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Ideas  
The  plus  and  minus  of  a  short  memory:  Forgetting  the  pain  vs.  
remembering  the  cost;;  Is  it  better  to  forget  the  pain  of  war,  or  
does  that  doom  us  to  repeat  history?  
Andrew  Mills  
Special  to  the  Star  
1187  words  
25  June  2006  
The  Toronto  Star  
ONT  
D03  
English  
Copyright  (c)  2006  The  Toronto  Star  
    
BEIRUT  –  On  June  10,  the  sound  of  gunshots  echoed  through  the  no  
man's  land  that  divided  East  and  West  Beirut  during  Lebanon's  long  
and  bloody  civil  war.  
  
But  it  was  not  the  telltale  sound  of  the  snipers,  militiamen  or  assassins  
who  once  ruled  this  part  of  town.  Nobody  took  cover.  This  was  not  civil  
war  redux.  
  
The  sound  was  coming  from  the  50  Cent  concert  down  the  street.  
In  a  tent  around  the  corner  from  the  former  Green  Line,  10,000  
Beirutis  -­  most  of  whom  were  too  young  to  have  any  memory  of  what  
that  Green  Line  used  to  mean  -­  were  snapping  photos  with  their  
camera  phones  and  cheering  wildly  as  the  hip-­hop  superstar  opened  
his  first  concert  here  in  a  hail  of  recorded  gunfire.  
  
The  fans  come  from  a  generation  that  has  grown  up  in  the  aftermath  
of  Lebanon's  1975-­1990  civil  war,  a  time  when  the  traumatic  
memories  of  that  experience  have  largely  been  allowed  to  slip  away.  
  
Except  for  the  occasional  bombed-­out  ruin,  there  are  few  reminders  
that,  not  very  long  ago,  this  country  was  the  site  of  some  of  the  worst  
violence  the  modern  world  has  seen.  There  are  no  state-­sanctioned  
memorials  or  days  of  remembrance.  Lebanon's  national  museum,  
which  sits  on  the  former  Green  Line,  barely  mentions  the  war.  
  
In  high  school  history  class,  the  civil  war  is  not  taught  -­  the  curriculum  
ends  in  the  mid-­1960s.  
  
"Sometimes,  what's  not  nice  to  remember  is  not  worth  remembering,"  
says  Kamal  Salibi,  a  renowned  Lebanese  historian.  
  
But  that  impulse  has  some  here  afraid  that  the  same  teens  who  
welcomed  America's  favourite  gangsta  rapper  as  the  biggest  act  of  the  
summer  haven't  learned  from  Lebanon's  violent  past.  
  
The  very  real  fear  is  that  they  are  poised  to  fall  into  the  same  cycle  of  
violent  civil  war  their  parents'  generation  did.  
  
Now,  we  shouldn't  read  too  much  into  the  long-­term  effects  of  50  
Cent's  stop  in  Beirut.  A  night  of  glorifying  violent  crime  certainly  won't  
set  off  another  Lebanese  civil  war.  
  
"People  went  there,  they  jumped  around,  and  the  next  day  all  they'll  
remember  is  the  drugs  they  did  and  whom  they  kissed,"  says  Charles  
Harb,  a  social  psychologist  at  the  American  University  of  Beirut.  
"That's  it."  
  
What's  interesting  is  the  way  young  people  in  Beirut  felt  honoured  that  
such  a  successful  hip-­hop  artist  would  include  a  stop  here  on  his  world  
tour.  
  
It  was  sign,  they  said,  that  Beirut  has  recovered  from  the  war  years.  
  
"It's  a  good  thing,"  said  Christy  Sakr,  18,  while  she  waited  outside  50  
Cent's  hotel  for  an  autograph.  "It  makes  Lebanon  look  safe  and  gives  
the  world  a  better  impression  of  this  country."  
  
Apparently,  I  was  the  only  one  in  town  who  found  it  strange,  if  not  
perverse,  that  the  way  to  mark  recovery  from  a  civil  war  is  to  welcome  
an  artist  whose  latest  album  is  called  The  Massacre  and  features  
sustained  bursts  of  gunfire  accompanied  by  bloodcurdling  screams.  
  
An  estimated  150,000  people  were  killed  in  the  15  years  of  the  civil  
war.  Some  died  in  the  crossfire,  others  were  executed.  Some  17,000  
people  are  still  missing.  There  were  multiple  massacres.  
  
