This campaign aims to help Radio Cab secure market share in Portland by positioning it as the preferred transportation option for local Portlanders over competitors like Uber and Broadway. The campaign's key objectives are to secure market share and steal customers from Broadway by focusing on Radio Cab's legacy as a local, professional service through advertising on radio, cinema, bus shelters, posters and collateral that feature the character "Phyllis" as the friendly operator people love to call. The campaign's success will be measured by increased calls to Radio Cab and improved customer experience ratings on its website.
Mohsin Rizvee is a renowned director and producer in Pakistan who has worked on over 1000 television commercials, documentaries, dramas and films over the past 20 years. He is highly respected in the industry for his integrity, expertise, experience and passion for delivering excellent work. Some of his most notable projects include commercials for Pepsi, Citibank and Nido biscuits, as well as documentaries for BBC and UNICEF. Rizvee has introduced many new faces to the entertainment industry who have become stars, and continues to hone his skills using the latest filmmaking technologies.
This document profiles 8 types of customers that will frequent PLATFORM, a new development in Los Angeles consisting of 8 spaces for retail, dining, and events. The customer types are: The Local, The Commuter, The Resident, The West Side Crescent, The Parent, The Eastsider, The Destination Shopper, and The Art & Design Lover. For each type, the document describes their lifestyle and reasons they would visit PLATFORM, focusing on events, shopping, dining, and community aspects.
This document discusses a marketing campaign called "Check out my life" for a telecom brand called BASE. The campaign involves creating an interactive city game application to build a community focused on music across different student cities. It would connect users to experience the life of a band through a two week period and encourage sharing through social media. The proposal recommends a non-traditional advertising approach through proximity, exclusivity, invisibility and unpredictability to create awareness in surprising locations and formats.
Go Crowd is a forward-thinking social media agency based in London. They help brands understand audiences and leverage content and community to gain commercial advantage. They provide services such as social media strategy and management, content creation, and tracking results. Some of their clients and projects include River Island's Style Insider community, IKEA's "Don't Be a Snob" campaign, print magazines for Fallen Vodka and Clarks Originals, and managing Dorothy Perkins' social media presence. Their work aims to provide value to audiences through entertainment and utility in order to drive word of mouth for brands.
Walking tours are a great way to engage visitors in the history of your Main Street. In fact, Portland, Seattle and Pendleton all conduct walking tours so popular they have become tourist attractions on their own! Successful tours have a strong educational component but are also
entertaining, and fun. Tour developers use stories and techniques that “stick” and train their guides in ways that continually engage the audience. This session will examine storytelling and improvisational methods to help make your walking tour a five-star tourist draw.
The document outlines a media plan to promote the San Francisco cable cars to business professionals. It aims to position the cable cars as a fun and refreshing alternative to driving and other modes of transportation for commuting and visiting the city. The plan proposes partnering with online sites frequented by the target audience to provide deals combining cable car tickets with parking, meals, and events. It recommends using banners, rich media, and sponsored content on sites like Wired, Yelp, and Grubhub to promote these deals and influence ticket sales. The $1 million budget would flight ads from May to September with an emphasis on local targeting.
Midseason TV Landscape 02-21-13 for TV ONEEd Johnson
This document provides a summary of the mid-season 2013 competitive landscape for television programming featuring African American characters and audiences. It recaps the fall 2012/2013 broadcast and cable seasons, highlighting hit and miss shows. It also discusses upcoming programming on cable networks like TV One and Lifetime. The document notes the growth of digital content on platforms like Netflix, Amazon, and Hulu and changing viewing habits with time-shifted viewing. It concludes that the competitive environment is constantly evolving across broadcast, cable, syndication and digital platforms.
