How to mitigate communication challenges in global IT-projects?Karsten Eskelund
Working from different locations and with people from different cultures make communication a challenge in global projects. This is the background for my qualitative research where IT-workers in India, the Philippines, Norway and Denmark have been interviewed. The aim of my thesis is to shed light of the following research question: “What do workers in global IT-projects do to mitigate communication challenges?”
Conclusions and recommendations are given in my enclosed thesis.
In March 2020, the corona pandemic hit Norway, and the country went into lockdown. Suddenly, everyone wanted to get started with video calls.
The little startup Confrere, which made video calls for the healthcare industry, grew their customer base by 10 times in two weeks, and the number of calls by 100 in two weeks. Suddenly, the company had become de facto national infrastructure, as 96 percent of the video calls in the Norwegian healthcare sector went through their platform. How was that even possible? A lot of it was because of content.
In this session, you’ll learn how:
* The core model helps craft content that is relevant for customers, even when context shifts vastly.
* User research, sales, and customer service can work together to create content that answers users’ questions while being aligned on goals.
* Focusing on localization from day one can prepare you for growth.
* Sometimes it’s okay to leave some questions to a bot, rather than a human.
How to mitigate communication challenges in global IT-projects?Karsten Eskelund
Working from different locations and with people from different cultures make communication a challenge in global projects. This is the background for my qualitative research where IT-workers in India, the Philippines, Norway and Denmark have been interviewed. The aim of my thesis is to shed light of the following research question: “What do workers in global IT-projects do to mitigate communication challenges?”
Conclusions and recommendations are given in my enclosed thesis.
In March 2020, the corona pandemic hit Norway, and the country went into lockdown. Suddenly, everyone wanted to get started with video calls.
The little startup Confrere, which made video calls for the healthcare industry, grew their customer base by 10 times in two weeks, and the number of calls by 100 in two weeks. Suddenly, the company had become de facto national infrastructure, as 96 percent of the video calls in the Norwegian healthcare sector went through their platform. How was that even possible? A lot of it was because of content.
In this session, you’ll learn how:
* The core model helps craft content that is relevant for customers, even when context shifts vastly.
* User research, sales, and customer service can work together to create content that answers users’ questions while being aligned on goals.
* Focusing on localization from day one can prepare you for growth.
* Sometimes it’s okay to leave some questions to a bot, rather than a human.
Episode 220: Future of Work: How to Find and Select Accessible Workplace Tech...Workology
This episode of the Workology Podcast is part of our Future of Work series powered by PEAT, the Partnership on Employment & Accessible Technology. In honor of the upcoming 30th anniversary of the Americans with Disabilities Act this July, we’re investigating what the next 30 years will look like for people with disabilities at work, and the potential of emerging technologies to make workplaces more inclusive and accessible. Today, I’m joined by Gregg Vanderheinen.
Gregg Vanderheinen directs the Trace R&D Center at the University of Maryland and co-directs Raising the Floor, part of an international consortium of over 50 companies and organizations building the Global Public Inclusive Infrastructure (GPII) with the goal of making all digital interfaces accessible. Gregg is recognized as a pioneer in computer access for people with disabilities and has worked in the field of technology and disability for just shy of 50 years. Many of the initial digital accessibility features for both Windows and MacOS came from his work with Apple and Microsoft.
His work can be seen in a wide range of products including computers, phones, Automated Postal Stations, Amtrak ticket machines, and airport communication terminals. He has worked with over 50 companies and numerous government advisory & planning committees including FCC, NSF, NIH, GSA, NCD, Access Board and White House. Gregg, welcome to the Workology Podcast.
Thierry Geoffroy Colonel: A Propulsive Retrospective.Book Format Art | Awaren...Emergency Art
This 608 pages book Thierry Geoffroy Colonel: A Propulsive Retrospective took 4 years hard work to accomplished and has been printed yesterday day-night more details here https://lnkd.in/eHpiYuX2 .
