The episode introduces the main characters of Futurama. Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and awakened in 2999 in New New York City. He meets Turanga Leela, his career assignment officer, and the suicidal robot Bender. Together they track down Professor Farnsworth and are hired as the crew of his intergalactic delivery company Planet Express.
This episode introduces the main characters of Futurama. Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and awakened 1000 years later in 2999. He meets Leela, a cyclops, who is assigned to help Fry adjust to life in the future. Fry befriends a robot named Bender. The three eventually find work delivering packages for Planet Express. The episode establishes the futuristic setting and introduces elements that are important to the overall story of the series.
Star Trek-Deep Space 9_exclusive_B&C_070692Biz FX Media
Rick Berman, co-producer of Star Trek: Deep Space Nine, says the new series will have a darker tone than Star Trek: The Next Generation. It will be set on an alien space station, allowing for conflict between Federation crew members and visiting aliens. The main character, Captain Benjamin Sisko, may be portrayed by a black actor. Production will begin in late August 1992 for a January 1993 debut.
The document provides an analysis and comparison of the 1962 film "300 Spartans" and the 2006 film "300" in depicting the historical Battle of Thermopylae between the Spartans and Persians in 480 BC. It summarizes the plots, genres, historical accuracies, and depictions of gender roles in each film. While "300 Spartans" included some accurate details about the events and cultures drawn from Herodotus, it took creative liberties with the addition of a romantic subplot and unrealistic battle tactics. Both films failed to realistically portray hoplite warfare.
This document provides a history of science fiction films from the 1920s to the 2010s. It summarizes key sci-fi films from each decade, including Metropolis (1927), The Invisible Man (1933), Godzilla, King of the Monsters! (1956), The Twilight Zone (1983), and The Hunger Games (2012). Each entry lists the title, director, brief plot, and year of release for seminal sci-fi movies that helped advance the genre over the past 100 years.
In 1966, my favorite teacher, Mrs. Mary J. Turbeville, came into class one Monday and exclaimed "You kids need to watch a new show called "Star Trek" ! I did.
When I became an Apple rep, every Apple system engineer I ever met( the Uber geeks) had Star Trek icons on their hard drive. It inspired a whole generation .
Here is some triva, with some personal notes for my fellow "Trekkers". "Trekkie", by the way is a pejorative term.
LLAP.
Bill mc
This document provides a timeline of key events in the history of horror movies from the 1800s to the 1930s. Some of the earliest horror films were produced in the late 1800s, but the genre began to take shape in the 1900s-1910s with adaptations of classic novels and the use of new film techniques. The 1920s saw the rise of expressionist horror films from Germany and the emergence of Lon Chaney as a horror star. The 1930s brought Universal Studios' classic monster films like Dracula and Frankenstein, establishing many horror conventions still used today.
This document provides a detailed summary of Captain Mors, a fictional German hero from early 20th century stories. Mors is described as a Robin Hood-like figure who fights injustice across the globe and solar system from his airship, the Meteor. He has a loyal multinational crew and uses his advanced technology and fighting skills to battle threats from space and help those in need. While not the first example of its kind, the Captain Mors stories pioneered elements of later space opera genres through their adventures across multiple worlds and aliens. The document discusses the origins and influence of the stories, provides translations of some issues, and seeks to be a comprehensive online resource about Captain Mors.
This episode introduces the main characters of Futurama. Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and awakened 1000 years later in 2999. He meets Leela, a cyclops, who is assigned to help Fry adjust to life in the future. Fry befriends a robot named Bender. The three eventually find work delivering packages for Planet Express. The episode establishes the futuristic setting and introduces elements that are important to the overall story of the series.
Star Trek-Deep Space 9_exclusive_B&C_070692Biz FX Media
Rick Berman, co-producer of Star Trek: Deep Space Nine, says the new series will have a darker tone than Star Trek: The Next Generation. It will be set on an alien space station, allowing for conflict between Federation crew members and visiting aliens. The main character, Captain Benjamin Sisko, may be portrayed by a black actor. Production will begin in late August 1992 for a January 1993 debut.
The document provides an analysis and comparison of the 1962 film "300 Spartans" and the 2006 film "300" in depicting the historical Battle of Thermopylae between the Spartans and Persians in 480 BC. It summarizes the plots, genres, historical accuracies, and depictions of gender roles in each film. While "300 Spartans" included some accurate details about the events and cultures drawn from Herodotus, it took creative liberties with the addition of a romantic subplot and unrealistic battle tactics. Both films failed to realistically portray hoplite warfare.
This document provides a history of science fiction films from the 1920s to the 2010s. It summarizes key sci-fi films from each decade, including Metropolis (1927), The Invisible Man (1933), Godzilla, King of the Monsters! (1956), The Twilight Zone (1983), and The Hunger Games (2012). Each entry lists the title, director, brief plot, and year of release for seminal sci-fi movies that helped advance the genre over the past 100 years.
In 1966, my favorite teacher, Mrs. Mary J. Turbeville, came into class one Monday and exclaimed "You kids need to watch a new show called "Star Trek" ! I did.
When I became an Apple rep, every Apple system engineer I ever met( the Uber geeks) had Star Trek icons on their hard drive. It inspired a whole generation .
Here is some triva, with some personal notes for my fellow "Trekkers". "Trekkie", by the way is a pejorative term.
LLAP.
Bill mc
This document provides a timeline of key events in the history of horror movies from the 1800s to the 1930s. Some of the earliest horror films were produced in the late 1800s, but the genre began to take shape in the 1900s-1910s with adaptations of classic novels and the use of new film techniques. The 1920s saw the rise of expressionist horror films from Germany and the emergence of Lon Chaney as a horror star. The 1930s brought Universal Studios' classic monster films like Dracula and Frankenstein, establishing many horror conventions still used today.
This document provides a detailed summary of Captain Mors, a fictional German hero from early 20th century stories. Mors is described as a Robin Hood-like figure who fights injustice across the globe and solar system from his airship, the Meteor. He has a loyal multinational crew and uses his advanced technology and fighting skills to battle threats from space and help those in need. While not the first example of its kind, the Captain Mors stories pioneered elements of later space opera genres through their adventures across multiple worlds and aliens. The document discusses the origins and influence of the stories, provides translations of some issues, and seeks to be a comprehensive online resource about Captain Mors.
