How effective is the combination of your main product and your ancillary texts?katykennedy123
The document discusses how the combination of a main film project and ancillary texts like a poster and review are effective. Key elements like color scheme, fonts, and images are used consistently across the projects to maintain continuity and effectively represent the horror genre. Red, black, and white are the main colors. Fonts are chosen for clarity and to highlight important information. Images portray the narrative and genre through composition and use of color. Background textures add depth and mystery.
The document proposes a 5-minute documentary about musician Ryan Inglis and his work with the charity "Footprint". It will feature live performance footage of Ryan, interviews with him and people involved with his career and charity work, and archive material. The film aims to inspire music students by telling Ryan's story of becoming a musician. A budget of £3,356 is proposed to cover crew, equipment rental, locations, and other production costs. Research included interviews, Ryan's website, and showing sample documentaries to students to help guide the film's style.
FinallllHow effective is the combination of your main product and your ancill...katykennedy123
The document discusses how the combination of a main film project and ancillary texts like a poster and review are effective. Key elements like color scheme, fonts, and images are used consistently across the projects to maintain continuity and effectively represent the horror genre. Red, black, and white are the main colors. Fonts are chosen for clarity and to highlight important information. Images portray the narrative and genre through composition and use of color. Background textures add depth and mystery.
The document discusses plans for a documentary about singer-songwriter Ryan Inglis and his charity Footprint. Research was conducted including interviews and experiments to test audience interest. The target audience is identified as young adults and musicians. A crew is assembled and equipment is chosen. Filming will take place at three main locations: a music venue, a TV studio, and Ryan's house.
A boom operator operates sound equipment like the boom mic on film sets, requiring excellent hearing, physical stamina, anticipation skills, memory, and attention to detail. A casting director works with the director to find potential actors for roles and brings them to key film staff for consideration, needing an eye for talent, good memory, and patience. Both roles require diplomacy, flexibility, and an understanding of health and safety procedures on film sets.
How effective is the combination of your main product and your ancillary texts?katykennedy123
The document discusses how the combination of a main film project and ancillary texts like a poster and review are effective. Key elements like color scheme, fonts, and images are used consistently across the projects to maintain continuity and effectively represent the horror genre. Red, black, and white are the main colors. Fonts are chosen for clarity and to highlight important information. Images portray the narrative and genre through composition and use of color. Background textures add depth and mystery.
The document proposes a 5-minute documentary about musician Ryan Inglis and his work with the charity "Footprint". It will feature live performance footage of Ryan, interviews with him and people involved with his career and charity work, and archive material. The film aims to inspire music students by telling Ryan's story of becoming a musician. A budget of £3,356 is proposed to cover crew, equipment rental, locations, and other production costs. Research included interviews, Ryan's website, and showing sample documentaries to students to help guide the film's style.
FinallllHow effective is the combination of your main product and your ancill...katykennedy123
The document discusses how the combination of a main film project and ancillary texts like a poster and review are effective. Key elements like color scheme, fonts, and images are used consistently across the projects to maintain continuity and effectively represent the horror genre. Red, black, and white are the main colors. Fonts are chosen for clarity and to highlight important information. Images portray the narrative and genre through composition and use of color. Background textures add depth and mystery.
The document discusses plans for a documentary about singer-songwriter Ryan Inglis and his charity Footprint. Research was conducted including interviews and experiments to test audience interest. The target audience is identified as young adults and musicians. A crew is assembled and equipment is chosen. Filming will take place at three main locations: a music venue, a TV studio, and Ryan's house.
A boom operator operates sound equipment like the boom mic on film sets, requiring excellent hearing, physical stamina, anticipation skills, memory, and attention to detail. A casting director works with the director to find potential actors for roles and brings them to key film staff for consideration, needing an eye for talent, good memory, and patience. Both roles require diplomacy, flexibility, and an understanding of health and safety procedures on film sets.
A questionnaire asked documentary viewers about the age, the documentary watched, how enjoyable and engaging it was, whether they would watch similar programs, and their preferred length for short documentaries. Respondents were asked to circle their answers for questions about age and preferred documentary length. They provided ratings from 1 to 5 for enjoyment and engagement levels. The final questions asked if they would watch similar programs and their preferred length for short documentaries.
