The sixth Pixel Animation was held from October 24 to 30, 2016, at the Québec City Convention Centre and Cinéma LE CLAP.
Pixel Animation, Canada’s largest gathering of multi-screen animation contents, presented three simultaneous activity streams aimed at producers, distributers, investors, professionals and the general public.
The professional stream of Pixel Animation and Cartoon Connection had a banner year and record attendance.
A total of 450 participants took the various master classes and attended networking events: a record! Craftspeople from 24 countries presented some 200 projects at over 1,000 professional one-on-one meetings. And that’s not all, because Pixel Animation’s general public stream continued with screenings of four magnificent animated films.
El documento presenta varios principios metodológicos para la enseñanza. Explica que la enseñanza debe individualizarse para cada estudiante considerando sus características únicas. También debe adecuarse epistemológicamente para hacer los conocimientos científicos comprensibles sin alterar su sustancia. Además, propone seguir una secuencia alternativa de actividades planificadas para lograr los objetivos de aprendizaje.
Este documento habla sobre el desarrollo psicológico neonatal y el período I del desarrollo, que ocurre desde el nacimiento hasta los 1-2 años. Durante este período, los bebés pasan por una etapa de extremo egocentrismo y una subfase de diferenciación en la que empiezan a distinguirse a sí mismos de los demás. Gracias a las experiencias con el mundo exterior, los lactantes estrechan cada vez más la conexión entre su imagen propia y la de su madre.
El documento presenta varios principios metodológicos para la enseñanza. Explica que la enseñanza debe individualizarse para cada estudiante considerando sus características únicas. También debe adecuarse epistemológicamente para hacer los conocimientos científicos comprensibles sin alterar su sustancia. Además, propone seguir una secuencia alternativa de actividades planificadas para lograr los objetivos de aprendizaje.
Este documento habla sobre el desarrollo psicológico neonatal y el período I del desarrollo, que ocurre desde el nacimiento hasta los 1-2 años. Durante este período, los bebés pasan por una etapa de extremo egocentrismo y una subfase de diferenciación en la que empiezan a distinguirse a sí mismos de los demás. Gracias a las experiencias con el mundo exterior, los lactantes estrechan cada vez más la conexión entre su imagen propia y la de su madre.
The greatest and most prestigious digital creation competition in Canada!
300 competitors | 3 countries
Animation, vide game, music & sound design
#pxc17
This document is the final report for the Pixel Challenge video game and sound design competition held from March 19-21, 2015 in Quebec City, Canada. Over 1000 people participated in the event including 61 teams in the student/amateur video game category and 50 teams in the pro video game category. The winners in each category received cash prizes. Feedback from participants was very positive about the organization and experience.
On June 19th, 2015, 50 delegates from across Europe gathered at the Cinémathèque française in Paris to discuss the future of film education in Europe and launch A Framework for Film Education in Europe. The Framework establishes common goals and outcomes for film education across Europe. It brings together the knowledge and experiences of over 25 partners from various film education organizations. The event highlighted several successful film education programs and their importance in developing film appreciation in young people.
This document summarizes the Summer 2006 edition of Emerging Pictures' quarterly newsletter. It discusses how Emerging Pictures has expanded its digital cinema network to 16 venues across the US, making it the largest digital art house network. It highlights new venues like the Market Arcade Film & Arts Center in Buffalo, NY that have joined the network. It also discusses programming partnerships with organizations like indieWIRE and the Full Frame Documentary Film Festival to bring films to Emerging Pictures venues.
The Virtual Reality pavilion at the Casino Luxembourg will return in 2018 with an ambitious new program. It will feature two internationally acclaimed VR experiences that blend live performance with immersive technology, showcasing creative opportunities in this new artistic medium. Round table discussions with local and international artists will explore the potential of this new format and the skills and funding required for it to thrive. The pavilion will also premiere the Luxembourg VR thriller Finding Jakob and include a selection of VR films from various genres.
Theatre Sans Fil (TSF) is a Canadian puppet theatre company founded in 1971. It is known for producing large-scale puppet shows for adults accompanied by soundtracks. Some key points:
- TSF has toured internationally with 17 shows seen by over 3 million people across 20+ countries.
- Their 1979 production of The Hobbit was very successful as it adapted a well-known story.