The document provides information about and compares the 1962 film 300 Spartans and the 2006 film 300. It summarizes key details about the plots, historical accuracy, depictions of women, and societal contexts of the two films. It also analyzes differences in how the films portrayed Spartan armor, warriors, and key characters. The document suggests both films were influenced by the sociopolitical climates in which they were released but adapted the source material differently.
The document is a quiz about war and peace topics across history. It is divided into 5 categories: War & Peace till 1900, Two World Wars, World in War & Peace now, and two open categories. Each category contains 9 multiple choice questions on related people, events, places and organizations. The questions cover a wide range of conflicts and peace efforts throughout time.
The document provides summaries and comparisons of film adaptations of three novels: REC, Judge Dredd, and Lolita. For REC, it summarizes the plot of the original Spanish film and its sequels, and explains why it was popular and inspired an American remake. For Judge Dredd, it summarizes the original 1995 film starring Sylvester Stallone and the 2012 remake, noting improved technology and merchandise sales as reasons for the remake. For Lolita, it summarizes the plots and differences between the 1962 Stanley Kubrick film adaptation and the 1997 Adrian Lyne version, noting the latter was more faithful to the novel but less critically acclaimed.
This document summarizes the history of science fiction films from the early silent film era through the 2000s. Some key points include:
- One of the earliest sci-fi films was Georges Melies' 1902 film Le Voyage dans la Lune.
- In the 1930s-40s, sci-fi declined as audiences preferred more escapist films, but low-budget shorts featuring futuristic adventures rose in popularity.
- The 1950s saw a "golden age" of sci-fi films influenced by Cold War anxieties and interest in science/technology like nuclear power and space travel. Films like Destination Moon set expectations.
- 2001: A Space Odyssey transformed the genre in the 1960s with
The document provides an overview of elements of science fiction including definitions from authors, distinguishing features from fantasy, common themes and plot conventions, and the history of science fiction in literature and film. It notes how Frankenstein was an early work that brought elements of science and horror together in a credible way, and how Star Wars sparked renewed interest in science fiction in film in the late 1970s.
This document lists the top 250 films as voted by critics. It provides the title, director, and a brief 1-3 sentence description of each film, ranked from #1 to various points on the list. The top-ranked film is 1958's Vertigo directed by Alfred Hitchcock, described as a thriller about obsession. Other highly-ranked films include Citizen Kane, Tokyo Story, Rules of the Game, and 2001: A Space Odyssey. The list covers films from many eras and directors from around the world.
The document traces the history and evolution of horror films from the late 19th century to the 2000s. It discusses early silent films from pioneers like Georges Melies that featured supernatural themes. In the 1930s, Universal Pictures popularized the genre with films like Dracula and Frankenstein. The 1950s saw a shift towards sci-fi horrors about threats like aliens and mutations. Iconic 1970s films like The Exorcist incorporated occult themes. By the 2000s, the genre saw improved special effects and international successes like Let the Right One In.
Science fiction is a genre of speculative fiction that typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It often explores the potential consequences of scientific innovations and major technological changes on human societies. Some key elements of science fiction include fictional scientific factors, space travel, time travel, parallel worlds, aliens, robots, and dystopian or post-apocalyptic societies. Many classic science fiction works and concepts are discussed in the document, along with definitions and perspectives on science fiction from various authors.
The history of horror films began in the late 1890s with short silent films created by Georges Méliès. In the 1930s, Universal Pictures popularized Gothic horror films such as Dracula and Frankenstein. Subgenres that emerged included sci-fi horror in the 1950s reflecting Cold War fears, slasher films in the 1960s-1980s like Halloween and A Nightmare on Elm Street, and adaptations of Stephen King's novels in the 1970s-1980s. While many horror films were financially successful, critics argued the genre became oversaturated with gore and needed new creative directions by the 1990s.
The document discusses the history and evolution of the horror genre. It begins with horror in ancient times and how it was reborn in the 1930s with the advent of sound films. Several seminal horror films are then summarized, including Frankenstein (1931), Night of the Living Dead (1968), and Nosferatu (1922). The document continues discussing how horror films evolved from mythical creatures to focus more on human killers with films like Psycho (1960). It notes the popularity of supernatural horror after The Exorcist (1973) and how the genre incorporated more gore and complex storylines in films like Se7en (1995) and Final Destination (2000) while still drawing from original aspects. In the 1990s, Japanese horror
The document traces the history and evolution of horror films from their origins in Gothic literature in the 1700s through modern eras. Early silent films from the 1890s drew inspiration from Gothic novels and experimented with techniques like stop motion. German Expressionist films of the 1920s developed a distinctive visual style using expressionism. The 1930s saw the rise of Universal's Gothic horror cycle with films like Dracula and Frankenstein, helped by the advent of sound. Subsequent decades saw the genres influenced by psychology, sexuality, gore, and found footage films in modern times.
The document summarizes the rules for IB 2 cricket which are the same as IB 1 but clockwise instead of anti-clockwise. Players get +30/-10 for a direct hit, +20/-5 for a pass, and +50/-20 for pouncing for 10 seconds. It also introduces X bombs, an experimental US weapon from World War II containing over 1000 incendiary bombs attached to Xs that would be released from bombers to start fires in hard to reach places in Japanese cities.
The summary provides an overview of the evolution of the horror genre from its origins in Gothic literature in the late 1700s through modern horror films of the 2000s and 2010s. Key developments discussed include the introduction of sound and color in films, the rise of psychological horror, increased gore and violence in slasher films, the popularity of occult and zombie themes, and the improved production quality and special effects of recent decades. Overall, the summary effectively condenses the long document while highlighting the most important events and trends in the history of the horror genre.
- The episode introduces the main characters of Futurama, including Philip J. Fry who is accidentally frozen in 1999 and awakens in 2999.
- Fry meets Leela, a cyclops, who is assigned to give him a career chip but he flees. He befriends the robot Bender and they go on an adventure to find Fry's only living relative, Professor Farnsworth.
- Leela, Fry and Bender track down Professor Farnsworth and he hires them to be the crew of his intergalactic delivery company Planet Express, setting up the premise for the show. The episode establishes the futuristic setting and introduces elements that are important for later episodes.
