SlideShare a Scribd company logo
1 of 25
Download to read offline
Poetry in Language Learning



           Anna Isabel Fernández Córdoba
Why use literature in the ELT?


IT CAN BE:

• A joy to teach.
• It enhances our emotional & cultural growth .
• A way to improve our teaching practise.
Hope

Hope is the thing with feathers
That perches in the soul,
And sings the tune--without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
                                 Emily Dickinson
What is literature?
A DEFINITION:

“We will take literature to mean those novels,
short stories, plays and poems which are
fictional and convey their message by paying
considerable attention to language which is rich
and multilayered”

Lazar,G. (1993) Literature and language teaching, CUP.
Methodology
Carter, R & Long, M (1991) Teaching Literature,
   Longman.
The three models:

1.   The cultural Model
2.   The Language Model
3.   The Personal Growth Model

Using an Integrated Model:

•    Enhances students’ cultural awareness
•    Develops students’ language skills
•    Contributes to students’ personal development
Why should EFL students be exposed to
                poetry?

• It is enjoyable and engaging and creates
  opportunities for personal expression.
• It reinforces learners’ knowledge of lexical and
  grammatical structures.
• It inspires them to take risks in experimenting with
  the target language.
• It fosters critical thinking.
• It promotes greater cultural tolerance.
• It develops students’ literary competence.
A set of activities for two poems
• It is designed to be used with teenage and adult learners of English in
  3rd level of EOI.
• There is practise for the four skills and for what John McRae calls the
  fifth skill: thinking.
• Students are encouraged to trust their interpretations and reading of
  the poems and to reflect on their own experiences in connection with
  the poems.
• The questions posed are aimed at different levels of understanding of
  the poems, and try to help students work out for themselves what the
  texts mean.
• There are language-based vocabulary activities to help them deal with
  the poems and encourage them to find the meaning of words from
  context.
• The two contemporary poems are “The Fat Black Woman Goes
  Shopping” by Grace Nichols and “No Problem” by Benjamin Zephaniah.
• Both poems are multicultural and deal with racist issues in
  contemporary Britain.
• There are factual reading comprehension activities that focus on
  the factual meaning of the poem and on the other hand there are
  activities concerning the language of the poem which focus on the
  linguistic and literary qualities of the text: unusual uses of
  collocation, binary oppositions, figurative language, rhyme and
  style….
• There are activities designed to encourage inference and
  interpretation, to make students reflect on their own experiences
  in connection with the poems.
• Finally creative response activities are designed to encourage
  students to take risks and play with the language creatively and
  imaginatively (McRae, 1991) either speaking or writing.
The Fat Black Woman Goes Shopping
                      by Grace Nichols
Shopping in London winter          Nothing soft and bright and billowing
is a real drag for the fat black   to flow like breezy sunlight
    woman                          when she walking
going from store to store
in search of accommodating         The fat black woman curses in Swahili/Yoruba
    clothes                        and nation language under her breathing
and de weather so cold             all this journeying and journeying

Look at the frozen thin            The fat black woman could only conclude
    mannequins                     that when it come to fashion
fixing her with grin               the choice is lean
and de pretty face salesgals
exchanging slimming glances        Nothing much beyond size 14
thinking she don’t notice
                                                          GRACE NICHOLS
Lord is aggravating
The Fat Black Woman Goes Shopping
                   by Grace Nichols
WARM UP ACTIVITY

SPEAKING PRACTISE:

•   When was the last time you went shopping for clothes?
•   What did you buy?
•   Did you try it on? Was it the right size?
•   Was the shop assistant helpful? Why/not?
•   Do you enjoy shopping for clothes? Why/not?

READING ACTIVITIES

1. Jigsaw reading. Your partner has the first half of the poem and you have
   the second one. Explain to your partner in your own words what the
   poem is about.
STUDENT A:
  • Read the first stanzas of the poems and explain them to your partner in your
  own words.
  • Now ask each other questions about each other’s picture to find similarities
  and differences between them.

Shopping in London winter
is a real drag for the fat black woman
going from store to store
in search of accommodating clothes
and de weather so cold

Look at the frozen thin mannequins
fixing her with grin
and de pretty face salesgals
exchanging slimming glances
thinking she don’t notice

Lord is aggravating
STUDENT B:
• Read the first stanzas of the poems and explain them to your partner in your
own words.
• Now ask each other questions about each other’s picture to find similarities
and differences between them.