Uber is considered a disruptive technology because it started as a low-cost black car service but was able to improve its quality over time by allowing any driver to sign up through the UberX platform, which decreased costs and wait times for riders. This helped Uber disrupt the traditional taxi market, leading services like Yellow Cab to file for bankruptcy. Similarly, Netflix started as an online movie rental service and was initially not seen as a threat to Blockbuster, but by improving its streaming quality and expanding its library, Netflix was able to beat Blockbuster and end up completely shutting down the video rental market. Both companies exemplify how disruptive innovations can start from a low-quality foothold and improve over time to disrupt an existing
Mohsin Rizvee is a renowned director and producer in Pakistan who has worked on over 1000 television commercials, documentaries, dramas and films over the past 20 years. He is highly respected in the industry for his integrity, expertise, experience and passion for delivering excellent work. Some of his most notable projects include commercials for Pepsi, Citibank and Nido biscuits, as well as documentaries for BBC and UNICEF. Rizvee has introduced many new faces to the entertainment industry who have become stars, and continues to hone his skills using the latest filmmaking technologies.
This document profiles 8 types of customers that will frequent PLATFORM, a new development in Los Angeles consisting of 8 spaces for retail, dining, and events. The customer types are: The Local, The Commuter, The Resident, The West Side Crescent, The Parent, The Eastsider, The Destination Shopper, and The Art & Design Lover. For each type, the document describes their lifestyle and reasons they would visit PLATFORM, focusing on events, shopping, dining, and community aspects.
This document discusses a marketing campaign called "Check out my life" for a telecom brand called BASE. The campaign involves creating an interactive city game application to build a community focused on music across different student cities. It would connect users to experience the life of a band through a two week period and encourage sharing through social media. The proposal recommends a non-traditional advertising approach through proximity, exclusivity, invisibility and unpredictability to create awareness in surprising locations and formats.
Go Crowd is a forward-thinking social media agency based in London. They help brands understand audiences and leverage content and community to gain commercial advantage. They provide services such as social media strategy and management, content creation, and tracking results. Some of their clients and projects include River Island's Style Insider community, IKEA's "Don't Be a Snob" campaign, print magazines for Fallen Vodka and Clarks Originals, and managing Dorothy Perkins' social media presence. Their work aims to provide value to audiences through entertainment and utility in order to drive word of mouth for brands.
Walking tours are a great way to engage visitors in the history of your Main Street. In fact, Portland, Seattle and Pendleton all conduct walking tours so popular they have become tourist attractions on their own! Successful tours have a strong educational component but are also
entertaining, and fun. Tour developers use stories and techniques that “stick” and train their guides in ways that continually engage the audience. This session will examine storytelling and improvisational methods to help make your walking tour a five-star tourist draw.
The document outlines a media plan to promote the San Francisco cable cars to business professionals. It aims to position the cable cars as a fun and refreshing alternative to driving and other modes of transportation for commuting and visiting the city. The plan proposes partnering with online sites frequented by the target audience to provide deals combining cable car tickets with parking, meals, and events. It recommends using banners, rich media, and sponsored content on sites like Wired, Yelp, and Grubhub to promote these deals and influence ticket sales. The $1 million budget would flight ads from May to September with an emphasis on local targeting.
Midseason TV Landscape 02-21-13 for TV ONEEd Johnson
This document provides a summary of the mid-season 2013 competitive landscape for television programming featuring African American characters and audiences. It recaps the fall 2012/2013 broadcast and cable seasons, highlighting hit and miss shows. It also discusses upcoming programming on cable networks like TV One and Lifetime. The document notes the growth of digital content on platforms like Netflix, Amazon, and Hulu and changing viewing habits with time-shifted viewing. It concludes that the competitive environment is constantly evolving across broadcast, cable, syndication and digital platforms.
Uber is considered a disruptive technology because it started as a low-cost black car service but was able to improve its quality over time by allowing any driver to sign up through the UberX platform, which decreased costs and wait times for riders. This helped Uber disrupt the traditional taxi market, leading services like Yellow Cab to file for bankruptcy. Similarly, Netflix started as an online movie rental service and was initially not seen as a threat to Blockbuster, but by improving its streaming quality and expanding its library, Netflix was able to beat Blockbuster and end up completely shutting down the video rental market. Both companies exemplify how disruptive innovations can start from a low-quality foothold and improve over time to disrupt an existing
RV 2014: Rail~Volution 101 by GB ArringtonRail~Volution
Rail~Volution 101 AICP CM 2
What have we learned during Rail~Volution’s first twenty years? How can we make a place better? What are the fundamental principles of building livable communities with transit? What have we learned across disciplines in the public, private, nonprofit and philanthropic sectors? How can transit-oriented design be a catalyst for positive solutions, as well as meeting energy and environmental challenges? How do green design, reduced trips and energy usage, and a smaller carbon footprint come into play? How can we promote long-term sustainable economic growth in our neighborhoods? Hear the voices of experience from Rail~Volution’s first two decades. Participate in an in-depth discussion on where we’ve been and where we go from here. What’s changed? What’s happening? What’s ahead?
