to the first public exhibition of the Motion Picture or
thirty (30) days prior to the first public exhibition on any television performance.
Film Producer shall be responsible for providing cue sheets to any Free T.V, Pay
T.V, Cable or any other company transmitting the performance of the Motion
Picture (T.V. Station). In the event that Film Producer fails to provide such cue
sheet to Licensor(s) or T.V. Station this license shall not become effective and shall
be null and void. Performance royalties shall be paid directly to Licensor(s)
through Licensor(s)'s respective performance rights society.
7. Consideration : In consideration of value received and the agreements set forth
herein, Licensor grants to Film Producer the rights set forth in this agreement.
8. Screen Credits: Licensee shall be given a credit on all final prints and videotapes
of the Motion Picture equal to other Licensees of the same position in accordance
with industry standards for such credit which includes name of writer and the
publisher of the Musical Composition and writer's performance rights society, if
any.
10. Assignment: Film Producer shall have the right to assign this Agreement and all
rights granted herein to a third party company that licenses or purchases any or all
rights to distribute the Motion Picture.
Film Producer
By: ___________________________
______________________________
Printed Name
Licensor(s):
By: ___________________________
______________________________
Printed Name:
______________________________