- The company strives to create unique, innovative productions centered around themes from legends, myths and fantasy.
- Managing the life cycle and portfolio of ephemeral puppet productions while balancing artistic vision and economic interests is challenging for TSF.
Walt Disney said “Animation offers a medium of storytelling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world.”
The document summarizes the SCI-FI-LONDON film festival, which showcases science fiction films over 10 days in London venues. It highlights new initiatives for 2016 like online streaming and collaborations. It also describes the festival's affluent audience, guest speakers, marketing strategies including print, online and a 48-hour film challenge. Sponsorship opportunities are outlined to help companies promote their brands through the festival.
The greatest and most prestigious digital creation competition in Canada!
300 competitors | 3 countries
Animation, vide game, music & sound design
#pxc17
This document is the final report for the Pixel Challenge video game and sound design competition held from March 19-21, 2015 in Quebec City, Canada. Over 1000 people participated in the event including 61 teams in the student/amateur video game category and 50 teams in the pro video game category. The winners in each category received cash prizes. Feedback from participants was very positive about the organization and experience.
On June 19th, 2015, 50 delegates from across Europe gathered at the Cinémathèque française in Paris to discuss the future of film education in Europe and launch A Framework for Film Education in Europe. The Framework establishes common goals and outcomes for film education across Europe. It brings together the knowledge and experiences of over 25 partners from various film education organizations. The event highlighted several successful film education programs and their importance in developing film appreciation in young people.
This document summarizes the Summer 2006 edition of Emerging Pictures' quarterly newsletter. It discusses how Emerging Pictures has expanded its digital cinema network to 16 venues across the US, making it the largest digital art house network. It highlights new venues like the Market Arcade Film & Arts Center in Buffalo, NY that have joined the network. It also discusses programming partnerships with organizations like indieWIRE and the Full Frame Documentary Film Festival to bring films to Emerging Pictures venues.
The Virtual Reality pavilion at the Casino Luxembourg will return in 2018 with an ambitious new program. It will feature two internationally acclaimed VR experiences that blend live performance with immersive technology, showcasing creative opportunities in this new artistic medium. Round table discussions with local and international artists will explore the potential of this new format and the skills and funding required for it to thrive. The pavilion will also premiere the Luxembourg VR thriller Finding Jakob and include a selection of VR films from various genres.
Theatre Sans Fil (TSF) is a Canadian puppet theatre company founded in 1971. It is known for producing large-scale puppet shows for adults accompanied by soundtracks. Some key points:
- TSF has toured internationally with 17 shows seen by over 3 million people across 20+ countries.
- Their 1979 production of The Hobbit was very successful as it adapted a well-known story.
- The company strives to create unique, innovative productions centered around themes from legends, myths and fantasy.
- Managing the life cycle and portfolio of ephemeral puppet productions while balancing artistic vision and economic interests is challenging for TSF.
Walt Disney said “Animation offers a medium of storytelling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world.”
The document summarizes the SCI-FI-LONDON film festival, which showcases science fiction films over 10 days in London venues. It highlights new initiatives for 2016 like online streaming and collaborations. It also describes the festival's affluent audience, guest speakers, marketing strategies including print, online and a 48-hour film challenge. Sponsorship opportunities are outlined to help companies promote their brands through the festival.
The Association of Film Commissioners International (AFCI) will host its annual Cineposium conference in Barcelona, Spain from September 24-26, 2015. For the first time, the conference will focus solely on film tourism - quantifying, defining, and measuring its return on investment. Speakers from film commissions and tourism bureaus around the world will present case studies and examples demonstrating how film tourism has increased revenues and promoted destinations. Lisa Strout from the Massachusetts Film Office will moderate a panel and present on working with municipalities to standardize film tourism practices.
The document summarizes the 32nd edition of the CineMart co-production market, held as part of the International Film Festival Rotterdam. It provides details on the 24 projects selected from 21 countries, ranging from modest to higher budgets. It describes CineMart as not only a co-production market but also a launching platform and finance market. It highlights some of the projects and filmmakers presenting at CineMart this year, including discoveries of new directors. It also outlines other events and awards occurring during CineMart.