This document provides information about various sources that could be used to tell the story of Ryan Inglis and Footprint charity. These sources include websites created by Julie Derrick and Footprint, news articles, archive footage, and interviews with Ryan Inglis and others involved with Footprint charity and Slicethepie.
Tony Hobton provided primary research through an interview discussing his close relationship with Charlie and Ryan from their college music program. This interview uncovered additional leads and questions. Secondary research options include interviews with Ryan, Charlie's mother, charity workers, award winners, music collaborators, and friends from college. Websites like Ryan's blog and those of related charities provide information. Archive footage from Ryan's performances and fundraising events supplements the secondary research.
The document summarizes the minutes from a pre-production meeting for a documentary about musician Ryan Inglis. It discusses plans for an introductory proposal video featuring archive footage and a narrator. It also covers assigning roles like producer, director, editor, and cinematographer. Equipment options like HD cameras are considered, with the Z7 and Canon 55D mentioned as possibilities.
The document allocates roles for an upcoming film project titled "Ryan Inglis (working title)". Jake Coates is assigned as the director and director of photography. Corry Raymond is the producer. Laura Manners is assigned as the editor and sound engineer. While all members will contribute to directing, producing, and editing, the assigned roles determine who has overall responsibility for each task, such as Laura researching editing styles and deciding the overall approach.
This document proposes a short documentary film about singer/songwriter Ryan Inglis and his work for the charity Footprint. The film will use a mix of live music, interviews, and archive footage to tell Inglis' story. It will be produced by Laura Manners, Corry Raymond, and Jake Coates, with an estimated completion date of December 5th. The proposal argues that Inglis' story is interesting and unheard, deserving to be shared.
This document outlines a plan of action for creating a documentary about musician Ryan Inglis and the Charlie Derrick Bursary charity. Research sources include Inglis' blog, local news articles, the charity's website, and the website that helped fund Inglis' album. Interviews are planned with Inglis, the charity founder Julie Derrick, Inglis' friend and producer Tony Hobden, and past bursary recipients. Understanding the target audience is important, and research methods like questionnaires, test screenings, and analyzing other documentaries are proposed to help tailor the film appropriately for musicians and music students.
This document is a script breakdown sheet for a student film titled "Tied" being produced by Churchill Community School As Media Productions on March 15, 2011. It lists the director, production company, producer, scene descriptions, cast, crew positions, required equipment, props, and miscellaneous notes.
The document provides continuity notes for a film shoot, listing the scene, location, shots taken including duration and any issues, and a brief description of the shots which include a young male tied to a chair trying to escape and then having dream sequences. A total of 97 shots were taken across various angles capturing the male panicking and struggling to escape while tied to the chair.
The document provides a history of the thriller genre, beginning with early silent films in the 1910s that showed weekly thriller-themed scenes. In the 1930s, detective films like "The Thin Man" based on a Dashiell Hammett novel helped establish the genre. Alfred Hitchcock's 1935 film "The 39 Steps" set the template for adventure thrillers followed by Bond films. Gritty crime thrillers of the 1970s like "The French Connection" further developed the genre. Modern Hollywood thrillers exemplified by 2004's "The Bourne Supremacy" feature action scenes, car chases, and fights in foreign locations. The document also analyzes thriller movie posters focusing on technical codes like colors
This document discusses two films, 127 Hours and Buried, and their key elements that made them compelling and entertaining despite being confined to a single location. 127 Hours tells the true story of a man trapped between rocks for 127 hours and uses techniques like a video diary, tense music soundtrack, and graphic camera angles of his amputation. Buried features only one actor trapped in a coffin and uses phone conversations to develop the plot without showing other characters. Both films relied on strong scripts and performances as well as innovative cinematography to keep audiences engaged throughout their confined settings.
The document summarizes video editing techniques applied to footage. Filters were added to make shots more interesting, including black and white, film grain, and borders. Color correction adjusted lighting and tones to improve actors' appearances. Stylization was added through an old Western tint. Reflections in glasses were simulated through layers, sizing, tinting, and fading to overlay male faces that flip to suggest a mirror effect, though tracking was needed for realism. Overall the edits aimed to enhance visuals through color, style, and simulated reflections.
A questionnaire asked documentary viewers about the age, the documentary watched, how enjoyable and engaging it was, whether they would watch similar programs, and their preferred length for short documentaries. Respondents were asked to circle their answers for questions about age and preferred documentary length. They provided ratings from 1 to 5 for enjoyment and engagement levels. The final questions asked if they would watch similar programs and their preferred length for short documentaries.
