The document discusses the use of lighting, camera techniques, and editing in several short films. In "Bagdad Express" and "Smashed", lighting is used to set moods - warm orange lights create a dreamlike feeling in flashbacks in "Bagdad Express", while changing colored lights in a club in "Smashed" create an energetic atmosphere. Extreme close-ups are used at the beginning of "Bagdad Express" to focus on details and set the film's unique style. Handheld camera work is common to create a sense of realism and immerse viewers in the characters' worlds. Unusual camera angles like high angles and low angles are used experimentally to find new perspectives and challenge conventions. Point-
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
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Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
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The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
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One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
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As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
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Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
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Short Film Codes
1.
2. Lighting
Where the lighting is mostly natural in social realist films to give an authentic everyday look it becomes more stylised in segments of ‘Bagdad
Express’ which breaks its linear narrative to reveal flashbacks. These show a younger Maya with textile machinery that is illuminated in dark, orange
light to give a sense of dreaminess (Maya dreaming about her passion and inspiration) and warmth (the memory of her Mother). In such a limited
space of time, the viewer becomes aware that it is her Mother who taught Maya and encouraged her talents. I have noticed this is the key of a short
film narrative; information does not have to be explicit even though there is less time. Again, the lighting in ’Bro’ has a realism effect but there are
moments when natural light gives a dramatic atmosphere such as in the frame above. Blazing sunlight is shut out from the tunnel which almost
silhouettes the brothers enhancing the distressed, frustrated body language that is so important in this film. It symbolically emphasises that Simon
does not want to be seen with Mark anymore, he would rather close himself off in the dark than go out and experience the humiliation.
In ‘Smashed’, changing light is used to illuminate the crowd in a wash of one colour. In a club, this gives the impression that teenagers are all the
same, one group of socially irresponsible hedonists. It also adds significantly to the energetic, almost euphoric club atmosphere. In terms of
representation and ideology, the media theorist Dick Hedbidge claimed that ‘subcultures are a form of resistance in which experienced
contradictions and objections to this ruling ideology are represented in style’. Here, the style of lighting goes against the natural light of ‘normality’
of adult life.
3. Camera Range
Extreme Close-up
Above, action cuts to the surrounding busy London streets and then to
an extreme close-up showing Maya apply some last minute mascara
before she enters her interview. It is one of the devices that provokes
the audience to become immersed in this character’s world.
These extreme close-up shots appear at the beginning of ‘Baghdad
Express’ and it is the first time we see the textile equipment. Filmed at
this camera range, the viewer can focus on the small details which
created an atmosphere which is quite magical. The auteur theory can
be applied here as the director instantly sets up a unique style that will
blend with the social realist approach throughout the short film.
Close-up
These close-ups in ‘Bro’ depict the character’s facial expressions and behavior which is so integral to the success of the social realist
short film. Above, a close-up shows Mark sitting on a bus and the close-up reveals how he is confused, lost and distressed which
provokes audience sympathy. Because Mark is bullied, but he is largely unaware of it; he is presented as the narrative’s ‘victim’ if we
are to follow Propp’s theory of stock characters. In the second image, a contrasted emotion is shown as Gemma’s face caught in close-
up almost lights up the screen and the bleak world in which other characters exist.
4. Medium Shot
The conversations in ‘Smashed’ are typical of most films; medium range
over the shoulder shots that switch to show each character.
Long Shot
This long shot of the park emphasises Simon’s isolation as he walks alone
to the fence in search of other young people. I am interested in how these
expansive open spaces are used to isolate characters and symbolise their
feelings; Stuart Hall’s concept of audiences encoding and decoding
meaning is always relevant in media texts and here, the long shot is just
one technical code used in conjunction with conventions to make sense of
the film.
Establishing Shot
The establishing shot sets the scene and shows the key location. The
restaurant is shown across a busy urban street. It is also a clever method of
showing the title on screen as the neon light is switched on.
The ideology is expressed here; multicultural Britain with many countries
and cultures colliding in a city space.
5. Camera Movement
Tracking
Examples above show tracking shots used in contrasting ways. In ‘Bro’, the camera tracks the character’s hands as she strokes the
wall when the two teenagers take a walk together. This movement adds to the sense of freedom, as the camera movement conveys
her carelessness and then shows the two walking side by side chatting. The boy-girl relationship is not clichéd, but portrayed with
sensitivity and realism. Mark and Gemma do not kiss or engage in any sexual act, an emotional bond is formed and we get the hint
they like each other but nothing happens. In ‘Bagdad Express’, a two-shot shows Maya and her father eat breakfast as the camera
slowly tracks forward past the father and eventually just on Maya’s face before cutting back to a mid-shot. In a familiar kitchen
setting, the unfriendly silence and awkwardness of the scene is so simply achieved.
A ‘Snorri-cam’ is used here in ‘Smashed’ where the
camera is attached to the actor so only the background
moves. This experimental technique gives an intoxicated
feel and disorientated angles which link to the
characters state of drunkenness. This is an example of
the short film challenging codes and conventions.