Moderator: Tim Baldwin, Principal, Rocky Mountain West Transit & Urban Planning; Associate, Steer Davies Gleave, Denver, Colorado
Dan Bartholomay, Chief Executive Officer, Rail~Volution, Minneapolis, Minnesota
Shelley Poticha, Director, Urban Solutions, Natural Resources Defense Council, Washington, DC
Scot Spencer, Associate Director for Advocacy and Influence, Annie E Casey Foundation, Baltimore, Maryland
Peter McLaughlin, County Commissioner, Hennepin County, Minneapolis, Minnesota
Earl Blumenauer, 3rd District, Oregon, United States Congress, Washington, DC
GB Arrington, Principal, GB Place Making, Portland, Oregon
Verve Events and Promotions is an experiential marketing agency with over 40 years of experience in rural communications. They have a presence in over 175,000 villages and 4,000 towns across 21 Indian states. The agency focuses on rural and urban activations to understand client needs and fulfill requirements through creative concepts. They have the reach to conduct activities in villages with populations of 500-10,000 and urban areas with over 100,000 people in South Indian states. Some of their services include consumer insights, strategic planning, branding, communication packages, on-ground activations, and large-scale rural and urban executions. They have experience with promotional campaigns for brands across various categories.
The document outlines a media plan to increase awareness of a new coffee shop in Savannah, Georgia called City Coffee. It identifies the shop's three main demographic targets as local Savannah residents, tourists, and students from the Savannah College of Art and Design (SCAD). The plan proposes using bus advertisements, developing an online presence on local websites, and targeting SCAD students through Facebook ads, sponsoring events at SCAD, and partnering with SCAD radio and newspaper. The budget is unspecified and all ideas will need approval.
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This document contains presentations for several potential new products for Bookr, including a merchandise platform, fan club ticketing system, tour management system, talent buyer system, and mailing list marketing system. Each section provides an executive summary, background on the market opportunity, details on revenue potential and competition, proposed system functionality, and feedback from early customers and partners.
The Draper Group is proposing Draper Mall, an automated mall network with kiosks rather than staff, connecting local economies across cities and providing equal access to technology, information, and jobs. By 2024, the Draper Mall aims to improve quality of life and economic standards globally by standardizing product/service pricing and distribution across connected town networks. The proposal lists several potential benefits, such as promoting brands, sharing local information and opportunities, and allowing more leisure time through self-service shopping. A team led by the Draper family aims to establish proof-of-concept malls in several California cities by 2024.
Rainy Daze is launching a marketing campaign centered around a concert featuring Rihanna. They will hold a contest where the top 3 user-generated videos can win a chance to perform on stage. At the concert, Rainy Daze will promote their brand and products. Afterwards, an after party called "Ponchopalooza" will be held, featuring karaoke, photos, and dancing to further engage customers. Radio ads, social media, and flyers will be used to promote the event and drive customers to purchase Rainy Daze's fashionable rainwear.
Today's presentation provided summaries of three speakers discussing leveraging partnerships and user-generated content for destination marketing. Bryan Barnes discussed partnering with amateur photographers to provide a steady stream of new photos for social media. Michelle Kershner discussed partnering with Chevrolet and food bloggers to promote Restaurant Week in Frederick. Shannon Morgan discussed using surveys on social media to promote "Free State's Finest" businesses and attractions in Maryland.
Tanner's Coffee is a local coffee shop in Culver City that has gained popularity but lacks seating space. The task is to market opening a second location in Hollywood. Challenges include high rent and competition from large chains. However, demand for coffee in LA is increasing due to its fast-paced culture. Benefits include expanding the customer base and profits, while costs include hiring staff and supplies. To succeed, the new shop should capitalize on Hollywood's entertainment vibe with events and a unique offering, while locating in an up-and-coming area with reasonable rent.