------------------------------------------------------------------
Format Art | Awareness Muscle | Emergency Art | Ultracontemporary | Biennalist | Moving Exhibitions | Critical Run | Delay Museum | Apathy Lab | Extracteur
Michael Buhrs (Editor) and Christian Ganzenberg (Editor) for Museum Villa Stuck, Munich
Publication Date: April 2024
Publisher: Snoeck Publishing Company
ISBN: 9783864423956
608 pp., ca. 1.000 color illustrations
Format: 24.5 x 31cm
This monography presents 22 Art Formats, including the Emergency Room, Critical Run and Biennalist, which have been realized in institutions across the globe. Geoffroy defines Format Art as his artistic response to globalization, providing individuals with a replicable format for expressing themselves, thereby enabling them to respond to emergencies and real-world issues in the now.
Art historians and long-term collaborators of the artist offer in-depth analyses of Geoffroy’s artistic praxis: its mobility, flexibility and its constant quest to be “in advance” of accidents and his time. Accompanied by over 1.000 images.. A comprehensive chronology of Geoffroy’s oeuvre, detailing his many exhibitions and interventions at countless institutions and events, reveals the breadth and scope of the artist’s long-term efforts to awaken individuals to their true potential to act in the face of crises.
Geoffroy’s prolific output, so driven by a sense of urgency, has nevertheless persistently sought to inspire conviviality, generosity, and above all a sense of harmony. His work is strategic, frontal, poetic, humoristic, self- and institutionally-critical, but also deeply personal. His irrepressible energy has fueled an art movement centered around “Emergency Art,” which questions the state of delay which characterizes contemporary art and the world around it.
The subtitle of this monograph, “A Propulsive Retrospective,” refers to the “forward-looking” nature of this publication, condensing and analyzing the past, and thus advances his work in its mission of fighting apathy. The publication of the monograph will be accompanied by a series of international presentations and seminars intended to foster, explore and deepen the propositions, which can be found in Geoffroy’s oeuvre.
ABOUT THE AUTHORS
With texts by Sebastian Baden , Michael Buhrs, Jonatan Habib Engqvist, Carsten Friberg, Morten Friis, Christian Ganzenberg, Elena Hansen, Séamus Kealy, Tijana Mišković, Susana Puente Matos, Marie-France Rafael, Johanne Schrøder, Inka Schube.
Further contributions by Mikkel Bogh, Raphael Chikukwa, Julia Draganović, Mascha Faurschou, Richard Julin, Åsmund Boye Kverneland, Christopher Lew, Madeleine Park , Holger Reenberg.
Welcome Film Festival. New festival concept .Copenhagen DenmarkEmergency Art
About the Welcome Film Festival
The Welcome Film Festival was founded by French-Danish conceptual artist Thierry Geoffroy, and will have its first edition from November 01-20, 2024. The festival is a new emergency format, with the emergency being the need to express oneself on important matters - political or private - as well as to connect and exchange ideas with friends and strangers alike.
During the duration of the film festival, a number of "foreigners"- artists with migrant backgrounds, residing in Denmark - will invite guests into the intimate settings of their homes to screen their own films. Questions will be raised, such as, what are the new experimental movements in film today? What is a film festival? This avant-garde event will allow audiences to familarize themselves not only with a different kind of film, but with topics that concern artists with diverse backgrounds. Along with these insights, guests will be able to experience different cultural forms of hospitality and conviviality as they travel from one private setting to the next. The festival is, therefore, as much about enjoying film as a medium, as it is about exploring the many different contexts provided by its multi-cultural hosts.
Welcome to the Welcome Film Festival!
Keep an eye out for updates on specific screening dates, and please be in touch if you are interested in joining either as a filmmaker or as a volunteer.
As a volunteer, you will have the opportunity to meet culturally diverse participants, spread the word about the film festival, work on press and documentation, help organize the festival program, social media outreach, conduct interviews with the filmmakers, as well as participate in film screenings and important discussions that might arise from them.