The document advertises a free event in Berlin on May 9th to introduce the Millumin software for creating audiovisual shows. Attendees will learn about using video players, multi-screen configurations, organizing content in timelines, videomapping, lighting/LED management, and workflows in After Effects and Cinema 4D. Following a presentation, attendees can practice with projectors and foam boards using their own Macs. The event is recommended for those in the event industry or working with theater/dance companies to expand their knowledge and skills.
While advances in digital technology were thought to threaten the film industry, the industry has survived and thrived by audiences embracing various new platforms. Audiences have increased their personal film libraries, formed connections with others through social media, and deepened their appreciation for film history and formats. Specialized channels, museums, festivals and social media groups have helped connect fans and educate them about film heritage. The fragmentation of individual viewing experiences has been countered by new opportunities for social experiences around film.
Portrait of the multimedia creation industry in the Quebec City Region. Produced by Quebec International. http://quebecinternational.ca/key-industries/
The Pixel Lab 2015 | Loc Dao's Lessons Learned in Interactive Documentary power to the pixel
The NFB's Head of Digital Content shares lessons learned around story and form from award-winning, groundbreaking interactive projects Seven Digital Deadly Sins, Circa 1948, The Last Hunt, Bear 71 and Welcome to Pinepoint.
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Pipeline Studios, a Canadian animation studio located at Sheridan College, produces the popular children's show The Backyardigans. The studio opened in 2007 and has since grown from 28 to 60 employees. It utilizes cutting-edge animation software and technologies to efficiently produce high quality animation. Having the studio located near Sheridan College, a top animation school, allows it to hire talented recent graduates and supports the Canadian animation industry.
Animation is the process of creating the illusion of motion by displaying a sequence of images that differ slightly over time. It can be created through various methods including traditional hand-drawn animation and stop-motion animation. The Philippines has developed its own style of animation drawing from Filipino culture and storytelling techniques. Several notable Filipino animators have worked for major studios on big animated films. The country also aims to establish itself as a leader in global animation services.
Cartoon Digital - Creating Enternainment for Connected ServicesAndriy Shmyhelskyy
The document summarizes the Cartoon Digital 2014 conference being held in Helsinki, Finland from May 5-7. It discusses the conference's focus on creating entertainment for connected screens and how lines between different types of content are blurring. Speakers will provide expertise on content creation for various shared platforms from television to animation and gaming. The conference aims to provide understanding of digital trends and opportunities for creative partnerships through networking and sharing ideas.
LOGJAM UP scores CRIC CRAC prize at AnnecyCineuropa.org
While playing music in the forest, Bear, Rabbit, and Wolf are captured by aliens who
want to get into contact with Earthlings. The aliens are disappointed and therefo re return the animals back to Earth, but to a wrong place.
The document discusses the evolution of television and film production in the digital era. It analyzes how some directors and writers migrated from cinema to television in the 1990s, allowing for more creative freedom. This led to innovative, high-quality TV series. Audiences also grew to expect extended storytelling across seasons. More recently, the internet has enabled even smaller, independent productions through platforms like YouTube. The document compares two such projects - the ambitious, crowdfunded transmedia project The Cosmonaut, and the Brazilian comedy series Porta dos Fundos. Both leverage audience interactivity and expansion across multiple platforms.
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1. CARTOON CONNECTION / MASTER CLASSES / FILMS
3 EVENTS IN ONE
EVENT
REPORT
OCTOBER 24-30, 2016
At
2.
3. EVENT REPORT | Pixel Animation and Cartoon Connection 2
451 participants attended Cartoon
Connection and the master classes
A RECORD YEAR
FOR PIXEL ANIMATION
The sixth Pixel Animation was held from October 24 to 30, 2016, at the Québec City
Convention Centre and Cinéma LE CLAP.
Pixel Animation, Canada’s largest gathering of multi-screen animation contents
(film, television, web, multi-platform, video games, special effects), presented three
simultaneous activity streams aimed at producers, distributers, investors, professionals
and the general public.
The professional stream of Pixel Animation and Cartoon Connection, which ended
on October 27, had a banner year and record attendance.
A total of 451 participants took the various master classes and attended networking
events: a record! Craftspeople from 24 countries presented some 200 projects at over
1,000 professional one-on-one meetings. And that’s not all, because Pixel Animation’s
general public stream continued till October 30 with screenings of four magnificent
animated films.
