Q1. In what way does 'RESOLVED' used, develops and challenge forms and conven...julianalopezc
The document discusses the genre of thriller films and some of their common conventions. It notes that thrillers are intended to build tension and engage audiences as the plot moves toward a climax. There are several subgenres of thrillers including crime, supernatural, psychological, and revenge thrillers. Some conventions of thriller openings discussed include placing characters in dangerous or deadly situations to increase tension, using lighting, costumes, settings and other visual elements to create an atmosphere of creepy menace and sudden violence. Title sequences typically include the film title, production company logos/credits, and elements to introduce characters and the storyline.
The document discusses the genre of thriller films and some of their common conventions. It notes that thrillers are intended to build tension and engage audiences as the plot moves toward a climax. There are several subgenres of thrillers including crime, supernatural, psychological, and revenge thrillers. Some conventions discussed include using dangerous situations to increase tension, creepy atmospheres depicting sudden violence or crime, and specific lighting, settings, and costumes to set the thriller tone. Title sequences typically include the film title, production company logos, credits, establishing shots, and an introduction to characters and storyline to set up the film's genre and mood.
In 2009 the INSPIRE Directive was adopted as a Statutory Instrument by both the UK and Scottish Parliaments with a view to developing the Metadata, Web Map and Web Feature Services, to an agreed timetable, over the next decade. Both the Scottish Government and Geographic Information community in Scotland recognise that although the mandated datasets are helpful in focusing attention on priorities within the context of creating a Scottish Spatial Data Infrastructure and delivering efficiencies across all tiers of Scottish Government, the INSPIRE Directive should be seen very much as a catalyst rather than a checklist.
RCAHMS recognises the need to and value in sharing the information it curates on behalf of the Scottish public with partner organisations and the wider community for the benefit of the promotion and appreciation of Scotland’s heritage. Although, the majority of records in Canmore (http://canmore.rcahms.gov.uk/), the national inventory of the archaeological and built heritage of Scotland and its maritime waters are not protected through statutory designation, RCAHMS has argued that the information it curates is relevant to and should be considered as part of the INSPIRE Annex I Protected Places theme, even if not a mandatory dataset. To date RCAHMS has released a point-based WMS for the information in Canmore and is developing further bespoke services for maritime losses and the results of its own aerial survey mapping programme, the first in a series of richer datasets. WFS will be developed on release of guidance documents from the Scottish Government.
Promoting the undesignated heritage of Scotland through INSPIRE raises a number of questions over the appropriateness of applying specifications for regulatory environmental data to the wider cultural heritage and how information, so published, could be understood and used remotely by audiences outside heritage. Archaeological data is often ill-defined and incomplete. Would those accessing data remotely necessarily understand the incompleteness, bias and variability of the record in contrast to the fixed boundaries of most designated datasets? A land manager may need to know if a site is extant, known from documentary sources or revealed through aerial photography or remote sensing whereas an archaeologist needs to consider evidence from the investigation and recording of a site.
Delivery of richer spatial datasets for most archaeological investigations remain aspirational as they require collaborative, participatory approaches from across the profession and engagement from the academic and private sectors. Even if the mechanisms to deliver richer datasets are in place, potential barriers include concerns over intellectual property rights and a reluctance to change working practices though inertia may gradually be addressed through demonstrator services and case studies highlighting the potential benefits in the long term.
The majority of respondents to the music questionnaire were female aged 15-25. Most popular genres were rock and indie. Most people do not regularly buy music magazines but would spend £2-3 if they did. The main attractions are the cover star and lines with monthly purchases being most common.
This document describes a campaign and project to help ex-Kamaiya families in Nepal. The campaign aims to provide upgraded housing, sanitation facilities, water access, and livelihood training to families living in vulnerable conditions. It will target villages in Bijaynagar, Tikapur. Families there currently live in unstable thatched houses with no running water or toilets. The rainy season makes sleeping difficult. The project will construct new houses, install latrines and tube wells, and provide hygiene education and small business grants. Supporters will sponsor clusters of families for $500 to improve living conditions. Stories from two families illustrate their current hardships of poverty and inadequate housing.
Q1. In what way does 'RESOLVED' used, develops and challenge forms and conven...julianalopezc
The document discusses the genre of thriller films and some of their common conventions. It notes that thrillers are intended to build tension and engage audiences as the plot moves toward a climax. There are several subgenres of thrillers including crime, supernatural, psychological, and revenge thrillers. Some conventions of thriller openings discussed include placing characters in dangerous or deadly situations to increase tension, using lighting, costumes, settings and other visual elements to create an atmosphere of creepy menace and sudden violence. Title sequences typically include the film title, production company logos/credits, and elements to introduce characters and the storyline.