Nothing soft and bright and billowing
to flow like breezy sunlight
when she walking

The fat black woman curses in
Swahili/Yoruba
and nation language under her breathing
all this journeying and journeying
The fat black woman could only
conclude
that when it come to fashion
the choice is lean
Nothing much beyond size 14
The Fat Black Woman Goes Shopping
                by Grace Nichols
READING ACTIVITIES

2.   In the poem there is a clear contrast between London and the black woman’s
     country of origin. Link words in the poem to each of these ideas:

BRITAIN                              BLACK WOMAN
______________________               ________________________
______________________               ________________________
______________________               ________________________

BRITISH WOMEN                        BLACK WOMAN’S COUNTRY
______________________               ________________________
______________________               ________________________
______________________               ________________________

3.   After reading the poem, which do you give more positive connotations to the
     British shop assistants or the fat black woman? Think of two adjectives to
     describe each of them.
The Fat Black Woman Goes Shopping
               by Grace Nichols
4.   Do you think the poem offers a black
     perspective on white society or rather white
     perspective on black experience?

5.   In the poem you will find examples of “Patwa”
     a spoken variety form of language which
     involves a combination of English vocabulary
     with African structures. Can you find examples
     of pronunciation features of patwa suggested
     by spelling alterations in the poem?

     _______________________________________

     _______________________________________

     _______________________________________
The Fat Black Woman Goes Shopping
                  by Grace Nichols

6.   Does the fat black woman enjoy shopping? Find evidence in the poem
     that backs up your answer.

7.   Now watch clip 1 and describe what you see to your partner. Then swap
     roles your partner watches clip 2 and describes it. Then together find the
     differences and similarities between both clips.

CLIP 1:http://www.youtube.com/watch?v=Ed7C3gAXQNA&feature=related
CLIP 2:http://www.youtube.com/watch?v=tTtVVHg41kU&feature=related

8.   Discuss in small groups whether you think the woman’s shopping
     experience in London would have been different if she were:
           1) A slim and pretty   3) A rich black woman
           woman                  4) A White woman
           2) A black man
The Fat Black Woman Goes Shopping
               by Grace Nichols
9.         Now write your own poem starting “A woman
           goes shopping” and post it on twiHaiku:

Twitter Poetry, is a free Twitter application that lets you share your
thoughts, feelings, views or ideas about anything in a poetic manner.

Express genuine thoughts and feelings, in accordance with the particular
object, event or phenomenon.
A woman goes shopping:
she is a slow walker,
a slow talker.
Strong and yet sweet
her smile opens doors
and that she adores,
on a breezy summer morning.


http://www.makeliterature.com/twihaiku/twitter-poetry
No problem by Benjamin Zephaniah
PRE-READING ACTIVITY

1. These are the first four lines of the poem, what do you think it is going
   to be about?

   I am not de problem
   But I bear the brunt
   Of silly playground taunts
   An racist stunts

WATCHING DUB POETRY

   This is a dub poem, dub poetry is a political writing genre closely linked to Reggae
   music.
http://www.youtube.com/watch?v=ZhaXDfIGGzA
No Problem by Benjamin Zephaniah
I am not de problem
But I bear de brunt          These conditions may affect me
Of silly playground taunts   As I get older,
An racist stunts,            An I am positively sure
I am not de problem          I have no chips on me shoulders,
I am born academic           Black is not de problem
But dey got me on de run     Mother country get it right,
Now I am branded athletic,   An juss fe de record,
I am not de problem          Sum of me best friends are white.
If yu give I a chance
I can teach yu of Timbuktu                     Benjamin Zephaniah
I can do more dan dance,
I am not de problem
I greet yu wid a smile
Yu put me in a pigeon hole
But I am versatile.
No Problem by Benjamin Zephaniah
WHILE READING

2. Listen to the poem again and fill in
                                               white /dance/ black/
    the gaps with one of the words in          academic/ smile/ athletic
    the box :

I am not de problem
But I bear de brunt
Of silly playground taunts            These conditions may affect me
An racist stunts,                     As I get older,
I am not de problem                   An I am positively sure
I am born ___________                 I have no chips on me shoulders,
But dey got me on de run              ________ is not de problem
Now I am branded ________,            Mother country get it right,
I am not de problem                   An juss fe de record,
If yu give I a chance                 Sum of me best friends are _______.
I can teach yu of Timbuktu
I can do more dan _______,            Benjamin Zephaniah
I am not de problem
I greet yu wid a ________
Yu put me in a pigeon hole
But I am _________.
No Problem by Benjamin Zephaniah
GLOSSARY
1. To bear the brunt:
   Put up with the worst of some bad circumstance, as in It was the
   secretary who had to bear the brunt of the doctor's anger .
2. A stunt: A feat displaying unusual strength, skill, or daring.
3. A taunt: To reproach in a mocking, insulting, or contemptuous manner.
4. To have no chip upon my shoulder: to blame other people for something
   bad which has happened to you and to continue to be angry about it so
   that it affects the way you behave.
AFTER READING

1. In this poem, Benjamin Zephaniah uses “non-standard” English . This is often used
as a technique to say challenging or radical things or to emphasise that they are not
part of the ‘establishment’. Can you find examples of it in the text? What region is
the poet from? _________________________
               _________________________
               _________________________
               _________________________
No Problem by Benjamin Zephaniah
AFTER READING

 2. Whose voice can you hear in this poem? What experiences are described by the
    poetic voice? Who do you think is 'yu' and 'dey‘ in the poem?

