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Shot Log
Productionname Chambers on the run
Director Luke janes Date 11/3/2015
Camera Operator Aaron Mccalla Location Langdale roadarea
Scene,
shot
Take Duration Description Quality
of video
(1=good,
3= poor)
Usable
(yes/no,
timing)
Notes
1,1 1 6 secs Close upof car pullingoutthe
driveway.
2 Yes 2-6
secs
Shotis steadybutonly2-6 secscan be usedbecause there is
noise atthe start that isn’tincludedintothe script.
1,2 1 8 secs Close upof car and wheelspulling
furtheroutthe driveway.
1 no Shotis steadybutthe picture isto dark and the audioof the car
engine isn’theardwellbecause of the wind.
1,3 1 27 secs Mid shotof alley. 1 no The audioof the footstepsandbreathingis tooloudandthe
picture isdark aroundcertainparts.
1,4 3 8 secs Mid shot/close up of alley. 2 Yes 5-8
secs
The camera isn’theldsteadyandthe picture at pointsisto dark
but the clipof the close upcan be usedbecause itsuitesthe
theme of thrillerthroughthe use of darklighting
1,5 1 9 secs Close upof alley. 1 no The camera shakescontinuouslythroughout.
1,6 1 1 sec Extreme close upof floorof alley. 1 no The camera shakesandthe clipis too shortto use in the scene.
1,7 1 8secs Close upof alleyfloor. 2 no There’stomuch backgroundnoise thatmesseswiththe audio
quality.
1,8 1 8 secs Mid shotof street. no The qualityof the cliplookspixelatedandwouldn’twork
because it’stoblurred.
1,9 4 16 secs Long shotof car drivingdownthe
street.
3 Yes 5—14
secs
The firstpart has Luke talkinginit whichwasn’tmeanttobe
includedbutcanbe editedoutandthe restof the scene can be
used.

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Shot log 1

  • 1. Shot Log Productionname Chambers on the run Director Luke janes Date 11/3/2015 Camera Operator Aaron Mccalla Location Langdale roadarea Scene, shot Take Duration Description Quality of video (1=good, 3= poor) Usable (yes/no, timing) Notes 1,1 1 6 secs Close upof car pullingoutthe driveway. 2 Yes 2-6 secs Shotis steadybutonly2-6 secscan be usedbecause there is noise atthe start that isn’tincludedintothe script. 1,2 1 8 secs Close upof car and wheelspulling furtheroutthe driveway. 1 no Shotis steadybutthe picture isto dark and the audioof the car engine isn’theardwellbecause of the wind. 1,3 1 27 secs Mid shotof alley. 1 no The audioof the footstepsandbreathingis tooloudandthe picture isdark aroundcertainparts. 1,4 3 8 secs Mid shot/close up of alley. 2 Yes 5-8 secs The camera isn’theldsteadyandthe picture at pointsisto dark but the clipof the close upcan be usedbecause itsuitesthe theme of thrillerthroughthe use of darklighting 1,5 1 9 secs Close upof alley. 1 no The camera shakescontinuouslythroughout. 1,6 1 1 sec Extreme close upof floorof alley. 1 no The camera shakesandthe clipis too shortto use in the scene. 1,7 1 8secs Close upof alleyfloor. 2 no There’stomuch backgroundnoise thatmesseswiththe audio quality. 1,8 1 8 secs Mid shotof street. no The qualityof the cliplookspixelatedandwouldn’twork because it’stoblurred. 1,9 4 16 secs Long shotof car drivingdownthe street. 3 Yes 5—14 secs The firstpart has Luke talkinginit whichwasn’tmeanttobe includedbutcanbe editedoutandthe restof the scene can be used.