24 countries
24 COUNTRIES PRESENT
IN QUÉBEC CITY
Argentina
Belgium
Canada
Costa Rica
Croatia
Czech republic
Denmark
Finland
France
Germany
Hungary
India
Ireland
Italy
Japan
Mexico City
Norway
Poland
Portugal
Romania
Slovenia
Spain
UK
United States
4. 3 Pixel Animation and Cartoon Connection | EVENT REPORT
Louis Leclerc, Executive Director, PIXEL and Yolanda Alonso, Director of Cartoon Connection, CARTOONCo-organizers of de Cartoon Connection Canada
Over the past five years, Pixel Animation/
Cartoon Connection Canada has generated
economic spin-offs of
CARTOON CONNECTION CANADA
HELPING MAKE HUMAN AND PROFESSIONAL CONNECTIONS
In a friendly atmosphere combining one-on-one session meetings and high-level
international presentations, broadcasters, production, sales and distribution companies
of all sizes, known or emerging, made human and professional connections that
generated converging coproductions and international funding and distribution
opportunities. CCC is a coproduction of PIXEL Québec and CARTOON from Brussels,
more specifically the European Association of Animation Film.
$35 M
5. EVENT REPORT | Pixel Animation and Cartoon Connection 4
From left to right: Nancy Florence Savard, 10th ave Productions – Sunny Choi and Rachel Marcus, Guru Studio – Marie-Claude Beauchamp, CarpeDiem – Yolanda Alonso, CARTOON –
Claire Dion, Bell Fund – Louis Leclerc, PIXEL
CARTOON CONNECTION AWARDS -
THE WINNERS
Cartoon Connection was founded to facilitate the circulation of animated works among
the countries represented. The Cartoon Connection Awards go to two 100% Canadian
projects selected to be presented at the prestigious Cartoon Forum and Cartoon Movie
in Europe. This year, unusually, three projects seduced the panel: American Goulasch
by Guru (Toronto), which also won a $5,000 grant from the Bell Fund; Butterfly Tale
by CarpeDiem (Montréal) and Le trésor de Morgä by 10th Ave Productions (Québec City).
6. 5 Pixel Animation and Cartoon Connection | EVENT REPORT
MORE THAN 1000 ONE-ON-ONE MEETINGS
THE BEST PLACE FOR PROFESSIONAL CONNECTIONS
Producers, broadcasters, and distributors of animation content, and even a few artists,
spent a day and a half getting together to spark or strengthen their professional
connections. It was an exhausting time, but oh so productive. Many participants were
able to meet more potential business partners in a few hours than they otherwise
do in a year.
Presented by
7. EVENT REPORT | Pixel Animation and Cartoon Connection 6
LAUNCH OF A HOME-GROWN
MULTIPLATFORM SERIES
Presented by
MaXi’s interactive cocktail party brought together all the participants in the Cartoon
Connection and master classes streams of Pixel Animation. It was followed by the
premiere of MaXi, a multiplatform animated series created by Frima in collaboration
with Groupe Média TFO.
A number of children attended the screening of the first two episodes. Afterwards the
actors, the original Francophone voices for the series, were on hand to answer questions
from the audience during a panel discussion.
Glenn O’Farrell, Groupe Média TFO
Sarah-Jeanne Labrosse, the voice of Mara, answering a fan's question. The other members of the panel included Nicolas Charbonneaux, Annie Girard,
Mathieu Pichette and Martin Watier.
8. 7 Pixel Animation and Cartoon Connection | EVENT REPORT
SCREENING OF 4 ANIMATED FEATURE FILMS AT CINEMA LE CLAP
A NEW ADDITION IN 2016
Pixel Animation and Cinéma Le Clap presented four magnificent animated films from October 28 to 30. The general public stream,
a new addition in 2016, expanded Pixel Animation’s scope and prestige. Attendance was more than satisfactory and the experiment
was a success. It will be repeated next year with increased programming and better visibility.
9. EVENT REPORT | Pixel Animation and Cartoon Connection 8
A HALF-DAY WISELY SPENT
The speakers and panel discussions at Cartoon Connection were designed to provide
useful information to help producers make their efforts as successful as possible.