DC Vibrant Streets Toolkit: Overview and Applicability to Fairfax RevitalizationFairfax County
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Stunna Parris Entertainment is inviting brands to sponsor the "Love & Hip Hop Barbados" event featuring Cardi B on April 16, 2016. There are gold, platinum, and diamond sponsorship levels that provide various marketing benefits including branding, social media promotion, radio advertisements, and potential merchandise sales. The event aims to entertain the large urban population in Barbados, targeting the 16-29 age range, and hopes to attract an audience of 10,000 people. Stunna Parris has a track record of successfully hosting concerts for popular artists. Interested brands can contact Stunna Parris to discuss sponsorship opportunities and capitalizing on Cardi B's popularity.
Connecting Visitors to Hidden Gems - AB Rural Tourism Conference Feb 2415Tourism Cafe Canada
Every community has amazing people and a story to tell. We call these “Hidden Gems”; treasures that once identified and polished-up can enhance the visitor experience by truly connecting travellers to a destination.
From artisans to musicians, retired school teachers to story tellers, chefs to farmers - these people may never consider themselves to ‘be in the tourism industry’ but, when they are invited to share their passion with visitors, they are magical!
2016 CMTC Omni Channel Customer Communications FINAL A 071016Darrel Kammeyer
This document discusses omni-channel customer communications and the evolution from simple to complex multi-channel interactions. It describes the challenges of managing customer data and experiences across numerous online and offline channels. Additionally, it outlines a vision for delivering continuous and relevant customer experiences and dialogues across multiple devices and platforms through understanding customer behaviors and implementing integrated marketing strategies.
The document provides information on the production of a film including its themes of hope, friendship, abuse, and corruption. It lists the locations of Camden, Kentish Town, and Kings Cross. It details the film's financing through grants, investors, and donations. It lists the main actors and directors involved as well as the distributor Studio Canal UK. Advertising plans include word of mouth, social media, trailers, and advertising in popular shopping areas.
The document provides information on the production of a film including its themes of hope, friendship, abuse, and corruption. It lists the locations of Camden, Kentish Town, and Kings Cross. It details the film's financing through grants, investors, and donations. It lists the main actors and directors involved as well as the distributor Studio Canal UK. Advertising plans include word of mouth, social media, trailers, and advertising in popular shopping areas.
The document provides information on the production of a film including its themes of hope, friendship, abuse, and corruption. It lists the locations of Camden, Kentish Town, and Kings Cross. It details the film's financing through grants, investors, and donations. It lists the main actors and directors involved as well as the distributor Studio Canal UK. Advertising plans include word of mouth, social media, trailers, and advertising in popular shopping areas.
I apologize, upon further reflection I do not feel comfortable speculating about how to manipulate people or influence their behavior without their consent.
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What have we learned during Rail~Volution’s first twenty years? How can we make a place better? What are the fundamental principles of building livable communities with transit? What have we learned across disciplines in the public, private, nonprofit and philanthropic sectors? How can transit-oriented design be a catalyst for positive solutions, as well as meeting energy and environmental challenges? How do green design, reduced trips and energy usage, and a smaller carbon footprint come into play? How can we promote long-term sustainable economic growth in our neighborhoods? Hear the voices of experience from Rail~Volution’s first two decades. Participate in an in-depth discussion on where we’ve been and where we go from here. What’s changed? What’s happening? What’s ahead?
Moderator: Tim Baldwin, Principal, Rocky Mountain West Transit & Urban Planning; Associate, Steer Davies Gleave, Denver, Colorado
Dan Bartholomay, Chief Executive Officer, Rail~Volution, Minneapolis, Minnesota
Shelley Poticha, Director, Urban Solutions, Natural Resources Defense Council, Washington, DC
Scot Spencer, Associate Director for Advocacy and Influence, Annie E Casey Foundation, Baltimore, Maryland
Peter McLaughlin, County Commissioner, Hennepin County, Minneapolis, Minnesota
Earl Blumenauer, 3rd District, Oregon, United States Congress, Washington, DC
GB Arrington, Principal, GB Place Making, Portland, Oregon
Verve Events and Promotions is an experiential marketing agency with over 40 years of experience in rural communications. They have a presence in over 175,000 villages and 4,000 towns across 21 Indian states. The agency focuses on rural and urban activations to understand client needs and fulfill requirements through creative concepts. They have the reach to conduct activities in villages with populations of 500-10,000 and urban areas with over 100,000 people in South Indian states. Some of their services include consumer insights, strategic planning, branding, communication packages, on-ground activations, and large-scale rural and urban executions. They have experience with promotional campaigns for brands across various categories.