"THE CURATOR LIFTING RUNNING COMPETITION". Venice Biennale 2003 .pdfEmergency Art
Danish/French artist Colonel’s video from the Venice Biennale 2003 will be shown at Nikolaj’s Cinema. It presents the staging of a competition in which artists raced each other while carrying a curator on their backs. The prize was an admission ticket to the most prestigious party of the Biennale. During a major art event as the Venice Biennale, both artists and curators are subject to hidden rules and mechanisms which must be adhered to in order to obtain a good position in the hierarchy of the art world. With his energetic and humorous video Colonel focusses on these mechanisms and unveils a lobbyistic game which is not merely about creating exhibitions but also about preserving certain privileges.
On the plane:
It begins on the plane from Denmark where the art industry clique has booked the same flight. Colonel hands out flyers, already well underway with his campaign to recruit contestants for the competition.
New film concept:
Colonel uses people who simply happen to be there to film the situations which arise. In so doing they become both witnesses to and participants in the processes of uncovering the hidden mechanisms of the cultural event.
The press:
In Venice Colonel intensifies his endeavours and now involves the journalists so that they may help him spread the word about the upcoming event.
Participants for the competition:
In Venice Colonel goes on to invite artists as well as curators to be a part of the great race.
The party:
Colonel chases invitations to the most coveted parties in order to use them as the first prize of the curator lifting running competition.
The competititon:
During the competition the artist both symbolically and literally becomes the curator’s arms and legs.
For more information on this project, please visit www.colonel.dk or https://en.wikipedia.org/wiki/Thierry_Geoffroy ,http://www.emergencyrooms.org/formats.html
Ultracontemporary artformats like Biennalist EmergencyRoom Critical Run Aware...Emergency Art
Thierry Geoffroy, 1961
Thierry Geoffroy/COLONEL (FR/DK) develops art formats such as EMERGENCY ROOM, Biennalist and Critical Run.
Geoffroy has exhibited at P.S. 1/ MOMA, New York, ZKM Museum Karlsruhe, Moderna Museet in Stockholm and Plazzo Delle Arti Napoli. He has also participated in biennales such as Venice Biennale (the Maldives Pavilion), Liverpool Biennale, Manifesta Biennale in Murcia and Cairo Biennale. Thierry Geoffroy is Chevalier de l’Ordre des Arts et des Lettres. His work is presented in museums such as the HEART Museum of Contemporary Art, the Sprengel Museum, the National Museum of Photography and the Museum of Contemporary Art in Denmark.
Thierry Geoffroy Colonel overvieuw : Artformat,Biennalist;Emergencyroom,Artw...Emergency Art
Thierry Geoffroy/Colonel (FR/DK) is an artist that works since 1988 in the Now, and through his art works, he reflects upon urgencies.He creates what he calls “Emergency Art Formats“ , and “Emergency Art Works”.
For example, Emergency Room is a special designed space that has been activated in museums and art institutions where artists can express every day about what they consider to be the most important emergencies. It has been activated in 10 countries, the longest period was at the MoMA / PS1 with an everyday changing exhibition.
Sometimes,Thierry Geoffroy does expression on tents in public space or in dialogue with museum collections.
Thierry Geoffroy has exhibited at MoMA / PS1, New York /ZKM Museum, Karlsruhe / Moderna Museet, Stockholm / Palazzo Delle Arti, Napoli / Kunsthalle Mannheim / Sprengel Museum, Hannover, and Vejle Kunst Museum.
He has also participated in biennales such as Venice Biennale,, Liverpool Biennale, Manifesta Biennale in Murcia, Cairo Biennale, and Casablanca Biennale.
Thierry Geoffroy is Chevalier de l’Ordre des Arts et des Lettres. His art works are part of museums such as the HEART Museum of Contemporary Art, the Sprengel Museum, the National Museum of Photography ,the Museum of Contemporary Art Roskilde, and Mannheim Kunsthalle.
www.emergencyrooms.org/formats.html
Documenta Kassel / Revieuw by Mette Sandbye for weekendavisen ( Kassel and Ve...Emergency Art
About artist Thierry Geoffroy/Colonel:
https://en.wikipedia.org/wiki/Thierry_Geoffroy
https://en.wikipedia.org/wiki/Emergency_Room_(art)
http://www.emergencyrooms.org/formats.html
http://www.colonel.dk/
Format art by By Johanne Schrøder 07.02.2021Emergency Art
Towards a Definition of Format Art.
