This article discusses Sofia Coppola's directorial debut film The Virgin Suicides, based on the novel of the same name. While Coppola wrote the screenplay without the rights to direct, she grew protective over translating the story faithfully. Key challenges included retaining the nonlinear storytelling through visuals alone. Overall, Coppola aimed to treat the source material delicately and find a visual way to present its essence, while realizing a film requires abandoning some novel elements.
Fran Sude predicts home furnishing trends by observing lifestyle trends and having researchers photograph emerging styles, then provides clients with color palettes twice a year to guide their product development; one client, a yarn manufacturer, starts dying new colors the day after receiving the palettes and their designers use the trends for inspiration. Sude has successfully expanded her trend forecasting business from the apparel industry to home furnishings by recognizing that consumers were spending less on clothes and more on home decor after 9/11.
Il carnet Buoni+ sara' omaggiato a tutti i clienti che effettueranno un acquisto presso un negozio GameStop o sul sito www.gamestop.it fino al 6 Dicembre 2015 o fino ad esaurimento scorte del carnet. Approfitta degli oltre 300€ in buoni sconto!
I buoni saranno spendibili dai clienti LEVEL 3/EPIC, dalla transazione successiva alla consegna del carnet e saranno validi dal 13 Novembre al 6 Dicembre 2015, e fino ad esaurimento scorte dei prodotti cui si riferiscono. Chiedi chiarimenti al nostro staff. Disponibili in negozio dal 13 Novembre 2015
When it comes to startup taxes, what do you really need to worry about it?
For startups, there are a number of areas of tax concerns including income taxes, compliance/registration issues, payroll, compensation issues, and sales tax.
In this presentation, from Early Growth Financial Services, we simplify what startups need to know about their tax obligations to stay out of trouble and, hopefully, save some time and money.
Topics covered include:
- The tax implications of your legal entity
- Available tax credits
- Important tax deadlines
- 1099/independent contractors vs employee determination
- Deferring payment of employment taxes
- Dealing with options
- And more
Salesforce.com for NonProfits, an IntroductionCharlie Havens
Does your organization rely on antiquated methods for tracking contacts, clients, and donors? Do you use several different databases that aren't cohesive?
If you are considering moving to a unified database system, view this intro to Salesforce.com, as presented at the HandsOn Tech's workshop April 10, 2013 at the Arlington Heights Public Library.
Salesforce.com is a leading cloud-based CRM. Their sister foundation, Salesforce.com Foundation, offers discounts on licenses for nonprofits with the first 10 being discounted 100%. This workshop provided an introduction to Salesforce and described how it could be used by nonprofits to organize data, view their data, and manage their business processes in useful ways.
The document provides information on accounting and tax essentials for startups. It discusses the importance of innovation and business incubators for startups. It also covers topics such as business plans, company and tax registrations, accounting software and tools, equity structures, offering equity to employees, GST, PAYG, superannuation, and employment contracts. The document is intended to help startups understand the financial and legal requirements they need to consider.
Build or Borrow? That is the Question with Salesforce NonProfit Edition NPSPGlobal Tech & Resources
Contacts, donors, prospects, organizations, businesses, households, affiliates...nonprofits maintain relationships with many individuals and entities. Discover the advantages and/or disadvantages to using the Nonprofit Starter Pack versus building your own from-scratch solution within Salesforce.
Mike Zimmerman, CPA will guide you through the basics and also share information on accounting software that is easy to use for a new business. Your company’s books and financial statements represent a score sheet which tells how you are progressing, as well as an early warning system which lets you know when and why the business may be going amiss. Financial statements and the underlying records will provide the basis for many decisions made by outsiders such as banks, landlords, potential investors, and trade creditors as well as taxing authorities and other governing bodies. The necessity for good, well-organized financial records cannot be over-emphasized. One of the greatest mistakes made by owners of small businesses is not keeping good financial records and making improper or poor business decisions based on inadequate information. An accounting or bookkeeping system is like any tool used in your business; it needs to be sophisticated enough to provide the information you need to run your business and simple enough for you to run it (or supervise the bookkeeper).
For Mike Zimmerman's Bio check out: http://incuba8.com/speaker-michael-zimmerman-principal-yeo-yeo-cpas-business-consultants/
Este documento apresenta um portfólio de fotografia de Mariana Baldaia, contendo resumos de vários projetos fotográficos realizados entre 2006-2009, incluindo retratos, cenas, projetos independentes e acadêmicos.
Fran Sude predicts home furnishing trends by observing lifestyle trends and having researchers photograph emerging styles, then provides clients with color palettes twice a year to guide their product development; one client, a yarn manufacturer, starts dying new colors the day after receiving the palettes and their designers use the trends for inspiration. Sude has successfully expanded her trend forecasting business from the apparel industry to home furnishings by recognizing that consumers were spending less on clothes and more on home decor after 9/11.