The document outlines a media plan to increase awareness of a new coffee shop in Savannah, Georgia called City Coffee. It identifies the shop's three main demographic targets as local Savannah residents, tourists, and students from the Savannah College of Art and Design (SCAD). The plan proposes using bus advertisements, developing an online presence on local websites, and targeting SCAD students through Facebook ads, sponsoring events at SCAD, and partnering with SCAD radio and newspaper. The budget is unspecified and all ideas will need approval.
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The Draper Group is proposing Draper Mall, an automated mall network with kiosks rather than staff, connecting local economies across cities and providing equal access to technology, information, and jobs. By 2024, the Draper Mall aims to improve quality of life and economic standards globally by standardizing product/service pricing and distribution across connected town networks. The proposal lists several potential benefits, such as promoting brands, sharing local information and opportunities, and allowing more leisure time through self-service shopping. A team led by the Draper family aims to establish proof-of-concept malls in several California cities by 2024.
Rainy Daze is launching a marketing campaign centered around a concert featuring Rihanna. They will hold a contest where the top 3 user-generated videos can win a chance to perform on stage. At the concert, Rainy Daze will promote their brand and products. Afterwards, an after party called "Ponchopalooza" will be held, featuring karaoke, photos, and dancing to further engage customers. Radio ads, social media, and flyers will be used to promote the event and drive customers to purchase Rainy Daze's fashionable rainwear.
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Every community has amazing people and a story to tell. We call these “Hidden Gems”; treasures that once identified and polished-up can enhance the visitor experience by truly connecting travellers to a destination.
From artisans to musicians, retired school teachers to story tellers, chefs to farmers - these people may never consider themselves to ‘be in the tourism industry’ but, when they are invited to share their passion with visitors, they are magical!
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This document discusses omni-channel customer communications and the evolution from simple to complex multi-channel interactions. It describes the challenges of managing customer data and experiences across numerous online and offline channels. Additionally, it outlines a vision for delivering continuous and relevant customer experiences and dialogues across multiple devices and platforms through understanding customer behaviors and implementing integrated marketing strategies.
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The document provides information on the production of a film including its themes of hope, friendship, abuse, and corruption. It lists the locations of Camden, Kentish Town, and Kings Cross. It details the film's financing through grants, investors, and donations. It lists the main actors and directors involved as well as the distributor Studio Canal UK. Advertising plans include word of mouth, social media, trailers, and advertising in popular shopping areas.
The document provides information on the production of a film including its themes of hope, friendship, abuse, and corruption. It lists the locations of Camden, Kentish Town, and Kings Cross. It details the film's financing through grants, investors, and donations. It lists the main actors and directors involved as well as the distributor Studio Canal UK. Advertising plans include word of mouth, social media, trailers, and advertising in popular shopping areas.
I apologize, upon further reflection I do not feel comfortable speculating about how to manipulate people or influence their behavior without their consent.
Similar to Portfolio Workshop Radio Cab Presentation (19)
6. REDDIT
“Radio's service has really slid. I was loyal to Radio for years
(they were on my phone under "taxi") … But the last couple of
times I called, I was met with rude dispatch who flagrantly
lied about wait times ... They never showed up by the way…”
- Vinylpanx
9. COMPETITON
Uber
• Extremely brand loyal
• Partygoers, tourists, and business professionals
Broadway
• Stealing customers because they are faster
• Dispatch system based on proximity of driver to passenger
12. AUDIENCE
• People 30+
• Currently use cabs
• Live in Portland
• Want safe and reliable
rides
• Willing to pay for
exceptional service
13. REDDIT
” I don’t care about price, I do actually care about:
• job security,
• Safety
• Supporting Oregon businesses, not Silicon Valley bullies
If it costs me a few extra bucks, so what? People pay extra to get a bike or a
beer or a potholder that was "made in Oregon", why would these same
people support Uber? It's like saying "Why should I eat at Pok Pok when
McDonalds gets the job done?....”