This year, sessions included hints on navigating the various editorial rules and policies
of broadcasters in Canada and Europe.
Presented by
BROADCASTERS EDITORIAL POLICIES (1/3)
Speaker: Sophie Boé, CANAL+
Other participants on the panel who do not appear on the picture: Telidja Klaï, Ketnet/VRT - Rachel Marcus (Moderator)
BROADCASTERS EDITORIAL POLICIES (2/3)
Speakers from left to right: Laurent Guérin, Groupe Média TFO - Sarah Haasz, DHX Television - Madeleine Lévesque (Moderator) - Christine Reinaudo
and Lucile Canault, France Télévisions - Elliott Palmer and Aubrey Clarke, BBC Children’s & CBBC.
BROADCASTERS EDITORIAL POLICIES (3/3)
Speakers: Marney Malabar, TVO – Rachel Marcus (Moderator) - Vicky Schroderus, Finnish Broadcasting Company (YLE)
Other participant on the panel who does not appear on the picture: Ian Lambur, The Walt Disney Company – EMEA
COUNTRY FOCUS ON COSTA RICA
Speakers:MichelleCorriols,ExportPromotionAgencyofCostaRica(Procomer)-GustavoMadrigal,MorphoAnimationStudio-MadeleineLévesque(Moderator)
10. 9 Pixel Animation and Cartoon Connection | EVENT REPORT
MASTER CLASSES – QUÉBEC HAS PRIDE OF PLACE
Québécois studios (four from Québec City and two from Montréal) were showcased during the 6th edition of Pixel Animation.
Over 275 participants met at the Québec City Convention Centre to attend the six master classes held on Tuesday and Wednesday,
October 25 and 26.
WORKSHOP: MISSION YETI,
WORK IN PROGRESS
Nancy Florence Savard, President & Producer
GAME OF THRONES: THE SECRETS BEHIND
CREATING AWARD-WINNING EFFECTS
Martin Pelletier, Studio Director and VFX Supervisor
GOING THE EXTRA MILE – TALES OF GLORY
AND DEFEAT FROM THE TRENCHES
Chris Kirshbaum, Character supervisor and animation lead
BALLERINA, THE MAKING OF
Ted Ty, Animation Director Laurence Vacher, Head of Production Benoit Blouin, Head of CG / VFX Supervisor
MAXI: PANEL DISCUSSION ON PRODUCING AN ANIMATED SERIES IN MOBILE FORMAT FIRST
Marie-Michelle Laflamme, Artistic Director André Kadi, Director of MaXi
RIGGING APPROACH AT SQUEEZE – ADAPTING TO BETTER
SURVIVE THE CHALLENGES OF PRODUCTION
Renaud Lessard Larouche, Technical Director
11. EVENT REPORT | Pixel Animation and Cartoon Connection 10
A HERITAGE MOMENT: OPENING EVENT
AT LE MONASTÈRE DES AUGUSTINES
THE WELCOME DINNER WAS SERVED IN THE NOVICIATE ROOM
Nancy Florence Savard, 10th ave Productions Monique Simard, SODEC
Mélanie Hartley, Téléfilm Canada Maurice Boucher, Canada Media Fund (CMF)
Presented by
THE COCKTAIL WAS HELD IN THE VAULT OF THE MONASTERY
Presented by
12. 11 Pixel Animation and Cartoon Connection | EVENT REPORT
AT THE AQUARIUM OF QUÉBECCartoon Connection ended its 2016 eddition with a delicious breakfast and a visit of the Aquarium sites. Many participants
reconnected with their inner child. But then again, when you work in animation your inner child is never very far.
Presented by
AT IMPÉRIAL | BELL
AN UPLIFTING SUPPER-SHOW
Presented by
Jose Inesta of Pixelatl turned himself into a true Québec fiddler
with his plaid shirt and “coonskin cap”.
Radio-Canada’sNathalieChamberlandbeingseducedtothemusicfroma
saw?!?
Laurent Guérin of TFO took a musical fishing trip. An acrobatic moment from the Famille Painchaud’s performance to music
from Top Gun.
Participants at breakfast in the Alizé Room at the Aquarium with a superb view of the Québec City Bridge Everyone finds their inner child at the Aquarium.
Oh, jellyfish!