Il carnet Buoni+ sara' omaggiato a tutti i clienti che effettueranno un acquisto presso un negozio GameStop o sul sito www.gamestop.it fino al 6 Dicembre 2015 o fino ad esaurimento scorte del carnet. Approfitta degli oltre 300€ in buoni sconto!
I buoni saranno spendibili dai clienti LEVEL 3/EPIC, dalla transazione successiva alla consegna del carnet e saranno validi dal 13 Novembre al 6 Dicembre 2015, e fino ad esaurimento scorte dei prodotti cui si riferiscono. Chiedi chiarimenti al nostro staff. Disponibili in negozio dal 13 Novembre 2015
When it comes to startup taxes, what do you really need to worry about it?
For startups, there are a number of areas of tax concerns including income taxes, compliance/registration issues, payroll, compensation issues, and sales tax.
In this presentation, from Early Growth Financial Services, we simplify what startups need to know about their tax obligations to stay out of trouble and, hopefully, save some time and money.
Topics covered include:
- The tax implications of your legal entity
- Available tax credits
- Important tax deadlines
- 1099/independent contractors vs employee determination
- Deferring payment of employment taxes
- Dealing with options
- And more
Salesforce.com for NonProfits, an IntroductionCharlie Havens
Does your organization rely on antiquated methods for tracking contacts, clients, and donors? Do you use several different databases that aren't cohesive?
If you are considering moving to a unified database system, view this intro to Salesforce.com, as presented at the HandsOn Tech's workshop April 10, 2013 at the Arlington Heights Public Library.
Salesforce.com is a leading cloud-based CRM. Their sister foundation, Salesforce.com Foundation, offers discounts on licenses for nonprofits with the first 10 being discounted 100%. This workshop provided an introduction to Salesforce and described how it could be used by nonprofits to organize data, view their data, and manage their business processes in useful ways.
The document provides information on accounting and tax essentials for startups. It discusses the importance of innovation and business incubators for startups. It also covers topics such as business plans, company and tax registrations, accounting software and tools, equity structures, offering equity to employees, GST, PAYG, superannuation, and employment contracts. The document is intended to help startups understand the financial and legal requirements they need to consider.
Build or Borrow? That is the Question with Salesforce NonProfit Edition NPSPGlobal Tech & Resources
Contacts, donors, prospects, organizations, businesses, households, affiliates...nonprofits maintain relationships with many individuals and entities. Discover the advantages and/or disadvantages to using the Nonprofit Starter Pack versus building your own from-scratch solution within Salesforce.
Mike Zimmerman, CPA will guide you through the basics and also share information on accounting software that is easy to use for a new business. Your company’s books and financial statements represent a score sheet which tells how you are progressing, as well as an early warning system which lets you know when and why the business may be going amiss. Financial statements and the underlying records will provide the basis for many decisions made by outsiders such as banks, landlords, potential investors, and trade creditors as well as taxing authorities and other governing bodies. The necessity for good, well-organized financial records cannot be over-emphasized. One of the greatest mistakes made by owners of small businesses is not keeping good financial records and making improper or poor business decisions based on inadequate information. An accounting or bookkeeping system is like any tool used in your business; it needs to be sophisticated enough to provide the information you need to run your business and simple enough for you to run it (or supervise the bookkeeper).
For Mike Zimmerman's Bio check out: http://incuba8.com/speaker-michael-zimmerman-principal-yeo-yeo-cpas-business-consultants/
Este documento apresenta um portfólio de fotografia de Mariana Baldaia, contendo resumos de vários projetos fotográficos realizados entre 2006-2009, incluindo retratos, cenas, projetos independentes e acadêmicos.
A 2008 creative writing exploration about the value of the first BIMStorm using Disneyland and Woodstock as analogies. Starring Andy Fuhrman. Written by Mike Bordenaro about the efforts of Kimon Onuma, ONUMA, Inc. and an army of 130 teams working intensely over a period of 24 hours.
The document provides details from Linus Dean's curriculum vitae including his education, employment history, skills, and personal design projects. It shows that he has over 15 years of experience in graphic design, with a focus on branding, advertising, and packaging design. Examples provided demonstrate his skills in concept development, visual design, and creating collateral for major clients across various industries.
Visual Orgasm: Early Years of Canadian GraffitiCadence PR
This book provides a history of graffiti art in Canada from the 1980s. It features interviews with pioneering graffiti artists from across Canada who helped establish graffiti as a subculture. These artists were intrigued by graffiti and learned about it from visiting the United States or through media. While most did not intend to challenge concepts of property, graffiti allowed for creative freedom and recognition among peers. The book collects photographs of graffiti from the 1980s to preserve this history, as graffiti has an ephemeral nature. It aims to document how graffiti started in Canada and showcase the artists responsible for its growth.
