The document examines synaesthetic metaphors and analogies in Patrick Süskind's work, particularly the olfactory experiences of the protagonist, Grenouille. It discusses how Grenouille perceives a girl's scent in a deeply sensory manner, indicating a profound connection between smell and the essence of beauty. Additionally, it references various scholarly works that explore the relationship between literature, film, and sensory perception.

1. Exploring the concept of synaesthetic metaphors and analogies P erfume

2. Patrick Süskind In his olfactory imagination Grenouille saw this girl as if in a picture (…). She had dazzlingly white skin. She had green eyes. She had freckles on her face, neck and breasts… that is (…) this girl did not even have breasts in the true sense of the word. She barely had the rudimentary beginnings of breasts. (…) The sweat stood out on Grenouilles forehead. He knew that children did not have an exceptional scent any more than green buds of flowers before they blossom. This child behind the wall however, this bud still almost closed tight, which only just now was sending out it’s first fragrant tips, unnoticed by anyone except by him, Grenouille. This child already had a scent so terrifyingly celestial, that... ones it had unfolded it’s total glory it would unleash a perfume such as the world had never smelled before.

3. Patrick Süskind Metaphor Synaesthetic Metaphor

4. Tom Tywker

5. Tom Tywker Synaesthetic Methaphor Visual Content Colour Sound Analogy

6. Appropriation Süskind influences Tywker Tywker influences the audience

7. The unfilmable film…

8. Literatuur Lara Fliegel, The Philosophers Magazine No. 45, 2009 Martine Beugnet, Cinema and sensation; French film and the art of transgression, 2007 Sean Day, Synaesthesia and Synaesthetic Metaphors, 1996 Trevor Wittock, Metaphor and film, 1990 Charles Forceville & Eduardo Urios-Aparisi, Multimodel metaphors, 2009