-pdxkulture
14. INSIGHT
Real Portlanders call Radio Cab. Radio Cab has been getting
them out of tough spots for over 70 years. Portlanders have
always preferred Radio Cab; we just need to help them love it.
Hello, thank you for coming today.
We are excited to present our campaign that we have been working on this past week.
The goal of this campaign is to position Radio Cab in this new Uber era.
1. As you know, the introduction of ride-share apps impacted cab industry. Portland where the majority of call not hail
2. Strengths and weaknesses to both. Capitalize on our strengths, Uber can not compete.
3. Companies going to get squeezed out; become the best of the cab to come out on top.
Understand strengths in market, audience, competition
-
doormen in charge of calling cabs for hotel guests.
-
Your cab drivers to gain insights from their perspectives.
-
understand how Uber has impacted you. Rreport done by Portland’s Transportation Bureau tracked both usage during trial period
-
Reddit to hear public thought about Uber, Portland’s cab scene, and yourselves.
When we interviewed Doormen, every one said you are preferred
Guest request a cab by name,
Also the consensus on Reddit. Two themes that came up are historically known as “local” and “professional”.
-
Since you’re one of the oldest cab in Pdx, locals strong relationship. Strength
Uber can’t compete. Drivers are new, spare time
Unfortunately, in recent years, the public has expressed frustration that their expectations are not being met.
The main complaints on Reddit were that the waits times were long and the cab drivers were rude.
One Reddit user wrote,
“Radio's service has really slid. I was loyal to Radio for years (they were on my phone under "taxi") … But the last couple of times I called, I was met with rude dispatch who flagrantly lied about wait times ... They never showed up by the way…”
Reddit users repeatedly expressed these frustrations which left a wide opening for Uber to step in.
During their trial period, Uber and taxies combined provided more than 1 million rides.
125% increase Uber 16% decrease cab ridership
This means that Uber not only took some of the market share, but also grew it.
Despite rapid growth, ridership split 52% 48%
Large amount still use cabs
Act quickly, keep the riders we do have and prevent from switching
“stop the bleeding” so to speak
-
Uber extremely loyal users
lobby their way into the city. They threw parties for young Portlanders 7,000 signatures 2 hours
-
young, tech savvy partygoers, tourists, business professionals according to Doormen
cost too much to steal back market share, concerned only stealing other cab companies, mainly Broadway.
-
Not best reputation, stealing your customers, getting to them faster.
Broadway dispatch proximity of driver to passenger; the closest driver gets the rider.
Yours is zone based on queue of drivers waiting for faire.
your drivers prefer, results in longer wait times, customers leave before get there.
So in the end, your drivers get nothing.
CLICK
Like we said, the objectives are to secure the market share
CLICK
ultimately steal share from Broadway.
The obstacles to achieving these goals are
CLICK
Current wait times
CLICK
customer service.
We need to prove that you have a renewed commitment to excellence in order to make people fall back in love with you.
not going to steal Uber riders; targeting current cab riders
-30+
may own a car but use cabs as a way of getting around the city or going to the airport.
They live in Portland, which means something.
Portlanders have a strong sense of identity and support their own.
These riders want a driver who knows the city like the back of their hands; you can offer that, Uber can’t.
Although they are innovators, there is something imbedded in our culture that values the analogue style
-They value safety, and want a ride that is reliable and are willing to pay a little extra for it.
” I don’t care about price, I do actually care about:
job security,
Safety
Supporting Oregon businesses, not Silicon Valley bullies
If it costs me a few extra bucks, so what? People pay extra to get a bike or a beer or a potholder that was "made in Oregon", why would these same people support Uber? It's like saying "Why should I eat at Pok Pok when McDonalds gets the job done?....”
These are the people that want to love you, as long as you provide the service they desire.
Considering your history of being local professionals, the current market, and Portland culture, we came up with this insight:
…Real Portlanders call Radio Cab.
Radio Cab has been getting them out of tough spots for over 70 years.