In this class we make a distinction between form and content (or what in visual culture we often call "subject matter") and begin the process of exploring the language of form.
Bente Jensen, Aalborg City Archives, on learning, mobile phones and ecducation, the projects: DacMan and Vera i Vestbyen - what did we( the archives) learn ?
The document is a collection of 100 examples related to storytelling, narrative, and the use of narrative in interaction design, art, and other contexts. Some of the examples include "touched echo", an installation that transmits sounds of bombings through vibrations in a railing; "88 Constellations for Wittgenstein", an interactive artwork connecting the life and work of Wittgenstein to constellations; and events like "Chaos Thaoghaire" that feature storytelling and games based around a theme. The examples cover a wide range of storytelling methods, from installations and websites to games, graffiti projects, and more.
This document summarizes the November 2007 issue 09 of the Design & Life online magazine. It profiles new cell phone and building designs in Japan, including the INFOBAR 2 cell phone and the Gyre building in Tokyo. It also discusses a cafe collaboration between Monocle magazine and Omotesando Hills in Tokyo during a design week event. Other articles preview a t-shirt design contest and interview an architect couple from Los Angeles who run their own design office.
This document discusses various career opportunities available for those with qualifications in art. It begins by noting that career options are limited only by one's imagination and that art education can lead people to unexpected destinations. It then highlights skills like creativity, problem-solving, critical thinking and communication as being valuable for the job market. The document goes on to provide examples of diverse careers including graphic designer, fashion photographer, album artist, and more. It emphasizes that knowledge of art can transfer to fields like engineering, architecture, music, film and other creative industries. Overall, the document promotes art education and qualifications by showing the wide range of career paths they can enable.
How Donald Trump can help you become a better Art Director
The 2017 updated version of the ADMA Creative School Art Direction lecture designed to help and inspire all young creatives hoping to get a job in an agency creative department.
This document provides objectives and a task for analysing the linguistic, structural, and grammatical devices used in a short story. It examines how devices like similes, punctuation, sentence structure, word choice, and imagery are used to characterize the main character, set the scene in his hometown of Teignmouth, and reveal the tension in his relationship with his father as he considers leaving for university. The summary highlights several examples of the devices analyzed and their intended effects on the reader.
Reading Strategies: The Sound of Summer RunningRLagana
This slide presentation is used primarily to develop in students a better understanding of how an author will sometimes turn to imagery to convey a powerful feeling. Ray Bradbury uses a slew of similes, metaphors, and choice words in this short story to convey how a young boy feels when he sees a new pair of sneakers he simply must own.
As always, if you have questions or wish to have a copy of this, email me. (laganar@glastonburyus.or OR gw.reading.teacher@gmail.com)
This document contains information about graphic design principles and history. It discusses layout sins to avoid like centering everything, using too many fonts, or having cluttered designs. It provides guidance on using effective typography, white space, and composition. The document also includes timelines and biographies of important typographers from Claude Garamond to Matthew Carter who developed widely used typefaces. Examples are given of typefaces like Garamond, Bodoni, Futura, and Helvetica along with notes on their origins and distinctive features.
This document is a sponsorship pitch for Duct Tape to sponsor country artist Chris Young. It describes how Chris Young relies heavily on duct tape for his touring lifestyle as it can be used to quickly fix broken equipment, attach items like Sharpies, and pack large amounts of clothing and gear in a small bus space. Duct tape allows Chris Young to perform at 100 miles an hour without mishaps on the road. The document argues that duct tape is essential for life on the road as a country artist and Chris Young is the perfect representative for the brand.
This document is a sponsorship pitch for Duct Tape to sponsor country artist Chris Young. It describes how Chris Young relies heavily on duct tape for his touring lifestyle as it can be used to quickly fix broken equipment, attach sharpies for photos, and pack all his clothing and accessories into a small bus space. Duct tape allows Chris Young to perform at 100 miles an hour without mishaps on the road. The document promotes that duct tape is essential for life on the road as a country artist.
This document promotes Duct Tape as a sponsor of country artist Chris Young. It describes how Chris Young relies on Duct Tape for his busy lifestyle on the road, using it to fix broken stage equipment, attach Sharpies during photoshoots, and pack all his clothing and accessories into a tour bus. The document emphasizes that Duct Tape is essential for life on the road as a country artist.
