This document contains a 10 question survey about audience preferences for music videos and packaging. The questions gauge how often respondents watch music videos, whether they prefer videos with narratives, their preferred media for consuming music, what appeals to them in music videos and digipaks, and what they think needs to stand out in music advertisements. The survey collects both multiple choice and free response answers.
The document compares the music videos for three songs and discusses similarities in shot types between them. It notes that conventional settings like cars and flowers were used and developed into the video narratives. The document states that the music videos were extremely successful and inspired the use of some ideas creatively in the author's own video, though different camera angles and shots were used, like an extreme long shot of a bike instead of a close up.
The document presents the results of a questionnaire about music preferences. Key findings include:
- The target audience is 16-24 year old females.
- Indie/soul music is most popular, followed by pop.
- People watch music videos mostly in their spare time.
- Location changes and a range of shots/angles appeal most in music videos.
- Color scheme and design are most important for a music advert to stand out.
The original purpose of music videos was to advertise songs and boost sales and artist reputation. Early forms included musical films influencing music videos. Conventions include camera shots like close ups that emphasize artist and lyrics, camera movement following artist, and mise en scene representing artist through outfits. Editing techniques like jump cuts and lighting reflecting mood are also key conventions.
This very short document contains only three words: Dense, Activity, and Counties. It does not provide much context or information to summarize in only a sentence or two.
The document provides summaries of several existing music videos, analyzing elements like the relationship between lyrics and visuals, close-ups of artists, and whether the videos are performance, narrative or concept-based. For the video "Tightrope" by Janelle Monae, it notes the concept is about balance in life and her journey to success. For "A Punk" by Vampire Weekend, it compares the stop-motion style to children's show The Wiggles.
This document contains a 10 question survey about audience preferences for music videos and packaging. The questions gauge how often respondents watch music videos, whether they prefer videos with narratives, their preferred media for consuming music, what appeals to them in music videos and digipaks, and what they think needs to stand out in music advertisements. The survey collects both multiple choice and free response answers.
The document compares the music videos for three songs and discusses similarities in shot types between them. It notes that conventional settings like cars and flowers were used and developed into the video narratives. The document states that the music videos were extremely successful and inspired the use of some ideas creatively in the author's own video, though different camera angles and shots were used, like an extreme long shot of a bike instead of a close up.
The document presents the results of a questionnaire about music preferences. Key findings include:
- The target audience is 16-24 year old females.
- Indie/soul music is most popular, followed by pop.
- People watch music videos mostly in their spare time.
- Location changes and a range of shots/angles appeal most in music videos.
- Color scheme and design are most important for a music advert to stand out.
The original purpose of music videos was to advertise songs and boost sales and artist reputation. Early forms included musical films influencing music videos. Conventions include camera shots like close ups that emphasize artist and lyrics, camera movement following artist, and mise en scene representing artist through outfits. Editing techniques like jump cuts and lighting reflecting mood are also key conventions.
This very short document contains only three words: Dense, Activity, and Counties. It does not provide much context or information to summarize in only a sentence or two.
The document provides summaries of several existing music videos, analyzing elements like the relationship between lyrics and visuals, close-ups of artists, and whether the videos are performance, narrative or concept-based. For the video "Tightrope" by Janelle Monae, it notes the concept is about balance in life and her journey to success. For "A Punk" by Vampire Weekend, it compares the stop-motion style to children's show The Wiggles.
The original purpose of music videos was to advertise songs and boost sales and artist reputation. Early forms included musical films where songs were used as clips. Conventions of music videos include using camera shots like close ups to emphasize the artist and lyrics, camera movements that follow the artist, and mise en scene to represent the artist's style through outfits. Editing, lighting, and sound effects are also used to convey mood and represent the song.
The document outlines a time plan for a real media project involving a music video, magazine advert, and digipak. It includes sections for researching the song, artist, and past student work. It also includes planning genres, mood boards, costumes, locations, and permissions. Production stages involve filming, editing, feedback, and creating the advert and digipak. Evaluation begins after production is complete to meet the deadline.
The student collected feedback from an audience throughout their project in order to understand audience needs and make improvements. They created a questionnaire to determine popular music genres, ages, and artist inspirations. Most respondents preferred indie music. The student also used feedback from peers to refine their music video, digital album artwork, and magazine ad. Collecting audience feedback through various methods helped the student make informed decisions that aligned with their target audience's preferences.