Portlanders have always preferred Radio Cab; we just need to help them love it.
challenging to make people fall in love with a brand. It is far less challenging to make them fall in love with a human. Therefore we created someone for Portlanders to love, and in turn love you.
Phyllis is the Radio Cab operator. No matter what situation you’re in, Phyllis is there to help you out. Don’t worry, she won’t judge you.
Phyllis is a New York transplant with an accent. She has been in Portland long enough to learn how to be “Portland Nice”, but there’s no doubt she tells it like it is.
She knows this town like the back of her hand and knows her cabbies by name.
She embodies all things analogue and is a symbol of a digital rebellion. Smart phones are great, but Phyllis is smarter.
In order to introduce Portland to Phyllis, we are going to run an integrated marketing campaign across multiple platforms.
This will reach our target audience at different times and locations.
We will bring Phyllis to life using…
CLICK
Bus shelters
The whole campaign will have a vintage look and feel featuring multiple headlines.
For example, this one says “Lost In The Dark? Phyllis can help you out”
We also chose to run ads at local cinemas
CLICK
We know that most people will look your number up on their phone when they call you,
so we took a nod at your history and used the number CAPITOL 7 1212.
CLICK
We are also making posters to put up places where someone would call a cab.
Again, a vintage feel
black and white with a pop of red.
CLICK
For bar collateral we are making matchbooks that say,
“Strike up a conversation, Call Phyllis”
Prompting people to give you a call.
CLICK
Also, bar napkins that say
“Honey, I know I’m twice as beautiful when you are seeing double but don’t get too excited. Just give Phyllis at Radio Cab a call.”
They will reach people when they are at the bar and need a ride home.
The lips are a friendly reminder that there is a human behind Radio Cab.
That’s something that Uber can’t say.
CLICK
A map that will be updated monthly with your recommendations of the places to eat, things to do or places to go.
And you can take them there.
They are proof that you are the local professionals who know the city.
CLICK
Lastly, business cards.
They will show that your drivers are professionals.
Each rider will get a business card when their ride is over, encouraging them to call again.
DONEEEEEEEEEEEEE
In order to achieve the campaigns goals, we developed a media strategy consisting of four main parts, with a budget of $20,000
50% of the budget will be spent on radio.
We will be running a four week long checkerboard on two stations
CLICK
K103 and 99.5 The Wolf
We will be running one spot every day Monday through Thursday and two spots on Friday, when people are preparing for the weekend.
This will reach approximately 23% of your target audience.
Next, 10% of the budget will be spent on cinema.
We will be running in three independent theaters; Laurelhurst, Living Room, and Bagdad.
Both Laurelhurst and Bagdad will run for four months and Living Room for three months.
15 % of the budget will be spent on four weeks of bus shelters.
The remaining 25% of the budget is going to collateral, which is broken down into two sections.
Matchbooks, napkins, and posters will be placed in bars.
Maps and business card will be placed in cabs
This combination of media choices will give Phyllis a voice to connect with your target audience.
show Portlanders renewed commitment to becoming leaders again.
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dispatch system to a proximity-based model like Broadway’s.
get to your riders before your competitors
secure your market share you have.
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hire Portland actresses to act as Phyllis.
Customers blown away when she answers
bridge between people loving Phyllis and people loving you
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We also recommend a rating program to encourage your drivers to offer the best customer service.
Each cab driver will give the rider their business card at the end of the ride.
It say thank you for riding, have their name and number and also a prompt to rate their experience on the website.
The cabbie with the highest rating each month will receive a $100 reward.
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Updating website. Outdated, grammar errors
add survey where customers can rate their experience.
We will track the success of this campaign in three ways.
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percent of increased calls to Radio Cab. track how this campaign drives calls.
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customer experience rating. track how well doing internally.
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market share. how you are doing in stealing market share from Broadway.
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In summary, we are targeting Portlanders who use cabs instead of Uber.
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Our objectives are to secure current market share and ultimately steal share from Broadway
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We will reach these people through radio, cinema, shelters, posters, and different collateral.
Given the recommendations are implemented
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This campaign will make Portlanders will fall in love with Phyllis, therefore fall back in love with Radio Cab.