This episode introduces the main characters of Futurama. Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and awakened 1000 years later in 2999. He meets Leela, a cyclops, who is assigned to help Fry adjust to life in the future. Fry befriends a robot named Bender. The three eventually find work delivering packages for Planet Express. The episode establishes the futuristic setting and introduces elements that are important to the overall story of the series.
Science fiction is a genre that combines elements of science and fiction. It uses scientific ideas, discoveries and theories to craft imaginative stories that could be possible based on what is currently known about science. Some key elements of science fiction include space travel, time travel, encounters with aliens, and how technology may change humanity. Notable early science fiction works include Frankenstein and novels by H.G. Wells. Science fiction expanded into film starting in the early 1900s and includes classics such as Metropolis, Blade Runner and the Star Wars franchise. Studying science fiction can encourage creativity and teach lessons about technology.
The document discusses how Star Trek became a major franchise that provided career opportunities for many writers over decades. It began as a television series in 1966 that employed around 20 writers. Subsequent Star Trek shows and films greatly expanded opportunities, employing over 150 writers total. Key factors in the franchise's success included champion Lucille Ball providing early funding, and the large number of story possibilities allowed by the setting among many planets and civilizations. Writers like David Gerrold and D.C. Fontana had long careers writing for multiple Star Trek shows, while the franchise also launched the careers of writers like Brannon Braga.
This document lists and provides basic information about 20 influential science fiction films from the 1920s through 2010s, ranked according to the website FlickChart. It includes the film title, director, year released, and a 1-2 sentence description of the film's plot or premise for each entry. The films range from early classics like Metropolis and Dr. Jekyll and Mr. Hyde to more modern blockbusters such as The Matrix, Inception, and Guardians of the Galaxy. Links to FlickChart and IMDb are also provided.
Nishikant dubey - upcoming hollywood movies in summerNishikant Dubey
This document lists and provides brief details about 5 upcoming Hollywood movies to be released this summer:
1. Jurassic World - A new installment in the Jurassic Park franchise starring Chris Pratt, set for release on June 12th.
2. Tomorrowland - A sci-fi film from director Brad Bird starring George Clooney and Hugh Laurie about an alternate reality world, set for May 21st.
3. Fantastic Four - A reboot of the Fantastic Four franchise about the origins of Mr. Fantastic and others, directed by Josh Trank and set for August 7th.
4. Terminator: Genisys - Another attempt to continue the Terminator franchise starring Arnold Schwarzenegger
Francisco de Goya was a prominent Spanish painter during the late 18th and early 19th centuries. He was considered one of the most important artists in Spain during this time period and one of the most successful painters in Europe. His style changed dramatically over his career, from paintings of the Spanish Royal family in a Romantic style to darker works influenced by his deafness and the turmoil of the Napoleonic Wars. Goya documented the Spanish people's suffering during this time through prints and paintings that were a dramatic shift from his earlier, more classical works.
REC was a popular Spanish horror film from 2007 that was filmed in a documentary style using shaky handheld cameras. It had a budget of €1,500,000 and earned $32,492,948 at the box office. The film is about reporters who follow a fire crew responding to a call and become trapped in a building with strange infected residents. It was remade by an American studio as Quarantine due to its popularity. REC spawned several sequels and the found footage style became a popular genre in horror films.
The document provides information about and compares the 1962 film 300 Spartans and the 2006 film 300. It summarizes key details about the plots, historical accuracy, depictions of women, and societal contexts of the two films. It also analyzes differences in how the films portrayed Spartan armor, warriors, and key characters. The document suggests both films were influenced by the sociopolitical climates in which they were released but adapted the source material differently.
The document is a quiz about war and peace topics across history. It is divided into 5 categories: War & Peace till 1900, Two World Wars, World in War & Peace now, and two open categories. Each category contains 9 multiple choice questions on related people, events, places and organizations. The questions cover a wide range of conflicts and peace efforts throughout time.
The document provides summaries and comparisons of film adaptations of three novels: REC, Judge Dredd, and Lolita. For REC, it summarizes the plot of the original Spanish film and its sequels, and explains why it was popular and inspired an American remake. For Judge Dredd, it summarizes the original 1995 film starring Sylvester Stallone and the 2012 remake, noting improved technology and merchandise sales as reasons for the remake. For Lolita, it summarizes the plots and differences between the 1962 Stanley Kubrick film adaptation and the 1997 Adrian Lyne version, noting the latter was more faithful to the novel but less critically acclaimed.
This document summarizes the history of science fiction films from the early silent film era through the 2000s. Some key points include:
- One of the earliest sci-fi films was Georges Melies' 1902 film Le Voyage dans la Lune.
- In the 1930s-40s, sci-fi declined as audiences preferred more escapist films, but low-budget shorts featuring futuristic adventures rose in popularity.
- The 1950s saw a "golden age" of sci-fi films influenced by Cold War anxieties and interest in science/technology like nuclear power and space travel. Films like Destination Moon set expectations.
- 2001: A Space Odyssey transformed the genre in the 1960s with
The document provides an overview of elements of science fiction including definitions from authors, distinguishing features from fantasy, common themes and plot conventions, and the history of science fiction in literature and film. It notes how Frankenstein was an early work that brought elements of science and horror together in a credible way, and how Star Wars sparked renewed interest in science fiction in film in the late 1970s.
This document lists the top 250 films as voted by critics. It provides the title, director, and a brief 1-3 sentence description of each film, ranked from #1 to various points on the list. The top-ranked film is 1958's Vertigo directed by Alfred Hitchcock, described as a thriller about obsession. Other highly-ranked films include Citizen Kane, Tokyo Story, Rules of the Game, and 2001: A Space Odyssey. The list covers films from many eras and directors from around the world.
The document traces the history and evolution of horror films from the late 19th century to the 2000s. It discusses early silent films from pioneers like Georges Melies that featured supernatural themes. In the 1930s, Universal Pictures popularized the genre with films like Dracula and Frankenstein. The 1950s saw a shift towards sci-fi horrors about threats like aliens and mutations. Iconic 1970s films like The Exorcist incorporated occult themes. By the 2000s, the genre saw improved special effects and international successes like Let the Right One In.