 3. In the first stanza we find a contrast between external perceptions of the poetic
    “I” and the poetic “I’s” self-perception, can you list them below?

    External Perceptions                  Self-perceptions
 ______________________                ________________________
 ______________________                ________________________
 ______________________                ________________________

 4. In the first stanza the line “I am not the problem” is repeated four times and
    finally in the second stanza it changes into “Black is not the problem”. What do
    you think is the main idea in the second stanza? What is the poet’s dilemma?
No Problem by Benjamin Zephaniah
5. How do you think the last two lines change the poem? If we take them
   away, does the poem’s tone change? What do you think is the tone of the
   poem? Serious, reflective, ironic, satirical?

Discuss

I. What do you think about people’s attitude to the poet?
II. Do you think these attitudes have changed? Or can you find examples of
     similar attitudes in your daily life?
III. Make a list of examples of prejudice you have witnessed.
IV. Can you avoid being prejudiced?
CREATIVE WRITING
                                          º
Your task is to write your own ‘poem’, ‘e-mail’, “song”, “blog post”, expressing a
similar conflict involving prejudice and stereotype and its consequences.
Wrapping it up

REFLECTION TIME

1. After working with both poems what do you think they have in common?

2. What are their differences?

3. Do you agree that both poems challenge the reader to think outside the box?

4. Fill in the box below with information about both poems:
Poet        Grace Nichols                   Benjamin Zephaniah

Title       ‘The Fat Black Woman’           ‘No problem’
Themes                                      The poem tackles the sensitive
                                            subject of racism in a light-
                                            hearted way.
Standard                                    No- the poet often uses Patwa
English?                                    words’. Many standard spellings
                                            are incorrect and the poet’s
                                            dialect is used.
Imagery     Many images are used.
            Comparisons between ‘frozen
            thin mannequins’ and the soft
            and warm black woman.
Feelings?


                                                      Fill in the gaps in this
                                                      table based on your
                                                      knowledge of the
                                                      two poems.

More Related Content

What's hot

The stranger themes
The stranger themesThe stranger themes
The stranger themesSCHOOL
 
Presentation on W B Yeats
Presentation on W B YeatsPresentation on W B Yeats
Presentation on W B YeatsMonir Hossen
 
Aristotle's poetics
Aristotle's poeticsAristotle's poetics
Aristotle's poeticsashtri
 
world is too much with us.pptx
world is too much with us.pptxworld is too much with us.pptx
world is too much with us.pptxAlexJones990459
 
Waiting for goddot trag ic comdy
Waiting for goddot trag ic comdyWaiting for goddot trag ic comdy
Waiting for goddot trag ic comdySCHOOL
 
The rime of the ancient mariner
The rime of the ancient marinerThe rime of the ancient mariner
The rime of the ancient marinerDayamani Surya
 
City planners-notes
City planners-notesCity planners-notes
City planners-notesPato_Ch
 
Gulliver's travels chapter 3 of part 1
Gulliver's travels chapter 3 of part 1Gulliver's travels chapter 3 of part 1
Gulliver's travels chapter 3 of part 1arnav1230
 
IF by Rudyard Kipling- Detailed Summary and Analysis
IF by Rudyard Kipling- Detailed Summary and AnalysisIF by Rudyard Kipling- Detailed Summary and Analysis
IF by Rudyard Kipling- Detailed Summary and AnalysisAbhishek Dey
 
Leather Jackets by Robert Davies
Leather Jackets by Robert DaviesLeather Jackets by Robert Davies
Leather Jackets by Robert DaviesRick Neale
 
Ozymandias - Percy Bysshe Shelley
Ozymandias - Percy Bysshe ShelleyOzymandias - Percy Bysshe Shelley
Ozymandias - Percy Bysshe ShelleyShreshtha Ramsout
 
' Waiting For Godot- As an Absurd Theatre '
' Waiting For Godot- As  an Absurd Theatre '' Waiting For Godot- As  an Absurd Theatre '
' Waiting For Godot- As an Absurd Theatre 'kishan8282
 
Waiting for Godot as an Absurd theater
Waiting for Godot as an Absurd theater Waiting for Godot as an Absurd theater
Waiting for Godot as an Absurd theater zalakrutika
 

What's hot (20)

The road not taken
The road not takenThe road not taken
The road not taken
 
Apology for poetry
Apology for poetryApology for poetry
Apology for poetry
 
The stranger themes
The stranger themesThe stranger themes
The stranger themes
 
Presentation on W B Yeats
Presentation on W B YeatsPresentation on W B Yeats
Presentation on W B Yeats
 