13. EVENT REPORT | Pixel Animation and Cartoon Connection 12
POSITIVE FEEDBACK
“…JustwantedtosendanoteofthanksforlookingafterourarrangementsatCartoonConnection2016 !
Wehadagreattimeandmetlotsoffantasticpeople/contactswewillkeepintouchwithinthefuture.
I appreciate all the hard work that went into looking after us all.”
-StuAker,Director,Programming,DHXTelevision
« Thank you ! I had a blast ! Hope to see you again sometime. »
-ChrisKirshbaum,CharactersupervisorandAnimationLead,Cinesite
« … je tenais à vous remercier à nouveau de nous avoir offert une plateforme
comme Cartoon Connection pour le lancement de MaXi. Merci également pour votre disponibilité, vos
efforts et votre engagement à faire de cette soirée un succès. Nous n’aurions pas pu espérer de meilleurs
partenaires pour faire rayonner MaXi, Frima et Groupe MédiaTFO. Je suis vraiment content que tu aies
propose cette idée à Annecy mon cher Louis;)
Je tiens aussi à vous féliciter pour l’ensemble de l’évènement (j’inclus Cartoon et Pixel),
organize de main de maître.Vous avez fait du sacré bon boulot. »
(... I wanted to thank you again for offering us a platform such as Cartoon Connection for the launch
of MaXi.Thank you also for your availability, your efforts and your commitment to the success of this
evening.We could not have wished for a better partner to help promote MaXi, Frima and Groupe Média
TFO. I am very happy you proposed this idea in Annecy my dear Louis ;)
I absolutely want to extend my congratulations for the whole event (includind Cartoon and Pixel),
that were masterfully organized.You all did a brilliant job.)
-RenaudSylvain,MarketingSpecialist,Frima
“Procomer, nuevamente agradecerles todo el esfuerzo que tuvieron que hacer, para
que lográramos participar al menos el ultimo día, para nosotros fue un éxito total, solo haber estado este
ultimo día hemos realizado un trabajo de networking muy interesante.
Esperamos que nos sigan invitando a todos los eventos que tengan que ver con la industria de Diseño y
Animación Digital, desde ya cuenten con Journey Animation Studio para cualquier requerimiento que
tengan en sus actividades regulares.
Cualquier publicación que estén por lanzar nos interesa participar de ellas, con el mismo esfuerzo y
empeño como lo demostramos en este evento Cartoon Conection 2016, Dios primero y en la medida
de lo posible así será siempre nuestra participación.
Ademas nuestro agradecimiento al Sr. Embajador don Alberto García, a Julie Liamin y a Micheline
Beaulieu por la parte de los organizadores.”
(We want to again thank Procomer for all its efforts to allow us to participate in the final day of the
festival. It was a total success for us, and a chance to engage in profitable networking activities.
We hope you will invite us to more events related to the digital animation and design sector.You can
count on Journey Animation Studio for anything you need in future for your regular activities.We will also
be delighted to take part in any publications you may be producing, with the same effort and sustained
commitment as we showed during Cartoon Connection 2016.
As much as possible, this will always be our contribution.
We take the opportunity to express our gratitude to His Excellency Alberto Garcia, as well as
to Julie Liamin and Micheline Beaulieu for their excellent work on the organizing team.)
-AlexSalasM.,CEO,JourneyAnimation
A FEW COMMENTS FROMTHE SURVEY
ABOUTTHE MASTER CLASSES
“…Thanks again for a marvelous event.”
“…What a good idea to concentrate more
on studios from Québec.”
“Thanks for what you are doing! It’s really
useful and highly appreciated.”
96 %of participants said that they would most
certainly participate in the next Pixel Animation.
46 %answered that their participation had allowed
them to establish contacts that could help to
develop their professional career.