This document discusses the creation of a CD digipak. The creator began by taking inspiration from existing album covers in terms of color, pattern, images and typography. A template was used to aid the layout. A logo was created in Photoshop for the artist. The front cover features an image of the artist inspired by Ellie Goulding's "Lights" album. Text and the logo were added. The back cover includes song titles with numbers down the right side for better layout. Additional photography represents the artist. A hand-drawn and scanned design was used for the CD background. Overall the creator is pleased with the digipak design.
This document describes the process of creating a custom CD digipak. [1] The creator began by taking inspiration from existing album covers in terms of color, pattern, images and typography. [2] A template was used to aid the layout, and the creator designed a logo for the artist in Photoshop. [3] Drawing inspiration from Ellie Goulding's "Lights" album cover, the creator used a close-up image of the artist's face on the front cover and experimented with layouts before finalizing the design.
The document describes the process of creating a magazine advertisement using various design software. The creator began by selecting a font from dafont.com, cropping it in Photoshop to isolate the text. In Photoshop, the text layer was unlocked and parts were deleted using the wand tool to create a cut-out effect. All text pieces were then placed in InDesign where the overall layout was designed.
This document appears to be a list of 10 song titles. The songs cover themes of love, heartbreak, and relationships. Some of the titles reference falling in love, being a victim of a foolish heart, and asking someone if they want love. Overall the list focuses on romantic emotions and interactions between people.
The document describes the process of creating a music video. The creator inserted their music track, uploaded video clips, and placed clips in the timeline while editing them to fit the music. Effects were added like split screen and color enhancements. When complete, the video was saved and uploaded to YouTube to share.
The document describes the process of creating a music video. The creator inserted their music track, uploaded video clips, and placed clips in the timeline while editing them to fit the music. Effects were added like split screen and color enhancements. When complete, the video was saved and uploaded to YouTube to share.
The document discusses magazine advertisement layouts and design elements. It provides examples of effective album adverts that use striking images relating to the music and bold typography. The text emphasizes using an image that identifies the artist while reflecting the album idea. Clear artist and album names in a simple layout that follows conventions but can be modified slightly are recommended. Complimenting the main image with typography at angles is suggested.
This shooting script outlines the scenes and shots planned for the music video "Super Duper Love (Are You Diggin' On Me)". The video will feature the singer Lucinda Corrie in various outdoor locations including her garden, parked by her car, walking through a park, and cycling down a country lane. It will also include some indoor scenes of Lucinda in her bedroom and corridor. The shots will showcase Lucinda's style and personality through her clothing, movements, and interactions with David Wheatley to represent the indie/soul genre and express the mood of the song.
This document presents 3 different designs for a digipak packaging. Design 1 shows one concept with a plain white front and back cover. Design 2 features a photo on the front and color blocking on the back. Design 3 incorporates graphics and text on both the front and back covers.
The document discusses planning for a digipak layout for an album. It notes that the front of the digipak should feature a bold image of the artist with the album title and name above in a memorable way. The CD design inside is also important and should feature unique artwork. The back will list the songs and may include another artist image or design. Inside text can provide information about the artist and album inspiration. Examples of digipaks from other artists are shown and noted as sources of inspiration.
This shooting script outlines the filming schedule and equipment needed to capture shots of Lucinda Corrie in various locations on October 16th and 24th. It includes details such as the desired camera angles, subjects involved, and potential issues to address like camera stability, lighting, and coordinating actions with music. The goal is to obtain a variety of shots, such as extreme close-ups, long shots from different perspectives, and scenes of Lucinda cycling and acting naturally with a partner in the park.
The document discusses the song "Super Duper Love" by Joss Stone. It analyzes the lyrics, which describe a relationship where the female protagonist wants confirmation of her partner's faithfulness. The genre of soul music often addresses issues of strong-minded women seeking power within relationships. Joss Stone's powerful voice and the soul music genre reinforce the message of the lyrics. All elements of the song come together cohesively to create a fun and impactful listening experience for the audience.
The original purpose of music videos was to advertise songs and boost sales and artist reputation. Early forms included musical films where songs were used as clips. Conventions of music videos include using camera shots like close ups to emphasize the artist and lyrics, camera movements that follow the artist, and mise en scene to represent the artist's style through outfits. Editing, lighting, and sound effects are also used to convey mood and represent the song.
The document outlines a time plan for a real media project involving a music video, magazine advert, and digipak. It includes sections for researching the song, artist, and past student work. It also includes planning genres, mood boards, costumes, locations, and permissions. Production stages involve filming, editing, feedback, and creating the advert and digipak. Evaluation begins after production is complete to meet the deadline.
