Shot list
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This document provides descriptions for 40 different shots in a film or music video. The shots include things like a piano playing itself from a high angle, two people looking at stars from long shots in different locations, a person playing guitar and singing from wide shots, a person running with their head in the clouds from establishing and long shots, zooming into and out of someone's pocket and head, a postcard being sent and received, someone flying and then launching into space in a rocket. The shots are cutting between these various scenes and angles to depict someone chasing dreams and going "skybound".
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Shot list
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Shot list
The document describes 40 shots that show the main character taking drugs, getting into a fight, and ultimately stabbing someone. The shots include close-ups, medium shots, and long shots of the character, a vocalist singing, and people on the street. They progress from the character arranging to meet a drug dealer to taking the drugs, getting sick, bumping into someone, pulling out a knife, and stabbing a boy with a bandana around his face. Interspersed are shots of a vocalist singing and people going about their daily lives.
Shotlist
1. The document contains a shot list for a music video with 96 shots listed along with the shot type, action, and mise-en-scene for each shot.
2. Many of the shots are close-ups of the artist lip syncing and expressing emotion to tell the story of a relationship that has ended and the artist working through the pain and memories.
3. Flashback shots with shaky camera movements are used to depict the tensions and ups and downs of the past relationship, while other shots like a heroic stance suggest the artist has overcome the breakup.
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This document outlines a shot list for a music video. It provides 63 shots describing the action, camera angles, and mise-en-scene details for shots of a band performing and an accompanying storyline. The shots include close-ups and medium shots of band members singing and playing instruments, cutaways to related locations and objects that tie to the song lyrics, and storyline shots of the protagonist at work and socializing. The goal is to film the band's performance while cutting between those and scenes that move the narrative along.
Shooting schedule
This document outlines a shot list for a music video. It provides 63 shots describing the action, camera angles, and mise-en-scene details for shots of a band performing and an accompanying storyline. The shots include close-ups and medium shots of band members singing and playing instruments, cutaways to related locations and objects that tie to the song lyrics, and storyline shots of the protagonist at work and socializing. The goal is to film the band's performance while cutting between those and storyline shots to illustrate the song.
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The music video for Regina Spektor's song "Us" features surreal and strange scenes created through stop motion animation. Spektor is seen unpacking objects from a bag and using them to transform a room, such as unfolding a piano and making a small city sprout from scattered seeds. The video also depicts monotone photographic images and illustrated scenes representing a corrupted world. Through the surreal visuals and lyrics referring to public figures having statues erected in their honor and later being blamed for problems, the song suggests it is about the idolization and scapegoating of celebrities and politicians by the general public.
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The document provides a shot-by-shot summary for a music video. It introduces an abused girlfriend and her boyfriend. Over the course of the video, she decides to leave him. Scenes alternate between close-ups of the characters and shots of the band playing. In the end, the lead singer returns the girlfriend's scarf, suggesting support as she moves on from the abusive relationship.
Shotlist Daniel Cooke
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Script working title
1. The document describes a scene that takes place in the bedrooms of two teenagers, Josh and Isa. Though their rooms are decorated differently based on their families and backgrounds, all items are placed in the same locations.
2. The scene shows Josh and Isa getting ready in their rooms, putting on outfits and accessories typical of the other's gender. There are crosscuts between Josh dressing as a girl in his room and Isa dressing as a boy in her room.
3. The document ends with a long shot of Josh and Isa staring into a mirror, having fully dressed up in the outfits of the opposite gender.
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Production plan
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Media hmwk 1
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Detailed written analysis
The music video for the song "Word By Word" tells the story of a teenage boy and girl who like each other but are afraid to make the first move. Throughout the video, various camera techniques are used to show both characters' perspectives and emotions as they interact with and think about each other from opposite sides of a brick wall. The editing matches shots of the two characters to convey their feelings and the tension of their situation without directly communicating. Overall, the cinematography, editing, and mise-en-scene work together to visually portray the song's lyrics about two people struggling to express their romantic feelings for one another.
Detailed written analysis
The music video for the song "Word By Word" uses various camera techniques to tell the story of two teenagers who like each other but are afraid to express their feelings. It employs a two-shot throughout to show the chemistry between the pair and their hesitance to make the first move, such as when they go to hold hands but one pulls away. Panning and shot-reverse-shots are also used to depict both characters' perspectives as they watch each other from opposite sides of a brick wall, representing the barrier between them. The editing, lighting, setting, and the characters' clothing are all designed to create a believable, romantic story that matches the themes of the coming-of-age song.
