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Storm Thorgerson
Who is he? 
British designer 
Responsible for many different album covers including: 
Pink Floyd 
Audioslave 
The Cranberries 
Muse 
Biffy Clyro 
He has produced some of the most compelling album covers of the last 40 years
His creative process: 
1. The Brief. The designer listens to the music (possibly only demos at this stage), reads the lyrics, and talks 
to the band. These create a ‘brain soup’, from which ideas can be extracted to form the brief. 
2. Roughs. Over a number of meetings/days, the designer meets the band again for discussions, in an 
attempt to pin-down a theme or big idea. This stage is creative, with word-play, honest thoughts, and 
scribblings. The best are converted to more complete illustrations (the ‘roughs’). 
3. Tests. Once a rough is accepted and a budget agreed, a prototype is often created to ensure that the idea 
works. Depending on the idea, this could involve the creation of scale models from clay or polystyrene. If 
everything works, the final models are constructed. 
4. Shoot. A location is researched and booked, possibly for a long-time if outdoors and in uncertain weather. 
Models are erected and positioned, with help from volunteers if the shoot is big and complex. A wide 
range of photographs are then taken, under varying light/weather conditions and filters. 
5. Editing. This could be called ‘selection’, where the best shot from the shoot is chosen. This can take 
several days, if hundreds of similar shots need to be compared. 
6. Artwork. Finally, having chosen the perfect shot, any cleaning-up or final computer editing is performed, 
before handing over the final product.
Some of his work:

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Storm Thorgerson

  • 2. Who is he? British designer Responsible for many different album covers including: Pink Floyd Audioslave The Cranberries Muse Biffy Clyro He has produced some of the most compelling album covers of the last 40 years
  • 3. His creative process: 1. The Brief. The designer listens to the music (possibly only demos at this stage), reads the lyrics, and talks to the band. These create a ‘brain soup’, from which ideas can be extracted to form the brief. 2. Roughs. Over a number of meetings/days, the designer meets the band again for discussions, in an attempt to pin-down a theme or big idea. This stage is creative, with word-play, honest thoughts, and scribblings. The best are converted to more complete illustrations (the ‘roughs’). 3. Tests. Once a rough is accepted and a budget agreed, a prototype is often created to ensure that the idea works. Depending on the idea, this could involve the creation of scale models from clay or polystyrene. If everything works, the final models are constructed. 4. Shoot. A location is researched and booked, possibly for a long-time if outdoors and in uncertain weather. Models are erected and positioned, with help from volunteers if the shoot is big and complex. A wide range of photographs are then taken, under varying light/weather conditions and filters. 5. Editing. This could be called ‘selection’, where the best shot from the shoot is chosen. This can take several days, if hundreds of similar shots need to be compared. 6. Artwork. Finally, having chosen the perfect shot, any cleaning-up or final computer editing is performed, before handing over the final product.
  • 4. Some of his work: