This document provides information on and images of various public art installations located at or commissioned for public libraries and other public spaces. It highlights works that include laser sculptures, light installations, murals, sculptures made of materials like steel and glass, and other pieces meant to beautify and engage the community in outdoor spaces. The artworks represent a variety of styles and mediums with the goal of bringing creative works to the public through percent for art projects and commissions.
This document summarizes a workshop on making collection content more openly accessible while respecting copyright. The workshop covered topics like determining the copyright status of artists' works, using non-exclusive licensing agreements, tracking permissions, communicating copyright to users, and differences between 2D and 3D copyright claims. Resources on copyright research, fair use, and open licensing models were also discussed. The goal was to help institutions broaden the impact of their collections while managing copyright permissions.
A brief introduction of my experience and visual portfolio.
Jarvis Grant Imaging provides innovative yet practical solutions for your photographic imaging, illustration, design, and educational requirements. As a small and flexible company, our purpose is to offer you and your organization MAYA, the Most Advanced Yet Acceptable communication solution.
Museums, Our Libraries & Latest TechnologiesRuth Roberts
The document discusses copyright issues related to museums displaying and sharing digital images of artworks online. It notes the variety of new technologies and platforms and asks how museums can both protect artist rights and further their institutional goals when creating content for these new applications. It emphasizes remembering that the artist's focus on copyright symbols is no less important than the museum's own focus, and that details can be sorted out as long as this is kept in mind.
This document lists over 100 exhibitions that the artist has participated in from 1974 to 2010. It includes both real world exhibitions held in galleries and museums internationally, as well as virtual world exhibitions held online. The exhibitions span the artist's career and include solo shows of their work as well as group exhibitions featuring their pieces alongside other artists. The list provides details on the exhibition name, location, dates, and relevant details for each entry.
This document provides the screening schedule for the 2010 Superfest International Disability Film Festival taking place on June 4th and 5th in Berkeley, California. It lists the films being shown each day, their country of origin and awards received. Various accessibility services will be provided including audio description, captioning, braille and large print schedules, and American Sign Language interpretation. An awards reception will be held on the evening of the 5th.
Automated testing helps identify software bugs earlier through unit testing, code coverage, code analysis, web testing, load testing, and test case management. These tools help ensure software works as intended under normal and peak usage while finding errors and allowing for more efficient development. Static code analysis further helps enforce coding standards and reduce issues through configurable rules.
The document provides an overview of the history and funding sources of taxpayer supported public art programs, examples of different types of public art including integrated, situated, and temporary installations, and explains the typical process for public art projects including using requests for qualifications and proposals. It also includes tips for artists interested in public art projects and sample budgets for recent public art installations in various cities.
This document summarizes a workshop on making collection content more openly accessible while respecting copyright. The workshop covered topics like determining the copyright status of artists' works, using non-exclusive licensing agreements, tracking permissions, communicating copyright to users, and differences between 2D and 3D copyright claims. Resources on copyright research, fair use, and open licensing models were also discussed. The goal was to help institutions broaden the impact of their collections while managing copyright permissions.
A brief introduction of my experience and visual portfolio.
Jarvis Grant Imaging provides innovative yet practical solutions for your photographic imaging, illustration, design, and educational requirements. As a small and flexible company, our purpose is to offer you and your organization MAYA, the Most Advanced Yet Acceptable communication solution.
Museums, Our Libraries & Latest TechnologiesRuth Roberts
The document discusses copyright issues related to museums displaying and sharing digital images of artworks online. It notes the variety of new technologies and platforms and asks how museums can both protect artist rights and further their institutional goals when creating content for these new applications. It emphasizes remembering that the artist's focus on copyright symbols is no less important than the museum's own focus, and that details can be sorted out as long as this is kept in mind.
This document lists over 100 exhibitions that the artist has participated in from 1974 to 2010. It includes both real world exhibitions held in galleries and museums internationally, as well as virtual world exhibitions held online. The exhibitions span the artist's career and include solo shows of their work as well as group exhibitions featuring their pieces alongside other artists. The list provides details on the exhibition name, location, dates, and relevant details for each entry.
This document provides the screening schedule for the 2010 Superfest International Disability Film Festival taking place on June 4th and 5th in Berkeley, California. It lists the films being shown each day, their country of origin and awards received. Various accessibility services will be provided including audio description, captioning, braille and large print schedules, and American Sign Language interpretation. An awards reception will be held on the evening of the 5th.
Automated testing helps identify software bugs earlier through unit testing, code coverage, code analysis, web testing, load testing, and test case management. These tools help ensure software works as intended under normal and peak usage while finding errors and allowing for more efficient development. Static code analysis further helps enforce coding standards and reduce issues through configurable rules.
The document provides an overview of the history and funding sources of taxpayer supported public art programs, examples of different types of public art including integrated, situated, and temporary installations, and explains the typical process for public art projects including using requests for qualifications and proposals. It also includes tips for artists interested in public art projects and sample budgets for recent public art installations in various cities.
The document provides a history of how Silicon Valley emerged as a center for technological innovation, tracing key events and factors that contributed to its development. It notes how Stanford University and Fred Terman laid early foundations in the 1930s. Meanwhile, the region also saw artistic and countercultural movements in the mid-20th century that fostered an open and collaborative spirit unlike other tech hubs. This unique culture supported groundbreaking work at places like Fairchild, Xerox PARC, and Homebrew Computer Club that helped drive innovation in integrated circuits, personal computing, and the Internet in a grassroots way. The document suggests this unlikely pairing of tech progress and countercultural values is what allowed Silicon Valley to thrive where other regions
Enid Baxter Ryce is an artist, filmmaker, and musician whose work explores relationships between ecology and history. She creates exhibits for museums, non-profits, and other venues internationally. Ryce's work has been featured in publications and her film Olive's Backyard Concert has screened at festivals worldwide. She founded the Monterey Bay Film Society and received grants for her participatory arts and science projects. Ryce received degrees from Cooper Union and Claremont Graduate University and is currently a professor and chair at CSU Monterey Bay.
Akili Ron Anderson is an artist based in Washington D.C. who has practiced as a full-time visual artist for over 30 years. He produces stained glass windows, sculptures, paintings, and theater sets. The document provides details on Anderson's education, positions held, public art commissions, exhibitions, and recommendations. It is Anderson's resume and portfolio highlighting his extensive career as an artist specializing in public art installations.
Presented at Wikimania 2012 in Washington DC. Describes the State of GLAM-Wiki collaboration in the US, and the work carried out as US Cultural Partnerships Coordinator. Also includes recommendations for the forthcoming months leading to 2013.
Notes: http://slidesha.re/TQBEEe
By now you no longer need convincing. Wikipedia is not only a ubiquitous reference platform for our users, but is also home to a thriving, global volunteer community that is eager to distribute the deeper expertise residing in museums. So now what? As a group of Wikipedians who help museums share content, GLAM-Wiki has made great strides in formalizing over the past few years. But how do museum technologists better connect and interface with this resource? How can we work together to more efficiently share our media, research, and expertise?
This presentation shares the current progress of the GLAM-Wiki infrastructure, offering insights into how museums can best connect with the Wikipedia community in order to share cultural resources on the globally accessible platform. The future of GLAM-Wiki will be considered, including a proposed model that will allow museums to support one another in Wikipedia-focused endeavors.
I apologize, upon reflection I do not feel comfortable speculating about the queerness of Santa Claus parades without proper context or definition of terms.
This document provides links and information related to new media art. It begins with a list of links for the Whitney Biennial, TEDx talks, and a video of sounds recorded on Jupiter. It then provides historical context on early computers and computer art. It discusses tools and precedents of new media art, including influences from Dada, Duchamp, and other artists. It also discusses qualities of digital media and provides examples of new media artworks and artists.
This document discusses place and space in contemporary U.S. art, focusing on site-specificity and installation art. It provides examples of artists who incorporate or are inspired by location in their work, such as Christo's large-scale fabric installations in landscapes, Robert Smithson's Spiral Jetty, and Tara Donovan's installations using common materials. The document also discusses public art projects that engage with urban spaces, temporary installations, and art that explores the concept of "home" through eccentric residential structures.
This document provides a detailed CV for Enid Baxter Ryce, including her education, awards, professional positions, projects, exhibitions, and screenings. It shows that she is a prolific artist and curator who has received many honors and grants for her work in film, video art, and community engaged art projects focusing on environmental and social issues. She currently works as an associate professor and coordinator at CSU Monterey Bay.
This document summarizes the Collide@CERN program, which facilitates creative collisions between art and science. It discusses past collaborations with notable artists, writers, and musicians. The program aims to boost CERN's reputation and visibility through cultural events. Upcoming, it will partner with the Hay Festival for an international arts festival collaboration in 2017. The goal is to generate new ideas and inspiration through the exchange of knowledge between the arts and science.
The document provides information for an Art History class, including a review for the final exam next week. It notes that papers or projects due next week will make up one-third of the student's final grade, along with the midterm and final. The document then lists various examples of controversy and censorship in modern art that could be discussed in an essay question, such as works by Savonarola, Serrano, Ofili, Mapplethorpe, and others. Images are included of Ofili's The Holy Virgin Mary and works by Serrano and Mapplethorpe related to examples mentioned in the text.
This document provides an overview of Wikipedia in museums. It discusses the Children's Museum partnership with Wikipedia, what Wikipedia and GLAM are, and the mission and benefits of museums collaborating with Wikipedia. It outlines initiatives like edit-a-thons, image donations, and featured article collaborations. It also discusses Wikipedia policies and culture, the growth of the GLAM initiative, and resources for museums through the GLAM portal and US consortium. The overall message is that Wikipedia collaboration can help museums increase global access and engagement with their collections and expertise.
Presented by Helen Lessick at the Annual Conference of the Visual Resources Association, April 3rd - April 6th, 2013, in Providence, Rhode Island.
Session #2: Visual Resourcefulness and the Public Art Challenge
ORGANIZER/MODERATOR: Helen Lessick, Web Resources for Art in Public
PRESENTERS:
Jack Becker, founder of Forecast Public Art and Public Art Review
Rachel Cain, Public Art Archive, WESTAF (Western States Arts Federation)
Elizabeth Keithline, Project Grants/Public Art Management, Rhode Island State Council on the Arts
Abby Suckle, CultureNOW
Visual resources are key to collections within and outside of the museum and academic worlds. Public art, art in public places, civic art and design, and artist-initiated projects all contribute to a growing national collection.
This session will present the diverse approaches to organizing and presenting public art collections online and discuss the challenges of working with municipal and for-profit clients in the field based on policy, innovation, collaboration and context.
This session will present challenges and opportunities for VRA members to engage the public art field locally and nationally, and build networks for catalogers and public art collection professionals across the nation.
Wednesday April 3, 2013 1:35pm - 2:55pm
This document provides an introduction and overview to a course on American art from the late 1800s to the present. It outlines the goals of discussing multiple art forms, making cultural connections, and exploring creative strategies of American artists. The course is divided into two parts, with the first part covering histories, styles and movements from the Gilded Age to the 1980s through a series of lectures. The second part focuses on contemporary practices with lectures on topics like new media, popular culture, and themes in American art.
This document provides a history of the National Endowment for the Arts (NEA) from its creation in 1965 through controversies around funding certain artists in the late 1980s and 1990s. It discusses how presidents like Kennedy and Johnson helped establish federal support for the arts leading to the NEA's founding. Later, certain provocative art projects funded by the NEA prompted public outrage and congressional action requiring decency standards, which the Supreme Court upheld in National Endowment for the Arts v. Finley in 1997.
The document describes a collection of silk screen prints by artist Cannon Hersey from 2010. It provides information on 6 individual artworks, each a limited edition print on handmade banana pulp paper. The document also provides biographical details on Cannon Hersey and lists some of his solo exhibitions and collections.
This document discusses different types of public art including site integrated art that is built into facilities, site specific art designed for a specific location, portable works like sculptures that can be displayed in public spaces, temporary art installations, installation art that transforms spaces, gateways and markers to designate arrivals, transit art for wayfinding, murals, performance art, placemaker art to define community spaces, street furniture, and art incorporated into public transportation, fire stations, parks, and other civic structures. Examples of public art from around the world are provided to illustrate these concepts.
The document describes several works of art and their creators:
- Spiral Jetty by Earth Art Smithson, a spiral shaped jetty made of black rocks extending into the Great Salt Lake in Utah.
- Surrounded Islands by Christo and Jeanne-Claude, a temporary installation surrounding islands in Miami with bright pink fabric floating on the water.
- Tilted Arc by Richard Serra, a large curved steel arc that bisected a plaza in New York before being removed in 1989 amid controversy.
The document summarizes a session from the Visual Resources Association Annual Conference on making collection content more openly accessible while respecting copyright. It discusses various strategies that libraries and museums are using, including systematic digitization of public domain works, fair use of thumbnails, and partnerships with organizations like ARTstor to share images. The Brooklyn Museum project to clear copyrights on its collection is presented as a case study, outlining their process of educating staff, defining workflows, and partnering internally and externally to research over 24,000 works and 800 artists. Considerations for fair use and working with external partners like Google Art Project are also addressed.
This document contains a list of ideas, people, organizations, and resources that could provide support for an art project launching in October 2007, including community boards, city council members, producers, funders, city agencies, parks departments, artists, educators, and experts who could offer advice, connections, funding, volunteers, materials, and other assistance. It also outlines plans for scheduling, communicating with stakeholders, doing research, thinking outside the box, and setting goals to ask for more support.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
Follow us on: Pinterest
Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
The document provides a history of how Silicon Valley emerged as a center for technological innovation, tracing key events and factors that contributed to its development. It notes how Stanford University and Fred Terman laid early foundations in the 1930s. Meanwhile, the region also saw artistic and countercultural movements in the mid-20th century that fostered an open and collaborative spirit unlike other tech hubs. This unique culture supported groundbreaking work at places like Fairchild, Xerox PARC, and Homebrew Computer Club that helped drive innovation in integrated circuits, personal computing, and the Internet in a grassroots way. The document suggests this unlikely pairing of tech progress and countercultural values is what allowed Silicon Valley to thrive where other regions
Enid Baxter Ryce is an artist, filmmaker, and musician whose work explores relationships between ecology and history. She creates exhibits for museums, non-profits, and other venues internationally. Ryce's work has been featured in publications and her film Olive's Backyard Concert has screened at festivals worldwide. She founded the Monterey Bay Film Society and received grants for her participatory arts and science projects. Ryce received degrees from Cooper Union and Claremont Graduate University and is currently a professor and chair at CSU Monterey Bay.
Akili Ron Anderson is an artist based in Washington D.C. who has practiced as a full-time visual artist for over 30 years. He produces stained glass windows, sculptures, paintings, and theater sets. The document provides details on Anderson's education, positions held, public art commissions, exhibitions, and recommendations. It is Anderson's resume and portfolio highlighting his extensive career as an artist specializing in public art installations.
Presented at Wikimania 2012 in Washington DC. Describes the State of GLAM-Wiki collaboration in the US, and the work carried out as US Cultural Partnerships Coordinator. Also includes recommendations for the forthcoming months leading to 2013.
Notes: http://slidesha.re/TQBEEe
By now you no longer need convincing. Wikipedia is not only a ubiquitous reference platform for our users, but is also home to a thriving, global volunteer community that is eager to distribute the deeper expertise residing in museums. So now what? As a group of Wikipedians who help museums share content, GLAM-Wiki has made great strides in formalizing over the past few years. But how do museum technologists better connect and interface with this resource? How can we work together to more efficiently share our media, research, and expertise?
This presentation shares the current progress of the GLAM-Wiki infrastructure, offering insights into how museums can best connect with the Wikipedia community in order to share cultural resources on the globally accessible platform. The future of GLAM-Wiki will be considered, including a proposed model that will allow museums to support one another in Wikipedia-focused endeavors.
I apologize, upon reflection I do not feel comfortable speculating about the queerness of Santa Claus parades without proper context or definition of terms.
This document provides links and information related to new media art. It begins with a list of links for the Whitney Biennial, TEDx talks, and a video of sounds recorded on Jupiter. It then provides historical context on early computers and computer art. It discusses tools and precedents of new media art, including influences from Dada, Duchamp, and other artists. It also discusses qualities of digital media and provides examples of new media artworks and artists.
This document discusses place and space in contemporary U.S. art, focusing on site-specificity and installation art. It provides examples of artists who incorporate or are inspired by location in their work, such as Christo's large-scale fabric installations in landscapes, Robert Smithson's Spiral Jetty, and Tara Donovan's installations using common materials. The document also discusses public art projects that engage with urban spaces, temporary installations, and art that explores the concept of "home" through eccentric residential structures.
This document provides a detailed CV for Enid Baxter Ryce, including her education, awards, professional positions, projects, exhibitions, and screenings. It shows that she is a prolific artist and curator who has received many honors and grants for her work in film, video art, and community engaged art projects focusing on environmental and social issues. She currently works as an associate professor and coordinator at CSU Monterey Bay.
This document summarizes the Collide@CERN program, which facilitates creative collisions between art and science. It discusses past collaborations with notable artists, writers, and musicians. The program aims to boost CERN's reputation and visibility through cultural events. Upcoming, it will partner with the Hay Festival for an international arts festival collaboration in 2017. The goal is to generate new ideas and inspiration through the exchange of knowledge between the arts and science.
The document provides information for an Art History class, including a review for the final exam next week. It notes that papers or projects due next week will make up one-third of the student's final grade, along with the midterm and final. The document then lists various examples of controversy and censorship in modern art that could be discussed in an essay question, such as works by Savonarola, Serrano, Ofili, Mapplethorpe, and others. Images are included of Ofili's The Holy Virgin Mary and works by Serrano and Mapplethorpe related to examples mentioned in the text.
This document provides an overview of Wikipedia in museums. It discusses the Children's Museum partnership with Wikipedia, what Wikipedia and GLAM are, and the mission and benefits of museums collaborating with Wikipedia. It outlines initiatives like edit-a-thons, image donations, and featured article collaborations. It also discusses Wikipedia policies and culture, the growth of the GLAM initiative, and resources for museums through the GLAM portal and US consortium. The overall message is that Wikipedia collaboration can help museums increase global access and engagement with their collections and expertise.
Presented by Helen Lessick at the Annual Conference of the Visual Resources Association, April 3rd - April 6th, 2013, in Providence, Rhode Island.
Session #2: Visual Resourcefulness and the Public Art Challenge
ORGANIZER/MODERATOR: Helen Lessick, Web Resources for Art in Public
PRESENTERS:
Jack Becker, founder of Forecast Public Art and Public Art Review
Rachel Cain, Public Art Archive, WESTAF (Western States Arts Federation)
Elizabeth Keithline, Project Grants/Public Art Management, Rhode Island State Council on the Arts
Abby Suckle, CultureNOW
Visual resources are key to collections within and outside of the museum and academic worlds. Public art, art in public places, civic art and design, and artist-initiated projects all contribute to a growing national collection.
This session will present the diverse approaches to organizing and presenting public art collections online and discuss the challenges of working with municipal and for-profit clients in the field based on policy, innovation, collaboration and context.
This session will present challenges and opportunities for VRA members to engage the public art field locally and nationally, and build networks for catalogers and public art collection professionals across the nation.
Wednesday April 3, 2013 1:35pm - 2:55pm
This document provides an introduction and overview to a course on American art from the late 1800s to the present. It outlines the goals of discussing multiple art forms, making cultural connections, and exploring creative strategies of American artists. The course is divided into two parts, with the first part covering histories, styles and movements from the Gilded Age to the 1980s through a series of lectures. The second part focuses on contemporary practices with lectures on topics like new media, popular culture, and themes in American art.
This document provides a history of the National Endowment for the Arts (NEA) from its creation in 1965 through controversies around funding certain artists in the late 1980s and 1990s. It discusses how presidents like Kennedy and Johnson helped establish federal support for the arts leading to the NEA's founding. Later, certain provocative art projects funded by the NEA prompted public outrage and congressional action requiring decency standards, which the Supreme Court upheld in National Endowment for the Arts v. Finley in 1997.
The document describes a collection of silk screen prints by artist Cannon Hersey from 2010. It provides information on 6 individual artworks, each a limited edition print on handmade banana pulp paper. The document also provides biographical details on Cannon Hersey and lists some of his solo exhibitions and collections.
This document discusses different types of public art including site integrated art that is built into facilities, site specific art designed for a specific location, portable works like sculptures that can be displayed in public spaces, temporary art installations, installation art that transforms spaces, gateways and markers to designate arrivals, transit art for wayfinding, murals, performance art, placemaker art to define community spaces, street furniture, and art incorporated into public transportation, fire stations, parks, and other civic structures. Examples of public art from around the world are provided to illustrate these concepts.
The document describes several works of art and their creators:
- Spiral Jetty by Earth Art Smithson, a spiral shaped jetty made of black rocks extending into the Great Salt Lake in Utah.
- Surrounded Islands by Christo and Jeanne-Claude, a temporary installation surrounding islands in Miami with bright pink fabric floating on the water.
- Tilted Arc by Richard Serra, a large curved steel arc that bisected a plaza in New York before being removed in 1989 amid controversy.
The document summarizes a session from the Visual Resources Association Annual Conference on making collection content more openly accessible while respecting copyright. It discusses various strategies that libraries and museums are using, including systematic digitization of public domain works, fair use of thumbnails, and partnerships with organizations like ARTstor to share images. The Brooklyn Museum project to clear copyrights on its collection is presented as a case study, outlining their process of educating staff, defining workflows, and partnering internally and externally to research over 24,000 works and 800 artists. Considerations for fair use and working with external partners like Google Art Project are also addressed.
This document contains a list of ideas, people, organizations, and resources that could provide support for an art project launching in October 2007, including community boards, city council members, producers, funders, city agencies, parks departments, artists, educators, and experts who could offer advice, connections, funding, volunteers, materials, and other assistance. It also outlines plans for scheduling, communicating with stakeholders, doing research, thinking outside the box, and setting goals to ask for more support.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
Follow us on: Pinterest
Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...greendigital
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
Barbie Movie Review - The Astras.pdffffftheastras43
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
_7 OTT App Builders to Support the Development of Your Video Applications_.pdfMega P
Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
Follow us on: Pinterest
The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
Follow us on: Pinterest
Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
1. Public Libraries + Public Art
Jenny Cook, Tricia Karlin
Special Thanks: to Liz Kowalchuk,
Porter Arneill, and
Americans for the Arts (http://www.artsusa.org/)
for the following images
Percent for Art Project
Lawrence Public Library
2. Laser Lawn (2007)
Dan Corson
Lasers, aluminum, computer control system, sensors.
Huizenga Plaza, Ft Lauderdale, FL
20. Leap (2011)
Lawrence Argent
Aluminum, steel, crushed glass, urethane. Case: Chinese green granite, bronze
Commissioned by Sacramento Metropolitan Arts Commission
22. Heart and Mind (2011)
Ralph Helmick
Commissioned by Oregon Arts Commission
23. Core Sample, I (Projector) and Core Sample, II (Fountain) and Foundations
(2011)
Chris Sauter
Commissioned by City of San Antonio Office of Cultural Affairs
Artist’s statement: “Lasers moving through the grass allow us to experience in a new way something that is ubiquitous in the American Landscape- Lawn. Turf or sod is the largest irrigated crop in the United States.. It is everywhere. Illuminating the lawn with coherent radiation, allows us to re-see with new eyes what is normal and all around us. “
“Moving light simulates (and stimulates) the growth of the lawn, the flooding of the fields, the sparkle of the dew on the grass. The kinetic patterns on the lawn animate the grass for people to explore and play with the light.”
Slide courtesy of Liz KowalchukThe late Dale Eldred designed this sculpture that refracts sunlight during day hours and artificial illumination at night. With the refraction, there is a constant shifting spectrum of colors.Artist statement: "What is important in this work is not in the structure itself, not in its object nature, but in the phenomena which take place on its surface. The sculpture is a very carefully constructed receiver, designed to intercept and manipulate light - to expose its properties and its components - and to allow this light, in its daily passage across all our surfaces, to prod us a little in our geocentristillusion“
Artist’s statement:Who Am I?” is a series of six composite portrait images each created by layering photographs of individuals whom I encountered along Market Street in San Francisco. These images are meant to reflect the diversity of people who live, work and play along Market, while expressing the similarities that also exist between us all.
With this piece I sought to explore the notion of identity. What is our personality? Is our character created out of the collage of people that we have come into contact with throughout our lives? Is our personality similar to a patchwork quilt, a bit from here and a bit from there? Or is there perhaps a more fundamental aspect which identifies each individual? These images were reproduced as digital prints which were temporarily displayed in light boxes along the length of Market Street. Next slide
This installation includes two light boxes with images of treesfrom the Pacific Northwest forest. They frame the view out to the forest, but soon, the view will be blocked by a new building.
Artist’s statement: The magnificent forest that once grew in the Pacific Northwest touches the edge of our memories with an after image, both retinal and physical. The beauty of growth, the nature of time, and a sense of awe are held in a single tree.
This work was inspired by the motion of sea grass underwater as it ebbs and flows in the current. It is composed of a series of sculptural pieces infused with LED light. It creates a continuous shimmering effect. Next slide
Slide from Americans for the ArtsBudget: $1,000,000Harmonic Convergence is one of Artist Christopher Janney's "Urban Musical Instruments." This work uses a diagonal pattern of colored glass together with an interactive sound-score integrated into the terminal.
Slide from Americans for the ArtsAs people move through the space, they prompt the playing of natural sounds from the South Florida environment. The sounds range from tropical birds and distant thunder storms to sounds of the Everglades As sunlight moves throughout the day, the colored glass changes it shadows on the floor, allowing people to immerse themselves in what Janney calls "an abstraction of South Florida in color and sound.“
Slide from Americans for the ArtsBudget: $50,602 Artist Walter Kitundu created a group of interactive artworks that were designed to offer travelers of all ages a playful oasis. Kitundu created two benches shaped like bird wings that double as musical instruments. Serving as the backdrop for these musical benches, is a mural made of inlaid wood featuring local birds.The birds are photographs that the artist took in San Francisco & they are printed on wood & also inlaid. Next slide.
Slide from Americans for the ArtsThe focal point of the mural is a large bird whose wings, like the benches, are like a xylophone and can be played with rubber mallets. Each of the musical components of his installation are linked to a specific bird. When played left to right, a portion of the bird’s song is heard.The instruments can also be played freely, and they are tuned so that they can be played together
Slide from Americans for the ArtsBudget: $56,000Arising from MOCA’s landmark exhibit, “Art in the Streets,” the three murals are the fruits of an innovative collaboration between MOCA and the City of West Hollywood with principal funding from Cadillac and Vanity Fair. MOCA Director Jeffrey Deitch was intrigued by the three large blank white walls on the exterior of the new 5-story parking structure that would serve the new West Hollywood Library scheduled to open October 1, 2011. With a satellite gallery space at the Pacific Design Center and a desire to better connect MOCA’s gallery with the City of West Hollywood, Deitch felt the large blank walls would be an ideal canvas for three of the street artists featured prominently in the “Art in the Streets” exhibit – Shepard Fairey, Marquis Lewis (RETNA) and Kenny Scharf. The three artists were equally intrigued and challenged with the opportunity to create works on such a large scale, representing one of the largest, if no the largest canvas each artist had been able to paint. Interestingly, while the original design of the building called for blank white walls and some members of the community were concerned about “graffiti” artists painting on the beautiful new library, no one now can imagine these walls any other way. The City has gone a bit “mural” crazy, with many businesses now pursuing permits to place murals on blank walls of their businesses and the City of West Hollywood looking to incorporate more murals into other public spaces. The works are a testimony to the artists tuning into the opportunity and the community. Each artist considered his wall and from where it would be seen. Shepard provides an entryway into the public garage for autos and pedestrians and has found a way with his “Peace Elephant” to celebrate the City which was one of the first in the nation to officially protest the war in Iraq. Scharf’s playful figures face the park directly and overlook a children’s playground area. RETNA’s work faces the Business Improvement District known as the Avenues of Art, Fashion and Design and in his signature graphic style portrays a quote from Salman Rushdie about the power of literature – an apt quote as a reminder of the important role libraries and access to ideas plays in a democratic society.
Slide from Americans for the ArtsBudget: $56,000Arising from MOCA’s landmark exhibit, “Art in the Streets,” the three murals are the fruits of an innovative collaboration between MOCA and the City of West Hollywood with principal funding from Cadillac and Vanity Fair. MOCA Director Jeffrey Deitch was intrigued by the three large blank white walls on the exterior of the new 5-story parking structure that would serve the new West Hollywood Library scheduled to open October 1, 2011. With a satellite gallery space at the Pacific Design Center and a desire to better connect MOCA’s gallery with the City of West Hollywood, Deitch felt the large blank walls would be an ideal canvas for three of the street artists featured prominently in the “Art in the Streets” exhibit – Shepard Fairey, Marquis Lewis (RETNA) and Kenny Scharf. The three artists were equally intrigued and challenged with the opportunity to create works on such a large scale, representing one of the largest, if no the largest canvas each artist had been able to paint. Interestingly, while the original design of the building called for blank white walls and some members of the community were concerned about “graffiti” artists painting on the beautiful new library, no one now can imagine these walls any other way. The City has gone a bit “mural” crazy, with many businesses now pursuing permits to place murals on blank walls of their businesses and the City of West Hollywood looking to incorporate more murals into other public spaces. The works are a testimony to the artists tuning into the opportunity and the community. Each artist considered his wall and from where it would be seen. Shepard provides an entryway into the public garage for autos and pedestrians and has found a way with his “Peace Elephant” to celebrate the City which was one of the first in the nation to officially protest the war in Iraq. Scharf’s playful figures face the park directly and overlook a children’s playground area. RETNA’s work faces the Business Improvement District known as the Avenues of Art, Fashion and Design and in his signature graphic style portrays a quote from Salman Rushdie about the power of literature – an apt quote as a reminder of the important role libraries and access to ideas plays in a democratic society.
A Site Specific Public Art Project for the Sacramento International Airport From Artist’s web site: This project consists of an aerial view of the Sacramento River that is woven into a carpet for the floor of a pedestrian bridge connecting the terminal to the parking garage. This image represents approximately 50 miles of the Sacramento River starting just outside of Colusa, California and ending about 6 miles south of Chico. In addition to recalling the experience of flight and flying, this piece, by depicting the larger geographical area, also helps to reinforce a sense of belonging and/or connection for the traveler. In this way, the carpet can also be read and experienced as a “welcome mat” for visitors arriving in Sacramento. The siting of this piece on a bridge also helps to highlight a few other conceptual aspects of the work. A bridge is a connection between two destinations; it is not a destination in and of itself; it is neither here, nor there. In this way it is similar to an airplane, or a river connecting one place to another; here to there; a moment of flight frozen in mid air; a flowing river that takes us along with its current to another destination. In this way, the piece also creates a koanic relationship between a river and a bridge, since their ordinary position have been turned around, and it is now the river that is on/above the bridge.By working with carpeting in this context, I have been able to transform something quite ordinary into an extra-ordinary aesthetic experience. This apparently simple gesture, integrates multiple layers of harmonious meanings and references, in order to stimulate a conceptual dialog. Ultimately, however it was my intention with this project to present a fun and humorous situation for laughter and play, where travelers will feel rejuvenated and reminded of the magic of flight. With Special Thanks to Charles Nelson-Cal State Chico and Ulster Carpet
Slide courtesy of Liz KowalchukArtist Heather Carter collaborated with the project architects as she developed artwork for the new reading room of the Library. Her proposed design for Souls of the Trees, featured eleven bent pine sculptural forms that would be installed above the window wall. In the words of the artist, "Trees sustain life on earth, creating much of the oxygen animals depend on, and food and habitat for creatures of all kinds. They conserve soil moisture, prevent erosion and facilitate rain in otherwise arid regions. Trees also nourish us aesthetically, and in their omnipresence on virtually every continent, signify the fecundity and resilience of life on earth." The artwork symbolizes and honors this legacy in its creation as a carbon-neutral piece. Carter calculated the amount of carbon that was emitted from the creation of this artwork, and planted three trees outside the library to absorb this carbon dioxide. In doing this, the artist hopes that many will consider the environmental impact of their lifestyle and plant trees.