Doesn't  the  visit  of  an  artist  like  50  Cent  make  a  mockery  of  those  
deaths?  
  
No,  said  18-­year-­old  Wadih  Abikhalil,  another  autograph  seeker.  
There  is  no  comparison  between  Lebanon  and  50  Cent's  message,  he  
said.  
  
"Here,  it's  politics  and  religion.  There,  it's  a  drug  war.  It's  two  different  
things,  a  totally  different  point  of  view."  
  
But  Abikhalil  was  three  when  the  war  came  to  an  end.  Like  most  
Lebanese  teenagers,  he  has  no  personal  memory  of  it  and  only  
vaguely  understands  what  unfolded.  
  
That's  because  many  Lebanese  picked  up  the  pieces  after  the  war  by  
attempting  to  erase  as  many  of  their  horrible  memories  as  possible.  
They  tried  to  forget,  and  then  moved  on.  
  
"It's  not  that  we  say,  'I'm  not  going  to  remember,'"  says  Salibi,  the  
historian.  "But  I'm  philosophizing  and  saying  that  perhaps  when  you  
remember  too  much  then  you  forget  about  living."  
  
Salibi  only  rarely  dredges  up  his  own  frightening  past.  "In  our  village,  
365  people,  the  number  of  days  in  an  ordinary  year,  all  of  whom  I  
know,  were  killed.  In  cold  blood,"  he  says  without  flinching.  
  
"Of  the  deaths,  I  have  some  live  reports  from  the  survivors,  of  the  
deaths  of  others  I  don't.  Among  my  relatives  that  were  killed  was  a  
first  cousin.  
 
"Now,  if  I  have  to  keep  on  remembering  this,  it  won't  do  anybody  much  
good.  I'd  feel  silly,"  he  says.  "They're  all  lost.  They're  gone."  
  
As  Salibi's  logic  goes,  there's  not  much  point  in  remembering  things  if  
nothing  but  more  grief  will  come  of  it.  
  
And  because  of  a  general  pardon  issued  at  the  end  of  the  war,  there  
will  never  be  an  opportunity  to  prosecute  any  of  Lebanon's  killers.  
They  all  walk  free.  
  
"We  let  bygones  be  bygones,"  Salibi  says.  "That's  the  way  it  always  is  
in  Lebanon."  
  
This  voluntary  amnesia  makes  novelist  Elias  Khoury  afraid  that  
Lebanon's  postwar  generation  will  never  learn  the  lessons  of  the  
bloody  past.  
  
"The  teaching  of  peace  is  memory,"  says  Khoury,  who,  with  several  
other  novelists  and  artists,  has  been  fighting  a  losing  battle  to  
preserve  those  memories.  "Without  memory,  you  cannot  make  a  
tradition  of  peace.  Here  is  the  problem  in  this  country."  
  
Just  look  at  the  pattern,  he  says.  Over  the  last  150  years,  Lebanon  
has  experienced  three  major  sectarian-­based  civil  wars,  in  1860,  1958  
and  1975-­1990.  Each  resulted  in  a  lot  of  bloodshed  and,  ultimately,  
stalemate.  And  each  war  was  forgotten  as  quickly  as  possible.  
  
"But  the  lesson  of  any  civil  war  in  a  country  like  ours  is  that  everybody  
will  lose,"  Khoury  says.  
  
If  the  memories  of  that  war  aren't  preserved,  he  says,  nobody  will  ever  
learn  this  hard  lesson,  and  the  pattern  of  civil  war  in  Lebanon  will  
repeat  itself  forever.  
  
Khoury  calls  it  a  "perpetual  cycle  of  wars."  
  
It  appears  that  the  cycle  has  already  started  again.  
  
Since  last  year's  assassination  of  former  prime  minister  Rafik  Hariri,  
relations  between  Lebanon's  myriad  sectarian  groups  have  been  
steadily  growing  worse.  
  
Inter-­communal  relations  in  Lebanon  haven't  been  this  tense  since  
1975,  and  many  are  beginning  to  fear  it's  only  a  matter  of  time  before  
the  country  finds  itself  in  the  midst  of  another  civil  war.  
  
When  there  is  no  memory  of  the  past,  Khoury  says,  it  is  inevitable  that  
the  present  will  become  the  past.  
  