The document provides biographies and artworks from several artists featured in the Micaëla Gallery. It includes brief bios and descriptions of artworks by Gerald L. Cannon, Gary Clemenceau, Peter Foucault, Taliaferro Jones, Scott Kiernan, Scott Kildall, Jenna North, Lorraine Peltz, Tobias Tovera, Anne Yalon, and David Yun. Each artist's bio highlights their education background and selected exhibitions. Images of artworks are also included.
This document provides guidance for a series of art projects focused on environment and place. It includes instructions to photograph one's environment over time, create a collage and monoprint based on the photographs, do an art intervention installing a work in a public space and documenting it, and create collages exploring ideas of place by rearranging rooms or objects into new environments. It discusses several artists who have worked with themes of place, including Iosif Kiraly, Sean Hillen, Mark Dion, and Gordon Matta-Clark as inspiration. Students are encouraged to think conceptually about how environments shape people and narratives.
Husk, a street artist from Copenhagen, discusses his artistic process and views on street art trends. He explains that he gets inspiration from Keith Haring, Walt Disney and Daniel Clowes, and often develops texts first before creating illustrations. Husk prefers to work without sketches, painting directly on walls or paper. While some street art has become boring or trend-driven, Husk still enjoys creating posters for public spaces occasionally. He remains focused on his own creative vision rather than commercial or street art scene influences.
A 2008 creative writing exploration about the value of the first BIMStorm using Disneyland and Woodstock as analogies. Starring Andy Fuhrman. Written by Mike Bordenaro about the efforts of Kimon Onuma, ONUMA, Inc. and an army of 130 teams working intensely over a period of 24 hours.
The document provides details from Linus Dean's curriculum vitae including his education, employment history, skills, and personal design projects. It shows that he has over 15 years of experience in graphic design, with a focus on branding, advertising, and packaging design. Examples provided demonstrate his skills in concept development, visual design, and creating collateral for major clients across various industries.
Visual Orgasm: Early Years of Canadian GraffitiCadence PR
This book provides a history of graffiti art in Canada from the 1980s. It features interviews with pioneering graffiti artists from across Canada who helped establish graffiti as a subculture. These artists were intrigued by graffiti and learned about it from visiting the United States or through media. While most did not intend to challenge concepts of property, graffiti allowed for creative freedom and recognition among peers. The book collects photographs of graffiti from the 1980s to preserve this history, as graffiti has an ephemeral nature. It aims to document how graffiti started in Canada and showcase the artists responsible for its growth.
In this class we make a distinction between form and content (or what in visual culture we often call "subject matter") and begin the process of exploring the language of form.
Bente Jensen, Aalborg City Archives, on learning, mobile phones and ecducation, the projects: DacMan and Vera i Vestbyen - what did we( the archives) learn ?
The document is a collection of 100 examples related to storytelling, narrative, and the use of narrative in interaction design, art, and other contexts. Some of the examples include "touched echo", an installation that transmits sounds of bombings through vibrations in a railing; "88 Constellations for Wittgenstein", an interactive artwork connecting the life and work of Wittgenstein to constellations; and events like "Chaos Thaoghaire" that feature storytelling and games based around a theme. The examples cover a wide range of storytelling methods, from installations and websites to games, graffiti projects, and more.
This document summarizes the November 2007 issue 09 of the Design & Life online magazine. It profiles new cell phone and building designs in Japan, including the INFOBAR 2 cell phone and the Gyre building in Tokyo. It also discusses a cafe collaboration between Monocle magazine and Omotesando Hills in Tokyo during a design week event. Other articles preview a t-shirt design contest and interview an architect couple from Los Angeles who run their own design office.
This document discusses various career opportunities available for those with qualifications in art. It begins by noting that career options are limited only by one's imagination and that art education can lead people to unexpected destinations. It then highlights skills like creativity, problem-solving, critical thinking and communication as being valuable for the job market. The document goes on to provide examples of diverse careers including graphic designer, fashion photographer, album artist, and more. It emphasizes that knowledge of art can transfer to fields like engineering, architecture, music, film and other creative industries. Overall, the document promotes art education and qualifications by showing the wide range of career paths they can enable.
How Donald Trump can help you become a better Art Director
The 2017 updated version of the ADMA Creative School Art Direction lecture designed to help and inspire all young creatives hoping to get a job in an agency creative department.
This document provides objectives and a task for analysing the linguistic, structural, and grammatical devices used in a short story. It examines how devices like similes, punctuation, sentence structure, word choice, and imagery are used to characterize the main character, set the scene in his hometown of Teignmouth, and reveal the tension in his relationship with his father as he considers leaving for university. The summary highlights several examples of the devices analyzed and their intended effects on the reader.