Representation
The document provides details about representing two artists, Riley and Jack Nelson, on the cover of a hip-hop magazine. For Riley, the representation uses a low-angled shot and stereotypical hip-hop clothing, body language, and lighting to portray him as young, masculine, and powerful within the genre. For Jack Nelson, it takes a high-angled shot and more casual clothing to depict him as a less powerful newcomer to the scene who is naïve about adopting hip-hop fashion styles.
Conventions para
Music magazines follow certain conventions in their page design and layout to attract readers and create a sense of identity. They typically feature a large artist image on the cover and place cover lines and stories on the left third of the page in bold, bright fonts so they are noticed. The layout and style depends on the genre, with hip-hop magazines having a brighter style focusing on individual artists. Magazines also use tone and style of writing to create a mood that allows readers to relax and enjoy reading. The author's magazine design incorporated aspects of hip-hop magazines, including title, image style, colors and placement of text and articles to match conventions and appeal to readers.
Conventions para
This document discusses conventions used in music magazine layout and design. It explains that magazines establish a consistent house style through layout to create a sense of identity. Most magazines feature a large artist image and masthead at the top of the cover. Text is placed on the left third of pages according to how people naturally read. Depending on genre, magazines use different styles - for example, hip hop magazines tend to be brighter with single artist features. Magazines also employ tone and style of writing to create a mood that allows readers to relax and enjoy reading.
Conventions
The document discusses conventions for magazine front covers and interior pages. Front covers typically feature the magazine name and date prominently, with the main image centered to draw attention. Interior pages use columns and multiple images to organize content neatly. Headings are in large sans-serif font with subheadings and body text in smaller fonts. Photos and graphics are placed to guide the reader's eye through the layout according to principles of thirds. Bright colors and white space help elements stand out against backgrounds.
Conventions
The document discusses conventions for magazine front covers and interior pages. It analyzes examples and provides guidelines. Front covers typically feature the masthead, cover lines in large sans-serif font, and a central large image. Interior pages use columns, photos and captions on the right, headings in large sans-serif, and follow the rule of thirds. Double page spreads center a large image with text wrapping around and the title at top left.
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Shot list
- 1. Shot No. Shot Type and Angle Description 1 High angle mid shot Looks down at the piano playing itself. 2 Long shot NASA take away the man because they need him. (Special powers) 3 Long shot They’re both in different locations looking at the stars. 4 Wide shot Real person is playing the guitar and singing. 5 High angle mid shot Passport gets another put onto it. 6 High angle mid shot A flag fly’s in and goes on the map, gets another flag on the map. 7 Establishing shot She’s at a cross roads, where there is a stop sign, but she doesn’t know what she’s waiting for. 8 Wide shot Real person is playing the guitar and singing. 9 Establishing shot He’s running along chasing dreams. 10 Long shot His head is in the clouds (linking with the lyrics) 11 Zoom Zooms into his pocket to see the insides. 12 Close up Close up of his pocket allowing you to see what’s in it. 13 Zoom out Zoom out of his pocket then fades into a close up of his head. 14 Close up Close up of his head to see all the music in his head. 15 Long shot His head starts to come back down. 16 Wide shot SKYBOUND pops up at the time he starts to sing the lyric. 17 Wide shot Real person is playing the guitar and singing. 18 Establishing shot He’s running along chasing dreams. 19 Long shot His head is in the clouds (linking with the lyrics) 20 Zoom Zooms into his pocket to see the insides. 21 Close up Close up of his pocket allowing you to see what’s in it. 22 Zoom out Zoom out of his pocket then fades into a close up of his head. 23 Close up Close up of his head to see all the music in his head. 24 Long shot His head starts to come back down. 25 Wide shot SKYBOUND pops up at the time he starts to sing the lyric.
- 2. 26 Close up Close up of an ATM showing no money in it (links with the lyrics of the song) 27 Wide shot Wide shot of her sending her love. Puts it in a post box. 28 Close up Message sent receipt pops up. 29 Close up Postcard comes in showing the front. 30 Close up The postcard turns linking in with the lyrics. 31 Close up Real person is playing the guitar and singing. 32 Long shot Shot of him flying in the clouds. 33 Wide shot He starts to pull up and goes out of shot. 34 Wide shot The shot continues and then a rocket comes in with him in it. 35 Establishing shot The rocket works its way fully into shot. 36 Establishing shot The rocket works its way fully into shot. 37 Establishing shot The rocket works its way fully into shot. 38 Establishing shot The rocket works its way fully into shot. These are because he’s going ‘Skybound’ 39 Wide shot SKYBOUND pops up when he sings the lyric. 40 Fade out The shot fades into darkness.