Aristotle's poetics
Aristotle's poeticsAristotle's poetics
Aristotle's poetics
 
world is too much with us.pptx
world is too much with us.pptxworld is too much with us.pptx
world is too much with us.pptx
 
Half caste-1
Half caste-1Half caste-1
Half caste-1
 
Waiting for goddot trag ic comdy
Waiting for goddot trag ic comdyWaiting for goddot trag ic comdy
Waiting for goddot trag ic comdy
 
The rime of the ancient mariner
The rime of the ancient marinerThe rime of the ancient mariner
The rime of the ancient mariner
 
City planners-notes
City planners-notesCity planners-notes
City planners-notes
 
Gulliver's travels chapter 3 of part 1
Gulliver's travels chapter 3 of part 1Gulliver's travels chapter 3 of part 1
Gulliver's travels chapter 3 of part 1
 
The discovery
The discoveryThe discovery
The discovery
 
IF by Rudyard Kipling- Detailed Summary and Analysis
IF by Rudyard Kipling- Detailed Summary and AnalysisIF by Rudyard Kipling- Detailed Summary and Analysis
IF by Rudyard Kipling- Detailed Summary and Analysis
 
Goblin market word
Goblin market wordGoblin market word
Goblin market word
 
Leather Jackets by Robert Davies
Leather Jackets by Robert DaviesLeather Jackets by Robert Davies
Leather Jackets by Robert Davies
 
Ozymandias - Percy Bysshe Shelley
Ozymandias - Percy Bysshe ShelleyOzymandias - Percy Bysshe Shelley
Ozymandias - Percy Bysshe Shelley
 
To His Coy Mistress
To His Coy MistressTo His Coy Mistress
To His Coy Mistress
 
Prose
ProseProse
Prose
 
' Waiting For Godot- As an Absurd Theatre '
' Waiting For Godot- As  an Absurd Theatre '' Waiting For Godot- As  an Absurd Theatre '
' Waiting For Godot- As an Absurd Theatre '
 
Waiting for Godot as an Absurd theater
Waiting for Godot as an Absurd theater Waiting for Godot as an Absurd theater
Waiting for Godot as an Absurd theater
 

Viewers also liked

Benjamin zephaniah
Benjamin zephaniahBenjamin zephaniah
Benjamin zephaniahpatmsanchez
 
Half Caste
Half CasteHalf Caste
Half Casteknave26
 
The class-game
The class-gameThe class-game
The class-gamemrhoward12
 
Week 3 my country b
Week 3   my country bWeek 3   my country b
Week 3 my country bMargaRenedo
 
The race industry
The race industryThe race industry
The race industryPato_Ch
 
War photography
War photographyWar photography
War photographyAntonia
 
Benjamin zephaniah
Benjamin zephaniahBenjamin zephaniah
Benjamin zephaniahpuchmuller
 
No Expensive Software? No Problem. Creating Interactive Lessons Using Free On...
No Expensive Software? No Problem. Creating Interactive Lessons Using Free On...No Expensive Software? No Problem. Creating Interactive Lessons Using Free On...
No Expensive Software? No Problem. Creating Interactive Lessons Using Free On...Mandi Goodsett
 
No problem
No problemNo problem
No problemccdotin
 
Revision for half caste by john agard marcus linfoot
Revision for half caste by john agard marcus linfootRevision for half caste by john agard marcus linfoot
Revision for half caste by john agard marcus linfootcharmoss
 
What were they like
What were they likeWhat were they like
What were they likeMarvinw
 
Antibiotic resistance dr sachin
Antibiotic resistance dr sachinAntibiotic resistance dr sachin
Antibiotic resistance dr sachinSachin Verma
 
The Charge of the Light Brigade by Alfred Tennyson
The Charge of the Light Brigade by Alfred TennysonThe Charge of the Light Brigade by Alfred Tennyson
The Charge of the Light Brigade by Alfred Tennysonwww.MrSedani.co.uk
 
Belfast confetti[1]
Belfast confetti[1]Belfast confetti[1]
Belfast confetti[1]mrhoward12
 

Viewers also liked (20)

Benjamin zephaniah
Benjamin zephaniahBenjamin zephaniah
Benjamin zephaniah
 
Half Caste
Half CasteHalf Caste
Half Caste
 
Face character
Face characterFace character
Face character
 
The class-game
The class-gameThe class-game
The class-game
 
Week 3 my country b
Week 3   my country bWeek 3   my country b
Week 3 my country b
 
Benjamin zephaniah
Benjamin zephaniahBenjamin zephaniah
Benjamin zephaniah
 
Benjamín zephaniah
Benjamín zephaniahBenjamín zephaniah
Benjamín zephaniah
 
The race industry
The race industryThe race industry
The race industry
 
War photography
War photographyWar photography
War photography
 
Week 3 my country b
Week 3   my country bWeek 3   my country b
Week 3 my country b
 
Benjamin zephaniah
Benjamin zephaniahBenjamin zephaniah
Benjamin zephaniah
 
No Expensive Software? No Problem. Creating Interactive Lessons Using Free On...
No Expensive Software? No Problem. Creating Interactive Lessons Using Free On...No Expensive Software? No Problem. Creating Interactive Lessons Using Free On...
No Expensive Software? No Problem. Creating Interactive Lessons Using Free On...
 