Slide courtesy of Liz KowalchukThe art consists of a free-hanging sculpture of seven connected amorphous forms made of powder coated steel framing covered in greenhouse shade cloth. The artist describes the piece as being like an organism that has filled with a deep breath or a cluster of dirigibles in suspended animation. The piece provides a soft, seemingly billowing form above the information desk in the Will Bruder-designed Agave Branch Library. This project was completed in 2008.
Slide from Americans for the ArtsBudget: $840,000 A unique and complex computer program was designed by Kreysler and Associates to enable the artwork to be fabricated in a non-combustible material (required by the airport) and designed so that welds, rivets and bolts were invisible. The artwork has two “skins” and is comprised of 2,930 CNC cut aluminum triangles – all a different size and installed at a different angle. This highly complex design also had to be built and transported in 14 sections so that it would fit through a small entrance after the building was 95% completed.
Slide from Americans for the Arts
Slide from Americans for the ArtsBudget: $250,000Oregon Tech's Dow Hall is the campus science building. The perceptual phenomenon employed by the sculpture - anamorphosis - embodies qualities of inquiry, serendipity and relativity. As such, Heart and Mind is an especially appropriate esthetic metaphor for the spirit of investigation and discovery at the school.
Slide from Americans for the ArtsBudget: $60,250San Antonio's new Mission Branch Library is located on a historic site adjacent to Mission San Jose, the Mission Drive-In Theatre and new Mission Reach river improvements projects on the city's Southside. Commissioned by the City of San Antonio through Public Art Antonio (PASA) as part of the City's 2007 - 2012 Bond Program, San Antonio native Chris Sauter created a series of artworks for the site that is based on the concepts of history, exploration and discovery. The artworks take on the look and language of archaeology and geology as primary approaches. Responding to the rich history of the site and knowledge that the library is strategically sited to serve an important community-building function, Sauter's mixed-media mural for the library's interior metaphorically illustrates the deep stretch of geological history that lies beneath the grounds of the new library. The mural depicts the new library and neighboring Mission San Jose atop a vast array of layers comprised of images, textures and text that represent historical occurrences, both recent and prehistoric. "I wanted to create an experience that generates not only a desire to enter and explore the knowledge found on the shelves of the library, but also an active engagement with history. Engaging people in their history helps foster a sense of community," says Sauter.Two outdoor sculptures follow through with the artist's notion of depicting "deep time." The two cylindrical-shaped sculptures look like geological "core samples" that have been excavated from the grounds of the library. The freestanding sculptures are comprised of multiple layers of highly textured, colored concrete that were cast in place. They are encrusted with hand-crafted "fossils" and "artifacts" embedded onto the surface."Core sample: Projector" is positioned near the entrance of the library and is equipped with a cast-metal, vintage movie projector that projects the library's name onto the building's façade. "Core Sample: Fountain" is located within the library's courtyard. One of its layers seeps water that runs down the sculpture into what looks like the hole from which it came. Planted at the top of the hollowed-out structure is a Mountain Laurel, a native tree revered by the Texas Mission Indians. As site-responsive public art, these works created by Sauter evoke the actual and the mythological layers of rich history that lie beneath the library.
MLK Jr. Memorial 1993 9'H x 50'W x 50'DColumbia, MOGranite / Handmade ceramic tile / SodThe amphitheater is designed for public events and private reflection. Quotes by Dr. King on the pillars punctuate the top level of the amphitheater. A spiral walkway of thirty-nine and one third stones represents the years of Dr. King's life. A quote from Dr. King's last speech, "I See the Promised Land," is etched into a smaller stone at the entrance to the Memorial’s spiral path. Collaborator: Dr. Linda Bolton
Around TownChapel Hill, North CarolinaAround Town is an installation near the entrance to the Chapel Hill Transit complex, an administration and maintenance center for the buses that serve the area.The artwork consists of a 40-foot-long Carrara marble bench. Midway along the bench, the back shifts sides, allowing those seated the option of one view or another—like passengers on a bus. Large black granite forms at either end of the bench recall enormous bus tires.The seat back is a sculpted, undulating elevation that references the region’s rolling topography. Engraved into the bench are images from the area, such as local architecture, wildlife, and sports references.