"This,"  he  says,  "is  what  makes  me  very  afraid."  
  
Andrew  Mills  is  a  Canadian  freelance  journalist  based  in  Beirut.  

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ShortMemory

  • 1.   Ideas   The  plus  and  minus  of  a  short  memory:  Forgetting  the  pain  vs.   remembering  the  cost;;  Is  it  better  to  forget  the  pain  of  war,  or   does  that  doom  us  to  repeat  history?   Andrew  Mills   Special  to  the  Star   1187  words   25  June  2006   The  Toronto  Star   ONT   D03   English   Copyright  (c)  2006  The  Toronto  Star       BEIRUT  –  On  June  10,  the  sound  of  gunshots  echoed  through  the  no   man's  land  that  divided  East  and  West  Beirut  during  Lebanon's  long   and  bloody  civil  war.     But  it  was  not  the  telltale  sound  of  the  snipers,  militiamen  or  assassins   who  once  ruled  this  part  of  town.  Nobody  took  cover.  This  was  not  civil   war  redux.     The  sound  was  coming  from  the  50  Cent  concert  down  the  street.   In  a  tent  around  the  corner  from  the  former  Green  Line,  10,000   Beirutis  -­  most  of  whom  were  too  young  to  have  any  memory  of  what   that  Green  Line  used  to  mean  -­  were  snapping  photos  with  their   camera  phones  and  cheering  wildly  as  the  hip-­hop  superstar  opened   his  first  concert  here  in  a  hail  of  recorded  gunfire.     The  fans  come  from  a  generation  that  has  grown  up  in  the  aftermath   of  Lebanon's  1975-­1990  civil  war,  a  time  when  the  traumatic   memories  of  that  experience  have  largely  been  allowed  to  slip  away.     Except  for  the  occasional  bombed-­out  ruin,  there  are  few  reminders   that,  not  very  long  ago,  this  country  was  the  site  of  some  of  the  worst  
  • 2. violence  the  modern  world  has  seen.  There  are  no  state-­sanctioned   memorials  or  days  of  remembrance.  Lebanon's  national  museum,   which  sits  on  the  former  Green  Line,  barely  mentions  the  war.     In  high  school  history  class,  the  civil  war  is  not  taught  -­  the  curriculum   ends  in  the  mid-­1960s.     "Sometimes,  what's  not  nice  to  remember  is  not  worth  remembering,"   says  Kamal  Salibi,  a  renowned  Lebanese  historian.     But  that  impulse  has  some  here  afraid  that  the  same  teens  who   welcomed  America's  favourite  gangsta  rapper  as  the  biggest  act  of  the   summer  haven't  learned  from  Lebanon's  violent  past.     The  very  real  fear  is  that  they  are  poised  to  fall  into  the  same  cycle  of   violent  civil  war  their  parents'  generation  did.     Now,  we  shouldn't  read  too  much  into  the  long-­term  effects  of  50   Cent's  stop  in  Beirut.  A  night  of  glorifying  violent  crime  certainly  won't   set  off  another  Lebanese  civil  war.     "People  went  there,  they  jumped  around,  and  the  next  day  all  they'll   remember  is  the  drugs  they  did  and  whom  they  kissed,"  says  Charles   Harb,  a  social  psychologist  at  the  American  University  of  Beirut.   "That's  it."     What's  interesting  is  the  way  young  people  in  Beirut  felt  honoured  that   such  a  successful  hip-­hop  artist  would  include  a  stop  here  on  his  world   tour.     It  was  sign,  they  said,  that  Beirut  has  recovered  from  the  war  years.     "It's  a  good  thing,"  said  Christy  Sakr,  18,  while  she  waited  outside  50   Cent's  hotel  for  an  autograph.  "It  makes  Lebanon  look  safe  and  gives   the  world  a  better  impression  of  this  country."     Apparently,  I  was  the  only  one  in  town  who  found  it  strange,  if  not  