No problem
No problemNo problem
No problem
 
Teachers dead
Teachers deadTeachers dead
Teachers dead
 
Revision for half caste by john agard marcus linfoot
Revision for half caste by john agard marcus linfootRevision for half caste by john agard marcus linfoot
Revision for half caste by john agard marcus linfoot
 
What were they like
What were they likeWhat were they like
What were they like
 
Antibiotic resistance dr sachin
Antibiotic resistance dr sachinAntibiotic resistance dr sachin
Antibiotic resistance dr sachin
 
Poppies
PoppiesPoppies
Poppies
 
The Charge of the Light Brigade by Alfred Tennyson
The Charge of the Light Brigade by Alfred TennysonThe Charge of the Light Brigade by Alfred Tennyson
The Charge of the Light Brigade by Alfred Tennyson
 
Belfast confetti[1]
Belfast confetti[1]Belfast confetti[1]
Belfast confetti[1]
 

Similar to Poetry in Language Learning: Using Literature to Enhance ELT

Using Poetry in the English Language Classroom…why (not)?
Using Poetry in the English Language Classroom…why (not)? Using Poetry in the English Language Classroom…why (not)?
Using Poetry in the English Language Classroom…why (not)? Malu Sciamarelli
 
Notable Books for a Global Society 2011
Notable Books for a Global Society 2011Notable Books for a Global Society 2011
Notable Books for a Global Society 2011hildebka
 
Cny reading council feb_5_2011
Cny reading council feb_5_2011Cny reading council feb_5_2011
Cny reading council feb_5_2011DonnaMahar
 
Excellent Essay Writing.pdf
Excellent Essay Writing.pdfExcellent Essay Writing.pdf
Excellent Essay Writing.pdfTakyra Roberts
 
The House on Mango Street
The House on Mango StreetThe House on Mango Street
The House on Mango StreetKevin O'Brien
 
3_English 7_Q1 (Connecting to a Significant Past through Proverbs).pptx
3_English 7_Q1 (Connecting to a Significant Past through Proverbs).pptx3_English 7_Q1 (Connecting to a Significant Past through Proverbs).pptx
3_English 7_Q1 (Connecting to a Significant Past through Proverbs).pptxReverieArevalo
 
The conversion by J. Neil Garcia
The conversion by J. Neil GarciaThe conversion by J. Neil Garcia
The conversion by J. Neil GarciaSarah Jean Reyes
 
jackie-kay-poetry-2.pptx
jackie-kay-poetry-2.pptxjackie-kay-poetry-2.pptx
jackie-kay-poetry-2.pptxAlaaGhamdi1
 
Ganados activity 3 ge115
Ganados activity 3 ge115Ganados activity 3 ge115
Ganados activity 3 ge115Danica Ganados
 
NCTE Poetry Notables, 2017. Individual and Verse Novel Notables from NCTE
NCTE Poetry Notables, 2017. Individual and Verse Novel Notables from NCTENCTE Poetry Notables, 2017. Individual and Verse Novel Notables from NCTE
NCTE Poetry Notables, 2017. Individual and Verse Novel Notables from NCTEhildebka
 
PHIL-LIT-GROUP-5--1.pptx
PHIL-LIT-GROUP-5--1.pptxPHIL-LIT-GROUP-5--1.pptx
PHIL-LIT-GROUP-5--1.pptxyoukiller690
 
Once upon a times by gabriel okara
Once upon a times by gabriel okaraOnce upon a times by gabriel okara
Once upon a times by gabriel okarariddhi maru
 
Revision quotations
Revision quotationsRevision quotations
Revision quotationsZero Nameo
 
Parade x0092 s end
Parade x0092 s endParade x0092 s end
Parade x0092 s endmrhoward12
 
Building Bridges with Multicultural Literature: African Refugees
Building Bridges with Multicultural Literature: African RefugeesBuilding Bridges with Multicultural Literature: African Refugees
Building Bridges with Multicultural Literature: African RefugeesLori VandenBerghe
 

Similar to Poetry in Language Learning: Using Literature to Enhance ELT (20)

Using Poetry in the English Language Classroom…why (not)?
Using Poetry in the English Language Classroom…why (not)? Using Poetry in the English Language Classroom…why (not)?
Using Poetry in the English Language Classroom…why (not)?
 