On the artistic process as catalyst for movement and change in Thierry Geoffroy’s art formats.
By Johanne Schrøder MA in Art History
http://www.emergencyrooms.org/formats.html
Towards a Definition of Format Art. On the social, political and critical eff...Emergency Art
Towards a Definition of Format Art.
On the social, political and critical effects of Thierry Geoffroy’s art formats.
Text By Johanne Schrøder
More about art formats :
http://www.emergencyrooms.org/formats.html
Episode 220: Future of Work: How to Find and Select Accessible Workplace Tech...Workology
This episode of the Workology Podcast is part of our Future of Work series powered by PEAT, the Partnership on Employment & Accessible Technology. In honor of the upcoming 30th anniversary of the Americans with Disabilities Act this July, we’re investigating what the next 30 years will look like for people with disabilities at work, and the potential of emerging technologies to make workplaces more inclusive and accessible. Today, I’m joined by Gregg Vanderheinen.
Gregg Vanderheinen directs the Trace R&D Center at the University of Maryland and co-directs Raising the Floor, part of an international consortium of over 50 companies and organizations building the Global Public Inclusive Infrastructure (GPII) with the goal of making all digital interfaces accessible. Gregg is recognized as a pioneer in computer access for people with disabilities and has worked in the field of technology and disability for just shy of 50 years. Many of the initial digital accessibility features for both Windows and MacOS came from his work with Apple and Microsoft.
His work can be seen in a wide range of products including computers, phones, Automated Postal Stations, Amtrak ticket machines, and airport communication terminals. He has worked with over 50 companies and numerous government advisory & planning committees including FCC, NSF, NIH, GSA, NCD, Access Board and White House. Gregg, welcome to the Workology Podcast.
Thierry Geoffroy Colonel: A Propulsive Retrospective.Book Format Art | Awaren...Emergency Art
This 608 pages book Thierry Geoffroy Colonel: A Propulsive Retrospective took 4 years hard work to accomplished and has been printed yesterday day-night more details here https://lnkd.in/eHpiYuX2 .
------------------------------------------------------------------
Format Art | Awareness Muscle | Emergency Art | Ultracontemporary | Biennalist | Moving Exhibitions | Critical Run | Delay Museum | Apathy Lab | Extracteur
Michael Buhrs (Editor) and Christian Ganzenberg (Editor) for Museum Villa Stuck, Munich
Publication Date: April 2024
Publisher: Snoeck Publishing Company
ISBN: 9783864423956
608 pp., ca. 1.000 color illustrations
Format: 24.5 x 31cm
This monography presents 22 Art Formats, including the Emergency Room, Critical Run and Biennalist, which have been realized in institutions across the globe. Geoffroy defines Format Art as his artistic response to globalization, providing individuals with a replicable format for expressing themselves, thereby enabling them to respond to emergencies and real-world issues in the now.
Art historians and long-term collaborators of the artist offer in-depth analyses of Geoffroy’s artistic praxis: its mobility, flexibility and its constant quest to be “in advance” of accidents and his time. Accompanied by over 1.000 images.. A comprehensive chronology of Geoffroy’s oeuvre, detailing his many exhibitions and interventions at countless institutions and events, reveals the breadth and scope of the artist’s long-term efforts to awaken individuals to their true potential to act in the face of crises.
Geoffroy’s prolific output, so driven by a sense of urgency, has nevertheless persistently sought to inspire conviviality, generosity, and above all a sense of harmony. His work is strategic, frontal, poetic, humoristic, self- and institutionally-critical, but also deeply personal. His irrepressible energy has fueled an art movement centered around “Emergency Art,” which questions the state of delay which characterizes contemporary art and the world around it.
The subtitle of this monograph, “A Propulsive Retrospective,” refers to the “forward-looking” nature of this publication, condensing and analyzing the past, and thus advances his work in its mission of fighting apathy. The publication of the monograph will be accompanied by a series of international presentations and seminars intended to foster, explore and deepen the propositions, which can be found in Geoffroy’s oeuvre.