Science fiction is a genre of speculative fiction that typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It often explores the potential consequences of scientific innovations and major technological changes on human societies. Some key elements of science fiction include fictional scientific factors, space travel, time travel, parallel worlds, aliens, robots, and dystopian or post-apocalyptic societies. Many classic science fiction works and concepts are discussed in the document, along with definitions and perspectives on science fiction from various authors.
The history of horror films began in the late 1890s with short silent films created by Georges Méliès. In the 1930s, Universal Pictures popularized Gothic horror films such as Dracula and Frankenstein. Subgenres that emerged included sci-fi horror in the 1950s reflecting Cold War fears, slasher films in the 1960s-1980s like Halloween and A Nightmare on Elm Street, and adaptations of Stephen King's novels in the 1970s-1980s. While many horror films were financially successful, critics argued the genre became oversaturated with gore and needed new creative directions by the 1990s.
The document discusses the history and evolution of the horror genre. It begins with horror in ancient times and how it was reborn in the 1930s with the advent of sound films. Several seminal horror films are then summarized, including Frankenstein (1931), Night of the Living Dead (1968), and Nosferatu (1922). The document continues discussing how horror films evolved from mythical creatures to focus more on human killers with films like Psycho (1960). It notes the popularity of supernatural horror after The Exorcist (1973) and how the genre incorporated more gore and complex storylines in films like Se7en (1995) and Final Destination (2000) while still drawing from original aspects. In the 1990s, Japanese horror
The document traces the history and evolution of horror films from their origins in Gothic literature in the 1700s through modern eras. Early silent films from the 1890s drew inspiration from Gothic novels and experimented with techniques like stop motion. German Expressionist films of the 1920s developed a distinctive visual style using expressionism. The 1930s saw the rise of Universal's Gothic horror cycle with films like Dracula and Frankenstein, helped by the advent of sound. Subsequent decades saw the genres influenced by psychology, sexuality, gore, and found footage films in modern times.
The document summarizes the rules for IB 2 cricket which are the same as IB 1 but clockwise instead of anti-clockwise. Players get +30/-10 for a direct hit, +20/-5 for a pass, and +50/-20 for pouncing for 10 seconds. It also introduces X bombs, an experimental US weapon from World War II containing over 1000 incendiary bombs attached to Xs that would be released from bombers to start fires in hard to reach places in Japanese cities.
The summary provides an overview of the evolution of the horror genre from its origins in Gothic literature in the late 1700s through modern horror films of the 2000s and 2010s. Key developments discussed include the introduction of sound and color in films, the rise of psychological horror, increased gore and violence in slasher films, the popularity of occult and zombie themes, and the improved production quality and special effects of recent decades. Overall, the summary effectively condenses the long document while highlighting the most important events and trends in the history of the horror genre.
- The episode introduces the main characters of Futurama, including Philip J. Fry who is accidentally frozen in 1999 and awakens in 2999.
- Fry meets Leela, a cyclops, who is assigned to give him a career chip but he flees. He befriends the robot Bender and they go on an adventure to find Fry's only living relative, Professor Farnsworth.
- Leela, Fry and Bender track down Professor Farnsworth and he hires them to be the crew of his intergalactic delivery company Planet Express, setting up the premise for the show. The episode establishes the futuristic setting and introduces elements that are important for later episodes.
This episode introduces the main characters of Futurama. Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and awakened 1000 years later in 2999. He meets Leela, a cyclops, who is assigned to help Fry adjust to life in the future. Fry befriends a robot named Bender. The three eventually find work delivering packages for Planet Express. The episode establishes the futuristic setting and introduces elements that are important to the overall story of the series.
Science fiction is a genre that combines elements of science and fiction. It uses scientific ideas, discoveries and theories to craft imaginative stories that could be possible based on what is currently known about science. Some key elements of science fiction include space travel, time travel, encounters with aliens, and how technology may change humanity. Notable early science fiction works include Frankenstein and novels by H.G. Wells. Science fiction expanded into film starting in the early 1900s and includes classics such as Metropolis, Blade Runner and the Star Wars franchise. Studying science fiction can encourage creativity and teach lessons about technology.
The document discusses how Star Trek became a major franchise that provided career opportunities for many writers over decades. It began as a television series in 1966 that employed around 20 writers. Subsequent Star Trek shows and films greatly expanded opportunities, employing over 150 writers total. Key factors in the franchise's success included champion Lucille Ball providing early funding, and the large number of story possibilities allowed by the setting among many planets and civilizations. Writers like David Gerrold and D.C. Fontana had long careers writing for multiple Star Trek shows, while the franchise also launched the careers of writers like Brannon Braga.
This document lists and provides basic information about 20 influential science fiction films from the 1920s through 2010s, ranked according to the website FlickChart. It includes the film title, director, year released, and a 1-2 sentence description of the film's plot or premise for each entry. The films range from early classics like Metropolis and Dr. Jekyll and Mr. Hyde to more modern blockbusters such as The Matrix, Inception, and Guardians of the Galaxy. Links to FlickChart and IMDb are also provided.
Nishikant dubey - upcoming hollywood movies in summerNishikant Dubey
This document lists and provides brief details about 5 upcoming Hollywood movies to be released this summer:
1. Jurassic World - A new installment in the Jurassic Park franchise starring Chris Pratt, set for release on June 12th.
2. Tomorrowland - A sci-fi film from director Brad Bird starring George Clooney and Hugh Laurie about an alternate reality world, set for May 21st.
3. Fantastic Four - A reboot of the Fantastic Four franchise about the origins of Mr. Fantastic and others, directed by Josh Trank and set for August 7th.
4. Terminator: Genisys - Another attempt to continue the Terminator franchise starring Arnold Schwarzenegger
Francisco de Goya was a prominent Spanish painter during the late 18th and early 19th centuries. He was considered one of the most important artists in Spain during this time period and one of the most successful painters in Europe. His style changed dramatically over his career, from paintings of the Spanish Royal family in a Romantic style to darker works influenced by his deafness and the turmoil of the Napoleonic Wars. Goya documented the Spanish people's suffering during this time through prints and paintings that were a dramatic shift from his earlier, more classical works.
REC was a popular Spanish horror film from 2007 that was filmed in a documentary style using shaky handheld cameras. It had a budget of €1,500,000 and earned $32,492,948 at the box office. The film is about reporters who follow a fire crew responding to a call and become trapped in a building with strange infected residents. It was remade by an American studio as Quarantine due to its popularity. REC spawned several sequels and the found footage style became a popular genre in horror films.
Five movies that never saw the light of dayQwaliti.com
This document summarizes 5 movies that were planned but never released. 1) "The Nightmare of Edgar Allan Poe" would have starred Michael Jackson as Poe but talks broke down. 2) "At the Mountains of Madness" was to be directed by Guillermo del Toro but was deemed too expensive by the studio. 3) Steven Seagal had plans for "Genghis Khan" but production issues prevented its completion. 4) "Rendezvous with Rama" faced difficulties with financing and an injury to producer Morgan Freeman. 5) "Beetlejuice Goes Hawaiian" lost director Tim Burton to another project and its stars refused to make it without him.
The soundtrack of 2001: A Space Odyssey plays a key role in conveying the film's themes of space exploration and human evolution. Classical pieces like Strauss' "Thus Spake Zarathustra" bookend the film and underscore pivotal moments of transformation. "The Blue Danube" turns spacecraft maneuvers into a ballet. Ligeti's "Requiem" also features, with the recurring music acting as themes that enhance understanding of the story. Overall, Kubrick crafted an innovative soundtrack that elevated the film to the level of a cinematic symphony.
The horror genre began in the late 19th century with silent films like Le Manoir du Diable that used techniques like cutting to create monsters. In the 1920s, films like Nosferatu and adaptations of Dracula and Frankenstein became popular. The 1930s saw Tod Browning's 1931 Dracula film establish the archetypal version of the character. Horror films grew in the 1970s and 80s with cult classics like The Exorcist and Halloween that used new technology for gory effects. Modern horror often focuses on franchises and remakes due to familiarity with older tropes.
This trailer summary provides context and previews key elements of Star Wars Episode III. It begins by establishing the director, George Lucas, and his work on previous Star Wars and Indiana Jones films. Several scenes from the trailer are then described, highlighting the sci-fi genre elements like various planets, advanced technologies, alien creatures, and spaceships. The soundtrack builds suspense through orchestral music and a voiceover narrative. This voiceover references the Jedi, Republic, and impending "dark times and empire." The trailer aims to excite fans by concluding the overarching storyline and features elements that would attract general audiences and younger children.
This document provides a compare and contrast essay analyzing the science fiction films Inception and Interstellar, both directed by Christopher Nolan. It summarizes the basic plotlines of each film. It then identifies three key similarities between the films: 1) Both involve traveling to deeper and more distant places, represented as levels in Inception and planets in Interstellar. 2) Both feature time distortion as a result of these travels. 3) Both portray strange Earth-like worlds that seem slightly off. The essay concludes that despite different storylines, the two films share conceptual similarities and both emphasize the power of love.
This document is a compare and contrast essay analyzing the science fiction films Interstellar and Tomorrowland. It summarizes the plots of both films, noting they involve space travel and attempts to save humanity. It compares the themes of space and time travel explored in both movies. It also analyzes the similarities between the protagonist characters Copper from Interstellar and Casey from Tomorrowland, describing their unwillingness to give up. Finally, it summarizes that both films end by discovering new worlds and sharing this discovery in a way that saves humanity.
Deth? It's a
futuristic name meant to
convey his role as a hunter
or terminator of "Trancers,"
people who have been
placed under mind control.
The name is likely meant to
evoke words like "death" to
fit his character as someone
who deals in life and death
situations as a law
enforcement officer from the
22nd century.
Horror films originated from early creation myths and engage with our nightmares through darkness and demons. The earliest horror films in the 1920s were silent and shot in broad daylight due to limitations in film technology. Universal Studios entered the horror genre in 1931 with Dracula and Frankenstein, the first modern horror films to include sound. During World War 2, America was the only country still producing horror films. The 1950s saw the rise of science fiction horror films influenced by atomic weapons and fears of nuclear war, mutation, and invasion.
The document discusses several films including REC, War of the Worlds, and Karate Kid. REC is a Spanish horror film made on a low budget that was popular for its documentary-style filming. It spawned several sequels. War of the Worlds is an 1953 adaptation of the H.G. Wells novel about a Martian invasion, and was remade in 2005 by Steven Spielberg to comment on post-9/11 fears. Karate Kid from 1984 is about a boy learning karate to defend himself from bullies, and was remade in 2010 with Jackie Chan and Jayden Smith.
Starší britské a americké špionážní a krimi seriály (Pirx)CONtejner page
The document provides an overview of several British and American spy, crime, and detective television shows from the 1960s through the 1970s, including key details about the plots and characters of shows like The Avengers, The Prisoner, The Champions, Department S, Jason King, Hawaii 5-0, Mannix, Dragnet, and Trancers. Many of the shows were produced by ITC Entertainment and featured secret agents and detectives working to solve crimes and capture villains while also addressing themes of espionage, politics, and science fiction elements.
1) The history of science fiction films began in the silent film era of the early 1900s with short black and white films such as Le Voyage dans la Lune that helped establish the genre.
2) In the 1930s-1940s, low budget film serials featuring themes of adventure, space travel, and mad scientists became popular, influencing later films, and World War 2 propaganda films incorporated sci-fi elements.
3) The 1950s saw a golden age of science fiction films as interest in science and anxiety around nuclear war fueled the genre, with films like Destination Moon and The Thing from Another World becoming hits.
This document provides a history of the horror genre from the 1920s to the 1960s. It summarizes the evolution of horror films over decades in response to societal fears and advances in technology. Key developments include the introduction of sound in 1930s films like Dracula, the rise of mutated creatures influenced by fears of radiation and scientific experiments in 1950s films like The Fly, and the focus on human monsters and more open narratives in 1960s films like Psycho. Overall, the document traces how the horror genre has adapted over time to continue scaring audiences.
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The episode introduces the main characters of Futurama. Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and awakens in 2999 in New New York City. He meets Leela, his career assignment officer, and the suicidal robot Bender. They track down Professor Farnsworth and are offered jobs delivering packages on his ship, the Planet Express. The episode sets up plot points that pay off in later seasons and references many science fiction works through its futuristic setting and technology.