Notable Books for a Global Society 2011
Notable Books for a Global Society 2011Notable Books for a Global Society 2011
Notable Books for a Global Society 2011
 
Cny reading council feb_5_2011
Cny reading council feb_5_2011Cny reading council feb_5_2011
Cny reading council feb_5_2011
 
Excellent Essay Writing.pdf
Excellent Essay Writing.pdfExcellent Essay Writing.pdf
Excellent Essay Writing.pdf
 
The House on Mango Street
The House on Mango StreetThe House on Mango Street
The House on Mango Street
 
3_English 7_Q1 (Connecting to a Significant Past through Proverbs).pptx
3_English 7_Q1 (Connecting to a Significant Past through Proverbs).pptx3_English 7_Q1 (Connecting to a Significant Past through Proverbs).pptx
3_English 7_Q1 (Connecting to a Significant Past through Proverbs).pptx
 
CHAMELEON BUNDLE (1)
CHAMELEON BUNDLE (1)CHAMELEON BUNDLE (1)
CHAMELEON BUNDLE (1)
 
The conversion by J. Neil Garcia
The conversion by J. Neil GarciaThe conversion by J. Neil Garcia
The conversion by J. Neil Garcia
 
jackie-kay-poetry-2.pptx
jackie-kay-poetry-2.pptxjackie-kay-poetry-2.pptx
jackie-kay-poetry-2.pptx
 
10 ramilap6
10 ramilap610 ramilap6
10 ramilap6
 
Ganados activity 3 ge115
Ganados activity 3 ge115Ganados activity 3 ge115
Ganados activity 3 ge115
 
NCTE Poetry Notables, 2017. Individual and Verse Novel Notables from NCTE
NCTE Poetry Notables, 2017. Individual and Verse Novel Notables from NCTENCTE Poetry Notables, 2017. Individual and Verse Novel Notables from NCTE
NCTE Poetry Notables, 2017. Individual and Verse Novel Notables from NCTE
 
PHIL-LIT-GROUP-5--1.pptx
PHIL-LIT-GROUP-5--1.pptxPHIL-LIT-GROUP-5--1.pptx
PHIL-LIT-GROUP-5--1.pptx
 
Poetry
PoetryPoetry
Poetry
 
Readinglog2
Readinglog2Readinglog2
Readinglog2
 
lit.pptx
lit.pptxlit.pptx
lit.pptx
 
Once upon a times by gabriel okara
Once upon a times by gabriel okaraOnce upon a times by gabriel okara
Once upon a times by gabriel okara
 
Revision quotations
Revision quotationsRevision quotations
Revision quotations
 
Parade x0092 s end
Parade x0092 s endParade x0092 s end
Parade x0092 s end
 
Building Bridges with Multicultural Literature: African Refugees
Building Bridges with Multicultural Literature: African RefugeesBuilding Bridges with Multicultural Literature: African Refugees
Building Bridges with Multicultural Literature: African Refugees
 