ABOUT THE AUTHORS
With texts by Sebastian Baden , Michael Buhrs, Jonatan Habib Engqvist, Carsten Friberg, Morten Friis, Christian Ganzenberg, Elena Hansen, Séamus Kealy, Tijana Mišković, Susana Puente Matos, Marie-France Rafael, Johanne Schrøder, Inka Schube.
Further contributions by Mikkel Bogh, Raphael Chikukwa, Julia Draganović, Mascha Faurschou, Richard Julin, Åsmund Boye Kverneland, Christopher Lew, Madeleine Park , Holger Reenberg.
Welcome Film Festival. New festival concept .Copenhagen DenmarkEmergency Art
About the Welcome Film Festival
The Welcome Film Festival was founded by French-Danish conceptual artist Thierry Geoffroy, and will have its first edition from November 01-20, 2024. The festival is a new emergency format, with the emergency being the need to express oneself on important matters - political or private - as well as to connect and exchange ideas with friends and strangers alike.
During the duration of the film festival, a number of "foreigners"- artists with migrant backgrounds, residing in Denmark - will invite guests into the intimate settings of their homes to screen their own films. Questions will be raised, such as, what are the new experimental movements in film today? What is a film festival? This avant-garde event will allow audiences to familarize themselves not only with a different kind of film, but with topics that concern artists with diverse backgrounds. Along with these insights, guests will be able to experience different cultural forms of hospitality and conviviality as they travel from one private setting to the next. The festival is, therefore, as much about enjoying film as a medium, as it is about exploring the many different contexts provided by its multi-cultural hosts.
Welcome to the Welcome Film Festival!
Keep an eye out for updates on specific screening dates, and please be in touch if you are interested in joining either as a filmmaker or as a volunteer.
As a volunteer, you will have the opportunity to meet culturally diverse participants, spread the word about the film festival, work on press and documentation, help organize the festival program, social media outreach, conduct interviews with the filmmakers, as well as participate in film screenings and important discussions that might arise from them.
"THE CURATOR LIFTING RUNNING COMPETITION". Venice Biennale 2003 .pdfEmergency Art
Danish/French artist Colonel’s video from the Venice Biennale 2003 will be shown at Nikolaj’s Cinema. It presents the staging of a competition in which artists raced each other while carrying a curator on their backs. The prize was an admission ticket to the most prestigious party of the Biennale. During a major art event as the Venice Biennale, both artists and curators are subject to hidden rules and mechanisms which must be adhered to in order to obtain a good position in the hierarchy of the art world. With his energetic and humorous video Colonel focusses on these mechanisms and unveils a lobbyistic game which is not merely about creating exhibitions but also about preserving certain privileges.
On the plane:
It begins on the plane from Denmark where the art industry clique has booked the same flight. Colonel hands out flyers, already well underway with his campaign to recruit contestants for the competition.
New film concept:
Colonel uses people who simply happen to be there to film the situations which arise. In so doing they become both witnesses to and participants in the processes of uncovering the hidden mechanisms of the cultural event.
The press:
In Venice Colonel intensifies his endeavours and now involves the journalists so that they may help him spread the word about the upcoming event.
Participants for the competition:
In Venice Colonel goes on to invite artists as well as curators to be a part of the great race.
The party:
Colonel chases invitations to the most coveted parties in order to use them as the first prize of the curator lifting running competition.
The competititon:
During the competition the artist both symbolically and literally becomes the curator’s arms and legs.
For more information on this project, please visit www.colonel.dk or https://en.wikipedia.org/wiki/Thierry_Geoffroy ,http://www.emergencyrooms.org/formats.html
Ultracontemporary artformats like Biennalist EmergencyRoom Critical Run Aware...Emergency Art
Thierry Geoffroy, 1961
Thierry Geoffroy/COLONEL (FR/DK) develops art formats such as EMERGENCY ROOM, Biennalist and Critical Run.