1) Philip J. Fry is the main protagonist of the animated series Futurama. He is a pizza delivery boy from 20th century New York who is accidentally frozen on New Year's Eve 1999 and awakens 1000 years later.
2) Fry works as a delivery boy for Planet Express alongside his friends, an alcoholic robot named Bender and one-eyed alien Leela, who Fry is romantically interested in throughout the series.
3) Despite his low intelligence, Fry is kind-hearted and caring. He struggles to articulate his feelings for Leela but risks his life to protect her on several occasions. Their relationship develops over the course of the show and movies.
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The episode introduces the main characters of Futurama. Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and awakened in 2999 in New New York City. He meets Turanga Leela, his career assignment officer, and the suicidal robot Bender. Together they track down Professor Farnsworth and are hired as the crew of his intergalactic delivery company Planet Express.
Fry is the main protagonist of the animated series Futurama. He is a pizza delivery boy from 20th century New York who accidentally fell into a cryogenic tube in the year 2000. He was frozen and awoke 1000 years later in 2999. Fry works as a delivery boy for Planet Express with his friends, robot Bender and one-eyed alien Leela. Throughout the series, Fry pursues a romantic relationship with Leela while adjusting to life in the 31st century.
1) Philip J. Fry is the main protagonist of the animated series Futurama. He is a pizza delivery boy from 20th century New York who is accidentally frozen on New Year's Eve 1999 and awakens 1000 years later.
2) Fry works as a delivery boy for Planet Express alongside his friends, an alcoholic robot named Bender and one-eyed alien Leela, who Fry is romantically interested in throughout the series.
3) Despite his low intelligence, Fry is kind-hearted and caring. He struggles to articulate his feelings for Leela but risks his life to protect her on several occasions. Their relationship develops over the course of the show and movies.
The episode introduces the main characters of Futurama. Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and awakened in 2999 in New New York City. He meets Turanga Leela, his career assignment officer, and the suicidal robot Bender. Together they track down Professor Farnsworth and are hired as the crew of his intergalactic delivery company Planet Express.
1. 2/20/12 Space Pilot 3000 - Wikipedia, the free encyclopedia
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"Space Pilot 3000"
Futurama episode
Promotional artwork for the episode.
Episode no. Season one
Episode 1
Directed by Rich Moore
Gregg Vanzo
Written by David X. Cohen
Matt Groening
Production code 1ACV01
Original air date March 28, 1999
Opening caption "In Color"
Opening cartoon Little Buck Cheeser by MGM
(1937)
Guest stars
Dick Clark as himself
Leonard Nimoy as himself
Space Pilot 3000
From Wikipedia, the free encyclopedia
"Space Pilot 3000" (1st ever episode of Futurama) is the
pilot episode of Futurama, which originally aired in
North America on March 28, 1999 on Fox.[1] It is also the
first episode to be set in the 30th century as the third
season and beyond are set in the 31st century. The
episode focuses on the cryogenic freezing of the series
protagonist, Philip J. Fry, and the events when he
awakens 1,000 years in the future. Series regulars are
introduced and the futuristic setting, inspired by a variety
of classic science fiction series from The Jetsons to Star
Trek, is revealed. It also sets the stage for many of the
events to follow in the series, foreshadowing plot points
from the third and fourth seasons.
The episode was written by David X. Cohen and Matt
Groening,[1] and directed by Rich Moore and Gregg
Vanzo. Dick Clark and Leonard Nimoy guest starred as
themselves.[2] The episode generally received good
reviews with many reviewers noting that while the
episode started slow the series merited further viewing.
Contents
1 Plot
2 Continuity
3 Production
4 Cultural references
5 Broadcast and reception
6 References
7 External links
Plot
On December 31, 1999, a pizza delivery boy named
Philip J. Fry delivers a pizza to "Applied Cryogenics" in
New York City. At midnight, Fry falls into an open
cryonic tube and is frozen. He is defrosted on Tuesday,
December 31, 2999, in what is now New New York
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Season one episodes
March 1999 – June 1999
1. "Space Pilot 3000"
2. "The Series Has Landed"
3. "I, Roommate"
4. "Love's Labours Lost in Space"
5. "Fear of a Bot Planet"
6. "A Fishful of Dollars"
7. "My Three Suns"
8. "A Big Piece of Garbage"
9. "Hell Is Other Robots"
10. "A Flight to Remember"
11. "Mars University"
12. "When Aliens Attack"
13. "Fry and the Slurm Factory"
List of all Futurama episodes
Fry's first glimpse of New New York.
City. He is taken
to a fate
assignment officer
named Leela, a
purple-haired
cyclops. To his
dismay, Fry is
assigned the
computer-
determined
permanent career
of delivery boy,
and flees into the city when Leela tries to implant Fry's
career chip designating his job.
While trying to track down his only living relative,
Professor Farnsworth, Fry befriends a suicidal robot
named Bender. As they talk at a bar, Fry learns that
Bender too has deserted his job of bending girders for
suicide booths. Together, they evade Leela and hide in the
Head Museum, where they encounter the preserved heads
of historical figures. Fry and Bender eventually find
themselves underground in the ruins of Old New York.
Leela finally catches Fry, who has become depressed that everyone that he knew and loved is dead and tells
her that he will accept his career as a delivery boy. Leela sympathizes with Fry—she too is alone, and hates
her job—so she quits and joins Fry and Bender as job deserters. The three track down Professor Farnsworth,
founder of an intergalactic delivery company called Planet Express. With the help of Professor Farnsworth,
the three evade the police by launching the Planet Express Ship at the stroke of midnight amid the New
Year's fireworks. As the year 3000 begins, Farnsworth hires the three as the crew of his ship. Fry cheers at
his acquisition of a new job: delivery boy.