Poetry in Language Learning: Using Literature to Enhance ELT

  • 1. Poetry in Language Learning Anna Isabel Fernández Córdoba
  • 2. Why use literature in the ELT? IT CAN BE: • A joy to teach. • It enhances our emotional & cultural growth . • A way to improve our teaching practise.
  • 3. Hope Hope is the thing with feathers That perches in the soul, And sings the tune--without the words, And never stops at all, And sweetest in the gale is heard; And sore must be the storm That could abash the little bird That kept so many warm. I've heard it in the chillest land, And on the strangest sea; Yet, never, in extremity, It asked a crumb of me. Emily Dickinson
  • 4. What is literature? A DEFINITION: “We will take literature to mean those novels, short stories, plays and poems which are fictional and convey their message by paying considerable attention to language which is rich and multilayered” Lazar,G. (1993) Literature and language teaching, CUP.
  • 5. Methodology Carter, R & Long, M (1991) Teaching Literature, Longman. The three models: 1. The cultural Model 2. The Language Model 3. The Personal Growth Model Using an Integrated Model: • Enhances students’ cultural awareness • Develops students’ language skills • Contributes to students’ personal development
  • 6. Why should EFL students be exposed to poetry? • It is enjoyable and engaging and creates opportunities for personal expression. • It reinforces learners’ knowledge of lexical and grammatical structures. • It inspires them to take risks in experimenting with the target language. • It fosters critical thinking. • It promotes greater cultural tolerance. • It develops students’ literary competence.
  • 7. A set of activities for two poems • It is designed to be used with teenage and adult learners of English in 3rd level of EOI. • There is practise for the four skills and for what John McRae calls the fifth skill: thinking. • Students are encouraged to trust their interpretations and reading of the poems and to reflect on their own experiences in connection with the poems. • The questions posed are aimed at different levels of understanding of the poems, and try to help students work out for themselves what the texts mean. • There are language-based vocabulary activities to help them deal with the poems and encourage them to find the meaning of words from context. • The two contemporary poems are “The Fat Black Woman Goes Shopping” by Grace Nichols and “No Problem” by Benjamin Zephaniah.
  • 8. • Both poems are multicultural and deal with racist issues in contemporary Britain. • There are factual reading comprehension activities that focus on the factual meaning of the poem and on the other hand there are activities concerning the language of the poem which focus on the linguistic and literary qualities of the text: unusual uses of collocation, binary oppositions, figurative language, rhyme and style…. • There are activities designed to encourage inference and interpretation, to make students reflect on their own experiences in connection with the poems. • Finally creative response activities are designed to encourage students to take risks and play with the language creatively and imaginatively (McRae, 1991) either speaking or writing.
  • 9. The Fat Black Woman Goes Shopping by Grace Nichols Shopping in London winter Nothing soft and bright and billowing is a real drag for the fat black to flow like breezy sunlight woman when she walking going from store to store in search of accommodating The fat black woman curses in Swahili/Yoruba clothes and nation language under her breathing and de weather so cold all this journeying and journeying Look at the frozen thin The fat black woman could only conclude mannequins that when it come to fashion fixing her with grin the choice is lean and de pretty face salesgals exchanging slimming glances Nothing much beyond size 14 thinking she don’t notice GRACE NICHOLS Lord is aggravating
  • 10. The Fat Black Woman Goes Shopping by Grace Nichols WARM UP ACTIVITY SPEAKING PRACTISE: • When was the last time you went shopping for clothes? • What did you buy? • Did you try it on? Was it the right size? • Was the shop assistant helpful? Why/not? • Do you enjoy shopping for clothes? Why/not? READING ACTIVITIES 1. Jigsaw reading. Your partner has the first half of the poem and you have the second one. Explain to your partner in your own words what the poem is about.
  • 11. STUDENT A: • Read the first stanzas of the poems and explain them to your partner in your own words. • Now ask each other questions about each other’s picture to find similarities and differences between them. Shopping in London winter is a real drag for the fat black woman going from store to store in search of accommodating clothes and de weather so cold Look at the frozen thin mannequins fixing her with grin and de pretty face salesgals exchanging slimming glances thinking she don’t notice Lord is aggravating
  • 12. STUDENT B: • Read the first stanzas of the poems and explain them to your partner in your own words. • Now ask each other questions about each other’s picture to find similarities and differences between them. Nothing soft and bright and billowing to flow like breezy sunlight when she walking The fat black woman curses in Swahili/Yoruba and nation language under her breathing all this journeying and journeying The fat black woman could only conclude that when it come to fashion the choice is lean Nothing much beyond size 14
  • 13. The Fat Black Woman Goes Shopping by Grace Nichols READING ACTIVITIES 2. In the poem there is a clear contrast between London and the black woman’s country of origin. Link words in the poem to each of these ideas: BRITAIN BLACK WOMAN ______________________ ________________________ ______________________ ________________________ ______________________ ________________________ BRITISH WOMEN BLACK WOMAN’S COUNTRY ______________________ ________________________ ______________________ ________________________ ______________________ ________________________ 3. After reading the poem, which do you give more positive connotations to the British shop assistants or the fat black woman? Think of two adjectives to describe each of them.