Reading Strategies: The Sound of Summer RunningRLagana
This slide presentation is used primarily to develop in students a better understanding of how an author will sometimes turn to imagery to convey a powerful feeling. Ray Bradbury uses a slew of similes, metaphors, and choice words in this short story to convey how a young boy feels when he sees a new pair of sneakers he simply must own.
As always, if you have questions or wish to have a copy of this, email me. (laganar@glastonburyus.or OR gw.reading.teacher@gmail.com)
This document contains information about graphic design principles and history. It discusses layout sins to avoid like centering everything, using too many fonts, or having cluttered designs. It provides guidance on using effective typography, white space, and composition. The document also includes timelines and biographies of important typographers from Claude Garamond to Matthew Carter who developed widely used typefaces. Examples are given of typefaces like Garamond, Bodoni, Futura, and Helvetica along with notes on their origins and distinctive features.
This document is a sponsorship pitch for Duct Tape to sponsor country artist Chris Young. It describes how Chris Young relies heavily on duct tape for his touring lifestyle as it can be used to quickly fix broken equipment, attach items like Sharpies, and pack large amounts of clothing and gear in a small bus space. Duct tape allows Chris Young to perform at 100 miles an hour without mishaps on the road. The document argues that duct tape is essential for life on the road as a country artist and Chris Young is the perfect representative for the brand.
This document is a sponsorship pitch for Duct Tape to sponsor country artist Chris Young. It describes how Chris Young relies heavily on duct tape for his touring lifestyle as it can be used to quickly fix broken equipment, attach sharpies for photos, and pack all his clothing and accessories into a small bus space. Duct tape allows Chris Young to perform at 100 miles an hour without mishaps on the road. The document promotes that duct tape is essential for life on the road as a country artist.
This document promotes Duct Tape as a sponsor of country artist Chris Young. It describes how Chris Young relies on Duct Tape for his busy lifestyle on the road, using it to fix broken stage equipment, attach Sharpies during photoshoots, and pack all his clothing and accessories into a tour bus. The document emphasizes that Duct Tape is essential for life on the road as a country artist.
The document provides biographies and artworks from several artists featured in the Micaëla Gallery. It includes brief bios and descriptions of artworks by Gerald L. Cannon, Gary Clemenceau, Peter Foucault, Taliaferro Jones, Scott Kiernan, Scott Kildall, Jenna North, Lorraine Peltz, Tobias Tovera, Anne Yalon, and David Yun. Each artist's bio highlights their education background and selected exhibitions. Images of artworks are also included.
This document provides guidance for a series of art projects focused on environment and place. It includes instructions to photograph one's environment over time, create a collage and monoprint based on the photographs, do an art intervention installing a work in a public space and documenting it, and create collages exploring ideas of place by rearranging rooms or objects into new environments. It discusses several artists who have worked with themes of place, including Iosif Kiraly, Sean Hillen, Mark Dion, and Gordon Matta-Clark as inspiration. Students are encouraged to think conceptually about how environments shape people and narratives.
Husk, a street artist from Copenhagen, discusses his artistic process and views on street art trends. He explains that he gets inspiration from Keith Haring, Walt Disney and Daniel Clowes, and often develops texts first before creating illustrations. Husk prefers to work without sketches, painting directly on walls or paper. While some street art has become boring or trend-driven, Husk still enjoys creating posters for public spaces occasionally. He remains focused on his own creative vision rather than commercial or street art scene influences.
Value based approach to heritae conservation -.docxJIT KUMAR GUPTA
Text defines the role, importance and relevance of value based approach in identification, preservation and conservation of heritage to make it more productive and community centric.
2. Mariana Baldaia
Portfolio
Livro. 21 cm. x 29.7 cm.
Porto.2009
Design.Mariana Baldaia
Fotografia.Mariana Baldaia
Impressão.Digital Sempre
Encadernação.Digital Sempre
3. LRY
AR
FY T
LN
“(...)
Please,please,please
And now,
Americans for a Free Press...
take extreme pleasure
in welcoming to Cincinnati...
direct from jail...
cleared 100%
by the Appellate Court...
and the hustler publisher...
...that freedom fighter,
Larry C. Flynt!
(...)”
Larry Flynt
Projecto académico excerto do discurso de Larry
Livro. 20 cm. x 20 cm. Flynt, do filme “O escândalo de
ESAD.2006/2007 Larry Flynt”.
4.
5.
6.
7. JM
I
J R UC
A M SH
Cinema Batalha
16-24 Fevereiro
Permanent Vacation (1980)
Stranger than Paradise (1984)
Down by Law (1986)
Mystery Train (1989)
Night on Earth (1991)
Dead Man (1995)
Year of the Horse (1997)
Ghost Dog: The Way of the Samurai (1999)
Coffee and Cigarettes (2003)
Jim Jarmusch Broken Flowers (2005)
Projecto académico
Cartaz. 50 cm. x 70 cm.