Continuity
While the plot of the episode stands on its own, it also sets up much of the continuing plot of the series by
including Easter eggs for events that do not occur until much later[1]: as Fry falls into the freezer, the scene
shows a strange shadow cast on the wall behind him. It is revealed in "The Why of Fry" that the shadow
belongs to Nibbler, who intentionally pushes Fry into the freezer as part of a complex plan to save Earth from
the Brainspawn in the future. Executive producer David X. Cohen claims that from the very beginning the
creators had plans to show a larger conspiracy behind Fry's journey to the future.[3] In the movie Futurama:
Bender's Big Score, it is revealed that the spacecrafts seen destroying the city while Fry is frozen are piloted
by Bender and those chasing him after he steals the Nobel Peace Prize.[4][5]
At the end of the episode, Professor Farnsworth offers Fry, Leela and Bender the Planet Express delivery
crew positions. The professor produces the previous crew's career chips from an envelope labeled "Contents
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of Space Wasp's Stomach". In a later episode, "The Sting", the crew encounters the ship of the previous crew
in a space beehive. When discussing this discontinuity in the episode commentary, writer of "The Sting"
Patric Verrone states "we made liars out of the pilot".[6]
This episode introduces the fictional technology that allows preserved heads to be kept alive in jars. This
technology makes it possible for the characters to interact with celebrities from the then-distant past, and is
used by the writers to comment on the 20th and 21st centuries in a satirical manner.[2]
Production
In the DVD commentary, Matt Groening notes that beginning any television series is difficult, but he found
particular difficulty starting one that took place in the future because of the amount of setup required. As a
trade off, they included a lot of Easter eggs in the episode that would pay off in later episodes. He and Cohen
point these out throughout the episode.[7] The scene where Fry emerges from a cryonic tube and has his first
view of New New York was the first 3D scene worked on by the animation team. It was considered to be a
defining point for whether the technique would work or not.[8]
Originally, the first person entering the pneumatic tube transport system declared "J.F.K., Jr. Airport" as his
destination. After John F. Kennedy, Jr.'s death in the crash of his private airplane, the line has since been
redubbed on all subsequent broadcasts and the DVD release to "Radio City Mutant Hall" (a reference to
Radio City Music Hall). The original version was heard only during the pilot broadcast and the first rerun a
few months later.[8] Although the original line is still used on repeat broadcasts in the UK on Satellite channel
Sky One. (The Region 2 DVD has the redubbed line). According to Groening, the inspiration for the suicide
booth was the 1937 Donald Duck cartoon, "Modern Inventions", in which the Duck is faced with—and
nearly killed several times by—various push button gadgets in a Museum of the Future.[7]
Cultural references
In their original pitch to Fox, Groening and Cohen stated that they wanted the futuristic setting for the show
to be neither "dark and drippy" like Blade Runner, nor "bland and boring" like The Jetsons.[7] They felt that
they could not make the future either a utopia or a dystopia because either option would eventually become
boring.[8] The creators gave careful consideration to the setting, and the influence of classic science fiction is
evident in this episode as a series of references to—and parodies of—easily recognizable films, books and
television programs. In the earliest glimpse of the future while Fry is frozen in the cryonic chamber, time is
seen passing outside the window until reaching the year 3000. This scene was inspired by a similar scene in
the film The Time Machine based on H.G. Wells' novel.[7] When Fry awakens in the year 2999, he is greeted
with Terry's catchphrase "Welcome to the world of tomorrow." The scene is a joke at the expense of
Futurama's namesake, the Futurama ride at the 1939 World's Fair whose tag line was "The World of
Tomorrow".[9]
In addition to the setting, part of the original concept for the show was that there would be a lot of advanced
technology similar to that seen in Star Trek, but it would be constantly malfunctioning.[8] The automatic
doors at Applied Cryogenics resemble those in Star Trek: The Original Series; however, they malfunction
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when Fry remarks on this similarity.[10] In another twist, the two policemen who try to arrest Fry at the head
museum use weapons which are visually similar to lightsabers used in the Star Wars film series; however,
they are functionally more similar to nightsticks.[10] The interaction between the characters was not
overlooked. The relationship formed between Fry and Bender in this episode has been compared to the
relationship between Will Robinson and the robot in Lost in Space.[11]
Although both Futurama and The Simpsons were created by Matt Groening, overt references to the latter are
mostly avoided in Futurama. One of the few exceptions to this rule is the appearance of Blinky, a three-eyed
orange fish seen on The Simpsons, as Fry is going through the tube.[7]
Another running gag of the series is Bender's fondness for Olde Fortran malt liquor,[10] named after Olde
English 800 malt liquor and the programming language Fortran. The drink was first introduced in this episode
and became so closely associated with the character that he was featured with a bottle in both the Rocket
USA wind-up toy and the action figure released by Moore Action Collectibles.[12][13]
The BBC 1990's hit Red Dwarf featured an almost identical pilot; their protagonist is frozen in a cryogenic
freezer and wakes up millions of years later to find everything has changed.
Broadcast and reception
In a review by Patrick Lee in Science Fiction Weekly based on a viewing of this episode alone, Futurama
was deemed not as funny as The Simpsons, particularly as "the satire is leavened with treacly sentimental bits
about free will and loneliness". The episode was rated as an "A- pick" and found to "warrant further
viewing" despite these concerns.[10] Rob Owen of the Pittsburgh Post-Gazette noted that although the
episode contained the same skewed humor as The Simpsons, it was not as smart and funny, and he attributed
this to the large amount of exposition and character introduction required of a television series pilot, noting
that the show was "off to a good start."[14] Andrew Billen of New Statesman found the premise of the
episode to be unoriginal, but remained somewhat enthusiastic about the future of the series. While he praised
the humorous details of the episode, such as the background scenes while Fry was frozen, he also criticized
the show's dependence on in-jokes such as Groening's head being present in the head museum.[15]
In its initial airing, the episode had "unprecedented strong numbers" with a Nielsen rating of 11.2/17 in
homes and 9.6/23 in adults 18–49.[16] The Futurama premiere was watched by more people than either its
lead-in show (The Simpsons) or the show following it (The X-Files), and it was the number one show among
men aged 18–49 and teenagers for the week.[17][18] The episode was ranked in 2006 by IGN as number 14
in their list of the top 25 Futurama episodes.[1]
References
1. ^ a b c d Iverson, Dan (2006-07-07). ""Top 25 Futurama Episodes""
(http://tv.ign.com/articles/716/716663p3.html) . IGN. http://tv.ign.com/articles/716/716663p3.html. Retrieved
2008-06-15.