Geoffroy has exhibited at P.S. 1/ MOMA, New York, ZKM Museum Karlsruhe, Moderna Museet in Stockholm and Plazzo Delle Arti Napoli. He has also participated in biennales such as Venice Biennale (the Maldives Pavilion), Liverpool Biennale, Manifesta Biennale in Murcia and Cairo Biennale. Thierry Geoffroy is Chevalier de l’Ordre des Arts et des Lettres. His work is presented in museums such as the HEART Museum of Contemporary Art, the Sprengel Museum, the National Museum of Photography and the Museum of Contemporary Art in Denmark.
Thierry Geoffroy Colonel overvieuw : Artformat,Biennalist;Emergencyroom,Artw...Emergency Art
Thierry Geoffroy/Colonel (FR/DK) is an artist that works since 1988 in the Now, and through his art works, he reflects upon urgencies.He creates what he calls “Emergency Art Formats“ , and “Emergency Art Works”.
For example, Emergency Room is a special designed space that has been activated in museums and art institutions where artists can express every day about what they consider to be the most important emergencies. It has been activated in 10 countries, the longest period was at the MoMA / PS1 with an everyday changing exhibition.
Sometimes,Thierry Geoffroy does expression on tents in public space or in dialogue with museum collections.
Thierry Geoffroy has exhibited at MoMA / PS1, New York /ZKM Museum, Karlsruhe / Moderna Museet, Stockholm / Palazzo Delle Arti, Napoli / Kunsthalle Mannheim / Sprengel Museum, Hannover, and Vejle Kunst Museum.
He has also participated in biennales such as Venice Biennale,, Liverpool Biennale, Manifesta Biennale in Murcia, Cairo Biennale, and Casablanca Biennale.
Thierry Geoffroy is Chevalier de l’Ordre des Arts et des Lettres. His art works are part of museums such as the HEART Museum of Contemporary Art, the Sprengel Museum, the National Museum of Photography ,the Museum of Contemporary Art Roskilde, and Mannheim Kunsthalle.
www.emergencyrooms.org/formats.html
Documenta Kassel / Revieuw by Mette Sandbye for weekendavisen ( Kassel and Ve...Emergency Art
About artist Thierry Geoffroy/Colonel:
https://en.wikipedia.org/wiki/Thierry_Geoffroy
https://en.wikipedia.org/wiki/Emergency_Room_(art)
http://www.emergencyrooms.org/formats.html
http://www.colonel.dk/
Format art by By Johanne Schrøder 07.02.2021Emergency Art
Towards a Definition of Format Art.
On the artistic process as catalyst for movement and change in Thierry Geoffroy’s art formats.
By Johanne Schrøder MA in Art History
http://www.emergencyrooms.org/formats.html
Towards a Definition of Format Art. On the social, political and critical eff...Emergency Art
Towards a Definition of Format Art.
On the social, political and critical effects of Thierry Geoffroy’s art formats.
Text By Johanne Schrøder
More about art formats :
http://www.emergencyrooms.org/formats.html
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Fed by curiosity and beauty - Remembering Myrsine Zorba
"Software happyness , electronic guru "Intervieuw in kopenhagen.dk09. marts 2005:
1. Kopenhagen.dk - kunsten kommunikerer! onsdag d. 04. april 2012. 14:59
Få gratis nyhedsbrev hver uge
Tilmeld dig her !
Din email
ja tak
Kopenhagen - info om samtidskunst > Interviews > 4 til COLONEL
ANNONCER: [09. marts 2005]
Interview
COLONEL og en af de indiske it-guruer
4 til COLONEL
COLONEL er draget til Indien for at finde Software Happyness. Hvad dét er, hvorfor
han staver det med "y", og hvorfor det lige er Indien, han er taget til, kan du -
sammen med en masse andet - få svar på i kopenhagens elektroniske interview
med kunstneren.
Interview:Carla Strube
Foto:COLONEL m.fl.