Postais + Embalagem. 11 cm. x 14,8 cm.
CD. capa filmes a passar na semana Jim
ESAD.2006/2007 Jarmusch - Integral
8. EE T
V NO
D S O TV
EP R I O
Evento Desportivo . Street Basket
Projecto académico
Cartaz. 50 cm. x 70 cm.
Postais. 11 cm. x 14,8 cm.
Publicidade. mupis e jornais
ESAD.2006/2007
9.
10.
11.
12. DSN O
EE H
V CO I L
E T RA
Desenho Vectorial
Projecto académico
Software. Adobe Illustrator
ESAD.2006/2007
13. WO
H
MD
AE
WO
H
Who Made Who
Projecto académico
Promoção de single da banda
WHO MADE WHO, Rose
Livro + CD. 12 cm. x 24 cm.
ESAD.2006/2007
18. S NA Ã
E SÇO
A DÇ O
U IÃ
José Mário Branco
Inquietação
Jane’s Addiction
I’ve been caught stealing
Jean Sibelius
Valse Triste
músicas trabalhadas
Sensações . Audição
Projecto académico
Livro de sensações . 18 cm. x 25 cm.
ESAD.2007/2008
dupla página
20. LS
O
HR A O
EMN S
Los Hermanos
Projecto académico
Lançamento do álbum
Los Hermanos, Perfil
Ficha técnica + CD + capa.
PUC - Rio de Janeiro.2007/2008
21.
22. U B NC L R
R A OO
RA BO
OD O K
Urban Color Road Book
Projecto académico
Roteiro pela cidade do Porto
Roteiro metropolitano
Livro . 14 cm. x 20 cm.
Postais . 10,5 cm. x 14,8 cm.
ESAD.2008/2009
capa + lombada
30. I E TD D
D NI A E
VS A N A
IU L C D
As an erasmus student I see NCAD as a college with a
different attitude, diferent spirit. People care about not
only design, but art as in arts & crafts. All the events
and parties are thought visually to the last detail. I
think the recent logo is too limited for this king of col-
lege, it doesn’t show how things work inside this insti-
tution. In my opinion it would work to Trinity College,
not an arts college. I wanted to do something strong,
something that you don’t forget that easily, something
that even an illiterate passes and stops to look at it.
To have that effect I chose for a heavy type opting for
having soft/dark colors as in the college. Black, grey
and blue as all the gates. This logo shouldn’t work only
as a logo, but also as an image that you can play around
for posters, brochures... It makes it multipurpose as I’ll
show further.
It can be a logo that as to be changed as the time pass-
es, and as the atittudes changes. Arts & Design are two
areas in constant evolution, constant change of lan-
guage. So I’d propose that it would be changed every
two years having college attitudes in consideration.
Identidade Visual NCAD
Projecto académico
Identidade Visual
National College of Arts & Design
Estacionário
Publicidade . mupis, cartazes, revista
NCAD Dublin . 2008/2009
31. revista mensal capa
cartões pessoais
NCAD
National College NCAD
Arts & Design National College
Arts & Design
100 Thomas Street
Dublin 8 Ireland
Tel. +353 1 636 4200
Fax +353 1 636 4207
www.ncad.ie
fios@ncad.ie www.ncad.ie
Tel. +353 1 636 4200 Fax +353 1 636 4207
100 Thomas Street fios@ncad.ie
Dublin 8 Ireland
100 Thomas Street Dublin 8 Ireland
NCAD
National College
Tel. +353 1 636 4200
Fax +353 1 636 4207
www.ncad.ie fios@ncad.ie
Arts & Design
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envelope e papel de carta frente e verso
35. LV O
IR S
C BN S
UA O
Livros Cubanos
Projecto académico
Capas . 12 cm. x 3 cm. x 21,5 cm.
NCAD.2008/2009
Geoff Simmons
Cuba: From Conquistador to Castro
Stephen Foehr
Waking up in Cuba
John Duncan
In the red corner:
A Journey into Cuban boxing
Depois da nossa viagem a Cuba, foi-nos pedido para fazer
três capas para três livros diferentes, tendo em conta que
seriam livros seriados, teriam que ter a mesma lingua-
gem.
O livro “Cuba: from Conquistador to Castro” fala-nos
da revolução, do desenvolvimento do povo cubano e do
próprio país.
O livro “Waking Up in Cuba” fala-nos da cultura musical
de Cuba desde a batucada Africana ao rock’n’roll ameri-
cano. A cultura do povo na rua é também abordada, da
vida urbana.