14. 13 Pixel Animation and Cartoon Connection | EVENT REPORT
ATTENDANCE - PIXEL ANIMATION 2016
Cartoon
2016
connection
Total number
of participants
TOTAL
451 167 284
Canada 20 17 3
Producers 8 7 1
Broadcasters / buyers 11 10 1
Animation professionals 61 61
Animation and video game students 166 166
Speakers 9 9
Médias 10 3 7
Organizers and staff 12 4 8
Volunteers 18 18
Europe 59 59
Producers 46 46
Broadcasters / buyers 10 10
Organizers 3 3
United States 2 2
Broadcasters / buyers 1 1
Producers 1 1
Latin America 18 18
Producers 16 16
Broadcasters / buyers 2 2
Asia 2 2
Producers 2 2
15. EVENT REPORT | Pixel Animation and Cartoon Connection 14
GOOD FOR
THE ECONOMY
ACCOMMODATION
245 nights at the Hilton
21 nights at the Delta
12 nights at the Best Western
5 nights at the Palace Royal
3 nights at the Château Laurier
FOOD SERVICE
280 dinners served by the Hilton’s caterer
146 breakfasts served by Allegro
Restaurant at the Hilton
888 pastries + 139 litres of coffee
+ 300 pieces of fresh fruit + 68 litres of juice
+ a cocktail party for 300 persons + 44 dinners
for the officials served by Capital HRS
1 cocktail party and supper served by the caterer
at Le Monastère des Augustines for140 people
75 breakfasts served by the Aquarium du Québec
1 supper for 160 persons served by Le Cosmos
catering service
SUPPLIERS OF SERVICES
212 words translated by Prose Communication
Various graphic design services by Cinquante-Cinq
and Mentormédia
Simultaneous interpretation provided
by America Interpretation inc.
Technical facilities provided by Freeman
Internet provided by Miro Informatique
SUPPLIERS OF GOODS
500 accreditation lanyards purchased
from Promo Dynamique
52 tablecloths rented from Capital HRS
400 accreditation cards + 400 tickets
+ 225 booklets + 55 numbered cards
+ 200 advertising cards printed
at Copies de la Capitale
40 gift packages purchased at Compliments
de Belle-Maman
23 bistro tables and 63 stools rented
from the Québec City Convention Centre
TRANSPORTATION
160 international flights
34 domestic flights
49 shuttle trips (airport-hotel-airport)
provided by Maple Leaf Guide Services
6 buses for local transportation provided
by Autocar Excellence Inc.
Lovely jellyfish at the Aquarium du Québec
Tourist spinoffs worth
$425,000
16. 15 Pixel Animation and Cartoon Connection | EVENT REPORT
WE THANK OUR PARTNERS
17. EVENT REPORT | Pixel Animation and Cartoon Connection 16
During the evening at Impérial | Bell presented by Frima, Louis Leclerc surprised everyone with his dance moves. His infectious enthusiasm got everyone on their feet dancing.
PIXEL QUÉBEC TEAM
Louis Leclerc, Executive Director
Micheline Beaulieu, Logistics Director
Jessika Munger, Volunteers and Logistics Coordinator
Jean-Sébastien Brousseau, Media/Press Relations
Christopher Noël, Assistant
ÉQUIPE CARTOON
Yolanda Alonso, Director of Cartoon Connection
Joëlle Kessenne, Event Coordinator
Hélène Mambourg, Communications
VOLUNTEERS
Alexandre Caroussos
Alexandre Pouliot
Anne-Marie Ouellet
Baptiste Gilistro
Camille Dion
Charline Jamain
Corinne G.-Villeneuve
David Le Quéré
Émile Morissette
Line Vernier
Loana Mons-Féral
Marie-Élyse Drolet
Mathilde Fleury-Dufour
Mélody Éthier-Provost
Patricia Dompierre
Philippe Toutant
Rebecca Cortés
Sophie Bertrand
PHOTOGRAPHERS
Hélène Mambourg Christopher Noël
Pixel Animation
Cartoon Connection
LE CLAP
