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Shot List

Names: Sara, James H, James W           Project: Four To One.



Shot        Shot Type/Movement (e.g. Close up)   Shot Description
Number
1           Establishing shot.                   To show the house Chelsea moves into.


2           Still mid shot.                      Shows jack’s slob nature.


3           Over the shoulder shot.              To see the props that connotes the slob gestus.


4           Tracking long shot.                  To show Jack jump down in panic of Chelsea’s
                                                 return.

5           Point of view shot/tilt.             To show Chelsea looking down on Jack and his
                                                 cover up of slob nature.

6           Tracking master shot.                To show the sporty one on a job.


7           Mid shot to long shot.               To show Tony’s vain nature.


8           Close up.                            Show Barry and his chavy persona.


9           Long shots.                          Showing Barry’s pursuit of the female.


10          Master shot then freeze frame.       Shows the pervious and androcentric beliefs to
                                                 present himself as an antagonist to the gynocentric
                                                 protagonist.
11          Mid Shot reverse Shot.               This is to show Martins’ Preference to video games
                                                 instead of the girl Barry Chats about.

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Shot list completed

  • 1. Shot List Names: Sara, James H, James W Project: Four To One. Shot Shot Type/Movement (e.g. Close up) Shot Description Number 1 Establishing shot. To show the house Chelsea moves into. 2 Still mid shot. Shows jack’s slob nature. 3 Over the shoulder shot. To see the props that connotes the slob gestus. 4 Tracking long shot. To show Jack jump down in panic of Chelsea’s return. 5 Point of view shot/tilt. To show Chelsea looking down on Jack and his cover up of slob nature. 6 Tracking master shot. To show the sporty one on a job. 7 Mid shot to long shot. To show Tony’s vain nature. 8 Close up. Show Barry and his chavy persona. 9 Long shots. Showing Barry’s pursuit of the female. 10 Master shot then freeze frame. Shows the pervious and androcentric beliefs to present himself as an antagonist to the gynocentric protagonist. 11 Mid Shot reverse Shot. This is to show Martins’ Preference to video games instead of the girl Barry Chats about.