This document provides information about various sources that could be used to tell the story of Ryan Inglis and Footprint charity. These sources include websites created by Julie Derrick and Footprint, news articles, archive footage, and interviews with Ryan Inglis and others involved with Footprint charity and Slicethepie.
Tony Hobton provided primary research through an interview discussing his close relationship with Charlie and Ryan from their college music program. This interview uncovered additional leads and questions. Secondary research options include interviews with Ryan, Charlie's mother, charity workers, award winners, music collaborators, and friends from college. Websites like Ryan's blog and those of related charities provide information. Archive footage from Ryan's performances and fundraising events supplements the secondary research.
The document summarizes the minutes from a pre-production meeting for a documentary about musician Ryan Inglis. It discusses plans for an introductory proposal video featuring archive footage and a narrator. It also covers assigning roles like producer, director, editor, and cinematographer. Equipment options like HD cameras are considered, with the Z7 and Canon 55D mentioned as possibilities.
The document allocates roles for an upcoming film project titled "Ryan Inglis (working title)". Jake Coates is assigned as the director and director of photography. Corry Raymond is the producer. Laura Manners is assigned as the editor and sound engineer. While all members will contribute to directing, producing, and editing, the assigned roles determine who has overall responsibility for each task, such as Laura researching editing styles and deciding the overall approach.
This document proposes a short documentary film about singer/songwriter Ryan Inglis and his work for the charity Footprint. The film will use a mix of live music, interviews, and archive footage to tell Inglis' story. It will be produced by Laura Manners, Corry Raymond, and Jake Coates, with an estimated completion date of December 5th. The proposal argues that Inglis' story is interesting and unheard, deserving to be shared.
This document outlines a plan of action for creating a documentary about musician Ryan Inglis and the Charlie Derrick Bursary charity. Research sources include Inglis' blog, local news articles, the charity's website, and the website that helped fund Inglis' album. Interviews are planned with Inglis, the charity founder Julie Derrick, Inglis' friend and producer Tony Hobden, and past bursary recipients. Understanding the target audience is important, and research methods like questionnaires, test screenings, and analyzing other documentaries are proposed to help tailor the film appropriately for musicians and music students.
This document is a script breakdown sheet for a student film titled "Tied" being produced by Churchill Community School As Media Productions on March 15, 2011. It lists the director, production company, producer, scene descriptions, cast, crew positions, required equipment, props, and miscellaneous notes.
The document provides continuity notes for a film shoot, listing the scene, location, shots taken including duration and any issues, and a brief description of the shots which include a young male tied to a chair trying to escape and then having dream sequences. A total of 97 shots were taken across various angles capturing the male panicking and struggling to escape while tied to the chair.
The document provides a history of the thriller genre, beginning with early silent films in the 1910s that showed weekly thriller-themed scenes. In the 1930s, detective films like "The Thin Man" based on a Dashiell Hammett novel helped establish the genre. Alfred Hitchcock's 1935 film "The 39 Steps" set the template for adventure thrillers followed by Bond films. Gritty crime thrillers of the 1970s like "The French Connection" further developed the genre. Modern Hollywood thrillers exemplified by 2004's "The Bourne Supremacy" feature action scenes, car chases, and fights in foreign locations. The document also analyzes thriller movie posters focusing on technical codes like colors
This document discusses two films, 127 Hours and Buried, and their key elements that made them compelling and entertaining despite being confined to a single location. 127 Hours tells the true story of a man trapped between rocks for 127 hours and uses techniques like a video diary, tense music soundtrack, and graphic camera angles of his amputation. Buried features only one actor trapped in a coffin and uses phone conversations to develop the plot without showing other characters. Both films relied on strong scripts and performances as well as innovative cinematography to keep audiences engaged throughout their confined settings.
The document summarizes video editing techniques applied to footage. Filters were added to make shots more interesting, including black and white, film grain, and borders. Color correction adjusted lighting and tones to improve actors' appearances. Stylization was added through an old Western tint. Reflections in glasses were simulated through layers, sizing, tinting, and fading to overlay male faces that flip to suggest a mirror effect, though tracking was needed for realism. Overall the edits aimed to enhance visuals through color, style, and simulated reflections.