O livro “In the Red corner: a journey into cuban boxing”
conta a história da polémica luta de boxe entre cubanos e
o boxer Mike Tyson que por conflictos já conhecidos entre
E.U.A. e Cuba, nunca se chegou a realizar.
36.
37. John Duncan
Duncan shows us how the lives of ordinary Cubans can be
damaged by the bureaucratic nightmare of the Castro
regime (and before any spotty student tries to tell you
otherwise it is without question a regime). Saddest of all
are the apartheid style rules that keep ordinary Cubans
well away from the most expensive tourist resorts.
Cuba is once again the play thing of the rich, but
this time only the Cuban government is allowed
to make any money out of it. Quite why Cuba has
traditionally succeeded in boxing is clear. The
manager of Cuban boxing, Alcides Sagarra, is
on the Central Committee of the Communist
Party of Cuba. In 1997 his goal was to plan
for the Olympics. The Olympics in mind
being those of...2008! Secondly Cuba has
In th
a clear ethos of sport for all - for love
not money. This
is particularly
e Re
refreshing to us in
the UK surrounded by
d Co
greedy footballers with
their bimbo girlfriends
and their grasping agents.
r ner
:
A Journey into Cuban Boxing
38. R WN
E ID
M G ZN
A AI E
Your task is to produce an experimental magazine
about INDPENDENT CINEMA.
The purpose of this work is to exhilarate the trial of
the visually art of experimental language. A magazine
focused on promoting non-commercial directors,
producers and to give the spectator a taste of each
others minds. Develop visual identity, photography,
illustration and editorial.
UM FILME DE ANTONIO VALE DA CONCEICAO
SOFIA COPPOLA
Revista Cinema Independente
the virgins suicides
Capa + interior . 15 cm. x 18 cm.
SPIKE LEE
25th hour
MICHAEL HANEKE
Rewind Magazine
la pianiste
Projecto académico
NCAD.2008/2009
TAKESHI KITANO
dolls
VINCENT GALLO
the brown bunny
39. When Sofia Coppola began writing
a screenplay based on Jeffrey Eu-
genides’ novel The Virgin Suicides,
someone else owned the film rights.
Though she’s part of a formidable
filmmaking family that includes fa-
ther Francis Ford Coppola, husband
Spike Jonze, and cousin Nicolas
Cage, the 27-year-old actress and
designer didn’t initially know that her
adaptation would become a feature
film — or that she would be at its
helm.
Four years later, Coppola is making
her directing debut with The Virgin RWD: You started writing the screenplay not subject of the novel, I’m curious about which
Suicides, a catastrophic fairy tale knowing that you would be able to direct this elements or qualities of the novel you thought
about the Lisbon sisters, five girls film. What was it about the story that grabbed translated well into the movie format, and which
growing up in suburban ‘70s America. you and made you want to lay into it on your elements were more challenging or just impos-
own? sible to pull off visually.
Coppola’s famous father may be on
board as a producer, but this is So- Sofia Coppola: Well, it’s hard to say exactly, SC: My motivation was to try to keep [the film]
fia’s pet project all the way, a dreamy but when I read the book, it became one of my true to the book. But then, as I was working on it,
and ominous vision of adolescence favorites. I really loved how the story had seri- I started to realize that a movie is something else
gone awry, starring Kirsten Dunst, ous and tragic sides, but was also funny. You entirely, and you have to abandon some ideas.
Josh Hartnett, Kathleen Turner and know how you get about those books that you The main thing I wanted to do is … whatever the
James Woods. love — “Oh, they’re going to make a movie of it! essence of the book is, to try to find a way to
Days before her film screened as the Are they going to do it right?” I had those feel- present that visually. The thing that I really liked
ings, and then I heard a little about how [others] about the book is how it jumped around in time
opening night selection of the San
were doing it, and I got the feeling that it wasn’t and had these flash-forwards and flashbacks.
Francisco International Film Festival, going to be treated as delicately as I thought That’s a lot harder to do in film without really jar-
Sofia Coppola talked to Reel.com the book deserved. I got protective of it and I ring the audience.
about the process of bringing Sui- started thinking, “Oh, the film should open like One challenge was when Cecilia falls on the
cides to the big screen, her future this, not like that,” and so I thought I’d start writ- fence, the book describes it as looking like a
ing it down, instead of talking about it. I started levitation act, and I tried to make it like that. I
writing a couple scenes, and then I got into it. I didn’t use blood and gore, because I wanted it
was doing it on the weekends. I thought, “Oh, I’ll to have the sort of unreal quality that [Eugenides]
just do one more scene. If nothing else, I’ll learn talks about.
how to adapt a book into a screenplay.” Did you
read the book? RWD: That leads to another question I had. By
the end, there has been a build-up all along —
RWD: No. When I found out I was going to re- starting with the title — to the suicides. How did
view the movie, I thought about picking it up. you decide to portray them as you did — more
I didn’t, mostly because I wanted to see the suggestively than graphically?