2. ^ a b Booker, M. Keith. Drawn to Television:Prime-Time Animation from The Flintstones to Family Guy
5. 2/20/12 Space Pilot 3000 - Wikipedia, the free encyclopedia
5/6en.wikipedia.org/wiki/Space_Pilot_3000
(http://books.google.com/books?id=oCJ1ExPYikQC&dq=Drawn+to+television&source=gbs_summary_s&cad=0)
. Greenwood Publishing Group. pp. 115–224. ISBN 0275990192. http://books.google.com/books?
id=oCJ1ExPYikQC&dq=Drawn+to+television&source=gbs_summary_s&cad=0.
3. ^ Cohen, David X (2003). Futurama season 4 DVD commentary for the episode "The Why of Fry" (DVD). 20th
Century Fox.
4. ^ Reed, Phil (2007-12-02). "Review: Bender's Big Score"
(http://web.archive.org/web/20071212202740/http://www.noisetosignal.org/film/2007/12/review-benders-big-
score.php) . Noisetosignal.org. Archived from the original (http://www.noisetosignal.org/film/2007/12/review-
benders-big-score.php) on December 12, 2007.
http://web.archive.org/web/20071212202740/http://www.noisetosignal.org/film/2007/12/review-benders-big-
score.php. Retrieved 2008-06-09.
5. ^ Groening, Matt (2007). Futurama: Bender's Big Score DVD commentary (DVD). 20th Century Fox.
6. ^ Verrone, Patric (2003). Futurama season 4 DVD commentary for the episode "The Sting" (DVD). 20th Century
Fox.
7. ^ a b c d e Groening, Matt (2003). Futurama season 1 DVD commentary for the episode "Space Pilot 3000"
(DVD). 20th Century Fox.
8. ^ a b c d Cohen, David X (2003). Futurama season 1 DVD commentary for the episode "Space Pilot 3000"
(DVD). 20th Century Fox.
9. ^ "The Original Futurama" (http://www.wired.com/entertainment/hollywood/magazine/15-
12/ff_futurama_original) . Wired. 2007-11-27. http://www.wired.com/entertainment/hollywood/magazine/15-
12/ff_futurama_original. Retrieved 2008-04-29.
10. ^ a b c d Lee, Patrick (March 22, 1999). ""Futurama: The future's not what it used to be ""
(http://web.archive.org/web/20070612205432/http://www.scifi.com/sfw/issue101/screen.html) . Sci Fi Weekly.
Archived from the original (http://www.scifi.com/sfw/issue101/screen.html) on June 12, 2007.
http://web.archive.org/web/20070612205432/http://www.scifi.com/sfw/issue101/screen.html. Retrieved 2007-06-
25.
11. ^ Joyce Millman (1999-03-26). ". . . . . . . that 31st century show . . . . . . ."
(http://www.salon.com/ent/tv/mill/1999/03/cov_26mill.html) . Salon.com.
http://www.salon.com/ent/tv/mill/1999/03/cov_26mill.html. Retrieved 2008-06-15.
12. ^ Janulewicz, Tom (2000-02-29). "Pushing Tin: Space Toys With Golden-Age Style"
(http://www.space.com/sciencefiction/toyfair_tinworks_000229.html) . Space.com.
http://www.space.com/sciencefiction/toyfair_tinworks_000229.html. Retrieved 2008-07-06.
13. ^ Huxter, Sean (2001-06-11). "Futurama Action Figures"
(http://web.archive.org/web/20080623210213/http://www.scifi.com/sfw/cool/sfw7099.html) . Sci Fi Weekly.
Archived from the original (http://www.scifi.com/sfw/cool/sfw7099.html) on June 23, 2008.
http://web.archive.org/web/20080623210213/http://www.scifi.com/sfw/cool/sfw7099.html. Retrieved 2008-07-06.
14. ^ Owen, Rob (1999-03-26). "Simpsons meet the Jetsons; 'The Devil's Arithmetic'" (http://www.post-
gazette.com/tv/19990326rob4.asp) . Pittsburgh Post-Gazette. http://www.post-gazette.com/tv/19990326rob4.asp.
Retrieved 2007-08-08.
15. ^ Billen, Andrew (1999-09-27). "Laughing matters" (http://www.newstatesman.com/199909270044) . New
Statesman. http://www.newstatesman.com/199909270044. Retrieved 2008-06-13.
16. ^ Bierbaum, Tom (1999-03-30). "Fox sees 'Futurama' and it works"
(http://www.variety.com/article/VR1117492811.html?categoryid=14&cs=1) . Variety.
http://www.variety.com/article/VR1117492811.html?categoryid=14&cs=1. Retrieved 2008-06-15.
17. ^ de Moraes, Lisa (1999-03-31). "`Futurama' Draws Them In"
(http://pqasb.pqarchiver.com/washingtonpost/access/40180027.html?
dids=40180027:40180027&FMT=ABS&FMTS=ABS:FT&date=MAR+31%2C+1999&author=Lisa+de+Moraes&
pub=The+Washington+Post&desc=%60Futurama'+Draws+Them+In&pqatl=google) . The Washington Post.
http://pqasb.pqarchiver.com/washingtonpost/access/40180027.html?
dids=40180027:40180027&FMT=ABS&FMTS=ABS:FT&date=MAR+31%2C+1999&author=Lisa+de+Moraes&
pub=The+Washington+Post&desc=%60Futurama'+Draws+Them+In&pqatl=google. Retrieved 2008-06-15.
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6/6en.wikipedia.org/wiki/Space_Pilot_3000
18. ^ ""Futurama" has popular premiere" (http://news.awn.com/index.php?
ltype=search&range=all&search=Futurama&newsitem_no=703) . Animation World Network. 1999-04-04.
http://news.awn.com/index.php?ltype=search&range=all&search=Futurama&newsitem_no=703. Retrieved 2008-
06-15.
External links
"Space Pilot 3000" (http://www.tv.com/shows/1534/) at TV.com
"Space Pilot 3000" (http://www.imdb.com/title/tt0584449/) at the Internet Movie Database
"Space Pilot 3000" at the Infosphere, the Futurama Wiki.
Retrieved from "http://en.wikipedia.org/w/index.php?title=Space_Pilot_3000&oldid=474371745"
Categories: Futurama (season 1) episodes Television pilots 1999 television episodes
Cryonics in fiction
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