Report
Share
Recommended
Recommended
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop iv
The document lists several pop art works from the 1960s by American artists Roy Lichtenstein, Tom Wesselmann, Claes Oldenburg, and George Segal. It includes Lichtenstein's comic book-inspired paintings Whaam! and Little Big Painting, as well as his mirror piece Mirror #1. Works by Tom Wesselmann include his collage Still Life No. 12 and painting Great American Nude No. 57. Claes Oldenburg is represented by his storefront installation The Store, collage Underwear, and glass and enamel sculpture Pastry Case. Oldenburg also created the installation Floor Cake. George Segal is known for his plaster sculptures The Diner and Parking Garage.
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop1
This document provides an overview of key artists and works from the Pop Art movement from the 1950s-1960s. It includes brief descriptions and information on artworks by Richard Hamilton, Eduardo Paolozzi, Jasper Johns, Robert Rauschenberg, and Andy Warhol that helped establish Pop Art as a new genre focused on mass production and popular culture. The works incorporate techniques like collage, silkscreening, and incorporate everyday objects and imagery from advertisements, celebrities, and product branding into fine art.
Pop iv
The document lists several pop art works from the 1960s by American artists Roy Lichtenstein, Tom Wesselmann, Claes Oldenburg, and George Segal. It includes Lichtenstein's comic book-inspired paintings Whaam! and Little Big Painting, as well as his mirror piece Mirror #1. Works by Tom Wesselmann include his collage Still Life No. 12 and painting Great American Nude No. 57. Claes Oldenburg is represented by his storefront installation The Store, collage Underwear, and glass and enamel sculpture Pastry Case. Oldenburg also created the installation Floor Cake. George Segal is known for his plaster sculptures The Diner and Parking Garage.
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop1
This document provides an overview of key artists and works from the Pop Art movement from the 1950s-1960s. It includes brief descriptions and information on mediums for works by Richard Hamilton, Eduardo Paolozzi, Jasper Johns, Robert Rauschenberg, and Andy Warhol. Some of the highlighted works include Richard Hamilton's "Just what is it that makes today’s homes so different, so appealing?" (1956), Jasper Johns' "Flag" (1954-55), Robert Rauschenberg's "Bed" (1955) and "Monogram" (1959), and Andy Warhol's "Marilyn Diptych" (1962).
Op ii. dio
Bridget Riley and Agam are artists mentioned in the document. The document provides no other details about these artists or their work. It only lists two names without any other context.
Op art i. dio
Victor Vasarely (1906-1997) was a Hungarian-born artist and is considered one of the founders of op art. Op art uses optical illusions and visual tricks to create the impression of movement, flashing and vibration on a flat canvas. Vasarely's work from the 1950s and 1960s helped popularize op art and brought attention to how visual perception can be manipulated through use of pattern, contrast and optical illusion. His paintings and sculptures made use of basic geometric shapes arranged in repetitive, mesmerizing patterns to play tricks on the eye and create the illusion of three dimensions or movement.
More Related Content
More from SeptuagintaStew
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop iv
The document lists several pop art works from the 1960s by American artists Roy Lichtenstein, Tom Wesselmann, Claes Oldenburg, and George Segal. It includes Lichtenstein's comic book-inspired paintings Whaam! and Little Big Painting, as well as his mirror piece Mirror #1. Works by Tom Wesselmann include his collage Still Life No. 12 and painting Great American Nude No. 57. Claes Oldenburg is represented by his storefront installation The Store, collage Underwear, and glass and enamel sculpture Pastry Case. Oldenburg also created the installation Floor Cake. George Segal is known for his plaster sculptures The Diner and Parking Garage.
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop1
This document provides an overview of key artists and works from the Pop Art movement from the 1950s-1960s. It includes brief descriptions and information on artworks by Richard Hamilton, Eduardo Paolozzi, Jasper Johns, Robert Rauschenberg, and Andy Warhol that helped establish Pop Art as a new genre focused on mass production and popular culture. The works incorporate techniques like collage, silkscreening, and incorporate everyday objects and imagery from advertisements, celebrities, and product branding into fine art.