6. Panning
An effective panning shot in ‘Smashed’ starts with the male
characters walking down a street with the camera panning
round to a group of youths entering the chip shop continuing
round to the window where the girls eat. The enigma code can
be applied here as the audience draws a connection between
the two couples.
Handheld
Kinetic camera work is nearly always shot hand-held in short films to
heighten the sense of realism giving films a documentarian feel and a
voyeuristic look into normal lives. This is not just in fast movement but also
when characters are still or in conversation which really ensures that the
viewer is emotionally close to the action. For example, in this the camera is
at a fixed point but it is handheld which enhances the emotional energy of
the scene as an angry Maya confronts her dad.
7. Camera Angle
High Angle
As discussed in the camera range section, this shot makes the girl appear extremely vulnerable
and the high angle accentuates this as it is looking down on her causing the viewer to feel she is
weak and helpless.
Low Angle
Short Film-makers often experiment with unusual angles and viewpoints (challenging codes and
conventions) finding the unfamiliar in the familiar. The auteur theory can be applied here as the
directors style of making urban places look spectacular is noticeable. This extreme low
angle shot of an industrial building is used when Simon looks down to see how far away he is.
This kind of effect can be achieved on a low-budget as that is needed is a fresh take on
something.
8. Point of View
This links to the use a snorri-cam device in camera movement as the POV is of the same, alcohol intoxicated
character. The disoriented approach shows a distorted view of staircases, sometimes pointing at the floor as
if dangling in the air. This immerses the audience into the world of youth on drunken night out; perhaps the
passive audience described in the hypodermic needle theory would be encouraged to think that this is the
social norm. The ideology of delinquent, irresponsible youth is communicated and their representation can
be explained using identity theorist Charles Acland’s notion of ‘youth gone wild’ and ‘youth in crisis’ where
the youth sub-culture is constructed from the adult gaze and it therefore teenagers need surveillance.
Canted Angle
The canted angle is where the camera is titled to give a
disorientated feel like the POV above. Here, the camera
looks out of a window in a car and the unnatural angle
creates a sense of panic and disturbance which
heightens the tension of the scene.
9. Editing
In ‘Smashed’, rapid editing is used when drinks are bought, cutting close-ups of spending
money, pulling pints and serving. It reflects addiction and how quickly the night can take a turn
for the worse. The film raises a social issue about looking out for others and was partly funded by
the local police in production. The use of rapid editing is frequent in the short as the teenage
audience appreciate this device because it keeps action energetic and due to its associations with
other texts such as music videos.
Titles/Graphics
Opening titles in short films are often simplistic because of the time limit. In ‘Bro’, the title card appears after a very short opening
sequence of young people drinking which then goes to black with the title in handwriting font in lower case and small size. This
connotes childhood relating to the film’s childish behavior, innocence of disabled teenagers. In ‘Baghdad Express’ when Maya is
talking to her father, subtitles appear on screen as he speaks in Arabic. This links to the film’s ideology; the clash of
cultures, identity and family values as the two languages are spoken at once.
10. Composition
The composition in this shot shows the relationship between the two characters. They are both at opposite
ends on the frame which provokes the audience to think there is a connection between them. Barthes
audience reading theory is useful here as this would be a negotiated meaning; is this is a sexual attraction, a
friendship or just escapism for Simon?
Film Stock
Short film-makers will most likely record in digital format on something cheaper such as DV tapes as they are
independently funded. They might even use a SLR camera or other unconventional methods to capture
footage.
11. Sound
These are a few points I have noticed in shorts:
Non-diegetic music does not interfere with dialogue or overpower a scene but rather quietly accompany the
action. For example, in ‘Bro’ composed piano music provides a soft undertone to the film. Characters have their
own simple themes which give emotion and also cleverly foreshadow when they appear such as when we see
Simon’s expression change and hear music associated with Gemma so the audience knows it is her.
Diegetic dialogue is natural; un-dramatic voices are used. It is quite likely that characters ad-lib dialogue and
improvise sections in a short film for heightened social realism.
Language is colloquial; teenagers are not just stereotypically represented as swearing or crude in the short
films I have viewed. They are portrayed with sensitivity and often have a point to make.
Most importantly in short films, scenes are rarely dominated by dialogue - especially
conversational - as they tend to make the piece seem longer; audience attention/interest needs to be
sustained and so scenes or action must change and not ‘drag on’! Body language is crucial in the films I have
seen and so it is not unusual to have episodes of silence.
12. Mise-en-scene
This shot in ‘Bro’ shows Simon when he has to comfort Mark. He leaves his vulnerable brother on
the bus telling him to find his own way home while spending time without him. The setting of the
bus is a public space so he is exposed to people who are constantly judging. The director uses
composition effectively at eye level angle to convey this judging of his peers who are visible in the
background slightly off-focus. Mark’s face is buried as Simon shamefully realises he has been
selfish but still refuses to look at the youths at the back of the bus. Outside it is bright sunshine to
suggest the teens are on summer vacation; a time to socialise, have fun and relax. Their
costumes reflect this, but Simon covers up as he does not feel the same way having to look after
his disabled brother.