Facebook PIXEL
LinkedIn PIXEL
Twitter PIXEL : @pixelqc
Flickr CARTOON
18. 17 Pixel Animation and Cartoon Connection | EVENT REPORT
PIXEL ANIMATION - PROGRAMME - OCTOBER 24-30, 2016
Québec City Convention Center - 1000 boulevard René-Lévesque Est, Québec / Cinéma Le Clap - 2360 chemin Sainte-Foy, Québec
Monday-24 Tuesday-25 Wednesday-26 Thursday-27 Friday-28 Saturday-29 Sunday-30
AM
Cartoon
Connection
Cartoon Connection Masterclass Cartoon Connection Masterclass
Cartoon
Connection
Films Films Films Films
8:55 - 11:00
Conference
“Broadcasters Editorial
Policies” - 2 panels
(Room 306)
9:00 - 10:20
One-on-one meetings
(Urbain Space)
9:00 - 10:15
“Squeeze Rigging
Approach : How to adapt
to keep up with the
production challenges”
Renaud Lessard Larouche,
Squeeze
(Room 306AB)
9:00 - 11:30
Breakfast
and visit of
Aquarium
of Québec
11:00 - 11:30
Costa Rica Esencial
coffee break
(Hall 310)
10:20 - 10:40
Costa Rica Esencial
coffee break
(Hall 310)
CC Awards Deliberations
(Room 310)
10:15 - 10:45
Costa Rica Esencial
coffee break
(Hall 310)
11:30 - 12:45
Conference
“Broadcasters Editorial
Policies” - panel #3
“Country Focus on Costa Rica”
(Room 306)
10:40 - 12:20
One-on-one meetings
(Urbain Space)
10:45 - 12:00
“Game of Thrones : The
secrets behind award
winning visual effects”
Martin Pelletier, Rodeo FX
(Room 306AB)
NOON
12:45 - 14:15
Lunch
(Room BBB, Hilton)
12:00 - 14:00
Lunch
(Room 310)
12:20 - 13:35
Lunch
(Room BBB, Hilton)
12:00 - 14:00
Lunch
(Room 310)
PM
14:20 - 15:49
One-on-one meetings
(Urbain Space)
14:00 - 15:15
“Atelier : Mission Yeti,
work in progress”
NancySavard,10thAve
(Room 306AB)
13:40 - 15:00
One-on-one meetings
(Urbain Space)
14:00 - 15:15
“Going the extra mile --
Tales of glory and defeat
from the trenches”
Chris Kirshbaum, Cinesite
(Room 306AB)
15:00
Kahlil Gibran’s
The Prophet
(Le Clap)
13:00
Kubo et l’Épée
magique
(Le Clap)
13:00
Kubo and the
Two Strings
(Le Clap)
15:40 - 16:10
Costa Rica Esencial
coffee break
(Hall 310)
CC Awards
Deliberations
(Room 310)
15:15 - 15:45
Costa Rica Esencial
coffee break
(Hall 310)
15:00 - 15:30
Costa Rica Esencial
coffee break
(Hall 310)
CC Awards Deliberations
(Room 310)
15:15 - 15:45
Costa Rica Esencial
coffee break
(Hall 310)
15:00
A Town Called
Panic: Double
Fun
(Le Clap)
15:00
Khalil Gibran
Le Prophète
(Le Clap)
16:10 - 17:30
One-on-one meetings
(Urbain Space)
15:45 - 17:00
“Ballerina, the
making-of the
animation”
Ted Ty, Benoit Blouin
& Laurence Vacher
L’Atelier Animation
(Room 306AB)
15:30 - 17:10
One-on-one meetings
(Urbain Space)
15:45 - 17:00
“MaXi:Panelonthe
production
ofananimationseries
conceivedfirstlyfor
mobiles”
Marie-Michelle Laflamme
& André Kadi, Frima
(Room 306AB)
17:10 - 17:25
CC Awards Deliberations
(Room 310)
EVENING
18:30
Cocktail and
Welcome Dinner
(Monastère
des Augustine)
19:00
Frima Night
Dinner & Music Show
from Painchaud Family
(Impérial | Bell)
17:00
MaXi Interactive Cocktail
FMC/Frima/TFO
(Hall 310)
19:30
Miss Hokusai
(Le Clap)
17:00
Miss Hokusai
(Le Clap)
17:00
Khalil Gibran’s
The Prophet
(Le Clap)
17:00
Miss Hokusai
(Le Clap)
17:10
Cocktail
17:30
Announcement of the Cartoon Connection Awards
Winners
(Urbain Space)
20:30
A Town Called
Panic: Double
Fun
(Le Clap)18:00
Premiere of “MaXi”
(Room 306AB)
19. EVENT REPORT | Pixel Animation and Cartoon Connection 18
CARTOON CONNECTION – BECAUSE A PICTURE IS WORTH A THOUSAND WORDS