Pop iv
The document lists several pop art works from the 1960s by American artists Roy Lichtenstein, Tom Wesselmann, Claes Oldenburg, and George Segal. It includes Lichtenstein's comic book-inspired paintings Whaam! and Little Big Painting, as well as his mirror piece Mirror #1. Works by Tom Wesselmann include his collage Still Life No. 12 and painting Great American Nude No. 57. Claes Oldenburg is represented by his storefront installation The Store, collage Underwear, and glass and enamel sculpture Pastry Case. Oldenburg also created the installation Floor Cake. George Segal is known for his plaster sculptures The Diner and Parking Garage.
Pop iii
The document lists several American pop artists from the 1960s including Andy Warhol, James Rosenquist, and Roy Lichtenstein. It provides information on some of their most famous works such as Andy Warhol's Campbell's Soup Cans, Kiss, and Mao paintings as well as James Rosenquist's F-111 and President Elect works and Roy Lichtenstein's Drowning Girl and Girl with Ball paintings. The document appears to be cataloging major pop art pieces made in the 1960s and their artists.
Pop1
This document provides an overview of key artists and works from the Pop Art movement from the 1950s-1960s. It includes brief descriptions and information on mediums for works by Richard Hamilton, Eduardo Paolozzi, Jasper Johns, Robert Rauschenberg, and Andy Warhol. Some of the highlighted works include Richard Hamilton's "Just what is it that makes today’s homes so different, so appealing?" (1956), Jasper Johns' "Flag" (1954-55), Robert Rauschenberg's "Bed" (1955) and "Monogram" (1959), and Andy Warhol's "Marilyn Diptych" (1962).
Op ii. dio
Bridget Riley and Agam are artists mentioned in the document. The document provides no other details about these artists or their work. It only lists two names without any other context.
Op art i. dio
Victor Vasarely (1906-1997) was a Hungarian-born artist and is considered one of the founders of op art. Op art uses optical illusions and visual tricks to create the impression of movement, flashing and vibration on a flat canvas. Vasarely's work from the 1950s and 1960s helped popularize op art and brought attention to how visual perception can be manipulated through use of pattern, contrast and optical illusion. His paintings and sculptures made use of basic geometric shapes arranged in repetitive, mesmerizing patterns to play tricks on the eye and create the illusion of three dimensions or movement.
More from SeptuagintaStew (20)
Rokoko i klasicizam
- 1. Rokoko i Klasicizam ARHITEKTURA
- 8. • 1715. godine Luj XIV. umire. • Aristokracija napušta Versailles i odlaze u Pariz gdje grade elegantne gradske sobe HOTELS. • 1789. Francuska revolucija
- 11. Rokoko • fran. Salon – soba za primanje • Dekoracija unutrašnjeg prostora • fran. rocaille – školjka • Ornament u obliku školjke, vijuge, kovrče • Pozlačeni štuko: kitnjasti, biljni motivi • Tapisterije i freske • GESAMTKUNSTWERK
- 16. Johann Fischer von Erlach: Karlskirche, Beč, 1716. - 1737
- 18. KLASICIZAM • 1750. – 1789. prihvaća logiku i moral prosvjetiteljstva. • Uzori “Nove civilizacije” bili su Grčka i Rim kao prve demokracije.
- 21. • Wincklemann: “Grčka umjetnost i kultura je doba savršenstva nakon kojeg dolazi doba imitiranja i propadanja”. • “plemenita jednostavnost i spokojna dostojanstvenost”.
- 24. Paladijanizam
- 25. Lord Burlington i Wiliam Kent: Chiswick House, London, 1725
- 26. Jaques Germaine Soufflot: Panteon, Pariz, 1757. -1790.
- 27. • Građevine trebaju da budu logične, jednostavne, funkcionalne, simetrične. • Imati prave, a ne zaobljene kutove. • Pročelje odražavati unutrašnji raspored • Funkcija, a ne ljepota odrediti stil zgrade.
- 28. Ange – Jacques Gabriel: Trianon, Versailles, 1762.- 1768.