The document outlines various principles of photography composition, including the rule of thirds, patterns, balance, and contrast. It discusses techniques for emphasizing elements within a photograph, such as breaking patterns and achieving different types of balance. Additionally, it covers concepts of movement in photography, including suspended movement and motion blur, to enhance visual storytelling.

1. PHOTOGRAPHY
COMPOSITIONS
SUBMITTED TO :
MR.SAI KRISHNA
MRS.SHAYLA
MRS.LALITHA DEVI
SUBMITTED BY :
D.HEMANTH KUMAR
19011BA036

2. RULE OF THIRDS
 Rule of thirds is a guideline which
applies to the process of
composing visual images.
 The concept behind the rule of
thirds is the human eye focuses on
center.
 In rule of thirds 2 vertical and 2
horizontal lines, so the focus
placed at the center to capture the
detail in the photograph.
RULE OF THIRDS

3. EMPHASIZING THE PATTERN
 The idea of repeating something
can seem boring. But the human
brain actually likes patterns.
 They are great focal points for
viewers.
 Patterns in photography create
attention. Think of something easy
to overlook. When framed to
highlight the pattern.
PATTERN

4. BREAKING THE PATTERN
 The break can be achieved by
introducing an element in a
contrasting color, with a different
shape or texture.
 Removing one of the elements
that make up the pattern can also
work. Focus on the break to create
emphasis.
 The pattern consists of different
pattern, shapes, and colours etc.
PATTERN

5. FORMAL BALANCE
 The most obvious type of balance
is one in which the image is
identical on the left and right
halves.
 Perfect, pixel-level.photo is more
than enough for us to notice a
balanced composition
BALANCE

6. INFORMAL BALANCE
 It’s a concept that can be difficult
to be specific about because it can
be achieved in a variety of ways.
 Simply put, informal balance
occurs when dissimilar elements
balance each other out on each
side of the frame. The size of each
element can be irrelevant.
BALANCE

7. RADIAL BALANCE
 Elements spaced equally around a
central point, like spokes on a
wheel.
BALANCE

8. UNITY
 Describes the visual relationship
between elements in
a photograph.
 It helps create a cohesive image.
Using similar colors or tones,
concepts or elements cultivates a
sense of unity.
UNITY

9. CONTRAST
 In photography is the visual ratio
of different tones in an image.
 This difference is what creates the
textures, highlights, shadows,
colors and clarity in a photograph.
TONAL CONTRAST
 difference in bright and dark areas
in a photo.
 This composition is what makes
the subjects within the photo
appear defined or undefined.
CONTRAST

10. HIGH CONTRAST
 A high contrast image has a wide
range of tones full of blacks and
whites with dark shadows and
bright highlights.
CONTRAST

11. LOW CONTRAST
 A high contrast image has a wide
range of tones full of blacks and
whites with dark shadows and
bright highlights.
 A low contrast image blends light
and dark areas, creating a more
flat or soft photo.
 There are hardly any highlights and
shadows and the images are
composed mostly in shades of
gray.
CONTRAST

12. COLOUR CONTRAST
 Color contrast has to do with how
colors interact with one another
where they lie on the color wheel.
 The photo’s looks so attractive due
to contrast balance which adds
more depth to colours.
CONTRAST

13. MOVEMENT
 Movement in photography
describes the relationship
between the camera’s shutter
speed and a subject.
SUSPENDED MOVEMENT
 Suspended movement illustrates
one of the camera’s most
remarkable attributes.
 The ability to freeze a literal split
second, to capture details
imperceptible to the human eye.
MOVEMENT

14. MOTION BLUR
 motion blur can be a striking
representation of dynamic energy
when incorporated deliberately.
 motion blur, usually produced at
very slow shutter speed.
 The photo captured while it is
motion looks blur due to its slow
shutter speed.
MOVEMENT

15. Visual flow
 Visual flow is dynamic, continuous,
and unforced. Repeating elements
can establish rhythm and build
momentum to carry the eye from
one point to the next.
 Visual flow takes the viewer’s eye
on a graceful, often gently
meandering, visual journey
through photographic
composition.
MOVEMENT

16. THANK YOU