The student collected feedback from an audience throughout their project in order to understand audience needs and make improvements. They created a questionnaire to determine popular music genres, ages, and artist inspirations. Most respondents preferred indie music. The student also used feedback from peers to refine their music video, digital album artwork, and magazine ad. Collecting audience feedback through various methods helped the student make informed decisions that aligned with their target audience's preferences.
This document discusses the creation of a CD digipak. The creator began by taking inspiration from existing album covers in terms of color, pattern, images and typography. A template was used to aid the layout. A logo was created in Photoshop for the artist. The front cover features an image of the artist inspired by Ellie Goulding's "Lights" album. Text and the logo were added. The back cover includes song titles with numbers down the right side for better layout. Additional photography represents the artist. A hand-drawn and scanned design was used for the CD background. Overall the creator is pleased with the digipak design.
This document describes the process of creating a custom CD digipak. [1] The creator began by taking inspiration from existing album covers in terms of color, pattern, images and typography. [2] A template was used to aid the layout, and the creator designed a logo for the artist in Photoshop. [3] Drawing inspiration from Ellie Goulding's "Lights" album cover, the creator used a close-up image of the artist's face on the front cover and experimented with layouts before finalizing the design.
The document describes the process of creating a magazine advertisement using various design software. The creator began by selecting a font from dafont.com, cropping it in Photoshop to isolate the text. In Photoshop, the text layer was unlocked and parts were deleted using the wand tool to create a cut-out effect. All text pieces were then placed in InDesign where the overall layout was designed.
This document appears to be a list of 10 song titles. The songs cover themes of love, heartbreak, and relationships. Some of the titles reference falling in love, being a victim of a foolish heart, and asking someone if they want love. Overall the list focuses on romantic emotions and interactions between people.
The document describes the process of creating a music video. The creator inserted their music track, uploaded video clips, and placed clips in the timeline while editing them to fit the music. Effects were added like split screen and color enhancements. When complete, the video was saved and uploaded to YouTube to share.
The document describes the process of creating a music video. The creator inserted their music track, uploaded video clips, and placed clips in the timeline while editing them to fit the music. Effects were added like split screen and color enhancements. When complete, the video was saved and uploaded to YouTube to share.
The document discusses magazine advertisement layouts and design elements. It provides examples of effective album adverts that use striking images relating to the music and bold typography. The text emphasizes using an image that identifies the artist while reflecting the album idea. Clear artist and album names in a simple layout that follows conventions but can be modified slightly are recommended. Complimenting the main image with typography at angles is suggested.
This shooting script outlines the scenes and shots planned for the music video "Super Duper Love (Are You Diggin' On Me)". The video will feature the singer Lucinda Corrie in various outdoor locations including her garden, parked by her car, walking through a park, and cycling down a country lane. It will also include some indoor scenes of Lucinda in her bedroom and corridor. The shots will showcase Lucinda's style and personality through her clothing, movements, and interactions with David Wheatley to represent the indie/soul genre and express the mood of the song.
This document presents 3 different designs for a digipak packaging. Design 1 shows one concept with a plain white front and back cover. Design 2 features a photo on the front and color blocking on the back. Design 3 incorporates graphics and text on both the front and back covers.
The document discusses planning for a digipak layout for an album. It notes that the front of the digipak should feature a bold image of the artist with the album title and name above in a memorable way. The CD design inside is also important and should feature unique artwork. The back will list the songs and may include another artist image or design. Inside text can provide information about the artist and album inspiration. Examples of digipaks from other artists are shown and noted as sources of inspiration.
This shooting script outlines the filming schedule and equipment needed to capture shots of Lucinda Corrie in various locations on October 16th and 24th. It includes details such as the desired camera angles, subjects involved, and potential issues to address like camera stability, lighting, and coordinating actions with music. The goal is to obtain a variety of shots, such as extreme close-ups, long shots from different perspectives, and scenes of Lucinda cycling and acting naturally with a partner in the park.
The document discusses the song "Super Duper Love" by Joss Stone. It analyzes the lyrics, which describe a relationship where the female protagonist wants confirmation of her partner's faithfulness. The genre of soul music often addresses issues of strong-minded women seeking power within relationships. Joss Stone's powerful voice and the soul music genre reinforce the message of the lyrics. All elements of the song come together cohesively to create a fun and impactful listening experience for the audience.