movie on its own terms. But while we’re on the
40. RWD: The screenplay was written ten, twelve have made sense to try. Film is an independent art
years ago? Why did you start working with this form, and it employs literature as an intellectual
material now? quarry. Elfriede Jelinek herself was fascinated to
MH: Firstly because someone suggested it, and see how another person made use of the material
secondly because the compelling thing about the she provided.
story is that extremely complex observations are
made about society, and they go beyond private RWD: Did you work together with the author?
interrelationships. This story is so full of associa- MH: I discussed the main character with her sev-
tions and it isn’t exhausted in the telling alone. In eral times at the beginning. The difficulty was that
addition, there are three great roles. One of my the novel is now 15 years old and it describes a
conditions when it was offered to me was hiring certain period with the apartment and the cloth-
Isabelle Huppert for the lead. ing. As I brought the film into the present so to
speak, the question arose of the extent to which
RWD: Why her in particular? she thinks that’s possible for the elements which
MH: Because in my opinion, she’s the best ac- are important to her. But in general, she con-
tress I know in Europe if not the entire world. She sciously stayed in the background. She doesn’t
has on the one hand the sensitivity and ability to demand recognition as the sole creator.
show suffering and on the other this character’s
cold-bloodedness, and she looks good, too. RWD: The female characters in your films are
always stronger and more mysterious than the
RWD: Can we expect more such films based on males.
literary works from you? MH: I’m not sure that they’re deeper or more
MH: No, but that has nothing to do with good mysterious. Both women and children - there
or bad experiences - I just have enough material are also a disproportionate number of the latter
already which I want to use. Because as an au- in my films - play an important role because vic-
teur, one writes for one’s own strengths, which is tims interest me more than perpetrators. Women
one of the reasons why auteur films are usually - and this is also true of other directors - are the
more interesting. The discussion concerning form more interesting characters because they’re far-
and content, which decides the quality of a film in ther down in the pecking order. The alternative to
the end, is easier to resolve when the screenwriter plumbing the depths of their psyches is the hero,
REWIND: The Piano Teacheris your first film from an addopted screenplay, based on a versy controver- and director are one and the same person. I find who has no psychology and is only a victor. All in
sial novel by Elfriede Jelinek. What did you find so interesting about the material? that principle more interesting, of course. all, I’m more interested in women - men bore me.
Michael Hanke: I thought it was interesting because it goes very far psychologically.
RWD: How do you deal with the issue of translat- RWD: One level which the book is unable to com-
RWD: When reading this novel, did you think that it was very filmic? ing language into film adequately? municate but which would be perfect for film is
MH: It’s filmic in that its structure is very linear, making it suitable for a cinematic version, but its linguistic MH: Language is used only in dialogs, and I in- music.
form is not at all suitable. The essence of Elfriede Jelinek’s literature is not in her stories, but in the narra- vented quite a few scenes which don’t appear in MH: That was my hobby while making this film.
tive form. Her main interest is language. This language is not transferable. The same story must be told the novel. I made an effort to describe the same Fundamentally, I’m of the opinion that film music
with the means offered by film. I didn’t make a film version of the book - I told the story. In that sense, internal universe in film, at the same time never has no place in movies because 99% of its func-
it’s not a film version of a literary work. thinking about how to include Jelinek’s language. tion is to compensate for a deficit in the suspense
That would never have worked, and it wouldn’t or excitement.
41.
42. OS A
IE U
NI
OR
Oiseu Noir Projecto independente Cartaz + CD . 50 cm. x 70 cm. Porto.2008
43.
44. C M A HA
O PN I
T AR
ETO
V+
Associação Cultural V+ Companhia de Teatro
Companhia de Teatro
Projecto Independente
Identidade Visual
Associação Cultural V+ Companhia de Teatro
Rua da Paz, 26 1º 4050-461 Porto | vmaisteatro@gmail.com | 917098315 914156744 968634205
Porto.2008
Rua da Paz, 26 1º 4050-461 Porto | vmaisteatro@gmail.com | 917098315 914156744 968634205
V+Companhia de Teatro Associação Cultural V+Companhia de Teatro
Rua da Paz, 26 1º 4050-461 Porto Associação Cultural
917098315 914156744 968634205 Rua da Paz, 26 1º 4050-461 Porto
vmaisteatro@gmail.com vmaisteatro@gmail.com
917098315 914156744 968634205
V+Companhia de Teatro
Associação Cultural
Rua da Paz, 26 1º 4050-461 Porto
vmaisteatro@gmail.com
917098315 914156744 968634205