  • 14. The Fat Black Woman Goes Shopping by Grace Nichols 4. Do you think the poem offers a black perspective on white society or rather white perspective on black experience? 5. In the poem you will find examples of “Patwa” a spoken variety form of language which involves a combination of English vocabulary with African structures. Can you find examples of pronunciation features of patwa suggested by spelling alterations in the poem? _______________________________________ _______________________________________ _______________________________________
  • 15. The Fat Black Woman Goes Shopping by Grace Nichols 6. Does the fat black woman enjoy shopping? Find evidence in the poem that backs up your answer. 7. Now watch clip 1 and describe what you see to your partner. Then swap roles your partner watches clip 2 and describes it. Then together find the differences and similarities between both clips. CLIP 1:http://www.youtube.com/watch?v=Ed7C3gAXQNA&feature=related CLIP 2:http://www.youtube.com/watch?v=tTtVVHg41kU&feature=related 8. Discuss in small groups whether you think the woman’s shopping experience in London would have been different if she were: 1) A slim and pretty 3) A rich black woman woman 4) A White woman 2) A black man
  • 16. The Fat Black Woman Goes Shopping by Grace Nichols 9. Now write your own poem starting “A woman goes shopping” and post it on twiHaiku: Twitter Poetry, is a free Twitter application that lets you share your thoughts, feelings, views or ideas about anything in a poetic manner. Express genuine thoughts and feelings, in accordance with the particular object, event or phenomenon. A woman goes shopping: she is a slow walker, a slow talker. Strong and yet sweet her smile opens doors and that she adores, on a breezy summer morning. http://www.makeliterature.com/twihaiku/twitter-poetry
  • 17. No problem by Benjamin Zephaniah PRE-READING ACTIVITY 1. These are the first four lines of the poem, what do you think it is going to be about? I am not de problem But I bear the brunt Of silly playground taunts An racist stunts WATCHING DUB POETRY This is a dub poem, dub poetry is a political writing genre closely linked to Reggae music. http://www.youtube.com/watch?v=ZhaXDfIGGzA
  • 18. No Problem by Benjamin Zephaniah I am not de problem But I bear de brunt These conditions may affect me Of silly playground taunts As I get older, An racist stunts, An I am positively sure I am not de problem I have no chips on me shoulders, I am born academic Black is not de problem But dey got me on de run Mother country get it right, Now I am branded athletic, An juss fe de record, I am not de problem Sum of me best friends are white. If yu give I a chance I can teach yu of Timbuktu Benjamin Zephaniah I can do more dan dance, I am not de problem I greet yu wid a smile Yu put me in a pigeon hole But I am versatile.
  • 19. No Problem by Benjamin Zephaniah WHILE READING 2. Listen to the poem again and fill in white /dance/ black/ the gaps with one of the words in academic/ smile/ athletic the box : I am not de problem But I bear de brunt Of silly playground taunts These conditions may affect me An racist stunts, As I get older, I am not de problem An I am positively sure I am born ___________ I have no chips on me shoulders, But dey got me on de run ________ is not de problem Now I am branded ________, Mother country get it right, I am not de problem An juss fe de record, If yu give I a chance Sum of me best friends are _______. I can teach yu of Timbuktu I can do more dan _______, Benjamin Zephaniah I am not de problem I greet yu wid a ________ Yu put me in a pigeon hole But I am _________.
  • 20. No Problem by Benjamin Zephaniah GLOSSARY 1. To bear the brunt: Put up with the worst of some bad circumstance, as in It was the secretary who had to bear the brunt of the doctor's anger . 2. A stunt: A feat displaying unusual strength, skill, or daring. 3. A taunt: To reproach in a mocking, insulting, or contemptuous manner. 4. To have no chip upon my shoulder: to blame other people for something bad which has happened to you and to continue to be angry about it so that it affects the way you behave. AFTER READING 1. In this poem, Benjamin Zephaniah uses “non-standard” English . This is often used as a technique to say challenging or radical things or to emphasise that they are not part of the ‘establishment’. Can you find examples of it in the text? What region is the poet from? _________________________ _________________________ _________________________ _________________________
  • 21. No Problem by Benjamin Zephaniah AFTER READING 2. Whose voice can you hear in this poem? What experiences are described by the poetic voice? Who do you think is 'yu' and 'dey‘ in the poem? 3. In the first stanza we find a contrast between external perceptions of the poetic “I” and the poetic “I’s” self-perception, can you list them below? External Perceptions Self-perceptions ______________________ ________________________ ______________________ ________________________ ______________________ ________________________ 4. In the first stanza the line “I am not the problem” is repeated four times and finally in the second stanza it changes into “Black is not the problem”. What do you think is the main idea in the second stanza? What is the poet’s dilemma?
  • 22. No Problem by Benjamin Zephaniah 5. How do you think the last two lines change the poem? If we take them away, does the poem’s tone change? What do you think is the tone of the poem? Serious, reflective, ironic, satirical? Discuss I. What do you think about people’s attitude to the poet? II. Do you think these attitudes have changed? Or can you find examples of similar attitudes in your daily life? III. Make a list of examples of prejudice you have witnessed. IV. Can you avoid being prejudiced?
  • 23. CREATIVE WRITING º Your task is to write your own ‘poem’, ‘e-mail’, “song”, “blog post”, expressing a similar conflict involving prejudice and stereotype and its consequences.
  • 24. Wrapping it up REFLECTION TIME 1. After working with both poems what do you think they have in common? 2. What are their differences? 3. Do you agree that both poems challenge the reader to think outside the box? 4. Fill in the box below with information about both poems:
  • 25. Poet Grace Nichols Benjamin Zephaniah Title ‘The Fat Black Woman’ ‘No problem’ Themes The poem tackles the sensitive subject of racism in a light- hearted way. Standard No- the poet often uses Patwa English? words’. Many standard spellings are incorrect and the poet’s dialect is used. Imagery Many images are used. Comparisons between ‘frozen thin mannequins’ and the soft and warm black woman. Feelings? Fill in the gaps in this table based on your knowledge of the two poems.