  • 3. perverse,  that  the  way  to  mark  recovery  from  a  civil  war  is  to  welcome   an  artist  whose  latest  album  is  called  The  Massacre  and  features   sustained  bursts  of  gunfire  accompanied  by  bloodcurdling  screams.     An  estimated  150,000  people  were  killed  in  the  15  years  of  the  civil   war.  Some  died  in  the  crossfire,  others  were  executed.  Some  17,000   people  are  still  missing.  There  were  multiple  massacres.     Doesn't  the  visit  of  an  artist  like  50  Cent  make  a  mockery  of  those   deaths?     No,  said  18-­year-­old  Wadih  Abikhalil,  another  autograph  seeker.   There  is  no  comparison  between  Lebanon  and  50  Cent's  message,  he   said.     "Here,  it's  politics  and  religion.  There,  it's  a  drug  war.  It's  two  different   things,  a  totally  different  point  of  view."     But  Abikhalil  was  three  when  the  war  came  to  an  end.  Like  most   Lebanese  teenagers,  he  has  no  personal  memory  of  it  and  only   vaguely  understands  what  unfolded.     That's  because  many  Lebanese  picked  up  the  pieces  after  the  war  by   attempting  to  erase  as  many  of  their  horrible  memories  as  possible.   They  tried  to  forget,  and  then  moved  on.     "It's  not  that  we  say,  'I'm  not  going  to  remember,'"  says  Salibi,  the   historian.  "But  I'm  philosophizing  and  saying  that  perhaps  when  you   remember  too  much  then  you  forget  about  living."     Salibi  only  rarely  dredges  up  his  own  frightening  past.  "In  our  village,   365  people,  the  number  of  days  in  an  ordinary  year,  all  of  whom  I   know,  were  killed.  In  cold  blood,"  he  says  without  flinching.     "Of  the  deaths,  I  have  some  live  reports  from  the  survivors,  of  the   deaths  of  others  I  don't.  Among  my  relatives  that  were  killed  was  a   first  cousin.  
  • 4.   "Now,  if  I  have  to  keep  on  remembering  this,  it  won't  do  anybody  much   good.  I'd  feel  silly,"  he  says.  "They're  all  lost.  They're  gone."     As  Salibi's  logic  goes,  there's  not  much  point  in  remembering  things  if   nothing  but  more  grief  will  come  of  it.     And  because  of  a  general  pardon  issued  at  the  end  of  the  war,  there   will  never  be  an  opportunity  to  prosecute  any  of  Lebanon's  killers.   They  all  walk  free.     "We  let  bygones  be  bygones,"  Salibi  says.  "That's  the  way  it  always  is   in  Lebanon."     This  voluntary  amnesia  makes  novelist  Elias  Khoury  afraid  that   Lebanon's  postwar  generation  will  never  learn  the  lessons  of  the   bloody  past.     "The  teaching  of  peace  is  memory,"  says  Khoury,  who,  with  several   other  novelists  and  artists,  has  been  fighting  a  losing  battle  to   preserve  those  memories.  "Without  memory,  you  cannot  make  a   tradition  of  peace.  Here  is  the  problem  in  this  country."     Just  look  at  the  pattern,  he  says.  Over  the  last  150  years,  Lebanon   has  experienced  three  major  sectarian-­based  civil  wars,  in  1860,  1958   and  1975-­1990.  Each  resulted  in  a  lot  of  bloodshed  and,  ultimately,   stalemate.  And  each  war  was  forgotten  as  quickly  as  possible.     "But  the  lesson  of  any  civil  war  in  a  country  like  ours  is  that  everybody   will  lose,"  Khoury  says.     If  the  memories  of  that  war  aren't  preserved,  he  says,  nobody  will  ever   learn  this  hard  lesson,  and  the  pattern  of  civil  war  in  Lebanon  will   repeat  itself  forever.     Khoury  calls  it  a  "perpetual  cycle  of  wars."    
  • 5. It  appears  that  the  cycle  has  already  started  again.     Since  last  year's  assassination  of  former  prime  minister  Rafik  Hariri,   relations  between  Lebanon's  myriad  sectarian  groups  have  been   steadily  growing  worse.     Inter-­communal  relations  in  Lebanon  haven't  been  this  tense  since   1975,  and  many  are  beginning  to  fear  it's  only  a  matter  of  time  before   the  country  finds  itself  in  the  midst  of  another  civil  war.     When  there  is  no  memory  of  the  past,  Khoury  says,  it  is  inevitable  that   the  present  will  become  the  past.     "This,"  he  says,  "is  what  makes  me  very  afraid."     Andrew  Mills  is  a  Canadian  freelance  journalist  based  in  Beirut.