The document discusses the genre of thriller films and some of their common conventions. It notes that thrillers are intended to build tension and engage audiences as the plot moves toward a climax. There are several subgenres of thrillers including crime, supernatural, psychological, and revenge thrillers. Some conventions discussed include using dangerous situations to increase tension, creepy atmospheres depicting sudden violence or crime, and specific lighting, settings, and costumes to set the thriller tone. Title sequences typically include the film title, production company logos, credits, establishing shots, and an introduction to characters and storyline to set up the film's genre and mood.
In 2009 the INSPIRE Directive was adopted as a Statutory Instrument by both the UK and Scottish Parliaments with a view to developing the Metadata, Web Map and Web Feature Services, to an agreed timetable, over the next decade. Both the Scottish Government and Geographic Information community in Scotland recognise that although the mandated datasets are helpful in focusing attention on priorities within the context of creating a Scottish Spatial Data Infrastructure and delivering efficiencies across all tiers of Scottish Government, the INSPIRE Directive should be seen very much as a catalyst rather than a checklist.
RCAHMS recognises the need to and value in sharing the information it curates on behalf of the Scottish public with partner organisations and the wider community for the benefit of the promotion and appreciation of Scotland’s heritage. Although, the majority of records in Canmore (http://canmore.rcahms.gov.uk/), the national inventory of the archaeological and built heritage of Scotland and its maritime waters are not protected through statutory designation, RCAHMS has argued that the information it curates is relevant to and should be considered as part of the INSPIRE Annex I Protected Places theme, even if not a mandatory dataset. To date RCAHMS has released a point-based WMS for the information in Canmore and is developing further bespoke services for maritime losses and the results of its own aerial survey mapping programme, the first in a series of richer datasets. WFS will be developed on release of guidance documents from the Scottish Government.
Promoting the undesignated heritage of Scotland through INSPIRE raises a number of questions over the appropriateness of applying specifications for regulatory environmental data to the wider cultural heritage and how information, so published, could be understood and used remotely by audiences outside heritage. Archaeological data is often ill-defined and incomplete. Would those accessing data remotely necessarily understand the incompleteness, bias and variability of the record in contrast to the fixed boundaries of most designated datasets? A land manager may need to know if a site is extant, known from documentary sources or revealed through aerial photography or remote sensing whereas an archaeologist needs to consider evidence from the investigation and recording of a site.
Delivery of richer spatial datasets for most archaeological investigations remain aspirational as they require collaborative, participatory approaches from across the profession and engagement from the academic and private sectors. Even if the mechanisms to deliver richer datasets are in place, potential barriers include concerns over intellectual property rights and a reluctance to change working practices though inertia may gradually be addressed through demonstrator services and case studies highlighting the potential benefits in the long term.
The majority of respondents to the music questionnaire were female aged 15-25. Most popular genres were rock and indie. Most people do not regularly buy music magazines but would spend £2-3 if they did. The main attractions are the cover star and lines with monthly purchases being most common.
This document describes a campaign and project to help ex-Kamaiya families in Nepal. The campaign aims to provide upgraded housing, sanitation facilities, water access, and livelihood training to families living in vulnerable conditions. It will target villages in Bijaynagar, Tikapur. Families there currently live in unstable thatched houses with no running water or toilets. The rainy season makes sleeping difficult. The project will construct new houses, install latrines and tube wells, and provide hygiene education and small business grants. Supporters will sponsor clusters of families for $500 to improve living conditions. Stories from two families illustrate their current hardships of poverty and inadequate housing.
The document lists over 30 links to websites that provide tutorials for Cinema 4D. Some of the links are for general Cinema 4D tutorial sites while others link to specific tutorial pages or sections on modeling, rendering, materials and other Cinema 4D topics. The sites listed include popular resources for 3D artists like Greyscalegorilla, Cineversity and 3DTotal in addition to individual artist pages showcasing Cinema 4D tutorials.
The document lists over 30 links to websites that provide tutorials for Cinema 4D. Some of the links are for general Cinema 4D tutorial sites while others link to specific tutorial pages or sections on modeling, rendering, materials and other Cinema 4D topics. The sites listed include popular resources for 3D artists like Greyscalegorilla, Cineversity and 3DTotal in addition to individual artist pages showcasing Cinema 4D tutorials.
1. 2000번째 헌정식 때 상영될 영상을 위한 제안서
1. 틸트쉬프트렌즈를 이용한 영상에 대해서
: 틸트쉬프트 렌즈를 사용한 영상이다.
<사진 :틸트 쉬프트 렌즈>
2. 2.참조영상
제목 :The sandpit from Sam O'hare on Vimeo
http://vimeo.com/9679622
1:06초부터 나오는 공사장면
제목:organizrers of Monster Trucks: Tour of destruction
http://vimeo.com/2317118
참조영상 인터뷰 (SAM:제작자)
:http://aerofilm.blogspot.com/2010/02/sandpit-short-film-by-aero-director-sam.html
ME: 어떻게 모래 파는 곳 쐈나?