Colonel
Electronic Guru
12. marts - 10. marts 2005
RELATED:
fra kopenhagen.dk:
[20. januar 2008]
Interview: Colonel on
Penetration
[08. januar 2008]
Interview med
Colonel
[11. september 2007]
Spooky Truths - Hal
D
[05. juli 2006]
Interview: Colonel
[05. juli 2005]
Roskilde Festival 05
[15. februar 2001]
Interview med
Colonel
fra www:
www.colonel.dk
Colonel på
galerieolafstueber.de
Colonel på asbaek.dk
Colonel på
artfacts.net
søg
09. marts 2005: 4 til COLONEL http://www.kopenhagen.dk/interviews/interviews/interviews_2005/4_til_colonel/
1 of 5 04/04/12 15:00
2. Museet for Samtidskunst
Stændertorvet 3D, 4000 Roskilde
web site:www.samtidskunst.dk
Tirsdag-fredag 11-17, lørdag-søndag 12-16
What is "software happiness"?
It is software happyness (with an y) not software happiness.
The word happiness has been abused by the people in advertising and
other brainstormers (film instructors included), so I like to make that
mistake to not use a word THEY murdered
Happyness is a word free of the cliché from publicity, or dramaturgy, a
word that can be filled up with warm mysterious illogic content far away
from what THEY want me to feel when I hear or see that word.
Colonel's questions
Software happyness
It is the title of the project.
It is the dream, the intention,
the title of the utopia:
Make magic software that makes people happy
(Like Asterix drank the magic portion)
It is a way to point out the question: Does computers contribute to our
happyness or is this project an impossible goal from the start, an absurd
one.
The road to the software happyness is the answer to the question, based
on this double, evidence:
1) We (all) spend our life in front of a computer (telephone include) 2)
We are also all looking for happiness.
Can these 2 facts match or not? Personally I believe in it, the software
happiness, we have to, there’s no way back.
The idea to make software happyness is a project to point out that
question
It is like, when I organized "Barnvogn-løb " (a race for carriage with
babies around the lake) the utopist goal was to make friends as an
active immigrant in Østerbro. I did not succeed to make friends, but I
pointed out how it difficult it is to make friends as an immigrant in
Denmark. So the goal gives the form to the project and the content as
well.
09. marts 2005: 4 til COLONEL http://www.kopenhagen.dk/interviews/interviews/interviews_2005/4_til_colonel/
2 of 5 04/04/12 15:00
3. By looking for something I show what’s happen on the road.
By trying to make a software happyness I put up the question:
Computer + human = ?
Tell me, why did you travel to Bangalore?
Bangalore is now more important that Silicon Valley, it’s where all the
computer programmers are. A town specialized in software development.
Bangalore is the symbol of the new world.
(800 000 people are working with the new technologies in Bangalore)
The town is filled up with "informatics campus like Cyber Park or
Electronic City.
All the big world companies are there (Siemens, Philips, and Oracle,
Microsoft, Intel...)
Bangalore is THE world example of a town developing with the new
technological economy.
The other high motivation for going there, is that Bangalore is in India.
India is also a kind of symbol for people searching for values (spirituality,
happyness, enlightenment)
Bangalore is the place to solve the two contradictory thinks software and
happiness.
Indian Software engineers are "specialists" of both questions; the
happyness one and the technological one.
Bangalore was the obvious choice for my research.
09. marts 2005: 4 til COLONEL http://www.kopenhagen.dk/interviews/interviews/interviews_2005/4_til_colonel/
3 of 5 04/04/12 15:00
4. Did you succeed in developing an artificial happiness?
Yes, I succeeded in my research of Happyness with the computer as a
vehicle.
What is happiness anyway?
Like I mentioned before Happiness is a word that has been misused and
has no content for me anymore.
Happiness is an empty form, a hijacked value (like many other words...
democracy, identity, art.... to name a few)
Happyness with " y " is a catalyst word that, the more you will write,
speak and think about it, the more it will take a form - a common shared
form.
Happyness is a downloading process including doubts, emotionsand
fragility.
It is an open source moment of illogic existence!
09. marts 2005: 4 til COLONEL http://www.kopenhagen.dk/interviews/interviews/interviews_2005/4_til_colonel/
4 of 5 04/04/12 15:00