SAM : 그것은 정지된 스틸컷의 시리즈로, 니콘 D3 (와 D80에 한방)에 찍은 사진입니다. 렌
즈 Tamron 17-50밀리미터 f/2.8과 이러한 모든장면은 시그마 50~1백50mm f/2.8 렌즈를
사용합니다. 대부분은 D3가 지속적으로 메모리 카드로 쓸 수있는 가장 빠른있는, DX 자르기
모드에서 4fps에서 촬영되었다. 보통 느린 프레임의 썼고, 야간 촬영때 각각 다른 노출을 사
용합니다. 카메라는 실제로 각각의 클릭을 계산하고 신속하게 촬영을 유지하기 위해 130 후
셔터 릴리스를 누르면, 또 다시 누르고, 130 촬영 후 자동으로 셔터를 누릅니다.
ME : 그것은 정지 되어야했어!
SAM : 35,000 이상 쐈어.
ME : 어떻게 미니 모양으로 캡처나요?
SAM : 초기 테스트를 한 작업을 수행하는 표준 방법입니다. 임대한 24mm 틸트 쉬프트 렌
즈를 사용하는 동안. 그러나, 테스트 후, 나는 오히려 카메라에 비해, 게시물에 효과를 더할
많은 감각적인 방법들을 발견했습니다. 경사 변화를 이용하여 촬영하는 것은 나중에 안정화하
는 것은 매우 어렵기 때문에, 삼각대를 꼭 필요로 했습니다, 그런데 이것은 최종 외관에 적은
유연성을 제공합니다. 씬의 구성과 촬영할 때 운동감의 깊이에 옵션을 허용했습니다. 그리고
그것을 일반 렌즈로 촬영하기로 했습니다. 나는 야간 촬영을 위해 삼각대, 그리고 가능한 제
고릴라포트을 사용하지만, 많은 지역과 같은 지붕의 가장자리 이상이나 다리에 울타리에서 차
이를 통해 촬영할수 있었습니다.
ME : 촬영이 얼마나 걸리나요?
SAM : 전체 촬영 8 월 2009 년 가장 뜨거운 주 동안 5 일 두 저녁 시간에 완성되었습니다.
3. 많은 감사 저에게에서 촬영하기 위해 지붕, 펜트 하우스와 발코니에 대한 허락해준 준 모든
사람감사합니다.
SAM : 구성 및 색상은 어도비 라이트 룸의 등급 원료 NEFs로 촬영했습니다. 그레이딩 때
720P JPG 시퀀스로 출력되었으며 신속하게 초기 편집을 할수 있도록 안정화 및 편집이 대부
분 잠겨 있었으므로, 모든 마지막 장면은 전체 2800px 해상도로 다시 출력되었습니다, 추적
및 안정화 DOF 효과와 움직임이 Frischluft Lenscare를 사용하여 Eyeon의 퓨전에 추가됩니
다. 1080p에서 최종 촬영을 출력. 대부분의 촬영은 기본적인 틸트 쉬프트 효과 유지하지만,
일부는 포커스가 약점을 가지고, 더 복잡하고 깊은 건물은 포커스에 있는 지상 옆에 초점을
포기하도록 일부 페인트 작업을 했습니다. 비교적 평평한 풍경과 함께 잘 작동 카메라에 틸트
시프트 렌즈를 사용할 수 있었습니다.!
ME : 음악 트랙이 놀랍습니다 ... 그게 어떻게 왔는가?
SAM : 프로세스가 끝날 무렵 작곡가를 만났습니다. 그들은 매우 넉넉한 영화 아름 운 사운
다
드 트랙을 생산하기 위해 시간을 썼습니다. 그것은 아름다운 영화의 느낌을 받게 합니다. 아
름답지 않지만, 특히 많은 리듬, 펄스 및 도시와 구성, 절정을 경험할 수 있는 그 어떤가에 대
한 얘기를 원했습니다.
ME : 왜 이 영화를 만들었는가? 영감은 어디서 얻었나?
SAM : 항상 시간이 경과된 영상을 사랑하고, 다른 방법으로 인간의 공백을 봐요. 그리고 다
양한 스케일의 패턴 사이의 비교를 그릴 수 있도록 특별히 Koyaanisqatsi 같은 필름이 있습
니다. 또한 정말 많은 장면 작게 만드는 틸트 쉬프트 모양을 좋아하고, 그 주제로 뉴욕시와
함께 영화를 만들고 싶었어요.
3. 국내에 사용된 사례
제목:킨텍스 서울 모터쇼 서울 2011
http://vimeo.com/24154142
제작사:REALMOTION MEDIAWORKS PRESENTS / www.realmotion.co.kr
제작작 : Chihun, Kang
음악 : Hun, Sunwoo
[Client]
KINTEX_ Show the world/kintex.com/
카메라 기종